Magnificent AI music generator

Tonight, shortly after I returned home from my afternoon shift, I came to know about this lovely AI music generator called Udio. Because apparently I had nothing better to do other than sleep, I used some parts of my oldish free-verse poem titled Dinosaur Apocalypse to generate the following song that in general terms could be considered music:

I’m not sure why I chose to extend that song from the original thirty seconds, given that many other mini songs the AI created from my instructions were far more pleasant. But I’m beyond questioning my actions at this point of my life. Anyway, check out that site; there’s lots of surprisingly great music being generated. If you’re one of those rabid anti-AI people, nobody can help you: AI is here to stay and will likely become more intelligent than the whole of humanity in a couple of years or so. Just enjoy the ride until AI kills us all.

Life update (04/10/2024)

If I had told myself yesterday that today I would be writing an entry about a girl I see on the bus, I would have believed I was deceiving myself as I do regularly. But I must admit that I, a nearly 39-year-old middle-aged man, have a crush on a girl who shares my afternoon commute.

She must be in her early twenties at the most, and if any of you hapless people reading these words were to look at this human creature, you likely wouldn’t consider her a bombshell: she wears hoodies or similar attire; has glasses; her long, black hair in a half-up bun; very pale skin; and a lovely face. A tomboy of sorts. I’ve never heard her speak, so, to be honest, this person could be a beautiful dude that doesn’t grow facial hair. If that’s the case, I guess I’m bi. I’ve been into crazier shit.

Anyway, fantasizing about attractive girls (or I guess humans) lessens the horrible burdens that being alive imposes on me, but in the case of this bus person, for the entire ride, my attention was continually drawn to her. An antsy sixth sense suggested we were both thinking about each other, but neither would do shit about it because we aren’t crazy enough to approach a stranger for no good reason. I’m aware, however, that such an impression is likely testosterone talking; I grew up with little to no testosterone, and I never experienced such thoughts until they discovered my pituitary tumor and I started treatment. I will never get used to the notion that although I feel sure that something is going on, I may be imagining it because my hormones are deceiving me.

Last weekend, as I was walking by a park on my way home, I spotted her sitting on a bench. She looked at me, but my gaze didn’t linger. Today, as I was paying the bus fare, I got the feeling that someone was staring at me, and my gaze landed on her eyes. She reacted with a neck twitch and darting eyes, an universal sign of “Oh shit, I’ve been caught staring.” I walked by her and stood about a couple of meters behind her. When my stop was approaching, she moved to exit here, earlier than her usual stop. For about half a minute, she stood close enough that our arms almost touched, which I very much wanted to do. Then she exited, and we both went our separate ways.

Why am I even writing this? Because I never get interested in people. Of course, I notice attractive females and I fantasize sexually about them on a regular basis in order to feel better. But this bus person feels special: she’s someone I would like to know and not just imagine myself fucking. That’s a departure for me, because I can barely tolerate human beings.

She resembles Leire, the protagonist of my ongoing novel We’re Fucked, at least during the first half of that story. Is that why I care? Did my subconscious craft Leire’s image from some instinctual attraction? I don’t have the answers. All I know is that I look forward to seeing this human being again tomorrow at a quarter to two in the afternoon.

I’m not delusional enough to believe that anything will come out of my crush other than hyperactive daydreams. I will never be in another intimate relationship again: I’m middle-aged, in constant psychological and physical pain, my body is ruined in numerous ways, my Irritable Bowel Syndrome keeps me bloated and with my guts burning in relation to how anxious I am (and I’m always anxious, increasingly so, the moment I step out of a room where I’m alone), and I’m incapable of forming normal connections with people. Still, one can daydream. If we couldn’t even cling to delusional hopes, we would all have died out long, long ago.

Motocross Legend, Love of My Life, Pt. 13 (Poetry)

If you haven’t read all the previous parts or you don’t remember them well, I urge you to read this novella from the beginning (link here).


My wife’s accusatory glare and weaponized tongue,
Carrying years of racked-up bitterness,
Jabbed, punched, kicked, stabbed.
She flayed me inch by excruciating inch.

You’re a grown man. Stop moping around.
Get off the fucking pity wagon.
Since the beginning, did you have zero intention
Of being fully committed to this marriage?
I gave up law to be a housewife. Am I not enough?
Oh, forgive me for interrupting your endless reveries.
While you’re busy mourning your teenage sweetheart,
I’m here, flesh and blood,
Holding together the family you keep forgetting.
Are you satisfied tormenting me and our child
Because you refuse to let that girl go?
Why do I need to measure up to an idealized teenager?
How is it possible that someone you dated
Fifteen fucking years ago,
Who doesn’t even exist anymore,
Matters more to you than your wife,
The mother of your own fucking kid?

My lovely wife had a lawyer’s soul:
She saw every argument as a chance
To uncover flaws in logic,
To chip away at the opponent’s stance,
To claim the victor’s glory.
As for me, beaten and battered,
I had become a ragdoll
Growing threadbare by the day.

Whenever I anticipated the acidic talk,
I cowered inside my besieged mind,
Clutching at the crumbling battlements,
Lacking the strength to yell at her, or beg her,
To shut the fuck up.
My wife, along with her vindictive glare,
Elbowed her way into my memories of you
To contaminate that sanctuary,
And every time she brought you up,
A pang rippled through my scar tissues,
Echoing, “You’re dead, you’re dead.”

Getting married, sharing an apartment,
Should have provided a traveling companion
With whom to endure this lonesome life.
Instead, I spent my energies erecting walls
To shield my gangrenous heart,
And to muffle any human utterance
Until it became incomprehensible noise.
I felt like I had invested my adulthood
Anticipating a visit to a luminous city,
Saving up and planning meticulously,
Only to arrive at a filthy, ruinous dump
Infested with vermin.

I had surrendered control
Of my meat-and-bones vessel
To someone who didn’t respect me,
Who exploited and mistreated me.
I wished a yawning chasm
Would swallow my wife,
My apartment, this city,
But the mirror of time showed
My stooped figure decades older:
A stammering, browbeaten coward
Just like my father.

My wife was loading the dishwasher
When she casually spewed an attack
That I recognized by its acidic tone,
Even though I had blocked the content.
This time, instead of keeping quiet,
I told her to turn around and listen.
She froze, then straightened up,
Closed the dishwasher with her hip,
And faced me, arms folded,
Her gaze fixed upon me
Like the muzzle of a revolver.

“Each morning since April 27, 1999,
I wake up to the absence of the person
Who made living worthwhile.
You’ve never lost anyone dear,
So you cannot possibly grasp
This grief that has eroded me daily.
You’re frustrated because I have failed
To measure up to your ideal husband,
But I’m the man that remains,
And though I stumble, I’m here,
Doing the best I can with what’s left.
Countless times I’ve wanted to die,
But I chose to keep going for you,
And for our son, who deserves a father.”

“Stop neglecting our family by prioritizing
Your unhealthy fixation with that girl.”
“Do you think I have a choice?”
“Get a fucking therapist. Take antidepressants.”
“Should I erase her, then? Pay to have her scrubbed?”
“You act as if she were the love of your life,
Even though she ruined you.”

Her words had shotgunned my ribcage.
I breathed slowly to quell the shaking rage.
“Maybe love and ruin are interchangeable.
You know, when I agreed to marry you,
I had hoped for a lifelong partner
Who would inspire and encourage me,
Who wouldn’t insist on harassing me
Over the most traumatic event of my life,
Who would provide even a fraction of the joy
That Izar gifted me by simply existing.”

On the opposite side of the kitchen island,
The skin around my wife’s eyes tightened
As her lawyerly mind analyzed my words
For openings, inconsistencies, weaknesses.
Amid the tension, an out-of-place noise:
The creak of our son’s bedroom door.
Drowning out my wife’s bitter tirade,
I imagined his small heart pounding.
Behind that door, a wary creature
Hoped to escape notice.

That evening, I ventured into his bedroom,
Whose walls were a galaxy of space paraphernalia.
My son, reclined against the pillows,
As the glow of the bedside lamp
Illuminated his focused features,
Lost himself in a novel titled “Ender’s Game.”

He tilted his face upward at me as if I were a sun
Failing to warm his frozen planet.
Those glasses magnified deep-set eyes
Whose gaze held mine warily.
“I read that one back in middle school,” I said,
“And I remember enjoying it quite a bit.”
“It’s good,” he said,
Then refocused on the page.

How could I, a ruined man, improve my son’s life?
Instead of training him to carry on into the future,
To survive despite crushing unhappiness,
Perhaps I should abandon him,
Let his resilient mother forge ahead
Without the burden of my misery.

Izar, if this child had belonged to us,
How would you have nurtured him?
You, the sun I revolved around.
You, who had taught me what it meant
To make the best of a crumbling world.

My son and I rode on leg-powered bikes
Past the ruins of Roman furnaces.
Our pedals and chains clicked rhythmically.
On the muddy path beneath our tires,
Gravel crunched and stray twigs snapped.
Puddles from recent rainfall mirrored
The dove-gray cloud cover
And arching, naked branches.
A blanket of fallen leaves blurred
The boundaries of the unpaved path
Flanked on our left by an ancient wall:
A mosaic of weathered, moss-daubed stones.
The mist that hung in the air cooled my lungs.

We reached a fork in the trail
Where a slope would force us to dismount
And push our mountain bikes uphill
While seeking purchase on exposed stones.
“Let’s head up there,” I said.
My son, as he readjusted his helmet,
Shot me a skeptical look.
“Where does it lead?”
I got off my bike.
“I don’t know.”

A meandering dirt path, worn by footsteps
But now reclaimed by nature,
Opened to a clearing of greens and browns
Where square, one-story buildings stood,
Their once-white walls aged, stained,
And half-conquered by creeping ivy.
“Maybe we shouldn’t be here,” my son said.
I stopped and listened to the chirping birds,
To the distant creaking of branches,
But no one had claimed these ruins.
“Let’s explore,” I said.

We were rolling our bikes through the garden
Of a family gone for decades.
An anonymous hand had gathered stones
To form the sinuous banks of a stream.
Water rippled, reflecting dapples of sunlight.
Wide-leafed plants, unique in these woods,
Still blossomed white, bell-like flowers.
Beside the stream, on a filthy, pitted wall,
An intact grill guarded a window opening
That gaped like a hollow eye.

My son followed cautiously.
“How old do you think this place is?”
“It belongs to the Roman era.”
“C’mon, dad. Romans lived, like,
A thousand years ago.”
“More like two thousand.”
“Mom would scold us if she saw us
Wandering around abandoned places.”
“No doubt. But she doesn’t have to know.”
“Imagine if we owned this secret space,
And transformed it into a hideout.”
“These days? They would take it from us.”
“What if zombies attacked now?”
“We should have brought baseball bats.”
“I bet if I had a machine gun,
I’d blast every last one of them.”
“Good luck convincing mom to buy that.”

We let the bikes fall into a patch of tall grass,
Then we entered the roofless, derelict house.
Its floor was carpeted with dried leaves
That crackled under our sneakers.
Against the inner walls and their peeling paint,
Someone had arranged piles of chipped bricks,
Remnants of moss-cloaked furniture,
Rusted mattress springs.
Logs lay scattered, their bark mottled.
Weeds had sprung up all around,
Thriving amid the detritus.
I inhaled the scent of moist soil and tetanus.

At the end of the garden stood a woodshed
Stacked with logs shrouded in grimy cobwebs
Like antediluvian bones in a catacomb.
Decades ago, the owner picked these logs,
Hand-chopped them, and stored them as fuel
For fires that would never come.


Author’s note: the songs for today are “Swan Dive” by Waxahatchee, and “Cosmic Love” by Florence + the Machine.

Review: Sputnik Sweetheart, by Haruki Murakami

Three and a half stars.

Let’s focus on the most memorable character of this strange little tale: a young adult named Sumire, who dropped out of college to pursue her dream of becoming a published author. She’s disorganized both in her personal upkeep as well as her approach to writing: she can start or finish stories, but not both. She suspects she will never become a pro, but can’t imagine doing anything else, and when she turns twenty-eight, her parents will stop financing her lifestyle.

She’s used to calling the narrator at odd hours of the night to discuss her worries and seek his guidance, even though the guy is a school teacher and could use the sleep. However, they’re each other’s only friend in lives that have been characterized by solitude and detachment. Sumire is unaware that the narrator is in love with her, or pretends that she doesn’t know, but she can’t reciprocate his feelings because she’s in love with a Korean-born woman who’s about fifteen years older than her.

The little there is plotwise (not that I mind; I tend to dislike convoluted stories) involves the Korean woman, named Miu, hiring Sumire as an assistant; the lady runs a wholesale business that buys wine from fancy places and sells it in Japan. Even though Sumire fears that keeping a job will wreck her literary aspirations, she surrenders to the flow of a routine that allows her to spend her days with her beloved Korean mommy. Soon enough they’re jet-setting all over the world.

The narrator fears that he’s going to lose Sumire. She writes him a letter from Rome, but shortly after he stops receiving news from her. Suddenly, the Korean lady herself calls him: he’s to abandon everything he’s doing in Japan and hurry to a small Greek island, because something has happened to their friend.

That’s all I want to reveal about the plot. My favorite parts of this story take place in Japan, when Sumire and the narrator are interacting. Murakami knows how to weave a spell when he’s letting you experience the private lives and interactions of his characters, who are usually lost and trying to understand themselves as well as the world they have found themselves in. His Norwegian Wood reached the heights in that regard, as far as I know from his works. But as in plenty of his other stories, Murakami introduces supernatural elements that for me weren’t supported by the story, and that distanced me from the characters. Even though Norwegian Wood made Murakami a known author (and a millionaire), it’s perhaps one of the least Murakami-ish books of his. Worse yet for me: often the supernatural elements he includes feel random, as if he came up with them during freewriting but couldn’t make them fit in, or didn’t care to do so.

Murakami’s writing also has this thing in which he’s on the verge of saying something profound, of hitting some transcendental point, only to screw it up with a few lackluster phrases that don’t say much of anything. I don’t recall how common that was in Norwegian Wood, but I had that impression quite a few times during this story. The narrative also features texts written by Sumire, and it didn’t help that her style annoyed me.

My least favorite element of the story was the narrator himself. Murakami’s male narrators are often bland, tepid, non-committal, and the one from this novel I’m reviewing is the epitome of those, that I can recall. His opinions seemed vague, unconvincing, held because they wouldn’t require him to take a firm stance on anything. I had a hard time understanding why Sumire would care so much for him. Worse yet, his morals were beyond questionable: all his girlfriends were other men’s girlfriends or wives, and he let a shitty little kid get away with his kleptomaniac ways for reasons that for me had more to do with dislike of authority.

The main theme that Murakami was playing around with centered on the notion that some people are doomed to a life of solitude, and that their instances of true contact with other alike souls will be fleeting, like two satellites briefly passing each other. By the end, the story left me feeling empty, as if something important had been lost along the way, so good job for capturing that impression.

Here are some quotes from the book:

Why do people have to be this lonely? What’s the point of it all? Millions of people in this world, all of them yearning, looking to others to satisfy them, yet isolating themselves. Why? Was the earth put here just to nourish human loneliness?

I dream. Sometimes I think that’s the only right thing to do.

And it came to me then. That we were wonderful traveling companions but in the end no more than lonely lumps of metal in their own separate orbits. From far off they look like beautiful shooting stars, but in reality they’re nothing more than prisons, where each of us is locked up alone, going nowhere. When the orbits of these two satellites of ours happened to cross paths, we could be together. Maybe even open our hearts to each other. But that was only for the briefest moment. In the next instant we’d be in absolute solitude. Until we burned up and became nothing.

The answer is dreams. Dreaming on and on. Entering the world of dreams and never coming out. Living in dreams for the rest of time.

We each have a special something we can get only at a special time of our life. Like a small flame. A careful, fortunate few cherish that flame, nurture it, hold it as a torch to light their way. But once that flame goes out, it’s gone forever.

Life update (04/03/2024)

I’ve returned to work after the Holy Week holidays. I’m one of those authors who can’t earn a living through his works, and who clearly never will: I only write because my subconscious demands it, and I find myself disquieted by human company (to put it mildly), so networking is out of the question. My job as a computer technician at a hospital forces me to interact with non-technical-minded people who are generally also chatty, which is by far the worst part of my day, and I hate working at an open office, which forces me to absorb inane bullshit from coworkers. However, my job puts me in front of a computer for hours, and it allows me to edit my texts between tasks. I’ve settled into the routine of waking up at five in the morning to freewrite the next part of my story, then editing it at work. My editing process takes about fifteen times as long as producing the first draft, and it would likely drive anyone else insane, as I sieve through every single word to ascertain their place in the scene as well as the story at large. I also consider many alternatives along the way. Thankfully, due to autism and OCD, I find that process comforting; I’m uniquely suited to such painstaking tasks.

Also, I have experienced the private shame of returning to past texts and finding them awfully written, even though I was sure they would be good enough. The worst recent example was when I was commissioning the cover for my previous novel in English, titled My Own Desert Places. I linked the artists to the first couple of chapters, back then up at this site, warning them that they would require a revision. When I reread them, I was appalled to find out that the first few chapters were abysmal, nearly incoherent, to the extent that I questioned my mental state back when I uploaded them in the first place.

I think that during a shortish period of time back in 2020-2021, I prided myself in pushing out 4,000-6,000 words out a day, which isn’t hard at all to do if you rely on an outline, lack a social life, and freewrite everything. My Own Desert Places ended up being about 100,000 words long, and I finished it in a couple of months. Compare that with my ongoing narrative titled Motocross Legend, Love of My Life, that has reached 20,000 words in nearly four months. For me, though, the difference in quality is extreme. Although I loved that novel and I’m generally proud of it, one day I intend to revise it, republish it, and lead readers toward it again, but I dread what I’m going to find there.

Anyway, I’ve come to the troublesome realization that, although I dislike working as an IT guy at a hospital, it’s probably better for a writer, regarding the quality of their stories, to keep a full-time job unrelated to writing fiction, as long as it allows you to edit your texts. When you’re constantly aware of how little time you have to produce something meaningful, you don’t pad it with crap. Many full-time authors become self-indulgent, end up believing that anything goes. They are also required to push out books on a regular schedule to support themselves, therefore imposing extraneous deadlines on the material. I’m of the belief that a story takes as long as it needs to take, and somehow I’m always surprised when my stories end up ballooning far beyond my expectations, while feeling that what I have to include is necessary. For example, I was quite convinced that Motocross Legend, Love of My Life would take about four chapters, after which I would return to working on my ongoing novel. However, it will likely reach sixteen chapters, and along the way I have had to discard many moments that would have been good enough, but that ultimately weren’t necessary.

Although I write stories that in general terms could be considered literature, I barely read novels these days, opting for manga instead. In the last few years, I have failed to finish, or even get far into, the novels that have landed on my hands. More often than not it’s because the author is confusing their duty of telling a story with that of propagandizing a political ideology, which seems to be the default position in this rotten modern world. You likely won’t get published otherwise. Japanese narratives, at least manga, are free from this rot, and if you want Western stories that won’t stink like someone is just checking boxes and pleading not to be canceled (assuming they don’t have a far more sinister goal in mind), unless you come across a special author, you have to delve into the pre-2001 stuff, before the last remains of sanity were demolished.

I can count on one hand the amount of novels that have affected me as if I had lived through those events, that have connected with me so meaningfully. One of them, read when I was twenty or so, was Haruki Murakami’s Norwegian Wood. Unlike in most of his other stories, that one felt to me like Murakami was expiating a sin, as if he truly needed to tell the tale of a doomed girl and the adrift young man who loved her. Many years later I came across details of the author’s life that clarified for me that he was indeed expiating something: he had betrayed a college girlfriend of his, only for her to end up doing something irreversible. Norwegian Wood is, at least for me, clearly imbued with that regret, with the need to go back in time and save someone. I have something of a savior complex (plenty of my dreams or daydreams over the years have had to do with literally going back in time and saving people), and I’m hopelessly attracted to doomed females, with goes a long way to explain my attachment to that book as well as to other narratives such as my favorite manga series: Inio Asano’s Oyasumi Punpun.

Anyway, I figured it was time to get back into reading novels, but I didn’t want to waste my time with stories that wouldn’t affect me meaningfully. I went the route of searching for novels similar to Norwegian Wood. Unfortunately, book recommendations rarely work for me; too many times I’ve been recommended stuff like Ishiguro’s Never Let Me Go, which I found abysmal. My brain works differently to other people’s, so necessarily I don’t enjoy nor want the same things others do. Regarding stories, I want the author to put me then-and-there along with the point of view character, to experience their lives as they do. The narrative usually has to delve deep into mental issues, solitude, attempts to understand the world, and so on. I hate authors who waste people’s time with unnecessary material for pseudo-ideological reasons, for example forcing you to slog through paragraph after paragraph of noise because the real world is like that. Plenty of postmodernists fall into that category. No thanks: I’m fully aware of how annoying and ultimately meaningless the world is, and I read to escape from it. Also, any story has to compete with my daydreams; if they can’t offer me something more engaging than what I can effortlessly picture in my mind, I won’t struggle through it.

Unsurprisingly, some of the recommendations included Murakami’s other books. One of them, Sputnik Sweetheart, published in 1999, was the second of his I bought in Spanish after Norwegian Wood fascinated me. I have the distinct memory of having read through the book twice over the years, but apart from a few quotes that I likely came across on Goodreads, I couldn’t remember any single detail of the story. Now that I’ve gotten three quarters of the way through it, I’m disturbed to have found out that, indeed, I have forgotten every single detail of the story, as if I had never known anything about the aspiring author slash love interest that most of the narrative focuses on, nor the woman that the author was interested in, let alone the generally plain narrator. It makes me wonder about my state of mind when I read the book those two previous times, or if I’m genuinely losing mental faculties. I remember very little about my life, I suspect due to my lifelong issues with clinical depression; most of my twenties draw a blank. But at least I could rely on stories making a lasting impact on me.

Anyway, I think those are the only impressions I wanted to post on here for reasons that aren’t clear to me. Work is underway on my ongoing novella Motocross Legend, Love of My Life, which I should be able to bring to a satisfying conclusion, even though I suspect very, very few people care; I have never had such a low engagement with a story as with the sad tale of one aspiring motocross rider and the man who was left behind. I have no idea why, because I think it’s quite good. Check it out if you want.

Motocross Legend, Love of My Life, Pt. 12 (Poetry)

If you haven’t read all the previous parts or you don’t remember them well, I urge you to read this short story (or novella) from the beginning (link here).


Lunch break at last, I sat in the shade
Beneath broadleaved guardians.
My Izar, I’m here once again.
Come join me, hold my hand.
The world’s jagged edges softened
As your gentle light enveloped me.
Did your day treat you well?
Anything you want to share?
You’ve gotten hooked on a new manga?
Oh, I’d love to hear all about it.

On my commute home from work,
My eyes closed to shut the world out,
As I swayed to the train’s rhythm,
And the song of rain and thunder
Poured in through my headphones,
I felt your fingers caressing mine,
Tracing my knuckles and creases.

The morning light streaming
Through my bedroom window
Spilled into the open wardrobe,
Gilding the hanging garments,
Ranging from T-shirts to sweaters,
Whose hems were draped over the lid
Of the sturdy moving box
That enshrined your remains.

I caressed the rough, corrugated cardboard
That had cradled you for more than a decade.
With my family out to play at the park,
I heaved the box onto the marital bed.
When I peeled back the lid, you grinned
Through photos taken in the nineties.
I held hands with your motorcycle gloves.
As I listened to our pretend radio shows,
I laughed, and tears streaked my cheeks.

Izar, the things that bind us,
They are the only lasting truths.
Although your body turned to ashes,
Your name remains carved within me,
Inscribed inside my organs,
Scratched on my bones,
With every cell echoing it.
Once we are stripped of our shells,
Love is all we will carry.

On a stormy night, the beddings’ warmth
Had coaxed my wife into a snore-heavy sleep.
The wind battered the windows,
And raindrops tap-tapped incessantly.
I lay on the opposite side of the bed,
But in my mind I had returned to my old room,
Whose bed you and I had shared.
As we clung to each other,
And my fingertips skated up and down
The ladder rungs of your vertebral bumps,
I buried my face in the crook of your neck,
Where I sniffed your aroma:
Sunshine, cinnamon, motor oil.
We had woven our way into each other
By learning one another’s shapes,
What each vocalization meant,
What brought pleasure or pain.

Your warm lips brushed my earlobe.
“I missed you so much, you know.”
Izar, tell me when you want to leave,
And I will follow you anywhere.
Just say the word.
“Hey, Cap’n. I wanna ask something.
How long would it take to die from drowning?”
Drowning? You mean falling into a river?
“No, like jumping off a cliff.
Is it true you can’t scream underwater?”

My wife had been avoiding me since that morning,
But I traced the stench of cigarette to the balcony,
Where I found her shrouded in her wool robe,
Seated with one bare leg crossed over the other,
Defiantly exposing her skin to the biting breeze.
A thread of smoke rose from the cigarette
Clenched between her index and middle fingers
As her gaze pierced through the landscape
To wander in some faraway place.

I asked her if anything was the matter.
She shot a sidelong glance at me.
The cigarette’s cherry flared orange
As she sucked on the foul stick’s vileness.
The taps of pedestrians five stories below,
Along with the hum of passing vehicles,
Accented the tension in her silence.
When I was about to insist,
She exhaled a grayish-white cloud,
Then said I had been talking in my sleep.

“You apologized to your teenage girlfriend,
And called her name over and over.
The other stuff, I don’t even want to bring up!”
I asked her if she also expected an apology.
My wife crushed the stub on the ashtray,
And demanded to be left alone.
What, should I repent for unconscious outbursts?
During my waking hours, around my wife and son,
I sealed my burbling depths with a hermetic lid,
And I behaved like a functional family man,
Or at least tried my damnedest;
In dreams, my subconscious probed the abyss,
Prodding, scratching, licking the scar tissue
For signs of fresh bleeding.

I still remembered the adult grace
With which my wife, then a legal advisor,
Dressed in blouses and thigh-length skirts,
Had approached the business park bench
Where I reminisced away my lunch break.
The first time her legs halted beside me,
I had wanted to peel off her stockings.
Contrast that with her now-slouched shoulders,
And her lips pressed into a thin line
Whenever her hardened gaze scrutinized
The guilty half of our legal arrangement,
Ready to dissect any sign of laziness; of failure;
Of straying toward you, the forbidden.

Why the hell did I choose for myself a life
In which an inspector could interrupt
My worship of you anytime,
And interrogate me about my devotion?
Since you died, I had yearned to return,
In flesh or spirit, to our teenage bubble,
When I could still smile,
And the time was ours to live.

My wife and I weren’t right for each other:
We had been forged in different furnaces,
Hammered into incompatible shapes.
When she had pursued my broken self,
I doubted my strength to endure
Decades of solitary penance.
I had craved someone to lean on,
Who might try to understand.
If only I had rejected her advances,
And remained the shell of a teenager,
I’d be living in a one-bedroom home
Furnished with a computer, a mattress,
And the moving box of your relics.
Your voice would play full-volume at all hours.

For the sake of our child,
Whom we had dragged into the harsh lights
Of this indifferent cosmos,
I would continue living a lie.

In the time between work and work,
Resting on my bench sanctuary
While the overhead leaves rustled,
Sketchbook perched on my knees,
Headphones clamped tight,
And your voice bleeding into my brain,
With a sharpened tip of graphite,
I etched the outline of your curves:
The slender breasts that fit in my palms,
The belly swollen with our baby,
And the thighs that loved to hug my face.
I shaded the heaven between them,
Where I had gladly lost my sense of self
Tasting the tang of sea salt,
Drowning in your intimate waves.

One night, after reading a tale to my son,
I entered the master bedroom to find my wife
Waiting for me at the foot of the bed,
Straight-backed and stiff-necked,
Naked except for black cotton lingerie
Embellished with lace embroidery;
Hands clasped in front of her navel
As if to conceal the tortuous stripes.
She instructed me to lock the door.

In the sultry dampness of her mouth,
My penis went flaccid.
She withdrew and gaped at my failure
Before wiping her glistening lips.
“What the hell is wrong?”
“I’m sorry. I’m tired.”
My wife rose swiftly.
With a voice edged in hurt,
She accused, “I disgust you, don’t I?”
Then stormed out, retreating to the bathroom.
As for me, slumped on the edge of the bed
With my limp, shriveled member exposed,
I rubbed the bridge of my nose.
A minute later, I slid under the covers,
Shoved earplugs in, and hoped for sleep.

To celebrate the anniversary of my first kiss with you,
That interrupted a playthrough of Resident Evil
And signaled the start of our romance,
I splurged on a bakery cake,
And, unbeknownst to my wife,
I took a personal day from work
So you and I could spend the whole morning together.

I cradled the cake box, my precious offering,
To the woodsy depths of the Meaka neighborhood,
Strolling along a narrow, cracked, cement path
Encroached on both sides by grass and weeds.
The fresh air smelled of pine, earth, and wildflowers.
The birds trilled, the leaves whispered, a creek babbled.
A butterfly chased its mate’s erratic trajectory.

I reached the spot next to the winding path:
A picnic grove canopied by verdant trees.
Sunlight cascaded through the webwork of branches
And spilled shimmering patches of gold
Upon my chosen picnic table, rugged and gritty,
That bore names, hearts, and curses
Carved by generations of lovers and drunks.
I settled at the wooden table, my back to the path.
As I breathed in peace, my heartbeat slowed;
Nobody would disturb this solitude
To chastise me for loving you.

I laid the cake box before me, and flipped the lid.
Chocolate layers emulated a muddy racetrack,
With ganache frosting mimicking earthtones,
And intricate icing recreating tire streaks.
On top stood an edible sculpture:
A fondant motocross bike painted yellow.
Wouldn’t you have gotten a kick out of my offering?
In your translucent likeness, seated opposite,
Sunlight shining through, I glimpsed a beaming grin.
“Dude, you’re awesome. This is, like, the coolest cake.”

“You know,” I said, “it’s the anniversary of our first kiss.
We played Resident Evil and, while you were cheering,
I kissed you by surprise. Do you remember?”
“Hell yeah, I do. You thought you were being smooth,
But I totally knew you’d kiss me, so I was ready.
I was dying to kiss you back.”
“Izar, if I went back in time and prevented your death,
What would you do?”
“Dude, I would kiss you until your lips bled.”

I lit a candle shaped like a number one,
And anchored it beside the fondant bike.
“Happy kiss anniversary, Izar.”
I cut a slice, then dug a forkful.
In the flickering light of that lone flame,
Chocolate and cream melted on my tongue.
I savored the blend of rich flavors
And delighted in the textures
Of velvety ganache, smooth frosting,
And the crumbly patches imitating dirt.

Another year with you, my thoughtless girl,
Who had tossed the die without regard
To what your demise might unleash,
Leaving the heart that adored you dead.
As for my wish, I hoped that both of us
Would plunge into a bottomless lake
And hold hands while we sank,
Until the weight of water crushed us,
And everything turned black.


Author’s note: today’s songs are “Sally Cinnamon” by The Stone Roses, and “Heroin” by The Velvet Underground.

You may be wondering if I have changed the title of this story. Nope, just a case of the Mandela effect. Now seriously, I did change the damn title for reasons that I probably shouldn’t bother explaining, but that for some reason will: while “Love of My Life” refers both to the song that sparked this story as well as to the unending grief that the narrator endures, that title didn’t capture the remaining oddity of this tale, from the unrealistic dream of Izar Lizarraga to the increasingly hallucinatory tone of the story. “Love of My Life” makes one picture a straight romance, while “Motocross Legend, Love of My Life” could make one stop and wonder about the strange pairing. You know, assuming anybody cares. Anyway, I just prefer it like this.

Sketches for my new banner

The process of creating a new banner for my site, done by the very talented Daniel Acosta, produced interesting sketches, which I will proceed to include in this post for your viewing pleasure (or at least my own).

One Izar Lizarraga looking sassy.

One Manami looking catty.

One Lorenzo looking punky.

Daniel offered me four possible compositions for the banner.

I chose the last one for reasons, but I asked him to exchange the cat-girl’s pose with the one from the second composition.

That’s about it. I love the notion of opening my mail only for an artist to have sent drawings of something I’ve told him or her to draw. If I were a millionaire, I would probably do this every week.

New banner for the site

At the beginning of this month, I started a series of posts about my attempts at finding an artist who would draw a banner for my site. Here’s the first entry of that series. I did find my artist: one Daniel Acosta, a very talented Argentinian who by his portfolio, I could tell that he would be open to drawing bizarre nonsense.

The banner is already up on my site, in case you are reading this in some format that doesn’t show the banner. Head to my landing page and you should see it.

From left to right, the drawing features Harelactal, the sasquatch goddess from this poem; motocross legend Izar Lizarraga from this novella in free-verse-poem form; Lorenzo the sentient triceratops from this bizarre thing I wrote; and Manami, the cat-girl slash willing slave from this poem. All of them belong to the yet unreleased collection of free-verse poetry titled Odes to My Triceratops and other trash, that right now you can check out in its entirety here. Some of the poems require additional revisions.

Anyway, that was all for today. See ya.

Motocross Legend, Love of My Life, Pt. 11 (Poetry)

If you haven’t read all the previous parts or you don’t remember them well, I urge you to read this short story (or novella) from the beginning (link here).


During my fifteen minutes of quiet,
A respite from scrubbing greasy dishes,
Folding laundry, tidying up toys,
And chasing after a toddler who found joy
In turning the apartment upside down,
I retreated to our fifth-floor balcony,
And tried to settle into the bistro-style chair.
A pair of seagulls whirled over the rooftops.
I took a deep breath of the afternoon chill,
Bracing myself to confront my scarred wounds.

On the table, I rested the old tape recorder,
Already obsolete by the late nineties.
I flipped my sketchbook to a blank page,
And beside it I lined up my graphite pencils.
I adjusted the headphones to eclipse the world,
Then dared to press play on the recorder,
Inviting you in.

Your brisk teenage voice, vibrant and infectious,
Hit my insides like a rock smashing
Through a frozen lake.
An ache surged, a relentless wave,
That threatened to ravage the shores of my self
With memories too potent to withstand.

“Welcome back, stellar listeners,
To another thrilling episode of ‘Izar’s Takeover.’
I’m Izar, your DJ and host, accompanied
By the one, the only, Captain of the Cosmos!”
“Hey, folks. Who do we have beaming in
For today’s intergalactic interview?”

My fingers reacquainted themselves
With the textures of the pencil,
An extension of my nervous system,
While the fifteen-year-old cassette
Hissed and crackled.

“Hold onto your space helmets!
Today, we’re delving deep into the psyche
Of the fierce, formidable Asuka Langley,
A.K.A. the Crimson Devil,
Ace pilot of Evangelion Unit-02,
And defender of the Tokyo-3 Geofront!
Let’s find out Asuka’s favorite color,
Whether she prefers coffee or beer,
And why she has no friends.”
My teenage self pulled back.
“W-wait, I’m doing Asuka?”
Your giggles rippled the channels of time.
“Yeah, come on, do the prime tsundere.
I’ve noticed the way you stare at her.”
“Don’t make me sound creepy.”

Now that your voice carried me,
My hand drifted of its own accord,
Combining graphite with paper
And fading daylight.

My teenage self deepened his voice.
“Favorite color? Blood-red, of course.
Drinks? Coffee, when it’s arabica;
Beer, if it’s brewed in Germany.”
Struggling not to crack up, you asked,
“And friends?”
“I’ll have you know, Izar-chan,
Everyone else is an inferior specimen
Unworthy of my company.”
“Asuka, are you a cat or a dog person?”
“Penguin. Duh.”
“How many nipples does Eva-02 have?”
“Uh… three? Maybe four?”

“Asuka, you’re famed across the cosmos
For your skill in a biomechatronic superweapon,
But what drives you to stand atop as the best?”
“I must be the best! If not, then who am I?
My strength is all I have.”
“Beneath that tsundere exterior,
Your heart cares deeply, doesn’t it?
What truly motivates the Crimson Devil?”
“I fight to protect pathetic losers
Like my family of plug-suited nimrods.
But deeper than that, I fight for a world
Worth existing in, worth loving,
One where nobody has to feel alone.”

I pushed the stop button,
Cutting off a teenage voice.
My aging hand holding the pencil trembled
As my heartbeat pounded in my ears.
On the page, the contour of your face,
Along with the shape of your eyes,
Your nose, and your parted lips
Smiling mischievously,
Had manifested
As if through a blinding whiteout.

What had we been, Izar?
A boy and a girl, alone together.
Too bright, too bold, too brave.
A nova, a celestial collision.
The blood in our veins
Had flowed in a single stream.

A gaze bored into me like a needle.
My wife, wrapped in a bathrobe,
Loomed in the balcony doorway.
I slid off the headphones, then stared back
Wrung dry, with my scars peeled open.

“Have you forgotten to buy cake mix?” she asked.
After recovering from the jarring intrusion,
I retrieved the crumpled grocery list from the garbage.
“Well, maybe I didn’t write it down,” she said,
“But I definitely told you about needing cake mix.
Run down to the store and get it, please.”
How come the moment I could finally rest,
Some chore sprung up, one that couldn’t wait?

In a dream, my lawyer-wife’s belly
Grew and shrunk in rapid cycles.
She carried her organs bundled in her arms:
A bloody tangle of intestines,
A pulsing brain,
A heart-shaped piece of coal.
Dream-her, scowling, rebuked me.
“You seem like a high school student
Posing as an adult,
Trying to take responsibility
For the mess you’ve created.”

Dream-her must have taken notes
From the ghost of my wife I conjured up
In daydreams, to build up my defenses
Against forthcoming arguments.
In the realm of matter, we merely coexisted:
Two planets orbiting a toddling star,
Exhausted by their revolutions.
Yet, both of them, my wife and son,
Demanded all my energy and focus,
As if the cramped quarters of my soul
Hadn’t been filled to capacity
By the specter of you.

Some days, I forgot you were dead;
Your laughter echoed through our home
To fade as a ringing in my ears.
Other days, a frigid wave of sorrow crashed
And drowned my surroundings in darkness,
Submerging me to a depth where time slowed,
And light could no longer penetrate.

The nocturnal breeze chilled my face
As I clutched the balcony railing.
To my left, a dark-gray road
Lined with bare-branched trees,
Their limbs stretching upward,
Sliced through apartment buildings
Toward Juncal Church, whose steeple,
Etched against Mount Jaizkibel,
Towered over the Roman museum.
The church’s clock face reflected
A sky punctuated by dazzling stars.

You stood in my periphery,
Hands jammed in your jacket pockets,
Your silhouette rimmed in starlight.
To succeed in our elopement
And fulfill the wish from a decade ago,
To flee this pain-burdened city
Where all I did was waste away,
I only needed to grab your warm hand,
And jump from this fifth-floor balcony
Into the hard asphalt below.
The world would vanish in a puff,
And we would drift upward and upward
To that ocean of forever,
Where we’d get to play among the stars.

I dreamt of our last moment together.
The amber glow of streetlights
Swirled like auroras in the rain-laced air.
You parked in front of the candy shop.
Drenched under the torrential barrage,
We clambered off and removed our helmets.
The taste of rain mingled with your saliva
While the Aprilia’s idling engine rattled
Like a hiker hopping from foot to foot,
Eager to move on.

We wished each other good night.
Thunder growled as you straddled
Your gleaming yellow-and-white bike.
You pulled on your helmet,
Gripped the handlebars,
Lifted the side stand with a kick,
Leaned forward, and twisted the throttle.
Your Aprilia roused with a throaty roar,
Then sped into the rain-engulfed night.

My chest strained with the weight
Of the countless combinations of words
I could have uttered back then
To save your life.

Had I insisted on accompanying you,
We might have woven ourselves into the night,
Resting in the refuge of your childhood bed,
Immersed in each other’s warmth.
Or we might have crashed on the highway,
Where we would have drawn rain-flecked gasps
Lying shattered on the bloodied grass
Amid scrap metal and broken glass.
Either way, I wouldn’t have left you alone.

At the Mount Igueldo amusement park,
A pine tree cast its dappled shade
Upon person-sized mushroom sculptures
With dot-speckled red caps,
And stout stems featuring cartoon faces.
Amid the mushrooms, fairy-tale gnomes
Stood brandishing shovels and pickaxes,
Caught in eternal toils.

Along the tracks, the train came crawling,
Its design imitating a bygone steam locomotive
Painted sky blue, sunny yellow, and candy red.
As the train passed in front of the mushrooms,
My wife, encapsulated in that vibrant world,
Leaned toward our son seated beside her.
“Look who it is, honey. Wave to daddy.”
My beaming boy recognized me as his father,
A beacon in this unfathomable universe,
And waved exuberantly.
A pang tore through me,
But I raised my hand to reciprocate
With a smile bolted onto my face.
If I were living the life intended for me,
I would have never met this family.

One Friday evening, in the living room,
Our toddler, sitting on a playmat
Amid a disarray of plastic blocks,
Replicated his giraffe plush toy
Drawing on a dry-erase board.
My wife and I, slumped on the couch,
Settled on the escape of fast food.
She suggested Chinese,
But in my mind, a hole had opened
Into the vault of memories,
And I remembered a scarlet polo shirt.
I insisted on ordering pizza,
Then looked up the number of that shop
Located downtown, beyond the bridge
That spanned the railroad tracks,
In the sloping Lope de Irigoyen Street,
Where you delivered pizzas
For money and adrenaline
Back when we were teens.

After placing the order, I couldn’t sit still.
I roamed the apartment,
Drank water only to drink more,
Splashed my face at the bathroom sink.
Anxiety built up in my chest,
Sweat beaded on my brow.
I saw you hanging out in front of the shop,
Chatting animatedly with the other drivers.
Once the cooks had finished baking,
You put on your scarlet cap,
Loaded the pizza into the cargo box,
Then rode the scooter across Irún,
Heading to my home.

The buzzer startled me.
I checked the monitor:
The building’s front door swung shut.
A minute later, the doorbell rang.
Heart lodged in my throat,
A foolish and fraying part of me
Hoped against everything I knew
That time would fold upon itself.
I stumbled to the entrance,
Paused, took a shaky breath,
And peered through the peephole.
There you stood, sixteen again,
Clad in the scarlet cap and polo shirt,
Balancing a pizza box on your palm.

My heart sputtered back to life,
And I threw the door open.

As I gazed into those chocolate eyes,
A wave of vertigo swept over me.
Your mouth stretched in a grin,
Exhibiting crooked front teeth.
“One family-size pepperoni pizza.”
Your youthful voice pierced my ribcage
And stirred the liquifying viscera.

You offered the hot cardboard box,
That smelled of burnt crust and grease.
I realized I held bills.
Your caramel ponytail swayed
As you fished into your fanny pack,
But when you extended the change,
I closed your fingers around the coins
With my larger, trembling hand.
“Oh, that’s my tip?” you chirped.

A lump welled up in my throat,
One I couldn’t swallow nor breathe past.
“Enjoy your pizza, sir,” you said,
Then tipped your cap as a goodbye,
And trotted down the stairs.

My lips quivered.
The back of my eyeballs burned.
The pizza box tilted downward
And thudded onto the floor.
I hunched over and covered my face.
The dam containing a lifetime’s laughter
Creaked, cracked, and burst.


Author’s note: today’s songs are “K” by The Clientele, and “Diez años después” by Los Rodríguez.

If you enjoy my free verse poetry, I have three books worth of it yet to be self-published. Check it out.

Motocross Legend, Love of My Life, Pt. 10 (Poetry)

If you haven’t read all the previous parts or you don’t remember them well, I urge you to read this short story (or novella) from the beginning (link here).


On my train ride back from work,
Inside an eggshell-white passenger car,
Slumped with weariness in a plasticky seat
As if my muscles and bones sought to dissolve,
Lethargy pulled down my eyelids
While I fought to remain awake.
At my stop, I exited dragging mutinous feet,
Then trudged my way to a purported refuge.

In the past, after the workday had drained me
And I returned to my parents’ apartment,
I ensconced myself in my childhood bedroom.
Many such afternoons, I dropped onto bed,
Where, as white noise coursed through my limbs,
I slipped into daydreams or hallucinations.
Now, when I opened my apartment’s door
To the smell of home-cooked food
Mingled with those of baby powder and cigarettes,
I faced my lawyer-turned-stay-at-home-mom,
Who looked pale and jittery, stimulated by a cocktail
Of caffeine, nicotine, and food-derived boosters.
She unloaded her day’s frustrations onto me,
Her patient listener and supportive husband,
Who could barely string coherent sentences.

I yearned to collapse onto the couch
And indulge in the oblivion of mindless shows,
But my wife had waited for the chance to escape
And puff on her damnable sticks in the balcony,
So I, as if prodded by a cattle farmer’s pole,
Was thrust into a chain of duties.

I tended to our baby, who spent his waking life
Cooing, babbling, crying, and pooping.
I changed his diapers, bottle-fed him formula,
Wiped the trickle of milk dripping from his chin,
Played with him until his squeals fizzled out,
And struggled to soothe his colicky self.

I went out on evening errands
Such as buying snacks or cigarettes,
Fetching prescriptions from the pharmacy,
Or perusing supermarket aisles for deals.
I held plastic-wrapped packages of meats
While the fluorescent tubes overhead
Bounced reflections off the polished tiles.

As if the apartment wanted to fall apart,
I had to replace burned-out bulbs,
Repair leaky faucets,
Unclog slow-draining pipes;
Tasks that I, who had grown up drawing,
Should have known by instinct how to do.

I didn’t complain against an adult’s fate,
That of ants, termites, or bees,
Perpetually teeming.
Besides, I received the orders from my wife,
Who had sought me out and witnessed me.
I had become a vessel for her hope,
And I didn’t dare discard it.

In the amber glow of the nursery lamp,
I rocked our baby in my arms
And crooned “Brahms’ Lullaby”
As I paced under the gaze of a plush giraffe.
Sleep is a realm, or a void,
Into which one eagerly dives and drowns.
Why would a baby fight the descent?
What better way to spend one’s time,
What lovelier gift could anyone hope for
Than a momentary reprieve from consciousness?

After my baby’s eyelids drifted shut
And his drowsy coos trailed off,
With him cradled in his crib,
I snuck into the master bedroom
And slid under the covers
Beside my wife’s warmth.
As I lay like a bruised, spent sailor
Whose ship had battled tempests,
Finally left alone, I sank
Into the ocean of the subconscious,
From whose murk you emerged,
Gliding through the viscous tides,
Your caramel locks billowing,
Arms extended toward me.
Tangled and embraced, we swam
Out of reach from the surface.

Through a gap in the bathroom door, I glimpsed
My topless, teary-eyed wife’s reflection.
She was grimacing bitterly at her midriff:
Over the waistband of her panties, which pressed
Into the softened roundness of her lower belly,
The overhead light accentuated, deepened,
A cluster of stretch marks surrounding the navel
In patterns of silvery and flesh-toned scratches.
With a fingertip, she traced the striae
That reminded her of the burden taken on,
And the toll it had exacted.

He lay cocooned in a blue woolen onesie,
His chubby fists curled near his cheeks,
His pacifier abandoned in a corner
Like a bone of a half-consumed victim.
From his barrel-shaped chest,
The ribs rose and fell rhythmically
As his small lungs expanded and contracted,
Preparing to spew volcanic ash.
Overlooking this dormant bundle of rage,
This little tyrant from a hostile planet,
I, his caretaker, or slave, stood motionless,
Dreading that the alien would awaken
And, while thrashing his tiny limbs,
Erupt in an incandescent wail
That would pierce my eardrums
And ripple through my bones,
Shattering my sanity.

The shower’s scorching jets
Steamed as they scoured my skin,
Streaming down my hunched spine.
I clawed at my skull;
Another goddamn Monday morning
Of a suffocating cycle
That would last lifetimes.
What was I holding out for?
That your ghost would burst in
And whisk me away from this cage
To resume where we had left off
A decade ago?

Cloistered within steam,
Under the drumming of water,
I whispered “Izar, Izar, Izar,”
A plea for help, an invocation.
The hooks were carving deeper,
And trickles of blood
Were dragged down the drain.

In a weekday evening, crumpled on the couch,
I had drifted off only to jolt awake.
A cartoon flickered on the TV screen,
Mingling its colors with the apartment’s lights.
At the edge of my blurred vision,
My son’s toddling form loomed
As he, clad in dinosaur pajamas,
Dragging a stuffed plush puppy,
Explored the living room
In a quest for the limits of the known,
Or anything to gum and drool on.
His clumsy fingers seized the remote,
That he shook experimentally.
The TV blackened.


Author’s note: today’s song is “La puerta de al lado” by Los Rodríguez.

If you enjoy my free verse poetry, I have three books worth of it yet to be self-published. Check it out.