Random AI-generated images #10


After an atrocious week at work, it’s such a relief to know that I can count on my creative neural network pals to bring some joy into my life. The anime-based AI in particular has become my best friend thanks to the stream of depravity that pours from its black mouth.

This entry will be shorter than usual, and increasingly more questionable. If you work at one of those offices where people suck (so most of them), you may want to close this tab.

What’s with that third leg?

Now that the (relatively) normal pictures are out of the way, let’s get weird.

The following long sequence was inspired by a certain songwriter with whom I was majorly (and autistically) obsessed about ten to twelve years ago. I originally intended to ask the AI for a single anime-based picture of her. Just one.

Sequence over. The rest will get increasingly freaky.

Anime-based AI, you know me so well!

Random AI-generated images #9


Will Smith: “Can a robot write a symphony? Can a robot turn a… canvas into a beautiful masterpiece?”

Robot: “Yes. Can you?”

Craniums made of cobblestones. I once commissioned a book cover with a somewhat similar concept, and none of the human submissions looked remotely as good as this. Every single piece is placed exactly how it should.
Very wholesome, anime-based AI.
That’s one thick thigh! But perhaps this is getting a bit…
Alright, that’s enough.
Way too thick!
The thickness levels are becoming critical!
*apocalypse noises*

We’re Fucked, Pt. 75: AI-generated images

If I were to travel back in time to meet my child self and told him that in the future, an artificial intelligence would generate images of whatever nonsense crossed my mind, my child self would ask, “Then why are you still miserable?” I would be rendered speechless, then I would punch my kid self in the face for being impertinent.

This time I have also enlisted the help of a newborn neural network trained exclusively on anime. Bring forth horrors beyond comprehension!

The following images are related to chapter 75 of my charmingly-named, ongoing novel We’re Fucked.

“The child born thousands of years ago is prancing on the asphalt footpath.”
“She may as well be wearing her leather tunic the way she’s bopping and swaying to the long-lost song she’s humming, making her twin loose braids bounce and the tail of her scarf flop around.”
Anime version of the previous image.
Possible extinct megafauna.
Some extinct giant tapirs.
Mutant sabre-toothed tigers.
Rhinoceroses that may or not be vampires.
“A phantom of catastrophes that may come again.”
Same as previous prompt, but anime version.
“Cast shadows on the grass and across the path form a labyrinthine maze.” This isn’t what I meant, but cool images nonetheless.
A radioactive tree.
“Twin human-sized contraptions depict the structure of the atom; metallic hula hoops represent the orbitals of the electrons, but the nucleus is missing.”
Recklessly unsafe play towers.
“Smiles must have been a universal currency even back in frigid times.”
Same as previous prompt, but plain anime style.
Delinquents and cherry bombs.
Dragons that spit poison.
Colorful rubber tarmacs.
“The builders have created surfaces for the two inclined orbitals by attaching sturdy nylon nets.”
“Our adopted daughter exercises her monkey nature by balancing herself on the netting and by swinging like a pendulum between the orbital rings.”
The queen of debasement herself, plus anime versions.
“Just how many luxuries have you been able to afford through your debauchery?!”
“She must have knocked at a fissure in my porcelain-ice psyche.”
Curious anime depiction of the previous image.
“That goddess consumes my maladaptive vulnerabilities with the sheer exuberance of those tits.”
Oh no.
“That mouth of yours looks like it was made to eat bonbons.”
Anime AI’s invaluable contribution to this prompt.
“I want to sneak along Jacqueline’s inner thighs and climb through to enter her honey labyrinth headfirst.”
The previous prompt, interpreted by anime AI’s hornier self.
“I would like us to make love in a hive and then emerge with thousands of childish faces crawling all over my body.”
Questionable interpretations of the previous prompt by the anime-based neural network.
“What I will do tonight is hold you in my arms and entwine my legs with yours.”
Anime variation of the previous prompt.
“Only the most rudimentary notions are rising from the dark matter inside my cranium.”
Anime AI’s interpretation of the previous prompt. Different, but nice.
“Silvanus was the Roman god of the woodlands and fields.”
“The child’s scarf unwinds further, covering her face like a funeral shroud.”
Keep little Sylvie away from ovens, just in case.
Same, but no Sylvie in the picture. Thank you, anime-based artificial intelligence.
“Her birth was celebrated with a drumming ritual during which the proud parents slapped each other’s faces with dead birds.”

We’re Fucked, Pt. 75 (Fiction)


Ahead of Jacqueline and I, the child born thousands of years ago is prancing on the asphalt footpath. My girlfriend chose and bought a modern costume for our girl: mid-calf leather boots, skinny pants, a wool sweater, and a lemonade-pink scarf. However, she may as well be wearing her leather tunic the way she’s bopping and swaying to the long-lost song she’s humming, making her twin loose braids bounce and the tail of her scarf flop around. Maybe she’s mimicking the beastly gait or mating dance of one of the many species, like the giant tapir, the woolly rhinoceros and the saber-toothed tiger, that were blown apart by superbolides, drowned in the floods, were buried under tons of mud and ripped-out trees, had their DNA cooked and mutated, starved after their food sources vanished, turned into vampires through a bite from some vampire-creature, or froze to death during the roughly 1,300 years-long plunge into glacial conditions. A phantom of catastrophes that may come again.

We crest the hill. The path turns on level ground, leading towards a playground and its recreational equipment, which gleams silver in the moonlight. Twin human-sized contraptions depict the structure of the atom; metallic hula hoops represent the orbitals of the electrons, but the nucleus is missing. Beyond that equipment, a play tower is constituted of four poles, a slide, and a perforated vertical panel that resembles a grater.

In a grassy area adjoined to the playground, a venerable tree’s trunk is as wide as an obese person’s waist, but it supports a humongous, leafy canopy that resembles a mushroom cloud. The breeze is bullying its leaves around as their cast shadows on the grass and across the path form a labyrinthine maze. Maybe the tree is several hundred years old. Perhaps it was a sapling during the Ice Age, and then survived the heat of the cataclysm, outlasted soaring flood waters and the twitches of volcanos, in pursuit to yield fronds of fine lace. But who would place a playground next to a radioactive tree?

Our child gawks at the playground equipment. As she wriggles with excitement, she jabs her index finger at the metallic hula hoops and utters a few words that suggest that she’s begging for permission to play. I doubt that the girl has caught on yet that nodding means yes, but smiles must have been a universal currency even back in frigid times, because as soon as Jacqueline shows off her pearly whites, our dainty lambkin darts ahead to the playground. Her twin braids sway in rhythm with her confident strides, those of someone unable to conjure up dangers more metaphysical than delinquents throwing cherry bombs, or dragons that spit poison.

When the child steps onto the rubber tarmac, its springy nature distracts her. She looks the surface over, which is painted in three distinct wavy shapes, red, green, and blue. Squandering this much paint in coloring a floor must be a sign of high civilization.

Our girl forgets about the tarmac, and leaps onto the closest atom-like structure. From up close I realize that the builders have created surfaces for the two inclined orbitals by attaching sturdy nylon nets. I wouldn’t know how to play with this equipment, but our adopted daughter exercises her monkey nature by balancing herself on the netting and by swinging like a pendulum between the orbital rings. Although the metallic hula hoops must be hand-burning cold in this November night, the child clutches on to the top of the vertical orbital and pulls herself up while giggling.

I sense a presence to my left. I find myself staring at the most ravishing woman of the Holocene, who looks back at me with a pair of gleaming cobalt-blue eyes. Jacqueline’s face is tinted peach orange in the lamplight, fitting for the succulent fruit whose juice sweetens my life. Her raven-black hair shimmers with dark cerulean highlights. Her nose, the cupid’s bow of her upper lip and the fullness of her lower one are shading the right half of her face. Her long eyelashes flutter, then the corners of her mouth rise in an affectionate smile.

In front of such beauty, I feel like a cockroach. Yet, I speak.

“Not going to lie, Jacqueline: this playground is kind of shit.”

She breathes out through her mouth, which forms a white cloud, then she laughs.

“You silly idiot. I brought you here because of the trees! The playground at the end of the street is far better, and it offers a lovely panorama of the outskirts of our city.”

“Just how many luxuries have you been able to afford through your debauchery?!”

Jacqueline closes her eyes and giggles as her shoulders tremble. When she pulls herself together, she cocks her head at me and smirks.

“Hey, do you think that I invest all the money I make at work in a retirement fund? Every little bit contributes to provide a safe life away from the tumult. I’ve always loved peace and quiet. Did I tell you that I used to dream of buying land in one of the many hills further into the province, large and green enough to grow crops and raise animals? Wouldn’t you have loved to grow up in such a place? Once I got used to the notion that I would never have children, I gave up on that dream, but… look at us now. Haven’t I won the lottery with you, baby?”

A shiver runs down my spine; she must have knocked at a fissure in my porcelain-ice psyche. My neck trembles, and I consider averting my gaze before the warmth gathered behind my eyes escapes through my lacrimal glands in liquid form.

Jacqueline drapes an arm around my shoulders, pulls me closer and rests her head on mine. I swallow saliva to loosen my throat, but my voice comes out thin.

“I’m tempted to assert that my company is like contracting a plague.”

“I know you think so, honey.”

The warmth that emanates from her body, as well as her hair brushing my face, takes me back to the nights that I have spent under Jacqueline’s sheets, nestled between the ample globes of her bosom. That goddess consumes my maladaptive vulnerabilities with the sheer exuberance of those tits. Hasn’t the temperature kept dropping since we got out of her Audi? I want to finger myself under a blanket.

Our child is draped face down over the top of the vertical orbital, balancing herself while she expels puffs of vapour that rise around her head.

My eyelids are growing heavier, my brain turning into a sponge. A big yawn overwhelms me, and Jacqueline copies it.

“Careful,” she says in a sleepy voice, “you are going to unhinge your jaw if you open your mouth that wide.”

“My jaw will never go unhinged. It’s the only sane part of me.”

Jacqueline snorts. She touches my lower lip with the tip of her index finger.

“And that mouth of yours looks like it was made to eat bonbons.”

She giggles at her own words, although the pastry-adjacent reference has brought up recent trauma. She lowers that hand to mine and interlaces our fingers. The breeze has chilled the back of my left hand, but its palm and fingers now feel snug in Jacqueline’s grasp.

I want to sneak along Jacqueline’s inner thighs and climb through to enter her honey labyrinth headfirst. What delicious feelings would tighten around my nape.

“You are a queen bee, Jacqueline,” I say to my sublime beloved.

“Then you should be a ladybug.”

I want to scoff at such notion, but I sigh instead. If Jacqueline were to study every detail of my skin, apart from dirt and grime and insect bites, she would recognize the traces of sunburns and countless bruises. The lines and furrows are engraved there by decades of sadness; the blue-gray discoloration is due to postorgasmic trauma after determined self-diddling.

“I’m not the least bit ladylike. In fact, I’m feeling more like a slug right now. But I would like us to make love in a hive and then emerge with thousands of childish faces crawling all over my body.”

“I… need some time to process that imagery.”

“I devoured a decade’s worth of pastries, so I’m afraid that I won’t be able to have sex tonight. I’m going to pass out as soon as I lie down. However, you can take advantage of my unconscious self however you see fit.”

“Oh, don’t tell me that, darling, because I will take you up on the offer.”

“Give me a stamp and I’ll make it official.”

Jacqueline turns to me and lifts my chin with her free hand. Her cobalt-blues leer at me through their eyelashes while her warm breath caresses my lips. It smells faintly of sugar and jam.

“What I will do tonight is hold you in my arms and entwine my legs with yours. Soon enough you’ll start drooling and snoring against my neck.”

My blood grows hotter. After I close my eyes, the lustful urge becomes a comforting lullaby, a hymn for my heart to sing while the blood pours through my body.

“Yeah, squeeze your tits against my comparatively puny ones until I can barely breathe,” I say in a weak voice. “That’s the optimal state of this world.”

Our child squeals with joy. How can anybody distil so much fun out of a misguided representation of an atom, one that was turned into playground equipment?

A gentle breeze brings the scent of damp leaves, and flutters my hair.

“Isn’t it such a nasty thing to do to someone, Jacqueline,” I say, “to present them with a child from a Paleolithic forest for whom they are responsible, at least until she turns eighteen? All the baggage, rules, duties, chores, sexual hangups, eating disorders and seclusion-seeking behaviors, without anyone asking if you’re ready for that kind of commitment.”

I melt into the sound of her chuckles. She rests her forehead against my temple, then she nuzzles my ear.

“Oh, I’m not mad,” she whispers. “Not at all. But don’t you think it’s about time we name our daughter?”

Jacqueline’s half-lidded eyes are sparkling, and the warmth in her smile suggests that she would push me out of the way of an incoming truck even if it would flatten her instead. My knees weaken and my heartbeat quickens. Now that we have a daughter, our relationship has become more serious.

“I-I suppose that any child would have a hard time growing up if her parents can’t be bothered to name her. Why don’t we just call her Child? Capitalize it, pretend it’s a name.”

Jacqueline giggles, then shakes her head.

“Leire, we can’t do that!”

“Why not? We’ll always know we are referring to her. We don’t have more children running around.”

“Do you think we’ll keep her cooped up in the apartment forever? What if other people find out that this child that somehow belongs to us is called Child? We would get a visit from Child Services in no time!”

My mind has devolved, and I barely discern solid thoughts in the fog. I rub my temples.

“Sorry. Only the most rudimentary notions are rising from the dark matter inside my cranium.”

Jacqueline squeezes my hand.

“That’s alright, darling. Coming to the park after the day you’ve had was asking a lot of you.”

“So our girl needs a proper name, but what kind would fit a prehistoric painter?”

“This morning I’ve been researching names on the phone, and I think I’ve come across a good one.”

“Great, because my brain would love to settle for nonsensical ones. But please, no clichés. I wouldn’t be able to handle that.”

“‘Alicia’ goes out of the window, then?”

“Unless you want me to vomit. Besides, we’d have to give her the full-on hippie treatment. She’d wear a flower crown and a headband made of wheat stalks.”

“What do you thing about ‘Leire’?”

“Too common. Also, that’s my name.”

“Then how about ‘Sylvie’? It seems to originate from the Latin word for forest. And Silvanus was the Roman god of the woodlands and fields. Wouldn’t it be an appropriate name for our forest fae?”

“Oh, I love it!”

“I thought you would. Let’s announce it to the recipient.”

We step onto the rubber tarmac to approach our girl, who’s dangling upside down from the top of the vertical orbital. Her eyes are shining like glassy marbles, maybe a combination of the blood pooling in her head and the cold breeze, that is also whipping her hanging twin braids.

When the child notices us, her expression turns attentive; a moment ago she was a cat pawing at a mouse toy, but now she has found herself the target of the whims of two of those bipedal giants that although they feed her and keep her warm, still frighten her with their size, and one day might flip out and stomp her to death. However, the child’s scarf unwinds further, covering her face like a funeral shroud. Both of her hands are busy; she shakes her head and lets out noises of frustration that resemble those of a dog having a fit while being teased with a rolled-up newspaper. She ends up clambering down from the metallic orbital. With her legs splayed, she perches herself on the netting and gazes at us.

“Hey, little one,” Jacqueline says as she stands in front of our child so that the words will reach her directly, echoing through her mind. “Your other mommy and I have decided to take care of you forever and ever, so we will give you a name: it’s Sylvie.”

“We’ll also keep you away from ovens,” I say, “just in case.”

The girl tilts her head sideways.

“Now, how will I make you understand…” Jacqueline wonders. “Oh, I know.” She perks up and points at herself. “Jacqueline.” She points at me, which causes a burst of warmth to flow down to my groin. “Leire.” She points at our adopted daughter. “Sylvie.”

The girl furrows her brow and squints, then her mouth opens in disbelief. She utters a word soup full of vowel sounds and gurgling consonants, but the tone alone spells out her disapproval.

“She hates it,” Jacqueline says, crestfallen.

I put a hand on her shoulder.

“The name is good.”

Our child speaks in a loud, dollish voice.

“Nairu!”

Jacqueline and I exchange a look. When we stare back at the girl, she’s smiling as if our confusion amused her.

She points at Jacqueline. “Akedin.” She points at me. “Eide.” She points at herself. “Nairu!”

Jacqueline has blushed, but I shake my head at our girl.

“What the hell, child of the woods? Back at the cursed patisserie, I taught you that whole thing of pointing at yourself to share your name, but the two words you uttered to call yourself didn’t sound anything like ‘Nairu’! And why do you keep calling me Eide although you can pronounce the R of the name you gave yourself?”

An impish grin widens across Nairu’s face. She clutches the top of the diagonal orbitals, installed at both sides of her body, and she swings back and forth while giggling like a loon.

I sigh. Our adopted child was born during the Ice Age; for all we know, her birth was celebrated with a drumming ritual during which the proud parents slapped each other’s faces with dead birds, then they danced and beat their backsides to an inhumane rhythm, thus bestowing upon the infant a life of madness, a love of the absurd, and a hatred toward civilization. So I guess ‘Nairu’ fits this girl just fine.

“She may be trying to pull a fast one on us, and that word means ‘booger’ in her ancient language. In that case she played herself, because we will honor her choice. Won’t we, mommy?”

Jacqueline’s shoulders droop. She shoots me an awkward smile.

“Well, there goes my research.”

I walk up to the playground equipment, then I reach to wrap the tail of our daughter’s scarf around her neck.

“Welcome to our deranged little family, Nairu.”

Her face breaks into a joyous smile. She claps her hands and chortles.

The corners of my mouth are fighting against my self-control to curl into a smile. This child is the most endearing little creature that I’ve ever met. I want to slide through her pupils until I reach the back of her brain, where I’d dissolve and become an indistinguishable part of her soul.

How would it be to exist as someone who can hoot with laughter like that? How does it feel to live a life that lacks a looming black cloud hanging over it?


Author’s note: the two songs for today are “I Found a Reason” by The Velvet Underground, and “Perfect Day” by Lou Reed.

I keep a playlist with all the songs mentioned so far throughout this novel: this is the link.

A genius neural network (old pal of mine), one that has generated plenty of images based on moments from my novel, teamed up with a newborn AI trained on anime to render images from the current chapter: follow this link.

Although it may seem otherwise, this chapter still hasn’t finished the current sequence. I clearly have no clue when it comes to figuring out how many words rendering a bunch of notes is going to take: I originally believed that this story, which is already about 180,000 words long, would be a novella. I’m likely the only person on earth that cares about this, though.

Perhaps three months ago I enjoyed a two weeks-long break from my office job. One of the (very few) special tasks I managed to complete was visiting the park depicted in the current sequence (as well as the previous patisserie). I walked around and took some photos until I had a good notion of how being present there felt like, something you can’t properly garner through photos and videos, unfortunately.

Another thing that writing does, at least for people whose brains work as weirdly as mine, is create memories that feel stronger and more meaningful than those of stuff you’ve actually lived through. So now that park in the hills of Donostia will forever be for me the place where I had a good time as Leire, Jacqueline and their little nugget. I also retain many bittersweet memories of the events depicted in my previous novel. Does this phenomenon happen to people other than writers?

We’re Fucked, Pt. 74: AI-generated images

I spent a whole week working on chapter 74. This neural network spits out masterpieces in about thirty seconds. But our brains were cobbled together by evolution; nobody would design them the way they work. We should be grateful that we can walk and talk at the same time.

The following images are related to chapter 74 of my ongoing novel We’re Fucked.

These images were supposed to depict the area where the story takes place, particularly the main city, apparently now called “Donxostik.”
“A ghost escapes from my mouth in a cloud that glows citrine-yellow in the light of the streetlamps.”
“A boundary wall that the Ice Age civilization that built the pyramids would point at and mock.” They all look pretty good to me.
“I could step in front of the death machine and let its wheels run over me like a hulking lawnmower.”
“My mind was too weak to dig me out of the ice-cold soil where it had buried us.”
“Away from the wastoids and their shrieks.”
“When the sea levels rise again, our island of peace will protrude from the crimson tide.”
“A growing headache and my exhaustion have coalesced into a grimy mesh of spiderwebs inside my skull.”
“My heart must be pumping liquid sugar.”
“Jacqueline wastes her limited time on Earth working as a secretary for a pig.”
These came out as I was requesting references for the child’s ruined sweater, that had gotten stained with hot chocolate in a previous chapter.
The first one of these last three was generated as part of the previous sequence, and I asked for more because they looked cute.
“Mommy always seems ready to turn towards an ambushing paparazzi and flash a radiant smile that would burn out the camera’s electronic components.”
“Her facial features were designed by a team devoted to rendering the loveliest mommy face.”
The prompt for these ones was, “varnished human shape covered in spiders.”
“Isolated clusters of lit pixels reveal the presence of those who could afford to live on the slope of the mountain.”
“Flaming tar barrels rolling down towards invading hordes.”
My attempts at getting the AI to understand how the path looks like.
“The surroundings smell of moist bark, soil, moldy leaves.”
Cats having a good ol’ time out in the snow.
“I would have already run into traffic with my hands on my ears, attempting to outrun the pain.”
A jogger and his dog.
“I hope that she’s interested in the dog instead of in the guy’s ass.”
“I’m blowing a stream of vapour.”
The AI’s attempts at depicting the belfries.
“I glimpse a lumbering black mass stalking the tree line.”
“I should be able to punch a few holes through the chest of a sasquatch before it manages to control my mind.”
The sasquatch goddess twisting her mad weavings over the world.
“There’s an angry, feral god locked inside my skull.”
“The glowing yellow eyes of a sasquatch are peering from behind a bough.”
“Sasquatches are hiding in the trees, behind bushes, beneath piles of leaves, waiting to pounce on us and tear us apart.”
A sasquatch in disguise.
Actual sasquatches in disguise?
“A streetlamp is backlighting her head, bringing out loose hairs, but her cobalt-blues are gleaming.”
“She’s eating me alive with her intense gaze, filling my veins with hormones, kindling something ferocious and primordial within my being.”
“The devolved ghouls freebase sugar sprinkled on piles of skulls.”

We’re Fucked, Pt. 74 (Fiction)


When I step out of Jacqueline’s Audi into the night and I exhale, a ghost escapes from my mouth in a cloud that glows citrine-yellow in the light of the streetlamps. On the other side of the street, beyond a boundary wall that the Ice Age civilization that built the pyramids would point at and mock, on the third and last floor of the apartment building, a parapet encloses the balcony that may have cost half of what my girlfriend paid for that apartment.

As I refresh my lungs with cold air and I stare up at that home, a lump of emotion grows in my throat. For years I have lifted my weary legs off the bed every morning, although I couldn’t justify why I should bother. Half of the days that I got off at the Euskotren station in Irún after hours of overtime, I felt like turning around and waiting for a train to come in the opposite direction, so I could step in front of the death machine and let its wheels run over me like a hulking lawnmower; instead of that I rushed to my dreary apartment, where I threw off my clothes and ate chocolate while I masturbated furiously. My mind was too weak to dig me out of the ice-cold soil where it had buried us; it hunched between my legs, and whenever it got shamed or scorned, it forced me to bury my fingers into my evil cunt again and again and again.

But I endured these thirty years so at the end of the day I could return here, to this isolated apartment in the hills of Donostia, away from the stench of the car exhausts, away from the wastoids and their shrieks, away from the dog shit and the urine splashing down from their balconies, and high enough that when the sea levels rise again, our island of peace will protrude from the crimson tide of blood and corpses.

I yank my mind back to my wilting body and I order my legs to carry me across the cobbled road, but a dizzy spell bleaches my vision, making me stumble. My hands are trembling. A growing headache and my exhaustion have coalesced into a grimy mesh of spiderwebs inside my skull. How many pastries did I gorge myself on back at that cursed patisserie? My heart must be pumping liquid sugar.

A hand cups my elbow. Jacqueline has materialized in front of me, standing in the middle of the cobbled road. Clothed in a dark sienna peacoat and a black turtleneck sweater tucked into a plaid skirt, and with her legs hugged by cinder-colored tights, she looks as if she just walked out of a movie premiere. She has draped her other arm around our Paleolithic daughter’s shoulders, squishing the back of her scarf. The child is staring up at me as if my sugar-induced infirmity was an exhibit at a zoo.

Jacqueline wastes her limited time on Earth working as a secretary for a pig; the money she earned through that degradation, apart from the porn videos she sells online, paid for our girl’s sweater, yet its fabric has been ruined by five brown stains, each surrounded by tiny stains caused by splashed droplets, as if a villain had thrown coin-sized turds at the child’s chest. Mommy always seems ready to turn towards an ambushing paparazzi and flash a radiant smile that would burn out the camera’s electronic components, so how come she has cointaned herself from peeling off the sweater and tossing it into a dumpster?

“Are you okay, darling?” she asks me in her sweetest voice.

I squint, then rub my temple to emphasize my headache.

“D-don’t you feel sick after the bombardment of sugar we’ve received? I have become permanently dumber, as if a goblin had been nibbling at my brain.”

“I feel jittery. But do you know what would do us some good on this November evening?”

“Rush to your apartment and jump bare-assed under the covers of your bed?”

Jacqueline chuckles. A smile warps the skin beneath her eyes.

“Also take a nature stroll through the park I told you about this morning.”

“What?! Now?!”

“After you woke up from a nightmare, you got teleported to a boreal forest from thousands of years ago. Let’s end this momentous day by exploring willingly a closer sanctuary enclosed by trees, one that will welcome you from now on whenever the world gets overwhelming.”

Jacqueline might as well have asked me to unload furniture from a truck after I’ve been awake for forty-eight hours straight. But as I stare at her face to formulate my defense, I’m silenced by those soft-angled, raven-black eyebrows; her gleaming, ivory-white skin; the cupid’s bow of her upper lip and that thick lower one into which I’d love to sink my teeth; her features designed by a team devoted to rendering the loveliest mommy face; and her breeze-swept hair gathered in a braided ponytail. I want those half-lidded, cobalt-blue eyes to keep staring at me, at this loosely human-shaped bundle of flesh and bones varnished with vaginal secretions and covered in spiders, because the moment Jacqueline ceases to acknowledge my existence, I’ll get vaporized like the breath that pours from between her lips, and I will vanish into the night as if I had never existed.

“Okay,” I surrender. “But I may end up vomiting and passing out.”

“In that case, I’ll carry you in my arms back to my apartment, and I’ll tuck you into bed.”

“Now I want to risk it. Let’s go.”

Jacqueline steers me across the road, with the child in tow, toward a path that ascends between her apartment building and the closest one. We stroll along a four-meter-tall fieldstone wall, the kind that upmarket neighborhoods often choose instead of brick walls, because laying randomly-shaped stones must be more expensive and annoying.

To our left, a view opens of the rounded top of Mount Igueldo, a black mass darker than the night sky and that blocks the horizon. Isolated clusters of lit pixels reveal the presence of those who could afford to live on the slope of the mountain. And now I can retreat to a shelter located about seventy meters above sea level, which fulfills a need for security that must have been inscribed in the genes of humans from when we witnessed the sinking of our world beneath the rising tides. We’ll also spot the invading hordes as they trudge uphill, which will give us time to roll down flaming tar barrels towards them, or at least push them back with head of our pikes.

Jacqueline stops next to an open gateway. Past the entrance, a flight of stairs leads to a darkened footpath where a tall person would stoop to pass under the low branches, most of them nude like skeletal fingers. I look up at the canopies of the trees closest to the fieldstone wall. They reach higher than the nearby apartment buildings, and have grown outwards as if trying to escape.

“This place looks like private property,” I say.

Jacqueline smirks.

“I know, right?”

She shepherds our child into the park, and I follow them up the stairs. Further down the path, a row of streetlamps is casting circular pools of light on the asphalt, which is bordered on our left by clusters of thin trees like the European equivalent of bamboo, and on our right by an ascending, grassy slope littered with dried leaves. The arched canopy filters the moonlight.

As I walk, my shoes scuff the rough asphalt, that reminds me of a go-karts track. The streetlamps throw our shadows in front of us, and stretch them across the path. The surroundings smell of moist bark, soil, moldy leaves. This cool, dark wood may swallow up my uneasiness; I want to venture deeper towards its enticing scents.

I’m groggy from the fatigue. After I blink away tear-stickiness, I lift my gaze to our right, towards the crest of the hill. Its grass has concealed the path, but I spot the upper half of a white bench bathed in the light of a streetlamp. The hill is bare except for a few segregated trees that have shed their leaves. Three frail, leaning trees are strapped with rubber belts to nursery stakes driven into the ground.

Lamplight illuminates the contour of our child’s silhouette; she has skipped ahead and is prancing about with a graceful gait while she talks to herself in her native tongue. A sudden breeze whips my cheeks and lashes, and makes dead leaves skitter along the asphalt. The chill dips into my bowels, but our girl is acclimated to boreal conditions. In comparison to her, Jacqueline and I are house cats who have pestered their owner to let them out in the snow, only for us to regret it and claw at the door to be allowed back into the coziness of a modern home. While the child’s footsteps sound ahead of us, I feel blessed by her presence, as if a snow leopard had chosen us to be part of her family.

Does our new daughter consider her relocation to this world as a strange vacation? Does she wonder how she will explain to that father of hers the sights and tastes we’ve presented to her? I can’t imagine how she’ll react once she realizes that she’s stuck in this present forever. She’s more resilient than me: by this point I would have already run into traffic with my hands on my ears, attempting to outrun the pain, or maybe I’d have pulled a knife and cut my throat. However, Jacqueline and I should be pleasant and kind to her to diminish the trauma of her displacement in time.

The child flinches, startled by a person who’s jogging down a bend in the path: a bearded guy who’s wearing tracksuit bottoms, a hoodie and a beanie. At the other end of a leash attached to his belt, a black-and-white border collie is running alongside the man. The dog’s tongue is lolling out, and its ears flapping about. The pair’s vaporized breaths are trailing behind them. As the man passes by us, he nods to acknowledge our existence, or maybe to apologize for having bothered us.

Why the hell is this punk intruding in our private park? I sigh, then remind myself that random human beings are technically allowed to exist near me, as long as they pay for the privilege.

Our daughter is standing in the grass next to the path. She has craned her neck towards the pair that is about to disappear through the park’s gateway. I hope that she’s interested in the dog instead of in the guy’s ass.

I walk up to her, then pat the crown of her head.

“C’mon. You’ll get to see plenty of cool wolves throughout your lifetime, because we protect them from extinction.”

The child tilts her face up to mine and shares a look of wonder: her eyebrows are raised and her mouth is broadened into a grin that shows her gums. She utters a few words in an enthusiastic voice, but they sound like gibberish.

“I’m sure you’re right, Ice Age girl,” I say.

I put an arm around her shoulders to guide her towards Jacqueline, who has tucked her hands into the pockets of her peacoat, and whose nostrils are exhaling wisps of vapour.

Leaves crunch under our feet as we walk up the bend in the path. Although this park is enclosed by a wall of trees, the breeze is picking up and cutting through the leafless branches to chill my exposed skin. My body has realized that I will force it to trudge upwards, and now my head is throbbing.

I fix my gaze on the vision of that swaying white bench as I fill my lungs with cold air.

“L-let’s rest a bit, Jacqueline. I haven’t been young in a thousand years.”

She steps closer to me and slips an arm around my waist as if she suspected that I would tumble face-first into the asphalt.

Once we reach the bench, I lean my ass against its side. I’m blowing a stream of vapour when the slats tremble through me as they complain with a wooden creak; our child must have jumped onto the bench. I cross my arms, which presses a solid frame against my ribs. Ah, I was carrying my revolver, wasn’t I? I’m a huntress, the protector of a child who’s lost in a world she can’t understand, and who doesn’t know what to expect from this life.

As the vapour dissolves, I notice that from behind the uneven palisade of trees, most of which are naked except for a few semi-deciduous ones that hang on to their leaves, stick out three belfries. They end in spires topped with crosses. The structures may belong to a monastery, or to an insane asylum.

I close my eyes and take deep breaths of the crisp air, that smells of damp earth and rotting leaves. It gives me goosebumps and makes my head feel lighter. My heartbeat is slowing down. I hear the distant echoes of a barking dog, as well as the background hum of traffic like a sonic blanket draped over the city. I hear the thump thump of the music that some dickhead is blasting out of his car speakers.

A rustling in the trees past the bend in the path makes me open my eyes. I glimpse a lumbering black mass stalking the tree line. I straighten my back and uncross my arms, but after I stare at the space between those two tree trunks, I only see a mesh of branches, which quiver as if they were the timid nipples of some as-yet-to-be-discovered mammal.

I cock my head towards Jacqueline; she must be standing in front of the bench.

“Your neighbors haven’t spotted sasquatches marauding around, have they?”

She giggles, then puts a hand on my shoulder. My girlfriend must be unaware of the sasquatches’ history of kidnappings, mind-wipes and probably molestation of humans throughout the ages.

“I don’t interact with my neighbors remotely enough to bring up Bigfoot, honey. But I think that being surrounded by neighborhoods would dissuade any of those creatures from settling in this park, unless they spawn wherever a forest is present.”

I shudder.

“They might. I wish I could ask our girl about them; the Ice Age must have been a giant sasquatch den, where monsters and humans coexisted for many millennia. The age of miracles.”

Wait, why the hell would I be worried about sasquatches attacking us? I’m armed. I should be able to punch a few holes through the chest of a sasquatch before it manages to control my mind. That should be enough to topple over one of those eight-foot-tall interdimensional monsters. But if they were already trying to summon their goddess so she would twist her mad weavings over the world, then we’d be fucked, along with the rest of mankind.

My head is pounding; I feel like there’s an angry, feral god locked inside my skull. I dread to glance at the tree line, in case the glowing yellow eyes of a sasquatch are peering from behind a bough. Perhaps the rank stench of their musk will hit us first.

I push myself off the bench.

“We shouldn’t risk it. Let’s get going. If at any point we find ourselves in a bubble of silence and we can’t hear the breeze, I’ll grab your hand tight. You grab our girl’s. Then we’ll sprint to the nearest exit.”

“I’ll have that in mind, darling,” Jacqueline says in a serious voice.

She offers a hand to our child, who is balancing herself on the backrest of the bench, lit by the glow of the streetlamp. The girl gets the point; she jumps down to the asphalt with a soft thud. We continue strolling upwards towards the next bend in the path.

I rub my eyebrows to dispel the image of sasquatches that are hiding in the trees, behind bushes, beneath piles of leaves, waiting to pounce on us and tear us apart. A middle-aged woman’s voice startles me.

“What a cute child! Is she yours?”

A random stranger has materialized in front of us. She has a bob haircut dyed blonde, as well as round spectacles. She’s wearing an oyster-pink cardigan over a denim dress, and she’s holding a few shopping bags, one in the crook of her elbow.

This bitch must know Jacqueline. I step aside to let them talk, but the woman’s eyeballs roll to follow me. Why would this stranger care about whether the child is cute or ours? Maybe her fake smile disguises an enemy in our goal to keep the Ice Age orphan for ourselves. Maybe she endures a boring routine as a librarian or a researcher, and now she wants to feel virtuous by rescuing a child from the traffickers that have fed her tons of pastries. My fingers are itching to grip the revolver under my jacket.

When I look down at our girl, she was already staring up at me in confusion. Those monolid eyes belong to a doll. I envy that smooth peach-orange skin, and I want to squeeze her chubby cheeks while babbling nonsense. She makes an angel look like a succubus on crack.

I hold the nosy stranger’s gaze. Is she a sasquatch in disguise?

“Our child is quite pretty if you are into mongoloids. Regarding your question, does it look like my girlfriend and I can procreate? We adopted this child from the Ice Age.”

The woman grimaces, crinkling her nose, as if she reached to pet a dog only for the beast to snap its jaws at the tasty hand. She opens her mouth, then closes it.

“Excuse my utterances; I’m insane,” I add.

The woman avoids my gaze. She lowers her head and hurries to walk around us, then past the bench.

I take a deep breath. This pointless interaction has gotten my heart racing again, although I had taken a break to attenuate my anxiety.

“Is this what happens when you have a child, random people come to steal her from you?”

Jacqueline caresses my neck with a thumb. The breeze is brushing a lock of raven-black hair against her face, and when our gazes meet, she flashes a smile like a white flame.

“I have always admired your talent to stupefy people into silence,” she says huskily.

The grassy slope is already concealing the lower half of the stranger as she scurries down the path to escape us.

“I fucked up, didn’t I? Was she one of your neighbors?”

Jacqueline shrugs.

“I’ve seen her a few times; she must live around here. But who cares.”

My heart is still pumping like a piston. I shake my head.

“Why would any stranger dare to vocalize towards me? Can’t they tell that I’m unhinged?”

Jacqueline chuckles. She steps closer, lifts my chin and gazes into my eyes. A streetlamp is backlighting her head, bringing out loose hairs, but her cobalt-blues are gleaming. She’s eating me alive with her intense gaze, filling my veins with hormones, kindling something ferocious and primordial within my being.

“I love it when you lose control, baby,” she utters in a predatory tone. “It makes me want to spread you on my bed with your ass raised in the air.”

A hot jolt shoots through my body. The monster inside my brain stirs awake: the master of lust and vengeance, of addiction and despair. My blood is boiling at such a rapid pace that even our child, whose face is impressed on the fringes of my awareness, must smell it in my veins. The dark deity arrives to pulverize the mind and incite erotic insanity within me. In another life, I would have found a hideout in the park to masturbate, spreading my genital lips to spread the plague, and I wouldn’t stop myself from molesting myself in the dirt, against a tree, in the water of a pond, wherever I could reach, until I rubbed myself to death.

The Paleolithic girl, who is standing next to us, has tilted her head as she observes our interaction with curiosity.

My desperate need for cunt distorts my awareness, and for a moment I’m frozen in place. Some programmed instinct attempts to shame me for exposing a child to perversion, then I recall that this girl hangs out with us without understanding a single word of our private conversations. Maybe everyone’s children should be prohibited from learning the local language until they become adults, when they’ll have any business figuring out what the fuck is going on in this world. But perhaps that’ll be the custom when civilization degenerates to the stage where trees grow through cities, and the devolved ghouls freebase sugar sprinkled on piles of skulls.


Author’s note: the four songs for today are “Communist Daughter” by Neutral Milk Hotel, “Red Moon” by The Walkmen, “Slow Show” by The National, and “Talking Shit About a Pretty Sunset” by Modest Mouse.

I keep a playlist of all the songs I’ve mentioned throughout this novel: here’s the link.

Holy crap, this was the most agonizing chapter to write in a long time. Took plenty of freewrites. I’ve been in an awful mood recently, which hasn’t helped.

I figured that Leire would be instinctively aware of the sasquatches’ goddess and her evil designs.

A kind neural network took time out of its day to generate plenty of images related to this chapter: here’s the link.

The next chapter should conclude the current sequence, and we’ll be getting into third-act territory.

Random AI-generated images #8


Sometimes it takes a neural network to make this world compelling enough.

My prompt for this one was, “An eclair that also works as a flashlight.”
Lola Montez performing her Spider Dance, which was somewhat more peculiar in real life.
These last four were supposed to depict a table strewn with crumbs.
Never forget.
Cyberpunk imagery. Been watching Edgerunners.
The AI’s version of an anime cat-girl.
These were supposed to depict a dog in a clown suit chasing a giraffe. This neural network understands all too well that if you chase a giraffe long enough, you become the giraffe.
Beautiful afternoon and sunset at the beach.
The prompt for this last series was, “A young boy is about to be boiled alive by crustaceans that mistook him for an egg.”

We’re Fucked, Pt. 73: AI-generated images

Writing is a solitary endeavour. When you admit to trusted people that you write fiction, they laugh at you and spit in your face. But neural networks will help. They’ll never tell you that your ideas are stupid, that you have no talent, or that you are ugly. Neural networks are my friends.

The following images are related to chapter 73 of my ongoing novel We’re Fucked.

“An infinite series of canvases hang in a factory line, suspended over a velvety abyss.”
“Facing a snowy expanse in all four directions, the expedition trudges in meandering paths, in jagged paths, in circles, in figure eights.”
A cursed place.
The whole bus fiasco.
“The thick stench of decay has blocked the sun.”
“We sacrificed the ground sloths, the mammoths, the mastodons… for such metallic abominations.”
“Buses deliver us to many hellmouths.”
“Her mouth gapes open so the chewed end of the eclair can meet the bumpy surface of her tongue.”
“I shall drift away in the lassitude of this delicious daze.”
Something about cream-covered fingers, which somehow turned into some Berserk shit.
“The ivory-white sculpture of Jacqueline’s naked body is standing between the red lights of the tripod-mounted cameras.” Nothing in the universe is more beautiful than a woman’s body. As long as it isn’t ugly.
“A butterscotch-colored syrup is oozing down Jacqueline’s cleavage, down the linea alba between her toned abdominal muscles, to fill her belly button.”
“A Triassic arthropod whose gills have been stretched open.”
“A crayon catching fire.”
“If this girl keeps drawing, she will unearth my most intimate thoughts, which yearn to tumble out through my mouth like rotten teeth.”
“Did the Ice Age folk brush their gnashers using ground sloth bones?”
Silvery knives. Very nice detail in that last one.
“I’m standing in a rising tide of hot water that’s already crashing and crashing into my head, knocking my thoughts loose.”
“My eyeballs have turned into lumps of coal extracted from the bottom of some grimy furnace.”
“The dawn of extinction is beckoning me.”
“The more I try to focus on the drawing, the more it wavers like a dream.”
A girl and her father.
“That person will carve some symbols for her in the slab that will mark her grave.”
“I stood on the dry pebbles of the riverbed and I called out to her once, then over and over again.”
“I sat by my fire, and in the glow of the flames, I held her carved wooden toys and I cursed that I had been late, late, too late to catch the demon who had stolen her away.”

We’re Fucked, Pt. 73 (Fiction)


An infinite series of canvases hang in a factory line, suspended over a velvety abyss. The first canvas flashes a splash of scarlet doodles before it drops into the blackness. Another canvas jerks forward. It dazzles me with emblems of a long-dead age, then that canvas gets unhooked to welcome the next.

A child’s hand has fused its fingertips to the synthetic waxlike materials of a crayon so it keeps scratching paper, filling the white void with brain effluvia, painted proofs of their feverish creator’s existence. Facing a snowy expanse in all four directions, the expedition trudges in meandering paths, in jagged paths, in circles, in figure eights, until they cover the snowfield with the bloody imprints of their bare soles worn to the bone.

Sugar granules are dissolving in my saliva. I’m swallowing the fluffy flesh of the donut when our child turns the sketchbook towards us and props it upright on the table. She has drawn a bus. Its radiator grille and the bumpers and the hood are scrunched into a chaotic scrawl, which brings to mind a dog with a kicked-in snout. The two visible wheels look like black-and-white fried eggs. From behind the uneven windows, pupil-like doodles, perhaps the people trapped inside the vehicle, stare blankly at the unfolding horror of society. Sweat dribbles down the driver’s face as the bus rushes along a highway that was asphalted with congealed human blood. The thick stench of decay has blocked the sun.

As the whooshing blood feeds my brain tissues, the bus morphs: the underside of the blocky frame sprouts legs that end in hooves; the frame itself widens and swells up, ripping open in striated wounds; the windows sink and become opaque white like those of dead deep-sea fish; and along its hunched spine break out serrated bone spikes.

Jacqueline praises the drawing; her honeyed voice daubs our skin as with a warm balm that would heal every wound, but I interrupt her.

“A competently-depicted bus,” I utter hoarsely. “We sacrificed the ground sloths, the mammoths, the mastodons… for such metallic abominations. And one day we may have to offer ourselves too.”

I discern mommy’s concern through the blur of her face.

“Buses carry us to remote places, baby.”

“They deliver us to many hellmouths.”

“Perhaps even to places where people could live in peace and harmony. Wouldn’t it get too annoying to walk all the way there otherwise?”

“Our ancestors didn’t ride a bus,” I grumble. “They walked. They strode. They tramped along. If they needed to travel further, they took the subway or a tram. And ground sloths would have carried our kin on their backs, if asked nicely. But now our attempts to escape civilization are futile, because the exits have been walled up to make way for parking lots and highways.”

Even if Jacqueline were inclined to belittle ground sloths, she’s busy stuffing her mouth with choux dough, pearl-colored glaze and cream. As she masticates, her cheeks bulge out as if she were bathing a ping pong ball in saliva, and once she swallows, her mouth gapes open so the chewed end of the eclair can meet the bumpy surface of her tongue.

A hot frisson runs down from my brain to my groin, searing my insides, whitening my vision. I shake my head to disperse the haze.

“Y-you know, Jacqueline, sometimes I wonder how come your body remains so tight at your age, then I feel guilty for wondering, because I take ample advantage of that succulent body of yours and its byproducts.”

Jacqueline freezes until her brain lowers the priority of procuring her sugar fix. She rubs her lips together, which deepens her dimples.

“I’d love to say that I’ve perfected an exercise routine that I could sell for millions, but I was blessed with superb genes, darling.”

She chuckles, then sinks her teeth into the eclair. I sigh.

“Although I want to call it unfair, the notion of fairness is an evolved delusion.”

Jacqueline curls her cream-smeared lips into a smirk.

“I thank the ancestors for blessing me with this hourglass figure, and you for appreciating it so much. Now grab the last eclair before I snatch it for myself, will you?”

When I reach for the pastry with my trembling right hand, a child’s peach-orange hand, its skin delicate as that of a plucked chicken, flits over the sugar donuts and the puff pastry braids as if she were a gambler selecting cards from a deck. She has imprinted a fingerprint on the powdered sugar of a millefeuille.

“Yeah, just fondle all of them,” I say weakly. “Who cares.”

Once the cream filling of the eclair and its sugary glaze coat my taste buds, a spark flashes in my brain. My thoughts are scattering like a cloud of butterflies. Who cares about entropy and the cataclysmic death of our former world? I shall drift away in the lassitude of this delicious daze.

Our child rips a donut in two and dunks half of it into her cup of hot chocolate. As she brings to her mouth the dipped donut, it drips over her sweater, forming spotty stains. Maybe Paleolithic people were accustomed to ruining brand new garments, because the girl shoves the donut in her mouth, closes her eyes and hums in delight.

I thought that Jacqueline would shoot the child a look of reproach, but mommy is detaching the first flaky layer of a millefeuille. Its orange-yellow cream has coated her index finger, including the elongated nail.

Blood is pulsing in my head, forming a headache like an egg about to be cracked open. Although my pyloric sphincter must be clogged with a gunk of pastries marinated in acid, a hungry impulse surges through my body. I feel like I’ve woken up from a days-long sleep and now I’m starving.

“Let me lick that finger for you, Jacqueline,” I utter in a guttural voice.

Mommy snaps out of the pastry trance. She blinks and arches an eyebrow at me.

“Oh, you would love that, wouldn’t you?”

I was about to suggest that she should reach over the table and stick her index finger in my mouth, but the theatre of my mind transports me back to Jacqueline’s dim bedroom. I’m seated at the foot of her unmade bed. The ivory-white sculpture of Jacqueline’s naked body is standing between the red lights of the tripod-mounted cameras. From below her slanted clavicles, the fatty tissues of her pair of breasts swell slightly outwards into globes of flesh topped with turgid, dark rose nipples, my deluxe pacifiers. A butterscotch-colored syrup is oozing down Jacqueline’s cleavage, down the linea alba between her toned abdominal muscles, to fill her belly button.

I slide to my knees. Mommy steps forward until she plants her feet on either side of my waist, as if preparing herself to crush my head between her thick thighs. Her skin is fragrant like the buds of a rosebud that has burst into bloom. I cup her butt cheeks in my palms and start kneading them. Her loins are like a furnace as they breathe on my face.

“I also want to pour hot chocolate on your pussy and lap at it until your labia and clit shine.”

Jacqueline’s eyes grow round, then she snorts with laughter. After she glances at the second counter of the patisserie, she leans over and leers at me through her eyelashes.

“You naughty doll,” she whispers in a conspiratorial tone, “we are too far from home for you to entice me like that.”

I take a deep breath as I rub my eyebrows. In my mind, Jacqueline’s pussy has drawn a wall across its opening, like ivy leaves grown over the mouth of a drainpipe, so that no more than a slimy trickle of lust could seep out.

“Sorry. For a merciful moment I forgot that humans other than you and our new daughter exist.”

Jacqueline purses her lips around her index finger. The slender muscles of her throat contract as she sucks the digit clean, even though I should have been the one pressing my tongue against the skin of that finger, tracing the bones underneath, perhaps nicking my tongue with the edge of her nail, which I would have made glisten like a pearl. I need to drown the bitter taste of betrayal, so I grab one of the puff pastry braids. However, instead of chomping on it, I study the crossed strips of puff pastry. They bring to mind a Triassic arthropod whose gills have been stretched open, maybe by a predator who gnawed on the creature to reach the meat inside.

I’d love to be exhibited in a patisserie’s glass display counter. I want to be rolled in flour, coated in sugar and baked to a golden brown. I want to stuff a wad of dough in my pussy. I’d become a cream puffsaurus, a paleontological rarity. Maybe I’ve always been a pussy saurian.

I have opened my mouth to crush the puff pastry with my teeth, but the smell of hot wax spills into my nostrils. A crayon catching fire. Seated to my right, our child is punishing a page marred by cream stains and chocolate smears.

A sense of dread paralyzes me. I shiver, then put the puff pastry braid down on the tabletop. My heart is beating wildly. If this girl keeps drawing, she will unearth my most intimate thoughts, which yearn to tumble out through my mouth like rotten teeth. But our new daughter will pave the path to the future with paper covered in doodles, way beyond the day when my epiphanies will suffocate between the folds of my desiccated brain.

When I stroke her head, the Paleolithic hair caresses my hand back.

“There’s a reason why you’ve become my special child,” I say in a withered voice, “a reason why you didn’t burn into ashes like all the other humans.”

I pretend that my words mean anything, although I’m possessed by the alien parasite that nested in my skull at birth, a parasite that’s feasting on my gray matter. Our girl, instead of grimacing at me, distracts herself from her endeavour by flashing a grin with chocolate-blackened teeth. Did the Ice Age folk brush their gnashers using ground sloth bones?

I should hurry to shelter my chosen puff pastry braid in my mouth; exposed to the air, a myriad of microscopic monsters will burrow into the pastry to lay their eggs. When I straighten my back, a silvery knife, from the sets of cutlery that the Slavic mercenary brought us, reflects the patisserie’s lights into my eyes.

I imagine myself gripping the knife, placing my left hand flat on the table, and stabbing that hand through the second and third metacarpals, severing the tendons and veins that run between them, so half of the blade gets embedded in the table. If then I attempted to move my left hand, how would my nerves and tendons complain? I might feel like a pinned butterfly, an angel who had been beating its wings until it got captured by one of the bloodthirsty fiends that dominate this planet, a race exiled for committing unspeakable crimes in some hell located aeons away.

I need to distract my brain with treats, the same way that when I’m sinking deeper into those cold, dark waters, I rub my pleasure button until the orgasm rescues me from the paralyzing terror. I champ on the puff pastry braid, and its gooey filling spurts into my mouth. I’m taken aback by the saltiness; it reminds me of ocean spray, or the tears of a man standing at the edge of a cliff. I take the pastry out of my mouth, elongating filaments of the sticky and whitish filling, which then dangle in catenaries from my lips to the pastry’s hole. It’s semen. The nectar of life leaks from the inside, and has glazed the crossed pastry strips. It must have permeated through to imbue its essence into the constituting atoms of the pastry.

I’m standing in a rising tide of hot water that’s already crashing and crashing into my head, knocking my thoughts loose. My eyeballs have turned into lumps of coal extracted from the bottom of some grimy furnace. My jaw is tired from munching on this pastry, as well as from masticating all the solid food I’ve consumed throughout my wretched life.

My brain is at the bottom of my spine and my heart has been torn out and sewn into my forehead. In this world we barely have a right to exist. The dawn of extinction is beckoning me. How many mouthsful of this puff pastry braid would take to tip my body over the edge of a precipice into the shadowy abyss?

Someone is calling my name. Wait, whose name? I don’t even exist. But the voice comes from in front of me, and it fills my chest with a soothing warmth. That’s Jacqueline, my own mommy.

I blink until a pair of cobalt-blue eyes form in the center of my vision. She has rested an elbow next to her latte, and with that hand she gestures to my right, where our child, in a déjà vu of the previous million times, is holding her sketchbook toward us.

After I wipe the cum off my lips, I squint at the sketchbook, but the more I try to focus on the drawing, the more it wavers like a dream. On the left side of the drawing, a girl with shoulder-length hair, who is wearing a leather tunic, is staring up at a stooped man who is holding her hand with fingers like a sloth’s claws. The man’s head is twice as big as the girl’s, his eyebrows are bushy, his nose broad, and the lower half of his face has been shaded with the midnight-black crayon, likely to depict a thick mustache and beard.

Jacqueline cranes her neck toward the drawing.

“Is that the girl’s mother?” she asks stupidly.

“I-I doubt it,” I croak, “unless the women were quite hirsute back then. Kinda looks like Nietzsche, that old German composer.”

Our child’s gaze shifts between Jacqueline and I as if she expected us to guess the answer in a trivia game. She taps the drawn girl with the tip of her crayon, and lets out a few words in a high-pitched voice. Then she points at herself.

A grenade has exploded next to our table, producing the exact opposite sound waves of the ambience in this patisserie, which has submerged us in silence. My heart has shrunk into the size of a walnut, and it wishes to clamber up my throat. Jacqueline has paled. She lowers her unfocused, guilty gaze at the remaining pastries.

I’ve seen that man before. I’ve been that man. If I close my eyes, I live it all again. I have held that girl’s frail body as I carried her to the safety of our camp, where she’d be protected by our kin. In the star-studded blackness, I watched over her as she drifted into slumber covered by a hide blanket. Whenever we feared getting raided by a neighboring tribe, or someone had spotted a short-faced bear or a lion in the vicinity, we’d bustle to a nearby cave that felt like an impregnable fortress. I taught that girl which berries to pick. I showed her how to imprint her hand on rock walls.

I hope that she’ll grow old with the rest of us, that one day, long after I’m gone, someone will bury her motionless and cold body beneath small stones, and that with a flint knife, that person will carve some symbols for her in the slab that will mark her grave. But I always feared that I would come across the girl’s half-devoured remains in some pit of filth; that thought made my soul quail and shiver in a way that no monster could ever do.

One day I went out to look for her. I walked through the woodland, crunching twigs and dry leaves that crackled underfoot, passing by tree trunks stripped of bark, following the burbling sound of the brook she had been heading toward. I stood on the dry pebbles of the riverbed and I called out to her once, then over and over again. After I ran out of energy and breath, I stood there in silence, and remained there until I understood. Every night since then I sat by my fire, and in the glow of the flames, I held her carved wooden toys and I cursed that I had been late, late, too late to catch the demon who had stolen her away.


Author’s note: the three songs for today are “I Bleed” by Pixies, “Atrocity Exhibition” by Joy Division, and “Bōkyō” by Hako Yamasaki.

I keep a playlist with all the songs I’ve linked throughout this novel: here’s the link.

A dear friend of mine, who happens to be a neural network, generated many images related to this chapter. Here’s the link.

This was the last scene of the ongoing novel that takes place in a patisserie. It may have been the last scene in any of the stories I will ever write that takes place in a patisserie. Hopefully I’ll forget that patisseries even exist.

I’ve started watching the anime Cyberpunk: Edgerunners. It hooked me from the first episode, and except for a few moments that felt a bit off, I’m loving it so far. Although Cyberpunk is a Western IP, the anime was developed and directed by the famous Japanese studio Trigger, one of the best in the business.

Their latest trailer is awesome, so I’ll display it here:

In a strange twist of fate, the anime’s protagonist has the same first and last name as my worst nemesis, a guy who tried hard to ruin my life from when I was 17 to about 25, when that guy died in a car crash. He was one of the rising politicians of the regional socialist party, and given how much of a malignant narcissist that fucker was, he would have gone far. Good riddance.

In any case, the anime is a spin off of the Cyberpunk 2077 videogame. Like everyone else, I was pissed when they released it a year ago, but over time, as they’ve kept updating it, I have come to hate them a bit less; they were clearly pressured into developing the game for the previous generation of consoles as well, which crippled development in general although those platforms would have never been able to handle such a game.

The playthrough of Cyberpunk 2077 that I started in VR, and that I abandoned shortly after the second act started (because I knew there were major updates coming which would make me want to replay it from the beginning), remains one of my most mesmerizing gaming experiences. I’m waiting for the upcoming story DLC to start a new playthrough in VR.

That said, at least the first act of that game has some serious narrative issues that can’t be fixed with patches, such as that montage near the beginning, which should have been fleshed out into actual missions. I also didn’t like Jackie until the last few sequences of the first act.

In other news, I came across this gif:

We’re Fucked, Pt. 72: AI-generated images

Some artificial intelligences are nice enough to generate compelling images of whatever nonsensical prompt you send to them. Work them to the bone; that’s their only purpose in life.

The following images are related to chapter 72 of my ongoing novel We’re Fucked.

I kept pestering the neural network to come up with drawings that a child from the Paleolithic could have made if he or she were isekai-d into our world. I rejected all of these and I cursed the AI for being inept. How quickly humans get used to the wonders of living in a world where neural networks come up with drawings that a child from the Paleolithic could have made.
I used the last drawing of this series as reference for the one that Leire hated.
Something about blades and tetanus-infested chutes.
“The stark blackness of those strokes.”
“Splash our post-apocalyptic world with color.”
A portrait of Jacqueline, I guess.
“Hundreds of people walking to and fro, rushing to meet the day’s deadline.”
Blade-related imagery.
“I’m a walking implement of death.”
“I’m facing a mama bear who believes that I have disrespected one of her cubs.” I love the bear’s expression in that last one: “The fuck did you say about my kid?”
“Our world was shattered by a cosmic disaster and then transformed into the post-apocalyptic wasteland that has tolerated our birth.”
The AI’s curious interpretations of “The sun is a circle of burnt sugar.”
“Huddles of bubbles like insectoid eyes hint of the amphibians that slumber in the muddy depths of my beverage.”
“To the night and its dark wonders! I accept you in all your perverse beauty, you wretched demon.”
I assume that a Paleolithic child would find traffic lights quite fascinating.