Review: ‘Ciguatera’ by Minoru Furuya

Four and a half stars, rounded up.

I first came across this author when I read his ‘Saltiness’, that became my surprise hit of the season. Then I realized that one of the series I had passed up on often was also his; many had mentioned his ‘Ciguatera’ on those long lists of “best manga ever”. However, I had ignored it because all the mentions emphasized how much the protagonist cared about motorcycles, and I don’t give a shit about motorcycles. However, the subject of motorcycles could have been substituted here for any other passion that would align with someone’s instincts to the extent that indulging in it would help the person escape from the nonsense that life hurls around.

This story is a slice-of-life / Bildungsroman that follows an unpopular, somewhat unhinged high school kid who isn’t intelligent enough nor talented enough at anything to stand out. He also seems to be as tall as the average girl. As if that life set up for mediocrity wasn’t bad enough, both the protagonist and his best friend are regularly tortured by a local psychopath that some in general terms would call a bully. That guy is the run-of-the-mill psychopathic type that only finds pleasure in abusing others, and it comes naturally and cheerfully to him. The protagonist and his pal understand that they have no choice but endure being the target of that bastard’s whims, and they figure that once they graduate they won’t have to deal with him anymore. The two friends bond over their mutual love of motorcycles, as it allows them to imagine themselves riding into the sunset away from their miserable lives.

A minor spoiler is inevitable: the entire story ends up revolving around the relationship between the protagonist and the girl he starts dating maybe in the first volume. In contrast with many other fictional relationships, particularly at that age, the protagonist is constantly worrying about the future: he has realized that he loves this girl to death, that if she ends up getting sick of his sorry ass and moves on, he’ll eagerly welcome his own demise. He wants to become a dependable man, a well-adjusted member of society, even if he has to work hard to change himself in the process. I thought it was a realistic depiction of what someone with low self-esteem goes through when having to measure up to the person he loves, with all the anxiety and sleepless nights that involves.

I really liked the girlfriend character, but my main complaint throughout this story was that she simply was too good for him. She’s beautiful; has lovely tits; is kind, accommodating and understanding; and it doesn’t bother her that she has more resources than him. As a girlfriend, she’s ideal, so this reeked to me of wish fulfillment. Often I would be on board with that, but not in a story that revolves around how complicated it can get to sustain a normal relationship when life keeps throwing so much shit at you; most other girls would have broken up quite early. The ending, that I’ve read a couple of hours ago, changed my impression of her character, but it’s too soon for me to articulate my feelings on the subject beyond mentioning that it made an impact on me.

Plenty of weird, often episodic stuff happens in this series. Four distinct sequences end in very disturbing stuff that would have potentially scarred the people involved for years to come, but one of the mirrored points of this story is the sense that no matter how terrifying or disturbing the nonsense that life forces you to endure, and that you believe you won’t get over, somehow you adapt and keep shuffling forward.

This series left me cold and unsettled because it illustrated how that lesson also applies to your personal passions or the most important people in your life: even if you can’t imagine yourself existing without them, you wake up some other day and discover that you can keep putting one foot in front of the other, for good or ill.

I vibe with this author’s sense of humor, the odd stuff he comes up with, and how he makes you feel as if you are right there along with the characters as they experience their little lives. I hope to read everything else this guy has made.

Review: ‘Saltiness’ by Minoru Furuya

Behind this unassuming title, I ended up finding the closest thing to a manga masterpiece in a good while.

Our protagonist is deranged a guy in his thirties who lives with his younger sister and their grandfather. They are stuck in the boonies. This is another one of those Japanese stories in which people either live in an isolated town or in Tokyo. Anyway, we quickly realize that our guy isn’t quite right in the head, but it’s never clear if his strange hallucinations are due to intrusive daydreaming or schizophrenic hallucinations. I’d say he’s closer to autistic.

He lives a carefree life of contemplation as the town loon, until his grandfather approaches him to open up about his worries: the protagonist’s sister is an attractive, well-liked local teacher, but she’s quickly approaching thirty and she hasn’t bothered to date anyone. Although our guy has a hard time grasping mundane facts, he can’t deny that he’s at fault. His sister’s kind nature prevents her from focusing on herself instead of making sure that her brother returns home after another afternoon skinny-dipping in the woods. The protagonist’s love for his little sister has been his main drive ever since they were both children (and once we learn later on about their ruinous childhood and what this guy struggled through to keep his sister going, it’s no wonder they became so close).

He realizes that he’ll cause his sister to feel lonely for the rest of her life because she needs to take care of his deranged ass, so he leaves for Tokyo at once. He suddenly finds himself homeless and hungry. Armed with the social abilities of a particularly screwed child, he goes door to door asking to be fed out of the kindness of their hearts.

What follows is a bizarre, unpredictable tale that features a cast of mostly broken outcasts, held together by the protagonist’s boundless willingless to understand people and life itself. Far from a zen-like master, this guy kept surprising me not only with his unpredictability (the shit that came out of his mouth, his casual threats, turning into a sobbing mess because he hurt someone’s feelings), but with how human and vulnerable he remained throughout.

For someone who dislikes humanity as much as I do, it’s rare to finish a manga and feel glad to have met the people within it. A shame that I can barely find anything about this series online, and its abysmal rating on Goodreads is another proof of how stupid everyone has become.

For whatever reason, the following sentences uttered tenderly by the protagonist (to a mentalist who wanted to build a cheese empire) ended up synthesizing this story to me:

“According to the standards of society, [my sister] is a beautiful woman. Not long ago, she still believed in Santa Claus. But now she’s able to impress me with words such as monotheism and polytheism.”

Review: ‘Parasite in Love’ by Sugaru Miaki

This is a review of the whole series (three volumes).

The main concept of this story, which is unveiled slowly so it’s somewhat of a spoiler, resonates with the notion that likely most depressed people have had at some point: that they are inhabited by an alien presence that feeds upon their anguish. But the story goes further: what if that alien presence has actually caused a symbiotic relationship? Although the parasite leads the host to isolate itself and develop troubling compulsions and/or fears (like germophobia or scopophobia), the alien presence also acts as a dam of sorts, consuming the excess anguish that would otherwise overwhelm the host and lead him or her to suicide. Maybe worse: what if love itself is a lie fabricated by these alien presences to manipulate human beings into doing their bidding?

Our protagonist is a germophobic twenty-seven-year-old programmer who develops a virus that will shut off telephone and SMS services during a few days of the Christmas holidays. He rationalizes the fact that he feels lonely during that period, so he would prefer if other people weren’t able to contact their family members or their romantic partners. Some mysterious older guy finds out about his intentions somehow (this ends up having surprisingly little to do with the rest of the plot), so he blackmails him into being the babysitter of a troubled seventeen-year-old girl who refuses to attend her high school classes.

This high schooler suffers from scopophobia as well as misanthropic tendencies that have led her to quit society. Initially it seems that this girl’s “handlers” are partnering her with somewhat like-minded individuals in the hopes that these third parties will end up convincing the girl to go back to school and behave like a proper human. However, the truth is more complicated, hence the parasite thing in the title.

The story ended up being far deeper and philosophical than I expected. However, I was tempted to rate it lower because it never quite nails the execution. Some of the character designs are a bit too samey; combined with some extended flashbacks awkwardly introduced, at times I wasn’t sure if some characters were the same but with different haircuts. I’ve lived plenty of years already but I doubt I’ve gotten that senile, so I suppose that my confusion was due to this manga’s shortcomings. Also, I thought the protagonist was a bit weak. For most of the story there was little more to this guy than his germophobia and his tendency to isolate himself.

I particularly enjoyed the ending. It was bold but subdued in a haunting way.

In any case, good story. I wasn’t too surprised to find out that this author also wrote the manga ‘I sold my life for ten thousand yen per year’, which is great if you are into psychological pain.

Review: ‘Ana Satsujin, Vol. 1’ by Rahson

I can’t find the correlation between volumes and chapters, so I’m not sure how far I’ve gotten into this series, but for now it’s a cool blend of dark comedy and horror. I’m a bit stumped by the abysmal rating for this one on Goodreads; then again, I don’t understand most people’s reasons for anything.

After our protagonist graduated from high school, he failed to get into college. He finds himself living in the archetypical shitty residential building in Japan that is one story tall and with a balcony leading to all the apartments. Any young guy doomed to fail must get shipped to one of these by law.

In any case, the protagonist has run out of money, his utilities are about to get shut off and the rest of his life is a mess, so he figures that he might as well die. He attempts to hang himself from a hook attached to the wall, but his weight ends up tearing the hook and part of the thin wall off, which reveals a peephole into the adjoined apartment. An attractive young woman lives there. The protagonist, intrigued by this development, decides to postpone his death to spy on his neighbor as she sleeps, gets changed, and masturbates.

However, one day a shady-looking older guy follows her home. He pushes her onto the bed and attempts to rape her. Next thing the protagonist knows, because he’s witnessing this through the peephole that has become his private television, his neighbor pulls out a Stanley knife and murders the wannabe rapist. Quite gleefully, too. The protagonist freaks out and hides in the dark, but shortly after, she’s ringing his doorbell. He has nothing else going on, so he lets her in. She’s bringing him leftovers. They enjoy the meal together like good neighbors, while he tries to hide how overwhelmed and confused he feels about this whole situation. That precarious mental state becomes the norm for him at least twenty or so chapters into this thing.

His attractive neighbor kills again and again. She was an accomplished serial killer all along. Because the protagonist can’t tear himself away from the peephole, he witnesses her luring a variety of men home only to slash their carotid arteries open. In the serial killer’s equivalent of lighting a cig after sex, after her victims lie dead, she walks to her neighbor’s apartment to bring him food or cook for both.

One day, though, the protagonist fucks up. In the middle of a kill she notices a flash of light entering through the peephole, and when she looks through it, she finds herself staring into one of the protagonist’s eyeballs. Our guy is terrified. This accomplished mass murderess is now aware that he has witnessed at least one of her crimes, and he’s too reclusive and powerless to defend himself or rely on outside help. Will this lead to his demise, to a beautiful friendship, or both?

Somehow they even made a movie out of this: here’s the trailer.

As long as you follow this series as a sort of carefree black comedy, it’s quite entertaining, and frequently hilarious. I appreciate the author’s sense of humor. Initially the art style reminded me of hentai for whatever reason, but then I realized that the author probably published some hentai that I’ve come across.

All in all, a satisfying find.

Review: ‘Himegoto – Juukyuusai no Seifuku, Vol. 1’ by Ryou Minenami

Three and a half stars.

Only when I searched this series on Goodreads I realized that it’s an earlier effort by the author of the story that has impressed me the most recently: ‘Boy’s Abyss’. Someone also recommended ‘Himegoto’ because it reminded them of Shūzō Oshimi’s stuff, so I guess Ryou Minenami is on the fast track to becoming one of my favorite authors.

However, this series I’m reviewing is much sloppier and less impressive than ‘Boy’s Abyss’. We follow mostly four college students, all of whom have issues with what they were either born as or were pushed into being.

The main protagonist is a pretty tomboy who has been locked into acting like one of the guys by her shitty childhood friend (an infuriating idiot that I didn’t find interesting enough as a character despite his personal issues), and now is having trouble accepting herself as a woman and dealing with not only her need to dress more girly, but also with her growing urges to be dominated sexually by men. We get a few scenes of her alone in her bedroom feeling bad because she can’t reconcile her masturbatory fantasies with her inability to accept her female nature.

The second most important main character is a pretty guy who’s popular for that reason, but who in reality wishes he had been born a woman. In his spare time he dresses with women clothes as often as he can (usually imitating a gorgeous classmate of theirs, whom he admits he’d rather be). However, he’s attracted to women, and gets particularly turned on by handling girly women aggressively while wearing women clothes. This person and the previous main character spark a compelling friendship through such an encounter.

The third main character is a baby-faced eighteen-year-old girl who’s revered for her beauty and fashion sense (this is the girl that the previous character is imitating). However, she’s terrified of growing old, and in fact moonlights as a prostitute mainly to cosplay as a fifteen-year-old girl during the act and be treated as such by middle aged men (some of which approach the act with cosplay of their own, well aware that this girl isn’t fifteen). Interestingly, the girl despises men and is sexually attracted to “boys”. She becomes infatuated with the main protagonist because that one has looked like an innocent, pretty boy throughout her life. She has no trouble imagining the protagonist’s naked breasts in her romantic fantasies, so she’s likely dealing with further repressed urges.

The fourth character is the previously mentioned childhood “friend” of the protagonist, a guy who has been in love with the protagonist precisely because she looked like a pretty boy. He has made every effort to restrain the girl’s urges to grow as a woman. The protagonist had hoped that her new life in college would be her first opportunity to express herself freely, but her dickheaded childhood “friend” has made a point of following her there, and is eager to inform everyone who approaches her that “she’s one of the boys”. The author could have attempted to make this idiot somewhat sympathetic, but the volume ends with this guy’s outrageous reaction to the protagonist presenting herself with girly clothes, which solidifies him as the nasty villain of the tale so far.

An interesting, compelling volume which almost made me miss my train stop this morning. However, the contrast between the author’s drawings, as well as his writing and storyboarding abilities, in this series and in the superior effort ‘Boy’s Abyss’ prevents me from rating this one higher.

Review: ‘Boy’s Abyss, Vol. 1’ by Ryou Minenami

I’ve read virtually everything that the manga artist Shūzō Oshimi has released, which is unfortunate as he has become my favorite. I searched online for other series similar to what that author produces. Many recommended Inio Asano’s stuff, but I’ve also gone through his. Then someone mentioned this series. Although I’ve only read the first volume so far, it has become my most intriguing find in a while.

Shortly after we meet the protagonist, a high schooler, he tells to his homeroom teacher that he won’t go to college, as he needs to stay at his town to help his mom: the father isn’t in the picture, his grandmother has dementia, and his older brother is a violent hikikomori. Our protagonist has resigned himself to a life of misery. He feels powerless to change his fate. The guy is, however, somewhat obsessed with an idol group, whose casual, carefree cuteness and cheerful songs provide a fast escape.

His only friend is a short, somewhat chunky (certainly for manga standards) girl he’s known since childhood. However, she’s leaving soon for college, and she’s worried that the protagonist’s mental health will only deteriorate once he’s left behind. We learn about a prominent feature of their small town: a fabled spot on a bridge, where hundreds of years ago a couple of lovers jumped to their deaths. It ended up getting called “Lover’s Abyss”. It recently got featured in a popular novel, and some of its fans travel to this town in the boonies to visit the site.

As if his home life wasn’t ruinous enough, the protagonist has to endure having turned into the de facto gofer of a local gang leader, who was also his childhood bully. Worse yet, the protagonist’s mother, intending to relieve herself of her burden, has pleaded to the bully’s father, who runs a construction company, to hire her son so he can contribute to the household income, which will likely end up turning her son into a sort of slave not only for this bully but for his entire crew. The protagonist suspects that his mother knows he’s been bullied by that guy, and that she’s sacrificing his well-being for her own benefit.

During one of the runs to buy cigarettes for the gang leader, our protagonist deals with a new clerk at the convenience store. She refuses to sell him the cigs because he’s underage. Afterwards he witnesses this beautiful but aloof clerk handing some expired food to a homeless guy, who winks at the protagonist as he passes by. Then the protagonist realizes that the clerk is none other than his favorite member of the idol group with which he’s obsessed. He’s stunned. What the hell is this girl doing here? Why is she working as a clerk? How come she looks so despondent?

The protagonist reveals that he has recognized her. She makes him promise that he won’t tell anyone, and asks him to please show her around town, because she’s just moved there and is a bit lost. She ends up sitting on the back of his bicycle as he visits some local spots. The girl, who’s a few years older than him, gets the sense of how miserable he feels. They talk about the famous local spot for suicides, and as they stand on a bridge looking down at the river below, she offers the protagonist to kill themselves together.

From then on, at least until the end of the first volume, the story has become a psychological roller coaster. Why does this beautiful twenty-year-old, who had it all in a big city, want to die? Is she romantically interested in our hapless protagonist? Was that guy she met at the back of the convenience store truly a random homeless person she was helping out? The protagonist can’t understand this girl, but he doesn’t want to stay away from her, and the notion of jumping off the local bridge and freeing himself from a life of misery is becoming increasingly alluring.

The drawings and compositions set up well the somber, gloomy mood of this story. Whoever is in charge of drawing the scenery does a particularly good job. However, the main artist uses classic exaggerated expressions to add levity in certain moments (just a few, thankfully), but for this story they feel as out of place as they would be in Oshimi’s “Blood on the Tracks”. However, regarding the story, he does a great job setting up dramatic questions, and I feel in good hands.

Unfortunately I had to stop reading it on the train yesterday, as it features nudity. In particular a really nice pair of perky tits. So you might dislike this series if you are against drawn tits, I guess.

Review: ‘Tomo-chan is a Girl!’ by Fumita Yanagida

This is a review of the whole series.

The most endearing romantic comedy manga that I’ve read in a while. Our main couple are two emotionally stunted individuals who grew up competing and inflicting violence upon each other. As children, the guy often got the tingles for the titular Tomo person, but he repressed them, as he didn’t want to consider himself a homosexual. It took him until middle school to realize that his childhood friend was in fact a girl, but by then the damage was already done. Tomo is too wild, too much of a tomboy, and too generally uninterested in lovey-dovey stuff for the main guy to consider her a romantic prospect, although he doesn’t want to spend his time with anyone else.

The manga starts with both in high school. Tomo has become an extremely fit girl with uncomfortably large breasts. The guy has gotten buff from years of martial arts training in the hopes that one day he’d manage to defeat the titular Tomo. Most of the initial comedy comes from their inability to deal with their long-standing, repressed feelings for each other.

As the two remaining main characters we have a raven-haired, cynical and aloof girl who acts as Tomo’s confidant.

Also, a doll-like, mostly dumb, inexplicably British girl who bridges the difficult emotional issues of the rest of the cast with her big-breasted innocence (sort of like Chika Fujiwara from ‘Kaguya-sama: Love Is War’, but without the malice).

We meet a few memorable secondary characters. The British girl’s mother got pregnant at thirteen years old, is extremely rich, and cheerfully explains that she coddles and overprotects her daughter so she’ll never leave her side. Tomo’s mother is an older clone of herself, except married to a big oaf of a man who runs a dojo famous enough that the Yakuza is wary of its members; however, the guy can barely stare at his wife without fainting. One of my favorite “arcs” of the series comes from a pair of high schoolers who mistake Tomo for a romantic rival, but when they confront her, they quickly realize that they dared to intimidate someone who would eagerly send them to the hospital. They remain terrified of Tomo even after she takes upon herself to help them approach their romantic interest. Eventually, the two girls shift into admiring Tomo’s cool, manly demeanour, while regretting that she hadn’t been born with a dick.

For whatever reason, this series seemed to have been released on a page by page basis, with a fixed format: four stacked panels. An odd choice for a story that develops arcs for not only every main character, but for a few secondary ones as well. In any case, this is an almost entirely character-driven, consistently funny series that features well defined, contrasting personalities. I thought there was plenty more to squeeze out of these people, so it’s a bit of a shame that it has ended unambiguously.

Review: ‘Memories of Emanon’ by Shinji Kajio

A short story in manga format, about a smoking wench who goes around breaking people’s hearts, and who also retains the memories of her entire evolutionary line. So she says, anyways.

The tale is set in the late sixties. As the protagonist we have an alter ego of the author, a curious young guy who reads plenty of sci-fi.

He has boarded a big ship that will presumably end up in some Japanese port, and inside he comes across a mysterious, hippyish, beautiful young woman. He’s eager to get to know her, but as his opening he admonishes her for smoking, which annoys her. However, faced with the closeness of drunk old guys who are eager to ply her with liquor, she prods our protagonist to leave with her to get some fresh air, which will allow our hapless protagonist to get to know this girl.

Most of this story is about unveiling the concept: as far as Emanon (‘NONAME’ backwards) knows, she’s been reincarnated hundreds of millions of times, ever since she was a multicellular organism floating in the primordial soup. We still don’t know how that transfer works; when she dies, does her consciousness jump to another body? Is she reborn in her own offspring?

The protagonist has read enough sci-fi that he can come up with a few suggestions for why Emanon exists. The guy believes, assuming this beautiful gal isn’t lying, that her purpose must be to exist as a witness to human evolution, and possibly become the trigger for the next step once our species outgrows its brutal instincts.

The protagonist, being a young, red-blooded guy in the presence of a fascinating, beautiful girl who can carry a conversation about any obscure topic, is on the fast path towards falling in love. Will that lead to happiness, or to ending up haunted for the rest of his life?

This manga is short enough that you, whoever the hell you are supposed to be, should just grab a copy and read it. It’s good.

In the afterword, the author comments that he came up with Emanon back in the sixties, when he himself was travelling around for work in the big ship featured in the story. He daydreamed that one day he’d end up meeting another passenger who would turn out to be that kind of beautiful, mysterious girl, wearing the kind of fashion he was into, with whom he’d spend a few hours that he would remember forever.

Reality rarely blesses us in such ways; fortunately some people’s minds are strong enough to conjure up daydreams that allow their owners to forget for a while about life’s eternal disappointment.

Review: ‘Ultra-Gash Inferno’ by Suehiro Maruo

Four stars.

If there was such a thing as hell, and one of its inhabitants was able to render spontaneously his psychosexual nightmares into a manga format, something like this graphic novel would pop into existence. This manga is you-can’t-tell-people-you’re-reading-this disturbing. Although the collection contains a curious amount of eye-related incidents, it goes way beyond shoving eyeballs into vaginas, which is almost a joke in this post-Bataille world.

Most of the short stories come close to hallucinatory non-sequiturs, but the last one, about a midget who’s trying to seduce a beautiful woman left behind in post-war Japan along with her young son, is haunting me already. The author seems to have about as much faith in human beings as I do, and it’s always nice to come across a kindred spirit.

For those people interested in exploring their darkest impulses even if they risk realizing, “Fuck, I’m into this”, this one is a classic.

Review: ‘Chainsaw Man, Vol. 1’ by Tatsuki Fujimoto

Straight from my Goodreads profile.

While the first volume by itself is closer to four stars, I’ve read the first three already, and I’m hooked.

A brutal dark comedy set in an alternate modern world in which powerful, more or less sentient demons appear suddenly to cause mayhem, so the various societies have set up organized ways to hunt them down. The friendlier demons offer contracts to humans in exchange of boons, usually to gain superpowers that would allow that person to hunt down worse demons.

We don’t know any of these details as we are dropped into this story to follow an orphan whose pet is a dog demon with a chainsaw sticking out of its head. This kid’s dad got in debt with the Yakuza but then died, so the Yakuza are forcing the son to pay off the debt through murdering demons that presumably have a bounty on their head.

I was already enjoying the somewhat sloppy, but very expressive art style, but when the inciting incident hit, I got why this series has become one of the most popular ones: our protagonist, now a teenager, [spoiler] gets betrayed by his Yakuza handlers, who have made a deal with a demon: they murder the protagonist along with his pet demon. They chop him in pieces and throw him in a dumpster. But the kid, while he was still alive, had made a contract with his pet demon: it was free to take over his body once he died. The sentient demonic dog liked the kid well enough, so he resurrects the protagonist, physically takes over his heart, and turns him into a devilman, a cross between a human and a devil [/spoiler].

The protagonist becomes one of those extremely common cases in Japanese fiction in which he rides both worlds: the common world of humans and the special, conceptual world of this story. Whenever he can pull the cord that hangs from a hole in his chest, he transforms into a devilman with chainsaws coming out of his head and arms; along with his unstable nature, that turns him into a proficient killer.

We are introduced to the broader setting through meeting so far the most important person of an organization that hunts down devils: a beautiful, mysterious, poised young woman called Makima. She embraces the protagonist as he was coming down from his murderous rage, the first kind gesture any human being had for him, so he agrees to become this woman’s “dog”, who’ll kill whoever she orders him to.

The protagonist is my kind of guy: illiterate, half-wild, worried mainly about figuring out whether or not he’ll get to eat and sleep soundly that day, eager to kill to satisfy the first woman who was kind to him, and solely driven by his need to fondle some boobs. His ridiculousness, short-sightedness and general lack of care for whatever big plots may be cooking contrast with the human cast around him. I found this guy refreshing; the tremendously driven protagonists of other series often seem to know from the get-go that they are getting involved in several-seasons-long plots that will involve killing increasingly tougher enemies.

We also meet a fast favorite “devilman” partner: an even wilder young woman who calls herself Power and is contracted to a Blood Demon, which gives her the ability to conjure weapons out of her own blood. She’s crass, impulsive, a pathological liar, has two horns sticking out of her head, refuses to flush the toilet, and is so far solely driven by her need to rescue her cat.

I’ve already read the first three volumes. I hadn’t gotten this hooked on a manga series in a while. It’s dark and brutal, yet consistently funny. The author throws you into increasingly deranged and convoluted circumstances that you live through along with the protagonist and the other characters you get to care about.

The worldbuilding and the protagonist’s role in it are suspiciously similar to ‘Jujutsu Kaisen’, another tremendously popular series, but ‘Chainsaw Man’ contains the kind of brutal grittiness that I wished the other series contained (I ended up dropping it because I couldn’t take it as seriously as it wanted). Even the protagonist’s handler, a demure loner contracted to a canid demon, is virtually identical to his counterpart in ‘Jujutsu Kaisen’. As far as I’m concerned, this series does everything better except that it lacks Nobara Kugisaki.

Some of the best animators in the world are already working on the anime adaptation of this series, which will surely become a hit:

Don’t Google anything about this series. The author isn’t afraid to make you care about his characters only to kill them brutally a short time later. You gotta admire that kind of shit.