New song “A Man of Trash” from Odes to My Triceratops, Vol. 4

Figuring out the fitting genre for this song was the hardest to nail down of every song on this album. I tried alt-country, art punk, alternative metal, dub-weighted boom bap, milonga, sophisti-pop, rembetiko, and cantautori. Only when I tried the obscure tishoumaren the result felt right, and I had to discard some of my original assumptions about what emotions the song should render. I’m quite happy with the final result.

New song “Knife-Beard Dreams (psychedelia version)” from Odes to My Triceratops, Vol. 4

This is the second song of the fourth album, after the wild opener “A Tribute a True a Work of a Art.”

Both “Knife-Beard Dreams” songs were produced about two years ago, during the tail end of the Udio era, and it shows, sadly: the musical composition is way more elaborate than what Suno produces natively or what you can coax out of it as far as I can tell. Whether that makes for better songs in general, I’m not entirely sure, but my OCD nature misses that old workflow.

Covers of “Tricera Girl” from Odes to My Triceratops, Vol. 1

A couple of weeks ago or so, I uploaded a YouTube video that contained four covers of this song, from the middle-school period of William Griffin’s life. He’s the protagonist of the Odes to My Triceratops song cycle. But I found issues with the audio quality, caused by a faulty pipeline. Although that’s now fixed, I’ve needed to fix the songs involved, and I also created two more for good measure, so the new video has six covers.

“Tricera Girl” is one of my favorite songs of the first album. It embodies very well the wonder and desire of an early teenager who realizes he’s found the love of his life and doesn’t quite know how to handle it.

New song “A Tribute a True a Work of a Art (post-punk version)” from Odes to My Triceratops, Vol. 4

This song launches the fourth album, right after William seemingly kills himself right at the end of the previous album. I made this song, along with about four others of this album, during the last stretch when Udio was usable.

You could tell, unfortunately, that Udio was involved in the production of this song, because the composition is far more complex than what Suno 6.0 produces, even when you directly remix the original Udio song. That was due to Udio allowing the generation of 30-seconds-long segments at a time, and letting you extend the song in either direction as you pleased. No service allows that anymore, not sure why. You can hear the entirety of the original Udio song, not the Suno remixes, at the end of the video.