Odes to My Triceratops, Pt. 2 (Poetry)


Claire got a little lonely on the night of September 20th, 2007, when a letter written by her mother on a yellow post-it jumped out of her mailbox onto the lawn, causing Claire to run out of her house without her shoes on. As mentioned, the letter was from her mother, Mary, who had accidentally fallen down a well years ago. However, she was now standing in Claire’s lawn. The girl was the only person that could see her mother. Mary had planned for her daughter to die a slow, painful death. She shot a bullet into Claire’s heart, but the heart was already broken, which caused the bullet to break instead.

Nobody would help Claire, so she decided to get a rifle, a bow and arrows, and a dildo. She ended up having sex with her rifle, then killing a turtle she was hunting with her dildo, after she failed to kill a variety of small animals.

Claire never revealed that the yellow post-it said that her parents would try to join her in Hell. When she read that, she immediately ran back home to get her sledgehammer. She was greeted by her deceased father and mother, who were holding hands. Claire wanted to smash their heads together, but then William knocked on her door. He invited her to come along with the triceratops to a party at their home.

“Plan For a Renegade” by William Griffin

First things first, I wanna talk to you about
Things like war, motherhood, fatherhood, and fatherhood.
Anyway, there’s only a verse about my friend.
See, Lorenzo has a mission that his parents planned:
Gotta shoot a renegade deinonychus, he’s a chupacabra.
Hell’s Gate-a-ray, his parents are sending him down to hell.

“Okay, this is going to sound too crazy.
Hell’s Gate-a-ray, ole-yeter. Uh-unh.”
Lorenzo asks, “What was that, Gramps?”
“Shut up, you son-of-a-gun. Next, I’m tellin’ you the truth,
We’re gonna build a missile out of your heart, ’cause, um,
You, uh, you ain’t, uh, been an angel, but, you know,
You’ll repent and, uh, uh, don’t let the devil tempt you, boy.
An old fart like me, I know.”

“Strings and Gunpowder” by William Griffin

Grab your guitar!
Grab your gun!
Grab your life
And have fun!

Wake up at night and sing a song
Under your friend’s bedroom window.
Hey, Lorenzo! Lorenzo!
Plan to sleep all night long?
(“Shut up, asshole!”)

Yeah! It’s good to be back!
It’s good to be back!
La-la-la-lee
La-la-la-way,
Yay-eh!

Put your fingers on the strings,
Put a bullet in the chamber.
Boom boom boom!
Bang bang bang!
Hit ’em right in the heart!

“Prehistoric Punk” by William Griffin

Lorenzo is one ugly son-of-a-bitch.
His eyeballs are poison green.
With those claws, scales, and horns,
He’s like the truest form of punk.

Lorenzo the triceratops
Carries a tiny soul inside his skull.
That goddamn freak walks around
Like he could topple city blocks.

He’s got the guts of a machine gun,
And a portal to hell inside his throat.

Sing something, Lorenzo!

Rawr, rawr, ra-rawr!
Grr, grr, gr-grawr!
Rooo, rooo, ra-ra-roo!
Rawr, RAWR, RAAAAWR!

“Crap” by William Griffin

This crap is mine, and I am proud.
I’m gonna keep on singing, singing, singing.
I’m gonna keep on singing my crappy song,
And nobody can stop me.

It’s my own little song
That I’ve made myself,
And I’ll sing it any day
If I’m not getting beat up.

I’m gonna keep on singing, singing, singing.
I’m gonna keep on singing my crappy song.
I will sing forever and ever and ever,
Or until the day I die.

“Cruisin’ While Horny” by William Griffin

My friend Lorenzo is a triceratops
With a portal to hell inside his throat.
He would drive around for hours on end,
Trying to find some chicks.
Where did you get that car?
I don’t even have one.

What the hell are you doing, Lorenzo?
What the hell are you doing, Lorenzo?

Every day he’s doing this.
Dude, I’m worried about him.
This whole thing is getting out of hand.
When I told Lorenzo I was scared for him,
He shrugged his shoulders and said, “My bad.”

“Lorenzo 2.0” by William Griffin

Lorenzo the triceratops from space,
Born and raised in a cave.
His parents named him “the Obliterator,”
For that’s what he does best,
But they called him “Lorenzo” for short.

He’s not your average triceratops:
He doesn’t eat plants.
He eats the souls of the dead.

Lorenzo: update version 2.0.
New features include:
More soul-eating capacity.
Greater evil force.
Dark matter bazooka.
Enhanced chupacabras.
Fixes include:
Fixed flaming diarrhea bug.

Dating’s not his strong suit, though.
When Lorenzo dated that allosaurus,
He lost his mind and had to leave.
A relationship doomed from the start.

Lorenzo’s not afraid of anything.
When he heard the allosaurus was after him,
He said, “Bring that bitch over here!
I’ll smash her skull with a crowbar!”

“Father God” by William Griffin

My mom’s the sweetest flower,
But she married a prick.
Mom and stepdad drink together.
The whiskey flows through their veins
While they sing old songs
About suffering and death.

Father God
Looks down upon us.
His teeth are knives.
His heart is cold.
He kicks the poor,
And breaks the sick.
His feet stink,
So does his dick.

Fuck that big asshole up in the sky
Who wants us to love our father,
My dead dad’s replacement,
Who’s so generous with his fists.

Are you proud of what you’ve done?

“Cancer and Virgins” by William Griffin

Our souls are connected
To our bones and our flesh,
But to me Claire could only exist
On the surface.

Lorenzo is half metal
And half stone.
He’s like a newly launched gunship.
On the inside we’re alike:
Cancer and virgins.

But because he is a killer,
Lorenzo is a strange boy.

My sister has an iron fist,
And keeps screaming in envy.
We’re more the same than we are different.

I hate to touch a hand that’s metallic,
She hates to kiss a mouth that’s metal.
But deep down we’re the same:
We are born to murder.

“The Hair on Her Arms” by William Griffin

Claire, I love the way you cry,
And the tears that fill your eyes.

Every time you get close to me, I feel warm.
I dream about the hair on your arms.

You two are my best friends:
Lorenzo and Claire,
A triceratops and a blind girl.
My inspiration for most songs I write.

In these mountains, everything is cold.
What was left behind has turned to dust.
I find myself walking around town in the dark,
Just to know that I’m alive.

* * *

Although the relationship between the trio of friends was becoming strained, Claire and William grew closer to the extent that he eagerly transcribed the poems to which she gave birth.

* * *

“To Old America” by Claire Javernick

This boy can keep me up to date
And help me fix what’s wrong.
I’ll take him to old America.
He’ll show me the way.

This boy can keep me up to date.
His face speaks of new understanding,
And it’s my spirit that he surrounds.
I think I could live in his love.

“Supernova Snack” by William Griffin

If I got hungry in the forest, Claire,
Would ya give me some of your blood?
If I fell in the river and got drenched,
Would ya lick me dry?

You’ve got an ass that could put out the flames
Of a raging forest fire.
(By which I mean your ass is very nice.)

Claire, you’re a fucking snack!
Everything you say makes me hard.
What should I do, girl?
Should I stick my nose in your arm, or what?

The only thing better than dying in battle
Is to get blown up by a meteor,
Or eaten by a carnosaur,
Then get fucked by you.

Claire, if you’re hungry,
Eat my eyes.
If you’re cold,
Light my bones on fire.

The stars will go out,
The planets break apart,
But for now, I’ll be feasting
On my supernova snack.

“Marmalade Sun” by William Griffin

A bird is building a nest in my mind.
Butterflies flutter around in my mouth.
There’s something living in my nose.

(You know those bioluminescent creatures that live in the black depths?
That’s what I have swimming in my guts.)

You and I, my ginger beam,
We were born from dinosaur blood
And that marmalade sun.

My head is round and rounder.
I don’t eat, I live on laughter.
No matter what, we’re going to die,
So we might as well enjoy the ride.

“Eyes Closed” by William Griffin

I’ll never forget the first time we met,
‘Cause something in your eyes
Made me want to try to touch your soul.
It’s such a shame how your eyes are always closed.

There’s a place that’s hidden deep inside your soul,
And if you knew the way to find it,
We could be lost in love forever.

When we find that, then we’ll find what’s within,
And everything that we’re searching for
Will come true like the stars in the sky
And the places on the ground.

“Lorenzo, No” by William Griffin

Lorenzo, no.
I could tell you so many things,
But you’re never gonna hear them.

So go back to your cave
And think on life,
And you’ll find it’s so much better
Than what you think.

“Monster With a Hellmouth” by William Griffin

My friend doesn’t just have a hellmouth:
He also has a monster head
Made of chromium steel.

Whenever Lorenzo sings a song,
He sounds terrifying and murderous.
His hellmouth gushes dark smoke
While all sorts of horrors pour out.
(This does happen a lot.)
He’s a monster with a hellmouth;
I don’t know what to tell you.

Lorenzo ain’t afraid of ghosts or leprechauns.
If you run into him in a dark forest,
He’ll impale you on his horns,
And make a wish with your bones.

He’s also very well endowed:
It looks like a bazooka.
His seed comes out of his mouth
While his bazooka throbs.
(I’m not sure what nature intended
With that reproductive system.)

When I close my eyes, I still see it.

“Hold in There, Lorenzo” by William Griffin

Tumble through the cracks of this shithole town.
A boy and his fucking dinosaur.
You wear your horns like crowns
While I just wear my skin.

I see myself in you tonight, Lorenzo.
You’re out in the sun’s fucking bright light.
Drinking time (fuck yeah).
You’re headed for the bottom.

You’re out there eating your dick.
You’re full of shit,
All fucked-up inside.
Your gonads hold the world in place.
You know we’re all going to die.

“Don’t Wanna Be the One” by William Griffin

Just look at how you’ve changed.
You don’t even look like yourself any more.
Clothes are hanging on you,
Your hair is a mess.
It looks like something’s wrong with you.

Lorenzo.

I don’t wanna be the one
To tell you the truth,
But I think that I should be the one
To tell you the truth.
I don’t like the way you’re acting.
Oh Lord, please help me.
So it’s true what they say.

I love you, and I know you care for me.
Just tell me why you always treat me bad.
I can’t stand you any more,
And I really don’t think that it’s fair.

I don’t like the way you’re acting.
Oh Lord, please help me.
So it’s true what they say.

I don’t wanna be the one
To tell you the truth,
But I think that I should be the one
To tell you the truth.

“Odd Paradox” by William Griffin

We’re losing control.
Somehow I have to make it stop.
As far as I’m concerned,
I’ve got myself a stinker.

I’m obsessed,
And nothing I do
Seems to please him.
He feels that I hate him,
And he’s right, so
Could I really blame him?

It’s an odd paradox.
The world’s a funny place.
I guess he’d prefer
If I was killed
Right here and now.

That seems to me
Extremely ungrateful,
But that’s just the way it is.

“The Same as It Is Now” by William Griffin

Don’t shut the portal to hell,
Don’t close the portal to hell.

Don’t be afraid of what I tell you,
Or you’ll end up down that well.
It will be dark and it will be cold,
And it will be you.

No! It’ll be the same as it is now,
Except with a lot of kids singing songs
About things that go boom.

“Into Hell and Out Again” by William Griffin

You, my friend, will disappear into hell,
So throw away your cigarettes,
Your scarlet lady and your tin box,
‘Cause you have a better life ahead.

It’s just the world we live in:
There’s no one to lead us.
The highway’s packed with assholes,
All of them worse than the last.

Forget the girls who betrayed you,
Every lie that brought you pain.
We should sit back and laugh,
For this life will go away.

You, my friend, will have to cross this stream,
Wading in the water with your arms wide open,
Feeling for each stone with your toes.

Throw away your scarlet lady,
And your cigarettes too.
This fucking world’s a garbage dump,
But not your heart, for that is home.

“Afraid of His Dick” by Claire Javernick

Dude, dude,
Try not fuck with him, ’cause he’s a goddamned
Mammoth triceratops
With a portal to hell inside his throat,
And a dick like a spear.

He won’t let you go, and he will follow you
All the way to the end of your life,
But in the meantime he won’t let you die,
‘Cause he knows a lot of stuff about science.

He wears a shell with a god inside.
I swear, he won’t let me die.
He wants to kiss my vagina,
But he hates the taste of petroleum.
When he bites me,
He comes off as murderous,
But I can never alert the authorities,
‘Cause I can’t read nor write,
And that’s just embarrassing.

Dude, can I tell you something?
If I were to kill him,
You could write about the slaughter,
And then we could kiss,
And drink some wine
And eat some tacos
And watch a movie.

“Cretaceous Razor” by Claire Javernick

Somewhere at the end of the black and blue,
A yellow rose falls from the sky.
Lorenzo’s throat is stuffed with joy and hope.
His heart is a lighthouse in the dark.
His love is a fast-flowing fountain of thought.

It’s a hell of a way to live and love,
It’s the difference between life and death,
To know the feeling of a dino’s claws.
He’ll shred you to the size of a cactus.

Some may find the signs of wisdom.
Lorenzo can’t understand anything from them,
But his warm and kind stories
May make you love life more than death.

A razor from the Cretaceous that cuts the sun.
He’ll make your hat more than seven feet tall.
The curve of his horns is erotic.
He’s an angel in the blackest of hells.

“Girl With a Limp” by William Griffin

Lorenzo’s a dinosaur with a triceratops brain.
If you know his liver, then you know his scrotum.
If you don’t know his liver, then you know his scrotum.
Those balls are hard to miss.

If you asked him where he got his good looks,
He’d say, “A vat of acid.”
If you asked him how to get his abs,
He’d say, “Stick a saw blade in your guts.”
If you asked him where he lives,
He’d say, “Under your bed.”
If you asked him how to find true love,
He’d say, “Open the gates of hell!”

If you asked Lorenzo where he was going,
He’d look at you like you had three heads.
If you told him where he was going,
He’d call you a liar.

Lorenzo would get drunk and fuck my girl.
He kicked her while having sex.

She’s a charming sixteen
Going on twenty-four.
Her eyes are milk,
And she walks with a limp.

“No Entiendo” by William Griffin

His name’s Lorenzo. I think it sounds like a brand.
I was just a kid when I first heard the wailing
That howls out from the depths of his throat.

Ay, ay, ay, ay, ay.
Ay, ay, ay, ay, ay.
Ay, ay, ay, ay, ay.

No entiendo!
Hey, no entiendo.
Yo no entiendo.

Lorenzo takes me by the arm.
“Se llama amor, pero no lo entenderías.”
He runs toward our school with a bomb
That blows up the town and my home.

Necesito una sombrilla.
Hoy es luna de sangre!

“Love Thy Tyrannosaurus” by William Griffin

Tyrannosaurus Rex,
Tyrant lizard king.
He runs with his brothers and sisters
Through the thick jungle brush.
He was born under the shadow
Of a thousand lightning bolts.

Love thy tyrannosaurus,
But keep thy distance:
He will kill thee,
And eat thy guts.

He’s just a vicious dude
In a giant reptile suit,
And we’re one and the same.

“When the Fence is Gone” by William Griffin

The actual lady, Claire,
Is in love with the beast.
She’s trapped in his throat,
Bound by a curse.

We’re the sheep that go out to pasture,
The livestock in a fenced field.
You’re the shepherd of a foolish flock,
Feeding on our blood and souls.

I wish I could pretend
That you never existed,
But now I will pretend
That I care for you.
The day will come
When the fence is gone,
And you will be the one
Left all alone.

Beast of the old ways.

“Hell Is This Way” by William Griffin

Oh Lorenzo, what can I say?
I never liked you when we were kids.
You have a face that’s a million years old.

The portal to hell has swung open.

I am Triceratops, and my wife is Spartacus.
Handsome or ugly, what does it matter?
My wife gives her life away for Triceratops.

Hell is this way.
Hell is this way.
Hell is this way, triceratops.

A world far below this one,
Where darkness never ends.

Your blood’s the best of wines.

“Bitter Bites” by William Griffin

And after all the lies he told,
The rocks he threw at me,
That dino got what he deserved.

I saw tears in his eyes.

He will never betray me again,
That bloody demon.

To satisfy a weird urge,
I cut up some of his flesh,
And ate it.
How sick is that.

“The Devil Inside My Throat” by William Griffin

I met this girl who wouldn’t give a fuck.
One day she led me to her bedroom.
Today I couldn’t look her in the eyes,
Even though she’s only ever seen black.

Her scent is a morning in early fall,
And her voice soft and pleasant,
Like a mother who wouldn’t abandon you,
Or a father who would never hurt you.

It’s all gone.

The devil lives inside my throat.
I hear his chortling every night.
Sometimes he burns my clothes.
He also pees on my bed.

Name’s Lorenzo. I’m a triceratops.
I have a portal inside my throat.
When I open it, smoke comes out
From the bowels of hell.

I see the darkness within me.
I’ve always known it was there.

Odes to My Triceratops, Pt. 1 (Poetry)


As the boy’s loved ones feared, on April 8, 2009 the Santa Cruz County Coroner ruled the 17-year-old’s death a suicide. His name, William Griffin, didn’t mean anything yet to the public at large.

On April 16, 2009, at the funeral in Watsonville, William Griffin’s parents Lisa and Ken welcomed two strange new visitors to their family’s life: the creator of Sonic the Hedgehog along with his wife Angela. Many have seen this as a sign of fate, but the Griffins did not. And a few days later, on April 21, 2009, William’s mother Lisa was brutally murdered.

William Griffin lived in a rough inner-city suburb in Grand Rapids, MI. When he was ten he got accidentally sucked into a TV during the sitcom called ‘Garfield’. The episode in question featured a new character, the triceratops named Lorenzo (triceratops being a large, sharp-toothed, three-horned dinosaur). William therefore met not only the major characters of the ‘Garfield’ series, but also the aforementioned triceratops named Lorenzo, who would end up exiting the TV along with the boy and being welcomed into his family. Out of respect for William Griffin’s passing, the episode where Lorenzo the triceratops was introduced didn’t air until about a year after William died.

The surviving family wished to leave behind painful memories, but as they hurried to move, they discovered William’s treasure trove of poems and cassette tapes. William’s step-father Ken made them available to the public. It didn’t take long for the lives of not only Will, but also his neighbor Claire Javernick and William’s best friend, the triceratops named Lorenzo, to come into focus as they were featured in documentaries.

The following texts were composed by a fourteen years old William, some as lyrics for his songs, others as simple poems, or both.

“Lorenzo” by William Griffin

He has a small black mouth
Like a bottom.
His skin is brown
Like a beet.
His horns are round
Like a pepperoni pizza.

He’s just twelve.
He’s just eleven.
He’s just my best friend,
My favorite friend.
He’s just twelve.
He’s just eleven.
But he’s also twelve.

His horns are round
Like a pepperoni pizza,
And they grow in the middle,
And they’re as big as cans.
They’re aching for a fight.

Fuck yeah!

“Lemonade and Willies” by William Griffin

Gather ’round and hear my tale
Of horns, scales, and a tail.
My best pal, he’s a damn dinosaur:
A trike, a tricera-you-know.

Lorenzo is so proud and tall.
He walked by me at the school gate.
He pointed at me and said,
“I am a triceratops. I am so cool!”

A ponopodon is what he found inside his throat.
He swallowed it and out came light.
He gave me another ponopodon and said, “Have a bite!”,
But the ponopodon was horrible,
And it bit me,
And gave me the willies.

“Tricera Troubadour” by William Griffin

Hey, how did that tune go?
Oh, yeah…

Doo doo doo doo,
Doo doo doo,
Do dodo, dododo, dododododo,
Doododo,
Duh, duh, duh

I walk behind Lorenzo in the library,
Where he devours dinosaur books
By chewing them up.
“Come here and have a snack!”

Lorenzo has six letters in his name.
He uses Google to translate Chinese,
And sings every song to the tune of…

Doo doo doo doo,
Doo doo doo,
Do dodo, dododo, dododododo,
Doododo,
Duh, duh, duh (rrrOOOOAAARRrr!)

Tri-tri-tricera-troubadour,
Tri-tri-tricera-too,
(duh, duh, duh)
Tri-tri-troubadour.

“If I find one penny on the floor
And my best pal finds two,
I can share it with him
And we’ll have four!”

“Lorenzo, that’s not how math works!”

“Playground of the Prehistoric” by William Griffin

Remember the Stegosaurus, with those plates and spikes?
Can’t forget the velociraptor.
What about the Brachiosaurus? Imagine how tall it was.
Oh, and the mighty T-rex.
They’re still out there, somewhere.

Lorenzo eats clams and lobsters,
Crocodiles and lions.
He’s eating me to bits.
He’s eating me.

We’ll all slide
down his throat
Into the portal
to hell.

Swing, swing, swing away!
Don’t give a damn what other people say!

Swing, swing, swing away!
(In a playground of the prehistoric)
Don’t give a damn what other people say!
(Out there somewhere)
Swing, swing, swing away!
(Dinosaurs still live)
Don’t give a damn what other people say!
(And play hide-and-seek)

“Dinosaur Carnival” by William Griffin

A dinosaur carnival
Is coming to town!
Who is excited?
I am excited!

The merry-go-round spins
On the backs of ankylosauri.
The roller coaster cars are draped
Upon the necks of brontosauri.
There will be duck-hunting booths,
But I don’t think they use rubber targets.
I hear there’ll be an ice cream stand
Serving frogs and slugs.

Lorenzo is the star attraction,
With his tail, horns and scales,
And the portal to hell inside his throat
Which makes his voice extra loud.

The show’s over.
The carnival is done.
But the dinosaurs remain,
And they are ravenous.

“Claire” by William Griffin

In front of my house
There’s a girl
Who can’t see
What I do.
Her hair is fire.
Her eyes are milk.
She’s as blind as the world.

I bet
She would have liked
To see
The stars.

“Tricera Girl” by William Griffin

Hey, Tricera girl!
You don’t seem mean.
What’s your name?
What’s your age?
How come you exist?

Is that a smile?

That’s a nice tail.
That’s a nice ass.
And that’s the nicest head
In all the land.

My, my, my.
Oh, my Tricera girl,
Where have you been?
My Tricera girl,
How about we go together
To the bakery?

I will help you be happy,
I will help you be brave,
I will help you enjoy
Everything you have.

Tricera-trip, tricera-trops,
Tricera-tricks, tricera-triple flips,
Tricera-tope, tricera-topade,
Come dance with me!

Where have
You been
All my
Life?

“Better Dead Than Blind” by William Griffin

My friend’s name is Lorenzo.
He’s a three-headed triceratops
With a portal to hell inside his throat.

When I’d sit around and play,
I’d play my guitar,
And he’d come over and sit down by me
To hear me sing a song.

My neighbor she is a blind girl,
And she can’t read nor write.
We are just like friends.
We’d sit on her front porch and talk.

While I sat on her front porch and talked,
She said her name was Claire,
And she said her daddy and mommy died,
And she said she’d rather be dead than blind.
Then she went into her house.

I said, what was that?
Then she came out and asked me
If I’d like to go home with her.
I said, what the hell?
I said, what was that?
She said her daddy and mommy died.
She went in and closed her door.

I said, what the hell?
I said, what was that?
She said her daddy and mommy died.
She went in and closed her door,
Closed her door.

“I’m Cactus” by William Griffin

My cactus is fed the fuck up
‘Cause it hasn’t had water all week.
Its body is covered with spines,
So I ain’t gonna go near it
And get my hands stuck full o’ pins.

If I were the official supervisor of this plant,
I’d have to resign.

My cactus is green with yellow stripes,
The same color as the planet Saturn,
But the planet Saturn
Ain’t got no spines.

My cactus doesn’t like to complain,
So it keeps its mouth shut tight.
I’m a prick, a prick, a prickly prick,
For not watering that thing.

I got my hand stuck in the cactus again.
Ow, damn it! It hurts so bad!

Ow! Ow! Ow!
Ow! Damn! Fuck!
AAAAWWWW!
I’m bleeding!

“Who Even Knows What Girls Want?” by William Griffin

Who even knows what girls like?
I’m a tricera-dude.
Lorenzo, you’re a dude too.
So I guess we’ll never know.

Who even knows what girls like?
Maybe they like trains or trucks.
Maybe they like rocks.
Maybe they like dirt.
I have a hole in my jeans.
Maybe Claire likes holes.

I asked Lorenzo, “Let’s pretend you’re a girl.”
Lorenzo said, “Hell no.”
I asked, “Why not?”
Lorenzo roared loudly in my ear.
That hurt.

At dinner, I slipped into a nightmare
Where the steak was screaming,
“Who even knows what girls like?!”

Ooh-wee, ooh-wee, la-la-la-lee
Ooh-wee, ooh-wee

Claire, do you like stuffed animals?
“I like stuffed animals. They’re cute.”
Do you like flowers?
“Yes, they remind me there’s beauty in the world.”
Do you like dirt?
“Uh… I don’t.”

Alright then.

“Claire With a C” by William Griffin

Me and my friend Lorenzo left on a motorbike
Toward the woods of the North.
We lived in a house
Filled with all the old books.

Claire (Claire with a C) lives next door.
Lorenzo (who’s a triceratops) with his green eyes,
Purple skin and parrot-red hair.
I’m William, fourteen years old.
I can read and write, I’m terrified of my sister
(We have the same mother, our father is deceased).

Claire (with a C) she can’t read and she can’t write.
I don’t think she knows how to shave.
Lorenzo (who’s a triceratops) takes care of our parents.
Claire (Claire with a C) never comes to our house.
She eats everything in her mama’s pantry.

Lorenzo (who’s a triceratops) drinks blood to eat.
We watch Stephen King movies every Saturday
On our projector screen.

Claire reads scary stories to me,
Or she’s making them up because she can’t read.
I found out Claire is a vampire.
I couldn’t care less.

“Part Goldfish” by William Griffin

She must’ve been part goldfish and part salt lick,
Because she could swallow letters and numbers.
My friends told me they had seen her pet goldfish grow
Just six inches long. It could read and write.
She carried a paperback to school in her backpack.
The letters and numbers had traveled through her mouth.

Other kids wondered why she couldn’t read and write,
Even though her eyes were clearly dead.

She would just say that’s alright to all of her friends,
‘Cause I can read and write. That’s my only friend.

Claire is gone and I miss my beloved friend,
Because she has her eyes open just for me.

“Let Me Eat Your Stuff” by William Griffin

Claire, so beautiful,
With such a sweet smile,
Even at 14.
She’s in love with me.
We spend every minute
Like lovers do.
She takes me to a place
Where no one can see us.

I saw her first!
It was last Thursday
In my backyard,
When I was doing chores,
And I saw my friend Claire,
For she was standing there.
She was so beautiful.
Such a beautiful smile,
And I just couldn’t resist.

She made me this toast
With strawberry jam and butter,
And made me some cookies too,
The sweetest I’ve ever had.

I ate all of her food,
Even her share.
I watched as her eyes
Lit up like a candle.

“Fairy Tale Too Real to Be” by William Griffin

Claire is Claire is Claire.
She walks and talks and wears a dress.
Claire’s a fourteen years old
Fairy tale too real to be.

Lorenzo is Lorenzo is Lorenzo,
With a portal to hell inside his throat.
Lorenzo is the Devil’s spawn,
Is the beast that does not eat.

It’s hard to describe Lorenzo.
What a stunning day that was,
The day Lorenzo came to us,
Came to us from God above.

Lorenzo is sweet and sappy,
Has a voice that chimes like the bells.
Lorenzo’s tongue is sweet like honey.
Lorenzo lives on old tobacco leaves.

“Eat Your Friends” by William Griffin

Those dinos from the ancient past,
They’re extinct
They’re dead.

Long gone, oh, oh, oh.
Oh, oh, oh, oh.

How much would it hurt
If both of them left me behind?
Lorenzo could fall into a tar pit,
Claire end up frozen in ice.

Eat your friends, don’t you wait.
Chew through the skin,
Chew through the hair.
Don’t let the chance escape.

Hold onto your friends
With teeth and nails.

“I Am Your Stegosaur” by William Griffin

I am a stegosaur and so is you.
A piece of me in every creature,
Like you and him and all the people.
We all have a heartbeat
And a soul inside.

We like you, Claire.
And since we’re here we may as well be glad
And say a prayer, for just because you’re blind,
You don’t have to be stuck in a place
Where there’s nothing to see.

There’s lots of beautiful things in the world,
Lots of beautiful people.
You’re one of them.

When the sun comes out,
The grass shakes off its dander.
When it rains, the clouds roll in and out.
The mountains and the rivers,
The sky and the earth,
The stars and the planets,
One big beautiful living organism.

Beauty never dies.
We will never see each other die.

The color’s gone from your eyes,
But not from your heart.

“For Claire, Who Can’t Read” by William Griffin

You know, you’re the special one,
The one who took a gander.
You’re a girl that’s cute,
And you’re the love of my life.

She’s just fourteen years old,
And the words we write together,
That I write I mean,
Because she can’t read,
Are nothing but lies.

She’s seen the future,
And the past is past.
I said to her, “Don’t forget your roots,”
Because I learned you gotta grow.
So you ain’t no bigger than a matchstick,
But you still got your roots.

A girl, she’s got a good heart.
She’s just fourteen years old,
And the words we write together,
That I write I mean,
Because she can’t read,
Are nothing but lies.

You know you’re the special one,
The one who took a gander.
You’re a girl that’s cute,
And you’re the love of my life.

She’s just fourteen years old,
And the words we write together,
That I write I mean,
Because she can’t read,
Are nothing but lies.

And we only make each other up.
Never gonna be the truth.
So you know that you’re the special one,
The one who took a gander,
You’re the love of my life.

“Ceratopsy” by William Griffin

Ceratopsy, ceratopsy.
(Horns, horns!)
Claire, Claire.
(She’s got horns!)

I love my little Ceratopsian.
Time for a ceratopsy!

In my heart, I want to eat her.
I will eat her hands, her feet,
Her ears, her hair, her skin,
And those boobs like little moons.

I will swallow her
And keep her
Forever safe
Inside me.

Yeah, uh, um, okay, so, I’m a boy,
And I like you, and you’re a, um…
You have, er, eyes, and you’re blind,
Uh, and, um, and Lorenzo’s a dinosaur,
And y’know, um, you’re very pretty…

Ceratopsis spreads inside me,
Eating me, eating me, eating me.

“Ponopodon Blues” by William Griffin

Lorenzo can light cigarettes
With the fire from his throat.
He went through every stage in hell.
The devil became his buddy and said,
“You have suffered enough.”
Then returned Lorenzo to Earth
With ponopodons in his throat.

Alarm (alarm)
Callers (callers)

What the fuck am I even doing.
As if these songs of mine
Would ever go anywhere,
No matter how hard I try.
Get on a stage in that outside world?
I don’t even want to know what’s out there!

I’ve got the Ponopodon Blues.
I’ve got the Ponopodon Blues (what can I do?).
Oh baby, I’ve got the Ponopodon Blues,
For loving too hard.
There’s also a nasty ponopodon stench
Coming from my pants.

I don’t give a fuck, no sirree!
Can’t give a fuck anymore.

Just let the shit pour out.
Give me a bucket.

“No Magic Potion” by William Griffin

Triceratops, I love you more than anything
(But I’m the only one who sees your white behind).
All the girls adore you,
And they want to touch you.

Claire, if you want to, you can have me,
For I’m not ashamed.
I hope you’re not ashamed.

Triceratops, there’s no magic potion
To chase off
Those lonely feelings.

Claire, there’s no such thing as eternal bliss
Or a hell of aces,
Only eternal regrets.

“Wait About a Month for Love” by William Griffin

It’s not like my heart has ever been full,
In all my life,
Until I met your two eyes.
It’s a matter of fact that I’d like to have you,
And that I’d take any length of time,
I’d take it all if it means,
I can lay my head on your breasts.

But what would I think, if you should tell me
That you’d prefer if I didn’t come at all.
Can I tell you how scared I was, how scared I’ve been,
Every time I thought about you.
My step-father told me don’t play around,
Go for what’s worth having.
He said when a man has a real woman,
He’s got to wait a while.
He said it was about a month.

I asked my step-father, what do I owe to you.
He said the man who says I ought to settle for I love you
Is the man who can’t make me quit.
I asked my step-father, what am I missing.
He said, there is a place where the most evil men are,
And they just laugh at us down here on earth.

And what’s going on in heaven, I don’t know.

“Helpless and Pure” by William Griffin

Claire’s a girl so helpless.
Claire is blind.
Claire’s a girl so pure.
Claire is blind.

This love won’t end in pain.

“Please, Play With My Guitar” by William Griffin

Claire’s really a sweetheart,
As pretty as a picture.
She just doesn’t wanna get wet,
But wait and see.

She’s a human,
But what’s behind
That painted
Fake face.

If Claire had eyes,
She would look into mine.
I’d let her see.

I’ll teach her to read and write,
I’ll teach her how to play,
With my guitar.

This is from William’s diary:

So I look at Lorenzo and I’m just mad ’cause he’s gross. All I know is that he has the Mark of the Beast inside his throat. When he laughs it’s rancid and crumbly and when he cries it’s just creepy. Lorenzo’s ugly and he makes me afraid. When he’s with me, he uses his fist as a piano. I try to pretend that I don’t care when he stares at me like that. Deep down inside, I wish that he would leave me alone, but every day when I look up, he’s there. Lorenzo is worse than a dog, because he can think as well as show his affection. Now he leaves pictures on my pillow every morning.

“The Burning Heart Inside Your Throat” by William Griffin

We’d go underground in a coffin,
Dressed all in black.
We would hug and kiss the stars
With our heads in a casket,
And in her worst dreams
We would dance in the dark.

Lorenzo wears a Jesus apron.
Claire’s belly button is her heart.
Now he’s missing his eye.
My fault.

Ah ah ah ah ah ah.
Ah ah ah ah ah ah.
Ah ah ah ah ah ah.
Ah ah ah ah ah ah.

I’m shaking off the free rays of dying stars.
I am trembling at the breath
Of the burning heart
That’s inside your throat.

Like time, like the cosmos,
This eternity with a physical body
Will one day become a tear
In the eyes of the deepest heart.

I know you’re in my head,
I know you are alive.
I’m shaking off the free rays of dying stars.
I am trembling at the breath
Of the burning heart
That’s inside your throat.

Oh aah, hey aah aah.
Hey aah, aah, aah, hey aah.
Oh aah, hey aah aah.
Hey aah, aah, aah, hey aah.

We’d go underground in a coffin,
Dressed all in black.
We would hug and kiss the stars
With our heads in a casket,
And in her worst dreams
We would dance in the dark.

Oh.

I know you’re in my head.
I know you are alive.
I’m shaking off the free rays of dying stars.
I am trembling at the breath
Of the burning heart
That’s inside your throat.

A Poor Player (GPT-3 fueled short)

As I rest against the worn desk of my office, I hear the clickety clack of my secretary’s typewriter right outside the thin wall. In a short while, someone I know will enter my business, head to my office and reveal that they need my skills to save them from their troubles, which will always seem far simpler than the tangled mess they would end up becoming. And even the times I have wished with all my heart to stay away from all of it, the people involved wouldn’t let me be until I forced myself to endure through it all again.

I have closed my eyes to try to control my breathing, but I hear the tapping of heels approaching my secretary’s desk. I wouldn’t forget that rhythm in a thousand lifetimes. Then I hear her muffled voice as she introduces herself to my secretary, Doris. Seconds later, the door to my office opens. It’s a woman in her late twenties wearing sunglasses and dressed in a black flared dress. She walks inside and closes the door behind her. As she stares with black holes for eyes, as dark as her own, she smiles, parting her painted lips.

“Hello,” she says.

Betty again. The old rollercoaster. The first impression always jumpstarts my heart, no matter how long I’ve known her. Every man dreams of having a such a woman concentrating her attention on them. She knows it, and and how to use it.

“Hey,” I say. “What can I do for you?”

She sits down in the leather chair in front of my desk and crosses her legs. Her hair is pulled back into a ponytail. Although in the following days I will learn to hate her all over again, I missed her long, painted fingernails, her shiny, straight black hair, and how she handles herself on her high-heeled shoes.

She takes off her sunglasses, which belonged to her mother, and her dark eyes meet mine.

“Mr. Fairfax, I want you to find my husband,” she says. “He left me last weekend and I need you to find him.”

Fairfax’s Finest, a private investigation company I own and run, has been built thanks to solving cases that the police couldn’t or wouldn’t. I’m known as the best in town. Then again, I can’t be proud about it, can I? Anyone with my knowledge would ace every case, would know them by heart even if they wished to forget them.

I want to take a deep breath, but I contain myself.

“Sure, I will find whoever needs finding,” I answer with my raspy, weary voice. “Work with people I’d rather avoid, dredge up the past, and poke around the lives of others. Usual state of affairs. You have caught me a bit more worn down than usual, so I feel like asking something new, Betty MacDougall. How often do you feel as if someone is staring at you, someone you don’t ever get to see?”

For a second her pleasant, calculated smile wavers. She has asked herself how come I know her name. Then again, she came looking for the best.

“Never,” she answers, her voice flat. “Should I? Who has been spying on dear old me, Mr. Fairfax?”

“You might want to ask that question to yourself, madam,” I say. “You came to me for a reason. You wouldn’t be here if you hadn’t heard of my work.”

She ponders that for a second.

“True,” Betty answers. “I can pay for the best, which is the level of skill I require. My husband, poor old Roy, is a troubled man. Suffers from chronic melancholia, you see, and any little misunderstanding might trigger him to simply run away from those who love him. It just happens that he’s good at hiding, and this time, in his confusion, he has left with something that doesn’t belong to him.”

Good old Roy is hiding in Whitstable, and he has indeed fled with something that didn’t belong to him. It just happens that it didn’t belong to Betty either.

“What has this thief of yours stolen from you?” I ask, barely performing my part.

“He’s not a thief, he’s my husband. And the missing item is a music box. He took it with him.”

“What’s so special about it?”

“It belonged to my mother,” she explains bitterly. “The person I loved the most and whom I will never get back. I’m not sure why Roy took the box from me. Maybe he wanted a memento of our relationship. To be honest, it might be the case that he has already lost it along the way, the silly bugger. However, I won’t give up on either.”

“Of course you shouldn’t.”

“I’ll pay you to find him and retrieve the music box. You can charge extra to prioritize it.” She challenges me with her stare. “Roy tied my hands, I’m afraid. I don’t think I have any other choice but to deal with this nonsense.”

She opens her purse and takes out a thick wad of bank notes. She peels off a few so new they aren’t even creased, handing them over to me.

I briefly examine the money, even though I have already held these very same notes. Of course Betty is so carefree about money, given that she never worked hard to earn it. Well, I suppose that she does consider it working hard, in her peculiar way.

“You handle a small fortune very casually, Betty MacDougall.”

“It’s only money. In the scheme of things, it isn’t that important.”

“That’s true, but I would imagine that someone who never had enough wouldn’t throw it around so much.”

“Oh, I’m not worried about it. I have more than enough, even for my simple lifestyle. And I make sure to put some aside for a rainy day. It isn’t raining anyway.”

I can almost see her eyes narrowing as she declares this last bit.

I cross my arms and hold Betty’s stare with the blankest expression on my face. I’m not reacting to her charms, and if there’s anything my dear old Betty hates is not being able to play people like an instrument.

“Few would call your lifestyle simple, Mrs. MacDougall, if they knew about it.”

She smiles, the cold grin I know best.

“You’d be surprised, Mr. Fairfax, about what some people have and others don’t.”

“I wouldn’t be surprised about anything. That’s a experience that I miss. I am aware that you could pay for anything in this town and it wouldn’t affect your finances.”

Her eyes narrow.

“You have my attention, Mr. F. Are you going to tell me that you did preliminary research on someone you didn’t know was going to walk through your door?”

I take a breath and lean into her personal space. Her face is so expressive when she’s annoyed. I open my palm to reveal a silver crucifix on a heavy chain.

“Do you recognize this?”

For a brief moment I wonder if she will try to snatch it out of my hand. But she’s too smart for that. Her eyes narrow again as she looks at the silver cross pretending to see it for the first time.

“Should I know any random crucifix that many of the people in this wretched town happen to own?” she says with an amused yet dismissive tone.

“This isn’t your average crucifix, darling. It has a history that goes far beyond this old town.”

“I really don’t have time for riddles, Mr. Fairfax. I can see why you come with such recommendations if you manage to unnerve even your clients in such a manner. But I have more important things to do than play a guessing game with you.”

I smile. All I have left is to either be swept by the current or indulge myself.

“The man that last owned it was an eccentric to say the least. He was also an infamous murderer of many young women, along with being a pimp. He used to lure women with promises of work as a model, dancer and the like. Those ladies had come into America and quickly fell into such debt that they felt forced to prostitute themselves. In return, he got them addicted to various drugs and abused them to his heart’s content.”

Betty’s face doesn’t change from its annoyance, except for the briefest of flickers in her eyes. As if she’s trying very hard to not let me see something.

“A veritable monster, and an uncouth subject for small talk.”

“But that’s history now,” I continue. “This crucifix was found in a bathroom stall with prints all over it. In another room of that floor, the police kept busy handling the poisoned corpse of the man that the crucifix had belonged to.

“So?” she says with a grunt. “Another dreary tale in this boring world.”

“One of his whores ended up in prison for his murder. Lord knows she had enough cause, and she had already attacked him with a knife before. It just happened that the prints on this crucifix didn’t match those of the woman who now rots in jail.”

“So?” Betty repeats. Nobody would be able to read her expression even if they knew.

“She’s innocent. We’ve never been able to figure out who the real murderer was, but we know it wasn’t her. Still, I couldn’t pin it on anyone.”

“Do you make a show of trying to solve previous cases by framing for murder your new clients, Mr. Fairfax? I suppose it must have worked one time or another.”

I smile at Betty as the familiar warmth spreads through my chest.

“This is evidence that you murdered someone, and that none but your victims knew what you are capable of.”

“I’m capable of a lot, that’s for sure. The world deals in proof, though. Surely you know that, investigator.”

“I’m fairly certain that you can’t bluff your way out of this one.”

She sits there in silence for a minute or two, staring at the crucifix. Then she smiles. It’s a dark smile that makes my blood run cold. A power of hers, one you never become immune to.

“You are playing a strange game,” Betty says. “I wonder what your connections in the police would think of you accusing random young women without any proof. If this is a prank, you are boring me, but if you are as serious as you pretend, you’re going to regret making me into your enemy, Mr. Fairfax.”

“In polite society, to kill me you would need to catch me sleeping, because I wouldn’t taste any of your food nor let your lips near mine.”

She laughs.

“Ah, the toll it takes. Is that it? You are confusing me with any other beautiful, young woman of the many cases you have dealt with, one that made you learn to look over your shoulder. After all, we pay people like you to endure what we don’t want to bother ourselves with.”

I shush her, which breaks her practiced charm. The holes show for a brief second what lies inside. I point at the ceiling and look up, then back down to Betty’s haunting eyes.

“It’s getting stronger. You feel it now? The chill of the gaze upon you.”

“No,” she says, intrigued, “What do you mean?”

“There is a presence.” I take a deep breath and step away from her towards the window. “There always has been. And yet you have never been able to notice it. Even a woman as cunning as yourself.”

I turn my back on her, but she calls out to me. I look over my shoulder. I want to witness as much as her as I get to see, after all.

“Mr. Fairfax…” she says, trailing off. She shakes her head slowly. “You are a man full of surprises. First the crucifix, now talk about some invisible presence watching us. Are you a man of God by chance?”

“No. It’s not a god, at least none of the ones we know. This presence is real, and it demands something from me. From us.”

I turn back around. Her eyes look at me from head to toe and then they dart over to the door of my office as if someone else is going to enter.

“Oh, you are a strange one,” Betty says, “A charmer and a mad man. A deadly combination.”

I yearn for the pain.

“You have a birthmark on your left inner thigh. It has the faint shape of a dove.”

Her eyes widen and her hands fly to her lap in case I had been looking up her dress. To her credit, she does an admirable impression of someone who is merely embarrassed. Then she steels herself.

“I didn’t take you for such a dirty man that you would violate with your eyes a woman whom you have barely met.” Betty’s voice alternates between sounding flattered and creeped out. “Any of my lovers must have spoken to you, and at length, it seems. Is it that as an investigator you feel obligated to learn every private detail, no matter how little it concerns you?”

“Nobody has spoken to me about you, not yet. I found out about your birthmark while staring at it from so close that I could tickle your inner thigh with my nose. Many times I have traced the contour of that little dove with my tongue as the pungent aroma of your oven-hot, butter-smooth insides warmed my face.”

A silence overcomes Betty, and I don’t pressure her to answer.

“I feel dirty now,” she answers in a low voice while avoiding my gaze.

“You have nothing to apologize for. Your body is a temple, and some of us have been dedicated to worshipping at the altar of your smell.”

She sputters a quiet laugh.

“Are you hoping for me to stay quite a bit longer, in case you want to scratch behind an inner thigh or two?” she asks while challenging me with a seductive look.

“I will always be here. That’s the only thing I can count on.”

I continue to stand in silence and Betty stares, trying to read my thoughts with the look in my eyes.

“How many other women have you said this to?” she asks me, semi-seriously.

“You’d be surprised. You have been performing such exhilarating deeds, Betty, without feeling anyone looking over your shoulder. That’s what fascinates me the most about all of you.”

Betty is confused, and that troubles her. A woman like her needs to control the situation. If any of her potential puppets escape from their threads, they can run around cutting other puppets free.

“And how many of them have you fallen in love with?” she asks.

“There’s the average man’s love, and there’s what you ignite in others. You are a whirlwind, Mrs. MacDougall. The main producer of hopeless infatuation.”

She does not thank me for my words. She stands up from her chair and walks up towards me with a haughty strut in her hips. She won’t blink.

“I have had enough of empty games, Mr. Fairfax. You do know too much about me and you won’t reveal how. I can’t make you unlearn, and I need your services. Will you accept the plentiful amount I will pay you for your uncanny abilities, or have I merely wasted my precious time?”

Before I know it, her hands move slowly up my chest and towards my collar. Her slim fingers begin to pull at the knot of my tie as her dark eyes capture my gaze. Her fingers slide down the silk fabric until they reach the top button of my black business shirt.

“Hmm, now this is in the way,” she says as if speaking to herself.

“I can see how it would be bothersome.”

“Well, I could just tear it off you…” she says with a little more force.

“If I were to help you, that is, as I have many times.”

She clenches her jaw and pouts, narrowing her eyes at me. Then she stops with the seductress act and drops her hands to her side.

“Let’s end this fantasy. Despite whatever you have been told about me, by sources I assure you I would be glad to learn about, I have never met you before the moment I walked into your office. Treat me as such for now. Until we get to know each other better, that is, in the course of your investigation.”
I raise my hand to close my thumb and index fingers around her perfect chin. Her eyebrows twitch.

“I would accept your money, which would quickly lead me to figure out where your so called husband Roy Morris is hiding in fear. While I would stake out the place, you would insist of making one of your houses my base of operations for the time being. You would present yourself to me with some of your finest sets of lace lingeries, which along with your voluptuous body and your delicious smell would drive most men wild. It would only take a couple of glasses of whiskey for me to submit to you, and more often than not I would only pretend that I needed the motivation, even though I would have signed into your seduction from the very moment you walked into my office. I would enjoy your smell, your touch, the feel of your body in my arms, the embrace of your insides gripping me tight. I would want nothing more. And you have made an art of sucking cock, Mrs. MacDougall. Many would sacrifice their entire lives to die in your warm insides again.”

Betty blushes, her chin still caught in my fingers.

“And ever since the first time,” I continue, the weariness evident in my voice. “I haven’t been able to blame you about any of it. Not the string of powerful men whom you seduced and discarded, some into a very early grave, only after their properties managed to end up in your hands. Someone invented you. Maybe the overseer, the invisible presence. Maybe that gaze only enjoys you, although not to the extent that I have done, and the rest of it is window dressing. And you would keep performing through every stage of our journey, not knowing you have done it over and over. It’s just that this one time, as in a few other cases, I am not remotely in the mood of dancing to the tune.”

A smile twists my lips. I don’t like smiling; just not my style. It must look so wrong on my hard face.

“But I enjoy the irony of having you,” I add, “the master of puppets, dance to a puppet master that you will never be able to sense.”

I have broken her. I can tell, even if she doesn’t understand half of what I’m saying. A crack in her facade, one that is slowly spreading further and further. She looks up at me, my fingers still wrapped around her chin. Her face twist into a grimace.

“You must be the best in town,” she begins in such a low voice that could pass for a whisper, “able to worm your way into any person’s mind through words alone. The weak would open up to you, give up all their secrets. It’s just too bad that I’m only made out of secrets, Mr. Fairfax. Nothing else sustains me. You won’t be able to dismantle me with your tricks.”

I release my grip from her chin, and I can see the color starting to return to her face. Before she turns her back on me, she opens her mouth to say something else, and then closes it again.

“Write us a happy ending this time, Betty,” I demand. “Because otherwise we will head into a wall.”

For a second, Betty looks like she’s going to face me and make another snide remark, but she resorts to speaking over her shoulder.

“I will not talk further until you either accept my case or refuse it. And only one of those options will keep me in your office any longer.”

I snort.

“I accept, then. You’ve got yourself a detective.”

She finally turns towards me, first with a winner’s smile, head held high, about to strut towards me with the grace of a dancer. But something in my expression tells her that neither of us will benefit from my decision.

“You will first listen to the information you need about my husband,” Betty says firmly. “You have been acting too strange for me to start wagging my bank notes around.”

“As you wish,” I sigh, walking over to my desk and picking up the bottle of whiskey and two glasses.

“No thank you. I’m not supposed to drink,” she replies.

I pour myself a double serving of the brown liquid and swish it around in the glass, sucking it up through my teeth as its fine texture touches my taste buds. Then I rest on the edge of my desk again, facing my old flame.

“I want to prevent you from wasting your enchanting saliva, Mrs. MacDougall. Your supposed husband, Roy Morris, that naïve painter that had the misfortune of falling in love with you, or with your charms anyway, put two and two together and is hiding for his life. That musical box contains the proof of how you acquired your last house and two cars, as well as a significant increase of money in one of your bank accounts. The poor idiot is way over his head, as he doesn’t understand how many men you control. Just once, I became one of them.”

A wicked expression crosses Betty’s face.

“You’re a liar and an idiot, Mr. Fairfax. No man could resist my charms that easily. You’re a weakling, scared of what might have happened with me.”

“What you have done to others, more like it. No, I have never been afraid, just disappointed.”

I take out the crucifix again, and when I hold it up, Betty widens her nostrils and clenches her teeth.

“In a couple of days you would have tangled me into having two innocent men killed,” I say. “You would have made sure that I remained satisfied and pliable. We are way too easy to manipulate, as you well know. And it would have taken me three more days of mayhem until I correlated the prints we took from this crucifix to those you left on a bottle. At first I would have never taken you to be so strong and ruthless that even a murderous pimp, the owner of the biggest prostitution ring in town, would have danced to your tune, but from then on, even as I performed my role I have never underestimated you. And although any kiss could imprint your poison on my skin, I have never had enough of you.”

Before I finish speaking, Betty searches her purse. She takes out her Browning pocket pistol, then holds it as if she were revealing a winning hand.

“Don’t ever play cards, Mr. Fairfax. You don’t know when to stop talking.”

I cross my arms.

“Are you going to shoot me in my office, Betty?”

“You don’t get to call me by my first name.”

“I prefer to call you by what you really are. A killer. Someone who kills people for money. It’s alright, though. You are made this way.”

I place the crucifix back inside my chest pocket. I smile warmly, and it creeps Betty out.

“Instead of ruining yourself ahead of time, let’s enjoy ourselves,” I suggest. “I’ll go get my car. I will drive us to our favorite restaurant. We will get to forget about runaway husbands, mobsters, prostitutes, and our inevitable ends.”

Betty’s hand is trembling. She’s too intelligent to kill a man in a place where even if she murdered my secretary on her way out, she would be caught in a day. But no man had ever gotten into her head like I have. We always had such an effect on each other.

“You never stop, do you?” she mutters between her teeth. “You still think you can charm your way out of this.”

“I haven’t been able to charm my way out of any of these nightmares.”

I step forward, and as a reflex, Betty lifts her hand holding the Browning, pointing it towards me. Even when I sense her about to squeeze the trigger, I make no effort to slap the pistol away, grab her wrist or step out of the way. The hot lead flattens against the right part of my chest, punching my ribs, tearing through my lung. I should have fallen to the floor, but I don’t. I have missed this pain.

I cough out blood. It’ll get harder and harder to breathe.

I hear my office door opening, and my secretary, Doris, peeks her head in. She wouldn’t have suspected a potential client attempting to murder me. She has no clue yet what kind of devil she let through. Doris sees me standing with my hand on my bloodied chest while a woman points a gun at me. She screams like a schoolgirl.

I smile while I drool blood.

“It’s okay, Doris,” I say. “You can close the door now.”

Before my loyal Doris decides between rushing towards Betty in a futile attempt or closing the door and fleeing, Betty flips her pocket pistol towards her. The second bullet leaves the gun and flies straight into the forehead of my secretary.

“I’m sorry about this, Doris,” I say before her dead body could even tumble to the floor.

Betty is breathing hard, and stares at the corpse for a moment before turning sharply towards me.

“You’re the one who should be apologizing. A man who can’t keep his mouth shut is a sorry sight.”

Even though I have done nothing but unsettle Betty this time, she doesn’t anticipate me striding towards her to close the distance. When she moves her gun-holding arm to point at me, I grab her wrist right next to my ear. With my free hand I cup the back of her head. I have always loved the feeling of her silky, lustrous hair against my skin.

“Shut me up like you love to do.”

I press my bloodied lips against her red ones, and invade the wet insides of her mouth with my rough tongue. I bite her upper lip with my teeth, and she winces. I keep on savoring the taste of her blood as it goes down my throat. Her Browning falls to the floor with a loud thud, and then her fingers tighten around my shoulders hard enough to hurt. I have ached for the pain she doles out.

Betty is no longer gripping my shoulders to push me away, she’s holding on to me. Her tongue isn’t hiding from mine, and instead caresses it with a rhythm we’ve never had to agree on. I feel a shiver run through Betty’s body. She doesn’t pull away even when more of my blood than saliva flows into her mouth.

“Darling,” she whispers.

I look deep into her dark, unknowing eyes, and into her depraved soul. I have learned to savor the times when our souls connect so intimately. In this moment, everything is perfect. I embrace the cycles of humiliation, the madness of performing for a play that none of the other actors know how it ends. If every blue moon I get to face my Betty again, I shall dance to the end of time.

My lungs have filled with blood. My legs are failing me. I don’t want to cough into her mouth, so I pull our lips apart. Betty tries to follow my tongue with hers, but I turn her head, hug her tight and then sink my teeth into the firm flesh of her neck.

She moans in pain. I drag her down to the ground. She shivers more than struggles against my chest. I bite through the thick skin, fat and gristle, and then gritting my teeth with a final push through the squishy sounds, I feel them pierce flesh, nerves, muscles and blood vessels. The blood is gushing into my mouth, and I’m swallowing as fast as I can.

Her body convulses as her moans turn into gurgling. I’m still sucking on the hole I’ve created when I hear the faint sounds of police sirens approaching outside. I have neighbors, after all. But we’ll both be gone when they arrive.

Betty and I, we endure for the pain. The pain we get to feel, the pain we cause to others.

I want a last look as my heart fails. Dark red blood oozes out of Betty’s mouth and her nostrils. Her eyes flutter as she stares at me with intensity. She doesn’t have long. It’s alright. It’s a good way to die.

I lick the side of Betty’s face, just above the blood welling out of her ear. Even if I could speak, she wouldn’t hear me anymore with the blood that’s now clogging her ear canals and getting into the ear drums. The light fades in her eyes before my own heart goes out.

You haven’t pulled your gaze away, haven’t you? I knew you wouldn’t, no matter how grim it gets. Whatever you are, whatever your role has been in all of this, you witness me getting sent back to the starting line of each journey, and you follow it to the end. I am way past raging in vain. This time I wasn’t rebelling: I needed to refill. Thank you for giving me my old lady again. In a short while the world will go black, and I’ll get back to work.


Some notes about how this story came to be:

  • As I was looking through my archive of notes for what I could want to write later, I came across the concept for a short story I had passed over plenty of times before, and that originally came to my mind some years ago: that of a private investigator who knows he’s in some fictional world, and who has had to relive the same twenty or so cases over and over again, maybe when someone reads or watches his stories. I don’t know why he had to be a private investigator, but it seemed cool, and I needed something to do this morning. I finished it late at work in the afternoon.
  • I prompted that the protagonist started in the typical setting of a private investigator. GPT-3 came up with the tapping of heels about to enter his office. That brought to my mind the whole femme fatale thing, so I quickly put together a background in which she wanted to use the private investigator to hunt down someone who could destroy her whole criminal empire, whatever kind of evidence the guy actually had. I also found intriguing the fact that the protagonist was well aware, and had lived through, all the deceit she had to offer.
  • Actually, it was GPT-3 who came up with Betty’s excuse of her intending to hire the protagonist to find her husband. It was through that that I set up the rest of the background.
  • GPT-3’s line “She opens her purse and takes out a thick wad of bank notes. She peels off a few so new they aren’t even creased, handing them over to me” gave me a good sense of the kind of power the protagonist was dealing with.
  • GPT came up verbatim with “I take a breath and lean into her personal space. Her face is so expressive when she’s annoyed. I open my palm to reveal a silver crucifix on a heavy chain”, therefore creating the whole subplot of the pimp and his crucifix. GPT-3 also came up with most of ‘The man that last owned it was an eccentric to say the least. He was also an infamous murderer of many young women, along with being a pimp. He used to lure women with promises of work as a model, dancer and the like. Those ladies had come into America and quickly fell into such debt that they felt forced to prostitute themselves. In return, he got them addicted to various drugs and abused them to his heart’s content’, although I edited it significantly.
  • I like the idea of the protagonist flaunting the evidence that eventually would set the chain of events that would cause Betty’s demise, if the protagonist went along with the plot.
  • I don’t know how the “reader” or “experiencer” of the story, whom the protagonist senses as an invisible presence, actually checks out the repeated events that the protagonist lives through. But the protagonist doesn’t know either.
  • I love getting into sexual stuff when GPT-3 is on the other line, because it’s great witnessing the AI squirm and in general deal with it while retaining its dignity.
  • The lines ‘You have nothing to apologize for. Your body is a temple, and some of us have been dedicated to worshipping at the altar of your smell’ were entirely GPT-3’s. I love the creative bastard.
  • Betty getting handsy with the protagonist to manipulate him was GPT-3’s deal, and also Betty getting annoyed that she wasn’t getting a proper response.
  • The lines ‘I lick the side of Betty’s face, just above the blood welling out of her ear. Even if I could speak, she wouldn’t hear me anymore with the blood that’s now clogging her ear canals and getting into the ear drums’ were GPT-3’s almost entirely.

My Strange Friend From Far Away (Fiction)

I sink into the cold blackness as I take deep breaths of pure oxygen. Above, beyond the silence that surround and protects me, the storm must be grumbling, its wind lashing, its rain stinging. That means most people won’t venture out. They will remain in their warm, safe homes, and I will sink further into the watery void of this lake, as isolated and free as an astronaut with her tether cut off.

At this depth, the water above me is dark as a room without windows. I don’t feel anything but a uniform cold, I don’t hear anything but the pressure in my ears and the steady sound of my breathing. I am so far below the surface of the water that my body doesn’t even register the sensation of sinking deeper. I close my eyes, but the darkness doesn’t change. My mind is still here, somewhere. It knows something is going on outside, and it has decided to stay awake for just a little longer.

When the black waters light up, I first think I have imagined it. The pressure of something heavy plunging into the water from above and coursing through it creates a current that pushes me away, then it feels like something has slapped the water from underneath, forcing me to drift away in a bubble moving up. The weighty object strikes the bottom of the lake, and the trepidation of the impact vibrates through my bones.

I snap out of it, of my solitude and calmness, as if I had fallen from a bed. Something big has crashed into the lake, and has stopped so close to me that the waters still rock me back and forth as the lake returns to its equilibrium.

I dive further down. It wasn’t a person nor an animal, and it sank way too fast for a boat, not to mention that I was the only one on the lake during this stormy afternoon. And the object didn’t just sink, it had hit the lake with force. So it must have been a flying vehicle, or a projectile. It didn’t feel as huge as a regular plane, even a single engine aircraft. And any helicopter pilot would have avoided flying during such weather even in an emergency.

My ears pop as I try to ignore the cold and swim down to the seabed. The water feels murky and thick, but I can’t see anything. I just feel around for any large piece of metal that could have come off an aircraft. My hands just find dirty sand and bits of dead plants.

I was about to give up and rise quickly to the lake’s surface with the buoyancy compensator, but my back touches a solid object. I turn and slide my hands carefully along its curved, hot surface. It feels metallic. I wish I had bothered to bring my flashlight for this dive, but today I was craving nothing but darkness. The shape reminds me of satellite. As I follow its shape to figure out how big it is, I figure it approaches the size of a van. Are regular satellites supposed to be this big? As my heartbeat increases, I probe the surface hoping to find the junctures of some hatch. Instead, what I feel is just a smooth metallic surface. No door, no crevices. Not even any rivets to speak of.

A nearby turbulence kicks up sand that hits the exposed skin of my face. I close my eyes as a reflex, and when I open them again the darkness of the bottom of the lake has brightened as if I had huddled close to a fireplace for warmth. A hole has opened on the surface of this vehicle-like object, and amber-colored, liquid-like light is flowing out of it. I can’t help but be drawn to this light, and as I approach it I realize that it’s not coming from a point source, but rather from the inside surface of the craft. I hold on to the edge of the opening to float closer and take a peek. The interior is empty like a drained egg shell except for the presence of a young woman maybe in her early twenties, wearing a gray, skin tight jumpsuit. Her waist long, scarlet hair floats in the murky water as if I was looking at a still photo of the woman falling. Her eyes are closed in her expresionless face, but she’s hugging what at first glance looks like a metallic shoebox.

Either the woman is dead or will be soon. She must be unconscious and drowning. She doesn’t seem to be injured, but unless I drag her to the surface with me, she’s a goner. I want to help her – I’m not made of stone after all – but I don’t want to sacrifice myself for her either. However, I always bring the redundant scuba system. Enough air to get to the surface in an emergency.

I try to grab the woman by her jumpsuit, but it’s way too tight, so I end up grabbing her by the throat, just long enough that I can pull her out of the crashed aircraft. She is very much dead weight. Will she prove too heavy to carry to the surface? I can’t hesitate. Even if this woman is a stranger, for the rest of my life I would have to bear the burden of having failed her, of having allowed her to die in the cold dark.
I reposition the woman so I can embrace her from the back before I start kicking my legs to ascend, press and hold the nozzle of the redundant breathing apparatus against her mouth, and as I swim towards the surface of the lake unsafely quick, what reaches us of the light that escapes from the downed craft shows me that the metallic box has slipped from the unconscious woman’s grip. It falls in slow motion towards the sandy bottom.

I’m too anxious to count the time it takes me to reach the surface of the lake. At some point I feel like I’m dragging a corpse. When I finally emerge to the stormy afternoon that had awaited me outside of this watery sanctuary, the dark cloud that had covered the sky is yet to move, and it seems closer. The wind has picked up, its violent gusts are rocking my little boat nearby. The rain drops are huge and they hurt as they hit the exposed skin of my face.

I want to stop and check on the redheaded woman, whose troublingly pale face remains expressionless, but if she’s drowning, I won’t be able to perform CPR nor breathe into her mouth while floating on the water. I need to lift her to my boat.

I dive in again and, with a strong kick of my legs and hands, propel us both to the boat. I don’t know whether she is still breathing or not when I lay her on the floor of my boat. I can’t stop shivering, my teeth are clattering, and my fingers are numb.

The woman’s drenched, scarlet hair is stuck to her face as if she was trying to hide. I cannot see her eyes. I move the strands so I reveal her nose and mouth. I prepare my hands on the woman’s chest to start CPR, but when I lower my ear to her nose to check for breathing, which I didn’t expect to find, the warmth of the breath coming out of her nostrils caresses my cheek. I find myself paralyzed. That’s impossible. She must have been breathing while she floated in the flooded craft. I check her slender neck for a pulse, but there’s none. And yet, she’s breathing. I stare at her face in disbelief, ceasing to breathe myself for a few seconds.

The rain is beating down in unrelenting fury as I pull the boat onto the shore and push it far enough from the water that it won’t be swamped. As I struggle to drag the woman’s dead weight towards my cabin, the soaked ground keeps sucking my swimfins. I take them out and leave them there. Although half of the woman’s back is caked in mud, I gently lay her on the mattress I have been sleeping on for the past three years. Then I wheel my heater so it will warm her. In case I was losing my mind, I check her breathing again. She’s still taking air in as if she was sleeping peacefully.

I want to take the woman’s skin tight jumpsuit off and check for wounds. However, I would need her full cooperation, and I don’t find any zipper on it. I can’t figure out how she even put it on.

I end up wiping the mud from her body with a wet washcloth, then throw a blanket over her and place another against the back of her head as a pillow.

After I have undressed and dried myself, I warm my dinner in the microwave and then wearily sit down in front of the woman to eat as I observe her. She hasn’t moved a centimeter. She’s so pale as if she had been injured in the crash and lost too much blood for her body to survive. And yet she looks to me otherwise as healthy as they come.

The sun, that hadn’t been strong enough to pierce the cloud cover of this storm, has already set when I realize that at some point I dozed off on the chair. When I open my eyes, the woman is sitting up straight on my mattress and is staring at me without blinking, expressionless. Her eyes are of a red color almost as vivid as her hair.

I want to ask her all the usual questions, but I get the sense she won’t answer. Still, I try.

“How do you feel?”

Her gaze remains fixed on me. We hold each other’s gaze as the hair on my arms raises. Seconds later, the woman looks around with precise movements as if scanning the room for something, or checking out her surroundings. She must not have found what she was looking for, because she turns her head to stare at me again.

“Do you have a name?” I ask, breaking the silence.

Her red eyes blink once, then twice, as if thinking about the question. Then she opens her mouth slightly and breathes out a quiet hiss. I shiver. Was that an attempt at a word, in a language I wouldn’t understand, or did this woman seriously hiss at me like a predator?

“Did you just hiss at me?” My voice trembles slightly, although I attempt a smile. “That’s not an answer.”
She lowers her gaze, still silent, and turns to look out the window, then at my belongings that lay on the floor, and then she looks back at me. Her eyes hold a cunning sparkle, like that of an uncaged beast in the wilderness who had finally come across his prey.

“I’m wondering whether it is an issue of you not understanding me, not being able to speak, or not wishing to,” I say, as I figure it is a good idea to be as clear as possible with this stranger. “Can you confirm whether you understand me?”

She narrows her shoulders a bit in what I initially take for a shrug, but I can’t be sure. I’m exhausted. Before I went out for a dive this afternoon I had expected to go to sleep as soon as I returned, and my body it asking me to. But I have no clue what to do with this stranger.

“Okay then.” I let out a sigh. “I’ll think of a name to call you, given that you are unlikely to give me one. How about… Alice?”

I don’t know why I said that. It just came out, and it seems to catch her attention. She stares at me with her piercing gaze, before nodding a single, terse nod.

“Nice to meet you, Alice. I’m Lena.” I hold my hand towards her as a gesture of friendship. She merely stares down at it. I pull back my hand awkwardly. “So, I’ll take that as a no on the hand shaking. Do you need anything? I can get you something to eat, or a blanket perhaps? It’s a bit cold in here.”

Water, to start with. Who would be allergic to water? I turn to the sink, grab a nearby glass that I had drank from before I set off for a bit of diving today. I don’t remember if I cleaned it. In any case, I fill it with water. As soon as I turn towards the stranger again, her piercing, unblinking stare makes me shiver. It feels like turning back towards a cat to realize that it likely had been staring at you for a couple of minutes even though you didn’t feel it. In the case of this stranger who can breathe underwater, I feel the intelligence behind her silence as if she was scanning the contents of my brain.

I hand her the glass of water, and she eagerly takes it from me. She gulps it down in an instant as if she was dying of thirst. She lowers the glass from her face, and I notice a faint gleam of moisture along the rim of her lips.

As I get the sense the stranger doesn’t know what to do with the glass, I take it from her hands carefully and return it to the counter. “I’ll get you some more later.”

“Water…” The woman’s face twists up for a moment, as if she was struggling to find the words. “I need water.”

I’m shocked, although I hide it behind my relaxed expression. It felt as if I had heard a random animal speaking.

“I see. Don’t worry, I’ll get you all you need. If you aren’t injured, which seems to be the case, you can get some whenever you want. Feel at home, and all that.”

This time I bring her a water bottle. As she gulps down most of it at once, I sit down on the carpet with a glass of water myself.

“You know, I love that you understand and can speak my language to whatever extent. I can’t imagine what happened, how you ended up at the bottom of the lake, but I’m glad I could help. My good deed of this month, I guess.”

“You saved me?” The woman asks with a surprise that seems to be genuine.

I snap my head back. What’s the last thing this woman remembers? Surely plummeting inside that aircraft of hers. Did she fall unconscious before an accident happened?

“Yeah. Your craft sank to the bottom of the lake. I happened to be diving down there at the time. Gave me quite a scare. I took you out, wiped the mud from your jumpsuit, all that.”

“Why did… why did you save me? You don’t know me. You don’t know who I am.”

I clear my throat, and respond carefully.

“Well… I couldn’t just leave you there to die. It’s against my nature.”

The woman is quiet for a while. Then she speaks up with a sigh: “Thank you. I won’t forget it.”

“Neither will I.”

She gets up from my dirty matress and moves towards the entrance. I think that she’s going to leave as if I had never met her, but she stands in front of the window and pulls the curtain away to gaze through the hard rain towards the lake.

“You know,” I start, although I’m not sure why, “I used to love rain. It’s not that I don’t like rain now, but… there was a certainty in the world back then when I was a kid, you know? As certain as all childhoods are. When it rained, you knew it’d clear up. Not always, perhaps, but it usually did. Now all I see is pain in every drop.”

I’m looking at her back. I can’t see her expression.

“Pain?” she asks. “Where do you see pain in the rain?”

“I don’t know. Listen, I figure the you I’m seeing is a disguise I can’t begin to understand. My first impression is that you would need to look plainer, because a pretty woman attracts enough attention on her own. But what I truly want to say is that no matter where you came from, or why you did, I hope your people and mine can be civil with each other, because all the killing we inflict upon ourselves is more than enough. I don’t know if there’s someone out there waiting for you, but if I can help you reach them, you can tell me.”

She doesn’t respond. She seems to be deep in thoughts. Then, she clears her throat and turns around to face me. I can see the rain water dripping from her waist length hair.

“I don’t know why I’m here,” she says. “I don’t know why I’m here, but I want to stay here, because you are kind.”

I don’t know how to take her words.

“Does it bother you that I know? Is it a bad thing that I do?” I ask.

“Not at all. Not at all,” she replies. “I’ve never met anyone that knows. I have to thank you for not sounding flabbergasted.”

“I wouldn’t have expected you to be so polite, but I’m so glad. There’s no harm in me knowing, you see. We are both intelligent creatures. I hope at least you consider me that. So we can both behave like civilized people.”

“We can,” she answers. “Lena, I need to return to the bottom of that lake.”

“Ah… It’s not safe,” I say before I remember that this stranger can breathe underwater.

“I know,” she says. “But this is important.”

I can read the worry in her red eyes.

“I mean, it’s night out. Can it wait until tomorrow morning?”

Her face softens. “Of course.”

“We can search for the wreckage in the morning light. It’s not like we are going to get much light down there, but… I have never dived this late. I couldn’t guarantee it’d go right.”

The woman nods.

“Thank you.”

“Ah, can I ask you something else?”

“Shoot.”

I bite my lip.

“I quite like the name I gave you. Alice… But now you can tell me your actual name. If you use those, that is.”

She shakes her head. “I’m sticking with Alice. It’s the name you gave me, I’ll always answer to it.”

I nod.

“Alright then… I suppose we should get some rest for tonight. I’m afraid my place is as shabby as you can see. I don’t need much. But you can sleep on my mattress. I’ll go grab a few pillows and sleep on the floor for the night.”

“That’s not necessary,” she says. “We can share the mattress together. Two people would fit, right? I mean, we’re about the same height and size.”

“Well… That’ll be fine.”

After we flip the mud-stained mattress, the woman sits down on it then scoots over towards the wall to leave space for me. I’ve never had another person in my cabin, let alone share a bed with one. I’m getting dizzy.

“I’m… going to pee first. Just lie down, I’ll return in a moment.”

As I leave the room for what I chose to consider my study, I grab an empty plastic bottle. Once I enter the study, I close the door behind me, pull my pants and underwear down and press the mouth of the bottle so most of my pee goes inside. I’m more careful than usual this time. My heart is racing. After I have finished, I sigh and try to relax.

When I returned to the main room, I half expected the woman to be gone. I can’t look her in the eye even though she’s staring at me. I turn off the light. Once I lay down next to her, we both wrap the blanket around ourselves. I’m as stiff as a board.

“Alice…” I start with a thin voice. “Is it beautiful out there?”

“Quite.”

I close my eyes.

“Ah… That’s good.”

The rain lashes the window as I slowly drift to sleep. This strange woman’s warmth feels good next to me, and I hope she doesn’t mind my cold feet. I fall asleep tangled in a mess of thoughts. My dreams are dark and empty.

* * *

When I wake up it’s still black outside, and I’m exhausted as if I have barely dozed off for a nap. No alarm dragged me from my dreams. Why did I wake up?

The woman isn’t warming the bed next to me. She’s standing in front of the window and looking towards the lake, except that this time she hasn’t pulled the curtain away. For a moment I think she’s naked, until my brain realizes she’s still wearing her tight jumpsuit. I can tell by the wrinkles that she isn’t wearing anything underneath.

“Alice?” I call out in a meek voice.

I hear then over the background sound of the rain and the wind the whoop whoop of a helicopter nearby. My first thought is that they must be nuts to hover over the lake in this weather. Then I figure that the only reason why they would be out here during the night and under the rain must be related to the woman whose back I’m staring at. I get up and wrap the blanket around my shoulders. After rubbing sleep out of my eyes, I approach the woman. I’m reluctant to move the curtains, but I make out two helicopters whose searchlights are brightening something on the surface of the lake. And there’s movement on the waters as well, an inflatable boat.

“They’re looking for you,” I tell her as if she were stupid.

Her gaze doesn’t break away from the intruders and her face remains expresionless except for a tension in her eyebrows. Then I remember that we were supposed to dive to the bottom of the lake first thing in the morning.

“Damn it, you wanted to return to your craft. No, you wanted to retrieve something. That box, was it?”

The woman turns her face towards me and nods.

“Did you bring it with you when you saved me?”, she asks with a neutral tone.

A bitter taste fills my mouth.

“Sorry, I… I saw how you were hugging it against your chest. When I grabbed you to swim to the surface, it slipped from your hands. It must be resting at the bottom of the lake.”

Her face becomes even more expressionless, as if she was pulling away from me.

“We can’t go out there, Alice,” I say. “It must be the military, or some secret branch of the government. They probably have reached your craft already, and this cabin of mine is the only one along the shore. They will come to figure out if I know anything, and I’m sure that they won’t need a warrant to enter. If they find you… For starters, I’m sure I won’t ever see you again. Nobody else will ever see you again outside of whatever hole they’ll throw you into.”

I’m sure she’s considering the repercussions of being seen, as she just stands still and slowly blinks.

“The soldiers now have what they want from you…” I continue in a low voice. “Or at least they know where it is. But they must know enough about the kind of craft your people use to understand that it was carrying someone. They must think you have reached the shore and are hiding, or making your way somewhere. I’m sure they will look for days and bother the locals. We need to leave.”

I go on to explain that I have a car parked behind the cabin, and will drive her to a safe place. She just nods as I speak.

“There’s a town nearby,” I say as I look around the room to figure out where I left the keys. I haven’t driven for a week. “I’m sure the military will look around there as well, but at least we won’t have a target painted on us as we do now remaining in this cabin. From then on we’ll figure out what to do.”

I grab my torch, which I left on top of the battery charger, and shortly after I find the car keys under a candlestick. I turn to face the woman. She remains expressionless, but there is definitely life in her eyes now.

“Come on then,” I say, gesturing her to follow me to the door. “Let’s get out of here. You really can’t allow those people to take you.”

“I have no choice,” she says, turning her head to look at the lake one last time. “But they will find me anyway.”

“That’s defeatist talk.”

I walk to the back door with the woman slowly following after me. I open it for her and gesture her to walk in front. The cold, hard rain hits my face, and I can barely see anything in front. I don’t want to risk turning on my torch now. Before I turn to beeline towards the parked car that I can’t see, I hear the back door close behind me. A dark shape is moving around there, and I quickly try to turn on the torch, but a strong blow sinks into my stomach. I gasp for breath. I can feel the air crushed out of my lungs as I fall to the ground. I roll into the grass in an attempt to get away from my attacker. Hearing the sound of feet pattering on the grass, I try to stand up before some heavy foot crushes my skull.

“Not her.” A harsh male voice says close by.

I hear a buzzing sound, then glimpse a blue arc of light on a device that someone is holding. A taser. They have missed. A few big men are moving around between me and Alice, who is retreating slowly towards the house.

Although I’m coughing my lungs out and the rain is making it hard for me to take deep breaths, I stagger towards the backs of those men.

“Hey! She hasn’t done anything to you!” I try to say, then someone lands a heavy kick on my side and I fall into a puddle, where my face ends up covered by the muddy water. I can’t see anything when I open my eyes. I try to get up, but a heavy boot crushes my back. Before I can formulate any thought, I feel something gripped around my neck.

They are going to kill me. Just because I happened to be at the lake when the craft fell, just because I rescued the strange woman, these government people will end my life. That’s how it is.

The world lights up, and for a moment I think that I’ve been shot in the head. I’m bathed in light. So are the military men standing around, as well as Alice, who is keeping away closer to my cabin. Then I hear the helicopter rotors and realize that its searchlight is pointed straight at us. Someone is shouting, although I can’t tell apart much between the rain and the pain.

A woman wearking a shiny blue suit is advancing towards the men. No, not another woman, it’s Alice. Her jumpsuit has changed. She stands between me and the agents, and then I really see her for the first time.

An scaled, reddish arm reaches out and grabs the nearest man by the neck, lifting him up without any effort. His feet are swinging in the air, and then he is thrown against the ground. They all draw their weapons and point them at the strange woman, but they don’t fire.

“Back away from him,” a voice from above says over a loudspeaker, “Or we will open fire.”

The woman looks at me for a moment, and I can only stare back in awe. Her face is purple like a bruise, the teeth inside her open maw sharp like a shark’s. She has retained the bright red eyes, although none of the hair.

Alice hisses like a snake as she swings one leg forward. The agents open fire, but she has already leaped over their heads and landed behind them. She grabs by the arm the man who had gripped something around my neck to kill me. She swings him around like a flail, his own pistol flying out of his hand and into the air. She lets go of the agent and he crashes into his fellows, knocking two of them to the ground.

“Run!” she screams, although it comes out as a bark.

I do not need to be told twice, and I sprint away from the cabin as fast as I can. From behind me come the bursts of automatic fire, as well as the increasing whoop whoop of the second helicopter. However, as I spot the treeline in the dark, I stop. If I flee through the woods, I will never see Alice again. I will never know what happened to her, although due to her isolation, separated from her people and hunted down by an organization that would hide this night even from the rest of us, I would always regret not having been able to act, even if trying wouldn’t change a thing.

I stand and watch as the cabin door is ripped off by a burst of fire, shortly before the wooden walls are torn to pieces. My heart sinks as I watch agents pour into the building, before the loudspeaker spouts an order.

“Do not kill the alien on sight!”

A few agents trail out of the building without noticing my figure in the darkness. The panicked voice of one of the soldiers reaches me as they scatter as if retreating.

“She’s called in!”

Instead of regrouping, the military guys flee into the woods. One of them, who is wearing night vision goggles, briefly looks my way before ignoring me as if I were a random deer. I don’t understand. My torso and neck hurt, and I taste blood. I stagger towards the back door of the cabin, but then I spot Alice, a reddish and purple figure a bit taller than before and whose shiny skin resembles metallic scales, walking slowly towards me while holding a small, phone like device in her raised hand.

“You…” I begin, but I double over to cough first. “You made it.”

“So did you, Lena.”

As I struggle to stand upright, I try to focus my gaze so I can register her new facial features, her almond-like red eyes enlarged towards the sides of her head, the thin, almost sculpted protuberance of the nose, and a maw with protruding teeth. The helicopters are swinging their searchlights wildly while they maneuver away from the cabin. And as I frame both of the vehicles in my vision, a new craft pops up around a hundred feet above them as if it had teleported there. It’s metallic cylinder the size of a football field, and in each of its ends flare a blurry, fire-like light that changes colors between red, orange and green.

I feel Alice close to me. She has stopped by my side. As she raises her scaly hand to touch my arm, the enormous spacecraft projects a liquid light that blankets the whole area. No, not the whole area, it precisely encompasses the helicopters, me and Alice, as well as the treeline. Then I feel myself lifted as by a giant. Me and Alice are floating towards the bottom of the cylindrical craft. Both helicopters screech and groan while getting compressed slowly as if caught in a hydraulic press. Although a wave of vertigo overwhelms me, I need to look down towards the ground. That’s when I spot all the military men that had tried to flee through the woods. They are floating in the direction of the craft, but they are struggling as if they could hold on to something.

I must have passed out. Next thing I know I’m standing up from a sterile-looking floor, like that of an operating room. People are moving and shouting around me. My head is spinning.

To my left, a man wearing a camo outfit decked in accessories, who in this room looks as if he came from a costume party, is screaming in terror. I don’t understand why, but then I notice that strange metallic appendages coming from the celing, which gives the impression of being made out of complicated machinery, have restrained the man’s arms and legs. The appendages tug him and he sails through the empty space of the room until he lands on a table that wouldn’t be out of place in any operating room I had seen before. As the man, who is crying like a child, looks on, strangely shaped, seemingly autonomous and sharp devices come up from the sides of the table and then tear the man apart in a bloodbath. Only when his head is severed he stops screaming, and his eyes keep moving for a few seconds.

Someone shoves me as if I was in the way. Other men are being restrained and pulled into the line of operating tables. As ear shattering screams fill the room, the growing spill of blood is falling down inconspicuous drains on the floor. I spot various people with metallic, scaly skin either standing near the operation tables, or grabbing detached limbs and moving them somewhere else. Then I feel something cold and metallic gripping my own limbs with such a strength as if I had fallen into industrial machinery. I fly backwards, then land heavily on my injured back.

In the periphery of my vision I sense the operating tools that are going to butcher me, but I can’t tear my gaze away from the sight in front of me: the curved wall of this large room is covered in little alcoves closed with a transparent material. They display human heads, human torsos, human limbs, human genitals. Some flayed, some dissected. Most of the faces look back towards me in shock, their expressions frozen. Men, women, children.

The tools never dismember me nor behead me. Around me the strange people are arguing loudly in a language my vocal cords would never be able to reproduce. Then to my left, next to the table, appears a purple face that I recognize, two large, red eyes that look down towards me with intelligence and warmth.

“Can you swim in the dark, Lena?”

I open my mouth to speak, but my throat is closed and my eyes are watering. I blink a few times, as I want to look at Alice for the last time.

* * *

I am falling. Above me, the football-field-sized, cylindrical craft hovers like a blimp against the black clouds. The rain lashes sideways against me, the wind screeches in my ears. The craft gets smaller and smaller.

I crash against a surface, but I don’t die. Instead I become engulfed by cold, black waters which cut me off from all sounds but my heartbeat, and separate me from the wild storm above. I sink in slow motion until I can’t tell if I have stopped.

I am hurting. My mouth tastes metallic. A wave of anguish is shaking my insides. I close my eyes tight and for a moment I wish to fall asleep.

I kick my legs and swim.

An Unspoiled Heart (GPT-3 fueled short)

My heart beats even louder than when I made the breakthrough that led me to this experiment, to being seated on a public bench on a tuesday afternoon with a wide view of the bustling, chaotic city, along with all its nonsense that I usually avoid as much as I can. There’s heavy traffic on the road, as this is one of the main streets, and plenty of people are walking to and fro, living their stupid lives that have little to do with science and advancing mankind. I power up my tablet, which I built myself from scratch, and I point its scanner towards one of the cars waiting for a traffic light to turn green.
I have a clear enough view of the vehicle for the scanner of my device to hit it properly, and when it hits, the car’s properties are listed on the screen of my device. The AI, which I trained myself, quickly translates the DNA-like properties into readable stuff. It lists the car’s body’s color in hexadecimals, that approach a pure red. Other properties reveal that the tires are worn down. There’s a link to the universe entry for its driver, but I’m not interested in the guy yet. On my tablet I edit the hexadecimals for the color and change it to blue. As soon as I save my modification, in the real world the color has instantly turned a lovely shade of blue. A couple of passerbies stop and stare at the car as if they believe they have suddenly lost their minds, or at least that the car has some modern means of changing the color of its body on the fly. No matter. The world’s inhabitants except for myself and a few deceased geniuses are all peasants. Their minds will adapt to the changing realities as if they were being dragged by a current.
The light turns green, and the modified car crosses the intersection. The driver hasn’t noticed anything. I quickly change the properties of two of its tires so they blow up in unison. The car screeches to a stop in the middle of the street, and the driver gets out of it and, confused, stares at his tires. I imagine he will notice the color change soon enough. Hopefully he’s a car freak, and I have just stolen a small thing from him: now one of his babies has been hexed, its properties changed by some unknown force. But nobody else in the history of mankind has found out what I painstakingly worked to discover: that the universe is built just like a video game. Maybe it is a video game, not that it would mean much to me given that I was born inside of it. Once you can read the properties of everything and you have developed the means to alter them, you are de facto the king of this world. Of the whole universe.
I get up from the bench and leave towards the park. The streets are mine. I take a deep breath and close my eyes, feeling the late afternoon sun on my face. When I open my eyes, my gaze falls on the large crowd gathered on the grass. Some have sat down in groups to eat, others are running around, some are walking their dogs.
I orient the scanner of my tablet towards a tall guy that is playing frisbee, and I read his properties. I change the colors of his clothing, as well as of his hair and of the frisbee he’s playing with. The guy’s skin turns white by itself as his pitiful brain struggles to integrate my interference. He looks down at his now purple t-shirt and the bright green frisbee, and he begins to yell with fear. The crowd turns towards him and his shrill screams, and soon everybody is gaping at the guy as he jumps up and down while pointing at his clothes and the frisbee. I can’t stop giggling, but I walk a bit further from the scene even though none of these idiots would ever realize I was involved.
I try out several more experiments. I turn a cyclist’s clothes into polka-dots, make a young woman’s dress flow like water, turn a kid’s balloon into a bewilderingly complex equation. The results are always the same: people’s reactions are stupefaction, fear, and panic. I’m having so much fun that I don’t take into account the time, and by the time I feel my phone buzzing in my pocket it’s too late: I’ve missed my train. That’s alright, though. The tablet that I have built from scratch should be able to help me in any situation.
I walk around for a bit until I find a luxurious-looking apartment building. I approach the main door and I scan it to reveal its properties. The lock’s mechanism should be easy to manipulate, and in a couple of seconds I open the door as if I owned the key. I saunter through the foyer when I notice that there’s a security guard up ahead.
“I don’t recall seeing you before,” the guy says. He must be wondering if someone gave me a key, or if I know any of the residents.
“You never had, no. But I will come and go from this place as much as I want from now on,” I say cheerfully.
As he, confused, gets up from his chair to walk towards me, I scan him to test if he’s as easy to manipulate as a lock. I try to alter his thoughts. There are entries for his relationships with other entities of this world, as well as the beliefs he holds regarding them. I find a recent entry for myself. I change his perception so that he sees me as a maintenance worker, there to fix some broken pipes in the apartment building. Someone he has met before.
“Alright, go ahead,” the guy says as he returns to his desk.
“Wait a second, did you forget I’m the maintenance worker?” I ask him.
“I… I suppose I did.”
“And you’re the security guard here?”
“Yes,” he replies, still confused.
I chuckle. I am able to change reality and the minds of people by writing in a device. That’s the kind of power I’m going to use in this world. Man, I’m glad I’m me.
I was kind of pressed on time as the gorilla approached me, and maintenance worker was the first thing that came to mind. I’ll change it some time later to him recognizing me as a long time resident. And I will proceed now to check out my new place. Giddy as a child about to receive a present, I walk up the stairs to the first floor. I don’t have any particular preference, so I move up to the first apartment door I come across and with my device I scan the door. Through its linked entities I check out the properties of what I will face beyond the door. I see five people and two cats, all milling about their living space. The door’s lock has some pretty complex properties in comparison with the entrance’s lock, but I easily manage to bypass it.
I open the door and enter the apartment. There are two people linked with the living room up ahead. Before I show myself as a stranger to them, I check out their properties, I add myself as a related entity, and I alter the beliefs of those two people to recognize me as the new owner of their apartment.
It’s a couple in their forties. When they notice me they look distraught, as if they had been caught doing something bad, or failed to do something important.
“What are you still doing here?” I ask them.
“We… We…” the man stammers. He looks dazed.
“You already knew I was going to move in, right?”
As he struggles to put his thoughts together, I quickly check the couple’s properties. I add in that they have had a few conversations with me before, in which they had informed me that they were moving out. I wonder how they are going to react, given that I haven’t added any entry about whatever place they could move into.
“You are moving in already?” the woman asks, horrified. “We were supposed to have more time!”
I don’t appreciate her tone, so I immediately alter their beliefs again.
“You packed up some belongings yesterday and sold this apartment to me for a low price,” I tell them. “You were very happy with the quick hassle-free sale.”
This time they look much more relieved at this information.
“Just out of curiosity,” I ask, “were are you moving to?”
“Oh, that house we just bought in the countryside,” the woman answers with a smile. “We’ll have our own garden and enough space for animals.”
“That’s wonderful,” I reply with a nod.
Interesting. Did her brain rush in to fill the holes with some delusion?
“Well, give me a tour of the place, will you?” I ask. “I want to check out the rooms.”
The couple looks at each other.
“He’s the owner now,” the woman says to him. “What could it hurt?”
“If he wants a tour, we might as well give him one,” the man answers.
“Oh, good,” she says with a smile. “Follow me, sir.”
The woman stands up and walks away, the man following her. The two of them show me around their apartment. I look at the rooms with a critical eye, realizing just how much I can change. The closets are packed full of clothes, and the kitchen has a lot of food stocked inside it. Apparently all the furniture came with the changes I made.
In one of the bedrooms are the couple’s three kids, a guy in his early twenties and a couple of teenagers, one a maybe fourteen years old male and the other a maybe seventeen years old female. Two cats are lazing around on the bed. The three kids are playing some game on a console.
“What’s up?” I ask. “What are you playing?”
“It’s a game with cubes,” the teenage boy answers. “You build towers and bridges and fight off enemies.”
“It’s a dumb kids game,” the girl laughs.
“Alright. Do you know who I am?” I ask.
The fourteen year old kid looks me over, then glances at his parents.
“The landlord?”
I am quick to edit this one kid’s properties on my tablet.
“I’m your new dad.”
The boy’s eyes widen as his mouth drops open. The three kids all react with different levels of surprise and intrigue as I sit down on the ground with them. I have erased even the entries for his parents on this fourteen years old’s properties.
“What is he talking about, Matty?” the girl asks.
“I don’t know,” Matty answers as he massages his temple. “But he’s my dad now.”
The two cats stretch and get off the bed, one of them walking over to me. I reach out and pet it as I look at the kids. I can already tell this is going to be fun.
The girl teenager as well as the young adult stand up and address their actual parents.
“What the hell is going on? Who is this guy?” the girl asks. “This is a joke, right?”
“He’s our new dad,” Matty answers happily. “Right, dad?”
“That’s right, kid,” I answer.
I’m quick to add to their parents the belief that they willingly sold all three of their children to me.
“You didn’t even bother explaining to your kids that you had sold them to me?” I ask the couple as I look over my shoulder. “You are as irresponsible as they come, huh?”
“I wanted to explain, but you didn’t even let me get a word in edgeways!” the mother complains. “Besides, I’m pretty sure they got the idea as soon as you walked in.”
“What!?” the teenage girl screams.
“What the hell is this? If this is a joke, it’s a nasty one, mom!” the young adult says with a shaky voice.
The mother stutters.
“You know how your father lost his job last month? Well, things have been really hard for us… We had to choose between food or the mortgage…”
That’s some interesting improv, I think. I check her updated beliefs on the tablet. She already had an entry for her husband losing her job, and I guess her brain put two and two together.
“So you decided to sell us off as slaves?” the daughter screams.
“Slaves is a harsh word,” I interject. “Your routine won’t change much, it’s just that I’ll be the one in charge now.”
Both the girl and the young adult, who I guess is a bit more infantile than his age would suggest, start crying. The girl also hugs the teenage boy, who looks unfazed about this whole thing.
They’re trying my patience.
“Listen, I’ll let you play games all day if you want. You won’t even have to go to school, okay? So don’t start crying.”
“Yeah!” the teenage boy smiles.
“How are you so happy about this?” the girl says in a mixture of anger and sadness.
“It’s a lot to take in, but you’ll like it,” I say, then hold the girl’s gaze sternly. “However, as the new order of things, you need to establish to your former parents how much you hate how they have wronged you.”
“What?” the young adult asks with a trembling voice. “What are you asking her to do, exactly?”
I go over her properties on the tablet. There’s a whole group of entries for her emotional state. I pump up her rage.
“You hate what they did to you,” I say to the teen. “So vent your anger.”
The teen looks at her father, then jumps to her feet, launches herself at the man and hits him on the chest with all her strength. The two cats run over themselves to escape the bedroom.
“You’re a monster!” the teenage girl screams as she hits her dad again and again. Although her older brother tries to hold her back, she breaks free and continues hitting her father. The mother, who had been wasting time screaming in terror, moves forward to intercede, but I scan her properties and increase the woman’s weight by ten times. Her legs buckle under her, and she struggles on the floor as if a wall had fallen over her. The woman can only weep as she watches her daughter beat her husband to a pulp. The teenage boy is too scared and weak to help, but then again his former parents are now strangers to him.
The girl’s older brother picks her up while she cries and screams incoherently, and he drags her away from their unconscious former father. With his free hand he takes out a phone from one of his pockets.
“What are you doing?” I ask.
“I’m calling the police. You can’t get away with this.”
I change the young man’s properties to include an unwavering loyalty towards me, then change his opinion on calling the police to a very negative one. With a trembling hand, he returns his phone to the pocket.
“I… I don’t know what I was thinking,” he says, frightened.
The teenage girl is panting and crying, but she alternates between looking at me and my tablet as if she’s figured out something is wrong.
“What did you do to my brother?” the sister asks.
“He’s fine. I just made him a little more obedient. He’s your obedient servant if you want him to be. Now, you were beating your dad pretty badly. Shouldn’t I punish you for doing something nasty?”
“I… I don’t understand.”
“What’s not to understand?” I say. “You hate me because I changed your parents, your weakling of a little brother, as well as yourself. You beat up your dad because of it, which resulted in him being hurt pretty badly. You’re going to be punished for what you did. Or you can join me and become a goddess among insects.”
“I… I don’t want to be a monster,” the girl says, crying harder.
Her properties reveal that the previous rage has subsided naturally. Her former father isn’t moving, and blood keeps pouring from his ears. The mother cries while struggling on the ground like a beached whale.
For a new trick, I test whether I can paste the properties I had saved on the device into a present object. I scan a book they left on a table, then I paste the properties of a shotgun. As soon as I save my changes, the shotgun appears with the same small imperfections as those of the shotgun I originally copied.
“Look at that, how nice,” I say, then look at the teenage girl. “Go ahead and grab it.”
The teenage girl grabs the weapon before she even bothers to think about it. It’s heavy, but she holds it up.
“Do you know how to work it?” I ask.
“My dad’s a hunter,” the girl says, then glances at her unconscious, possibly already dead father. “I can work it.”
“Good, because you’re going to be hunting your family now. Go ahead and shoot your mother in the head.”
“What?”
“She’s a monster now. Go ahead and shoot her in the head.”
“I… can’t,” the girl says.
“There are two ways this can go, and only one of them has you walking out of here,” I say. “Either you prove you’re a bad enough girl to follow my orders, or you’re not, and you get killed. What’s your name, anyway?”
“Jane,” the girl answers with a raspy voice.
“Old fashioned, but it will do. Nice meeting you, Jane. Now shoot your stupid mother in the head.”
She looks at me, then lowers the shotgun. “I can’t.”
I’m about to browse her properties when I stop myself. Why am I hesitating? I’m surprised to realize that I don’t want to modify her. She is holding a device of destruction that could end me in a moment, as well as everything I have worked towards, and yet I want this wild-eyed teenage girl to make the choice.
“One… two…”
I begin counting as I read in her properties that she’s quickly working herself up to the task. When I get to five she aims the shotgun at her mother’s head and shoots her. I got a glimpse of the horror in the woman’s face, before her skull explodes into a bloody mess that even dirties my pants.
“Good,” I say. “That wasn’t so hard, was it?”
“No… sir.”
“Sir? Oh, you’re trying to be polite? That is cute. You can drop the politeness now, Jane. You know, I didn’t have to convince you properly to execute your own mother. Is it because they sold you guys into slavery?”
“Yes,” Jane says.
“You are something else, huh? Why don’t you make sure that the traitor you had as a former dad is properly dead from the vicious beating you gave him?”
“Yes, sir,” Jane says.
I watch as she stomps on her father’s head until his skull shatters. I think that if he hadn’t been dead from the beating before, he probably is now.
“Good. You hungry?” I ask. “Let’s order some pizza or something.”
The young adult, now loyal as a zombie, is staring blankly at the remains of his parents, while the teenage boy, who knows me to be his dad, is however cowering against a corner, I guess because of the murders. I kick the teenage boy, knocking him off his spot.
“You. Did I catch your name?”
“M-M-Matty,” he says with a thin voice.
“Hello, Matty. Now, you’re probably scared because not only are you in the presence of a genius, but also of a killer.”
“Y-Yes.”
I sigh, then turn to my favorite daughter.
“What do you think about this cowardly little brother of yours, Jane?”
“He annoys me,” Jane replies.
“Has he always annoyed you, or is this a new development?”
“I’ve always found him annoying.”
She moves forward, then raises her bloodied foot as if she’s about to crush her little brother’s skull as well. As the teenage boy screams, I grab the girl and drag her away.
“Did I suggest you to murder your little brother? You have issues!” I shout.
“You did not,” Jane says, frowning as holds my gaze.
“Right. You’re not eating or sleeping or anything until you apologize to your brother.”
The girl stares at her brother awkwardly, before speaking.
“I’m… sorry, Matt.”
I rub my hands while grinning. Oh, this is going to be fun indeed. The boy is probably going to wet himself out of fear. I kneel next to him and bonk him in the head.
“So, Matty. Do you have a girlfriend?” I ask.
“N-no.”
“Ah. Shame. You’re a good looking kid, you could easily get one. Anyway, I’m a bit tired already, not to mention hungry! You, the oldest, pass me your phone. I need to look up some pizza place.”
The young adult reaches into his pocket, then silently hands me his phone. As I begin to browse the internet for some nearby pizza place, Jane walks up to me.
“Can we get something else? I can’t stand pizza.”
I frown at her.
“Pizza is an art form.”
“Can we get Chinese instead?”
“Listen, I’ll order pizza. If you don’t want any, there’s plenty of food in the fridge. Now, sit down over there and don’t move,” I say.
Jane walks away angrily, scowling as she sits next to her little brother, who is still shaking in fear. At last I find a place that delivers, and call them up. I order a large pepperoni pizza along with sodas.
“Alright, a large with pepperoni, and soda for four. Do any of you want anything else?”
“Can you get chicken nuggets?” Matt asks in a small, quiet voice.
“Chocolate chip pancakes,” Jane asks.
“Meatballs,” the young adult says.
“A bunch of goofballs is what you are.”
I shake my head. I do order some chicken nuggets, though.
A bit later I check out the properties of the two corpses belonging to these kid’s parents, and I erase them. They simply disappear. Curiously, their spilled blood transformed into different entities, but I erase those as well. Later on, me and my new kids gather in the living room. The order comes in fifteen minutes. I watch as the kids dig in, happily eating away. Jane has gotten over her dislike of pizza, which couldn’t have been that strong. The two cats keep walking around with their ears perked up, only to stop at times and stare intently at me with curiosity and confusion. One of them ends up enjoying some pepperoni.
Once I’ve gotten my fill, as I watch the kids I toy with my tablet just in case I come up with something interesting to do. But the sun has already set. How will I handle these kids after they finish their dinner?
“So, kids…”
“…Yes?” Matt asks.
“I need to think of something fun for you guys to do… Any requests?”
“PlayStation.”
“Nah, I’m not really into video games,” I say. “They are for the puny who can’t make their own video games out of real life.”
Matt goes quiet. For about half an hour or so I make small talk, mostly with Janey, but even I yawn a couple of times.
“Can we just go to bed?” Matt asks.
“Yeah, I’m exhausted,” Jane says.
I stand up.
“Alright then. Let’s get going.”
We all head out of the living room. It seems that the room where the kids had been playing on the console before is Matty’s. We leave the fourteen years old there. The young adult, whatever his name is, disappears into another room. Jane leads me to her own room, and then she quickly flops under her blue bed covers.
“Goodnight, sir,” she says.
Standing there, looking down at this savage creature, an alien tenderness bursts in my heart. She’s unlike all those others, isn’t she? That faceless throng of noise and stink that fills the streets. Something pure has survived in this teenager. A little miracle.
I stroke gently her soft hair.
“You are a good girl, Janey,” I whisper. “I look forward to being your daddy. I will show you many curious and magical things.”
She closes her eyes, and in the darkened room I see her face relax.
Although I retreat to the doorway, I am not eager to tear myself away from the pleasant view. For many years I have lived and worked in that shacky garage, unbecoming of someone like me. None of those empty-headed academicians considered my research viable. A madman, they even called me. I was always aiming at a target that none of them could see. I could have given up entirely. I did give up on most of my previous hopes and motivations, except for anger and resentment. Those kept me afloat. But this warmth in my heart is a new phenomenon that I’m eager to explore. Life is full of surprises, and some are even pleasant. I smile at last and turn to let Jane sleep, closing the door behind me.

A Mom This Time (GPT-3 fueled short)

As I wake up, my instincts tell me that everything has changed again, as I have learned to expect for the last two years. I inhabit a new body. It feels lighter, except for the excess pressure on my chest. As I sit up in a stranger’s bed, my long hair caresses my neck. It takes a glance down to realize that indeed I seem to be a woman today. A particularly gifted one. And my hands suggest that I’m maybe in my thirties.
I sigh, and get up from the bed. I’m alone in a master bedroom, but someone has slept beside this body. I may have a boyfriend, or be married. Another one of those days.
I open the bedroom door carefully and scout the surroundings. A hallway leads to five other rooms. A second floor. And I hear voices coming from downstairs, young ones. Shit, this woman may have kids.
I descend the stairs. The living room is connected to the kitchen, and two high school aged kids are seated on the kitchen table, eating breakfast. The boy shoots me a look between worry and confusion.
“Are you okay, mom?”
“I’m fine, honey,” I reply in a higher voice than would have come naturally from me. I should have gotten used to acting at this point.
“I can’t even remember the last time we came in when you were still asleep,” the girl says. She has long bangs and an evasive gaze.
“Are you sure you aren’t sick or anything?” insists the boy.
I contain a sigh. I grab the box of cereals from the counter, as well as the milk, and sit next to the girl.
“I’m the good old mom you used to know, I assure you.”
“You are still wearing your pyjamas, though.”
I eat a spoonful of crunchy cereals, which helps erase the stale taste of this strange mouth’s saliva.
“Do you have a problem with my pyjamas or something, kid?”
“No, it’s just that…”
“Enough with the questions already!” I say in an exasperated tone.
The boy shuts up and turns to his bowl of corn flakes. This body has a maternal mean streak, or maybe it’s just me being annoyed. These days only rarely I care to avoid wrecking the lives of these bodies I end up inhabiting without having any say in the matter. By the end of the day, or even earlier if I get too tired, I’ll be gone, and wake up in some other stranger’s life. Who cares about these two bozos. I’m sure they are as average as they look.
The girl’s gaze rests on my cheek, but when I turn my head towards her, she nervously pretends she wasn’t staring, and starts fidgeting with her long black hair.
“Hey, whatever your name is…” I start, but catch myself. “I mean, are you okay, honey? You seem troubled.”
She turns to me with a blank expression and nods slowly.
“Are you sure?” I prod at her. If she starts crying now, I’m not sure how to handle it.
She bites her lips and fiddles with the spoon, turning it around and around. Then, without looking at me, she mutters:
“But what are we going to do about dad…?”
“Something happened with dad? What’s that?”
She looks at me and opens her mouth to speak, but then she closes it. To my left, the boy lets out a noise of incredulity.
“I knew something was wrong with you, mom! You are in shock or something, right? Maybe you should go back to bed.”
“Hush, Kyle,” I say. “Your sister has something to say, and you are going to listen.”
“Kyle?” the boy asks confused, but the girl interrupts him with a teary voice.
“How long will it take for dad to find another job in this economy?”
The boy stares at his sister, then he sinks the spoon in his cereal as if to drown it. He looks up at me, defiance in his eyes.
“So what, will we stay with you now?” he asks.
“Don’t you live here already?” I ask, caring very little.
“Dad says he can’t find anything in this town!” the girl says. “So we would have to move! But I don’t want to move! I have my friends here! Glenn doesn’t want to move either, do you Glenn?”
“Shut up, Carla,” the boy mumbles, almost inaudible.
Carla starts crying, and the boy throws a hostile look at her.
You pour some more milk in your bowl. So this body is divorced or something. Maybe a break of some sort. In any case the kids seem to prefer to stay with their dad. Am I not good enough? The cheek to come crying to me about it. I’m sure I have an awesome, well-paying job myself.
“Why don’t you just live here with me then? I seem to have plenty of rooms.”
Both of them look at me in wonder, while Glenn studies my face.
“I can’t tell if that’s a joke, mom.”
“Why would it be a joke, honey? Is my house not good enough for you brats?”
“Doesn’t your boyfriend hate having other people’s childen in his place?” the boy asks bitterly.
“I see, I guess I can’t afford this place on my own. Is my boyfriend loaded or something? And where is he now, anyway…?”
The kids exchange meaningful glances, then the girl speaks.
“Mom, you know how you are sometimes… confused…”
“I am not confused, I’m in full possession of my senses,” I say indignantly.
“Mom, have you forgotten? The doctors said… that you’d have to take those pills…”
The atmosphere at the table grows tense.
“I’m somewhat crazy, then.” I shrug. “Well, whatever. I suppose this boyfriend of mine is at work, right? And I sneak my two brats in so I can feed them before they leave for school?”
“Uh… That’s one way of looking at it, I guess.”
“Wait a second, so I divorced this father of yours and came to live with a boyfriend, and because he wouldn’t accept my kids, I gave up on you two?”
“I wouldn’t say you gave up on us,” the boy says, “I know you love us. It’s just, you like your boyfriend better than us.”
“I sound like scum.”
The girl glares at her brother for a moment, before turning to me with kind eyes. “Glenn, dear, don’t say that. I’m sure that isn’t true.”
“Whatever, Carla,” he says as he stands up from the table.
I motion for him to sit down, and apparently I’ve done it more confidently than the owner of this body tends to, because the boy obeys.
“Listen to me, kids,” I say with a serious tone. “I’m sure I love you both quite a bit. You came out of me, tearing me apart in the process. I feel a significant wind coming out from down there. I better love you after such carnage, or else I will regret the consequences for the rest of my life. Glenn, you seem tough, and I like your name. Carla, you need to believe in yourself a bit more. You aren’t exactly pretty, more on the average to ugly side, but it’s all about faking confidence. If the world rejects you, you reject it back, then shit on everybody. You know what I mean, Carla? You can’t go through this horrible life apologizing for being alive.”
The kids are confused. Carla looks as if I’ve told her something she can use, but doesn’t know what to do with the information.
“I-It’s like I don’t know you at all, mom…” the girl says.
“Yeah, yeah. I know quite a bit about how messy this life can be. One day you are working freelance from home in your boxers and one leg on the table, and the next time you go to sleep your consciousness jumps into another body, one after the other, and rarely returns to your own. Two years of such garbage. It’s a metaphor, you see, but the point is that you need to learn how to adapt to the chaos of this life. You never know who you are going to meet, what burdens you are going to have to bear, or whether you are going to wake up as a girl next to some horny dude who won’t ask your permission to fuck you. And the worst is that you enjoy it quite a bit. But it’s because the body gets aroused by itself!” I pound on the table next to my bowl. It takes me a few seconds for my heart to calm down, then I sigh. “The point I’m trying to make is that I’m sure you look pretty good without your clothes on, Carla, and that way people can look down at your body instead of at your face.”
“Mom, you are talking to Carla as if she was a grown up,” the boy pleads with me. “Why do you have to be so mean? She doesn’t like being talked to that way.”
I squint my eyes at him and frown.
“You little shit. You dare to tell me how to speak with your sister? I’ll shove a cactus up your ass. The thorns will come out of your mouth.”
Not knowing how to react, Glenn retreats to the fridge and grabs a carton of orange juice.
“Don’t you dare pour that for your sister! I’ve told you that I don’t want her drinking sugary drinks. She becomes hyperactive as hell.” I stand up, grab the carton from his hands and put it back in the fridge. As soon as I look back at this Glenn’s face, I realize that I expected another kid’s face to stare back. What was that other kid’s name again…? “She’s already nervous about going to school today. You really need to help her out.”
Carla chuckles against her hand.
“You are really pretty when you are angry, mom.”
“I feel quite pretty alright, although I haven’t come across a mirror. And these look fantastic, don’t they? I have become quite knowledgeable about sizes. Can you believe that the both of you used to suckle on them? How can we even talk these days, look at one another in the eye, knowing that some time ago you were sucking milk from my breasts? It must be so embarrassing for you.”
“For you too,” Carla says. “We’ve never heard you speak that much before.”
I pick up the newspaper on the kitchen table, and start reading the front page.
“Is there any particular reason why you are reading the paper upside-down?” Carla asks.
I put the newspaper down. It was yesterday’s edition anyway.
“Everything is upside down in this world, honey. Haven’t you noticed? What sense does it make that someone forced another person to exist only for them to look average to ugly? Isn’t that a cruelty for which one should hold a permanent grudge?”
“You aren’t ugly,” Carla says with a kind expression, and puts her hand on my shoulder.
“I was talking about you, though. Carla, do you like your life?”
“Mom…”
“Well, do ya, punk?”
“Yes. I do,” she says, with a firm nod.
“As you should,” I say, patting her head. “You don’t want to ruin that face of yours further, you know.”
I turn towards Glenn, whose expression suggests he’s having a Vietnam flashback.
“And you, Glenn, what’s going on in your life, huh?”
He turns redder than any of his shirts I have ever seen, but to be fair I have only seen one.
“Nothing,” he says, and lowers his head.
“That’s good to hear, buddy. Are you hitting anything yet?”
Glenn narrows his shoulders.
“What are you implying?”
“I’m implying you should hit something, like a baseball or a punching bag. It’s called exercise. It makes your body feel better, and there’s evidence to suggest it releases endorphins, thus making you happy. A lot happier than you seem to be, at least.”
“I do sports!”
“Yeah, I can tell. I have seen plenty of naked men in these last couple of years. Don’t ever have sex with anyone without permission, you hear?”
Carla laughs. Hey, I am serious! That’s a shitty thing to do to someone! But anyway…
“I digress,” I say, then hold Glenn’s gaze so intensely that he shivers. “You don’t want to grow up too fast. It’s not worth it. Trust me.”
Glenn averts his gaze down to the table.
“I still endure through nightmares what seems like every night,” I say, and although I try to control my voice, it trembles. “Sometimes someone holds me or wakes me up, and it’s always a stranger’s arms. You expect to wake up to security and comfort, but I open my eyes to a new nightmare. Do you understand what I mean?”
“I get it,” Carla says, then places her palm on my shoulder.
I smile, knowing she means well, and her words seem to flow directly into my ears and into my brain, causing tears to form in my eyes.
“I’m so sorry about your dad,” I say.
“Thanks,” she replies, her eyes shining.
“You can be so beautiful under the right light, Carla. Don’t you want to give your mommy a kiss?”
She opens her arms for a hug, and I embrace her tightly.
“Don’t worry, I won’t let anything happen to you,” I whisper in her ear. “I want you to do something for me. Take this as… maternal advice, if you will.”
“Sure,” she says.
“Don’t get angry at people. Not even the guy who is mistreating you. Be kind to everyone, and… you can change people that way.”
She pats my back. I release her from my grasp, and she nods.
“Yeah… but you know what?” Carla says, “Not everyone is worthy of trust.”
I stare at her, taken aback at her bluntness. My words have not changed her attitude at all. I sigh, but chuckle.
“That’s true,” I mutter. “And if you get them to think you are some meek creature, they won’t see it coming until you have already plunged a knife into their eye.”
She grins, and I smile. I really love this new girl.
“Mom, we have to go,” Carla says.
“Okay honey.”
Glenn avoids looking at me as he retrieves his backpack, which he had rested against the back of a nearby sofa. He gives me a short wave and attempts to turn to leave, but I rush over to him, force the kid to turn around and I embrace him tightly.
“I’m sorry,” I say, “I’m so sorry. I love you.”
“I know, mom,” he mutters.
He stands stiffly in my embrace for a moment before he returns the hug a bit.
“You feel your mommy’s big, welcoming breasts pressing themselves against you?” I say softly in his ear. “Replicating that with a new girl who isn’t related to you is your sole goal in life, my dear boy. As soon as possible, too. You don’t want to go through the dreadful decades that await you regretting that you didn’t have sex with some big breasted high schooler.”
“Ew, mom!” he says, then attempts to free himself.
“We have to leave, mom,” Carla reminds me.
I refuse to let my new son go.
“Nothing of that fake disgust, boy. Something deep inside you yearns to return to those days in which I cradled you in my arms and you tightened your lips around my hardened nipples.”
“Mom!”
“Also, you’re a teenage boy, and my body’s natural curves are really starting to bother you. You want me. I can see it. Don’t worry, I’ll be gentle. Bring this up again the next time we are alone.”
“Mom!” he exclaims, even more disgusted and angry.
He manages to escape from me, and Carla grabs him by the arm and drags him out of the house. I wave at them as they leave.
They have been gone for a few seconds when I finally lower my arm, and a wave of anguish washes over me. The tears burn. I will never gaze upon these two children of mine again. Isn’t that the height of cruelty?
As I walk up the stairs and return to the master bedroom to undress myself, I struggle to loosen my throat, to contain the sobbing. That ugly girl’s warm smile still brightens my heart, and the feeling of that boy’s strong arms still lingers around my borrowed, soft body. Indeed, this world is cruel, but it is also beautiful.

Nobody came home. By five in the afternoon I get so sleepy that I lie down on this stranger’s bed to take a nap. Shortly after, another jump separates me from her family.
I awake under the late afternoon light, which filters through my eyelids. My consciousness teeters in a body that is slowly regaining its senses. I hear the sound of waves slowly licking the coast, I feel cold sand under the bare skin of my torso and legs.
“I’m home,” I mutter.
There is no answer.

A Pleasant Friday Afternoon at the Literature Club (GPT-3 fueled short)

I enter my sanctuary, our club, as I struggle to prevent the trash food I’ve bought from falling all over. After I close the door behind me, I stop for a moment to look at my friends, the other three members of the literature club, who are illuminated by the afternoon light pouring from the windows. To the left of the empty seat reserved for me is Lydia, the small, bespectacled and hyperactive girl obsessed with the mysterious. On the other side of the table awaits the blonde beauty Kumeko, and to her right her childhood friend, and only published writer of our club, Hibiki.
I leave the food on the table. Lydia is quick to open a bag of chips and stuff her mouth with a handful. When I sit on the empty seat, the tiredness of this whole week of exams drags me towards the ground. But today is another blessed friday, and we’ll enjoy our club time for a couple of hours.
“Well then, who is presenting a text today?” I ask.
“The winner of the Literature Club contest will present their work!” Kumeko announces as she pats her childhood friend on the arm, and she doesn’t notice him blushing. “It’s the third story by Hibiki, entitled ‘The Lost Girl’.”
“Oh? That sounds interesting.” I say.
“Yes, I think so too. It’s about a young girl who is lost in the forest, and she meets a boy who helps her find her way home.”
I shush her.
“Hey, no spoilers! Let the man read!”
Hibiki clears his throat, and as he holds his printed story, he stands up and begins to read it.
“There once was a young boy who grew up in a small village. The boy lived with his mother and father, and had two younger twin brothers. One day, when the boy was sixteen years old, he and his family took a trip to the forest. They set up a campsite by a lake, and went swimming. The next day, the boy went to explore the forest. As he was walking he heard a low growl. He looked behind him, but he couldn’t find the source of the growl. As he continued walking, the growl grew louder, and he began to run, and soon he found himself at the edge of a meadow filled with flowers. He stopped running and took a deep breath, enjoying the beautiful sight of such vibrant life. Then, as he was admiring the flowers, he heard the growl again. His heart pounding in terror, he began to run through the meadow. As he was running, he tripped over a rock and fell, hitting his head on another rock. He began to bleed from the head and passed out in the middle of the field. Luckily, a group of dwarves happened to be passing by. They saw the boy as he lay motionless and bleeding, and picked him up. The dwarves brought him home and nursed him back to health. After a week, the boy regained consciousness. He found himself lying on a bed in a strange house. He saw a group of dwarves standing around his bed. One of the dwarves spoke up. ‘Where do you come from?’ The boy was startled, not expecting to hear any English, let alone perfect English. ‘W-What? Where am I?’ ‘You’re in the Dwarven Kingdom of Karst.'”
“I like the sudden appearance of dwarves in a non-dwarf related story,” I say while I munch on some licorice. “A subversion of expectations or something.”
Hibiki nods.
“Go on,” I say.
“Not much else to say. He spends the week in the dwarven kingdom, and eventually goes back to his village.”
Hibiki looks over at us, and then puts down the paper he was reading from. He sits back as we stare at him in silence.
“What, that’s it?” Lydia asks in disbelief.
“Yeah. That’s it,” Hibiki says with a sigh.
“That’s horrible!” she shouts in frustration, “You spent an entire week and couldn’t come up with anything proper to write about?”
“Well, I was trying to stay true to the feel of a bedtime story. They don’t all have grand plots.”
Lydia crosses her arms in front of her chest to say something else, but I lean over the table.
“Wait a second, what’s with the title? You called it ‘The Lost Girl’, right? There wasn’t a girl anywhere in that plot! Did you read another story by mistake?”
Hibiki takes the paper from the table and looks at it.
“You see that? That’s your problem right there,” I point out. “You didn’t even notice. If a reader can notice something that isn’t there, your story has failed.”
He crumples up the paper and tosses it over his shoulder. We hear a startled ‘oinks’ from behind us as a piggy-bank catches the wadded paper ball.
“You’ll get over it soon, but I have to go now. See you guys later,” Hibiki says as he stands up noisily.
Seated to Hibiki’s left, his childhood friend Kumiko grabs the embarrassed kid’s arm and pulls him down.
“Don’t be ridiculous! It doesn’t matter if we didn’t like this story much, they can’t be all winners! And you have to critique our stories too!”
“Can’t it wait?” he asks.
“Yes,” she says, “but no.”
Kumiko gives him a serious look. He sighs and raises his eyebrows in defeat. He’s not going to win against her stubbornness.
“Alright, alright, I’ll stay,” he says, throwing his hands up in the air.
Kumiko smiles and starts going through her bag to get her papers.
“I also wrote something. I was trying to stay in the fairytale theme. This one is a story about a princess who is captured by an evil dragon. There is no prince to save her, and she has to save herself.”
“One of those post-modern retellings, I see,” I say as I gulp down some soda.
“No, it is a story about a strong woman who can fight for her own honor,” she responds, annoyed.
“I didn’t mean any offense. I liked it.”
“I have barely started telling it!” she says, then pouts.
“I meant that I liked the story in general. Continue.”
She narrows her eyes, then nods and starts reading her work. Her bell-like voice is as pretty as her blonde hair and pale blue eyes.
“The sun had fallen, leaving me in a pitch black dungeon. I shivered in the frigid air. The cold stone floor felt as if it was sucking the heat out of my naked body; I felt so exposed and vulnerable. I was naked, and my clothes were not anywhere to be found. There was no furniture in the room either, save from a bucket full of water and an old moldy piece of bread.”
“I liked the part about the nakedness,” I say.
“Shut up, JP,” she says, annoyed.
I smile. I have always had a weakness for pretty girls. That being said, I can admire a girl’s mind and body without wanting to jump their bones. I don’t know why they always think that we’re going to do that to them.
“Where was I? Oh yes, I was shivering on the floor and trying not to starve to death,” she says, giving me a dirty look.
“Is this a story, or some harrowing experience of yours?” I ask, then chuckle.
“It’s a story I made up!” she says, annoyed.
“Continue.”
She looks down and continues reading.
“I heard a fearsome growl and looked around to find the source. Above me was a giant black beast, curled up on itself like a cat. It had sharp yellow teeth, and blood red eyes that seemed to pierce my very being. I wanted to look away, but I felt hypnotized by its gaze. Then, it struck. It opened its maw and blew out hot air that smelled like rotten eggs. I blacked out. When I woke up, it was surrounded by several people wearing medieval clothing. It roared, and the people backed away in fear. The beast looked at me, then ran off into the forest. I had been rescued.”
“You forgot to mention that she got rabies and died,” I say.
“Shut up, JP!” she says, annoyed once again.
I have to point something out.
“Wasn’t the idea that the princess saved herself in this one?”
“Oh yeah,” she says, blushing.
“You’re really bad at this.”
“Shut up, JP!”
Both me and Lydia take some time to stop laughing.
“Wait, that’s the end of the story?” I ask.
“Yeah,” she says, clearly disappointed that I didn’t like the ending.
“That sucks. You should go back and change it so the dragon gets killed or something.”
She pauses for a moment, thinking about what I said.
“Yeah… that’s not a bad idea.”
“The princess should probably be the one to kill it. You know, because that was the point you intended to make with this whole thing, which you insisted on. You deliberately presented the story as capturing that post-modern angle, and then your text failed to reflect it.”
“But it wasn’t my fault!” she whines.
“Maybe not, but that’s what you presented to us.”
She pauses again, and I can tell that she’s realizing that I’m right. She sighs in defeat.
“Yeah, you’re absolutely right,” she says. “I’ll have to change it.”
“We all make mistakes,” I say with a smile. “As usual, though, we have trouble staying on target.”
The remaining member of the club, our mostly delusional Lydia, chimes in as she pushes up the bridge of her glasses.
“I’m pretty sure you’re the main reason for that, Jacob.”
“How do you figure?” I ask. “Kumiko’s the one who went on a tangent and forgot her own ending.”
“You’re distracting her. You do it all the time.”
Lydia is just teasing me, as usual.
“Yeah, but it’s okay. She’ll get around to fixing it,” I say with a smile.
Kumiko can’t stop frowning at me as Lydia finally pulls out her own story. She seems more enthusiastic than usual about this new one.
“What subject are you obsessed with this week, Lydia?” I ask as I rest my face on my palm.
“I did some reading last night. Did you know that dark matter is all around us?”
“Um… sure?”
“Anyway, here it goes!” Lydia announces. “Title: ‘The Cat in the Box’, by Lydia Hirsch.”
“Yes, we are aware of you, Lydia.”
“There once was a cat named Mr. Whiskers. He was trapped inside a box. The box was also trapped inside a bigger box. There were three boxes all together. The big box, the medium-sized box, and the small box. They were all trapped inside each other, like a Russian Nesting Doll. ‘Meow,’ said the cat. ‘I wish I could get out of here. I’m stuck in this small box. Oh no! There’s a even smaller box inside of me, and I can’t get out!’ Mr. Whiskers looked very scared. He was afraid of getting trapped inside an even smaller box.”
I hear Hibiki gulping.
“Somehow that makes me feel a pit in my stomach…” he says.
“Shhh! It gets better, trust me! Mr. Whiskers then saw a laser beam appear inside the small box. It started to move around, and Mr. Whiskers was very afraid of getting hit by the beam. But then, another cat named GutterCat came in and saved him! The two cats ran outside, escaping the boxes.”
“Where did this cat GutterCat come from, and how did he find his way into that small box inside other boxes?” I ask incredulously.
“Who cares? The point is that the two cats lived happily ever after escaping those evil boxes. The end.”
Lydia beams as she finishes her story. She looks around at our faces, which display a mixed response to her story.
“That was… ugh… an interesting story,” I say, as I try to think of something nice to say about it.
“I thought it was incredible!” Lydia says excitedly. “When I grow up, I want to write stories just like that!”
“But you did write that one.”
“Oh. Yeah…” she says, as her smile falters slightly.
“It was a nice try, but it needs work. For one thing, why did Mr. Whiskers speak perfect English? Also, how did he fit in the box? Did he just shrink himself somehow?”
“Well… It was a magical box,” Lydia says in an almost inaudible voice. “You can do anything when you’re a writer.”
“Didn’t you say recently that you wanted to start writing stories based on reality?” I say as I raise an eyebrow.
“Well… I can change reality,” she says, now pouting. “If I could fit twenty bumblebees inside a teeny tiny bottle, then I can make a magical box that defies the laws of physics.”
“Hell no. Writing isn’t anarchy. There’s no meaning if you don’t follow at least some rules. If anything can happen, then nothing makes sense. Is that not the case?”
Lydia raises her hand as if she was in class.
“Yes, Lydia?” I ask.
“I have a problem with that. You said you want to write about the real world, but that’s not true. Nobody writes about the real world. Writers have been doing fiction for thousands of years. Did Shakespeare write about the real world? No. That’s why his plays are still around today. Did Tolkien write about the real world? No. That’s why people are still obsessed with his work decades after he died.”
“We might be aiming too high here, at least in regards to comparing ourselves with such writers. We seem to remain stuck at preschool level.”
“Well at least I’m trying!” she exclaims.
“And that’s all I’m asking for,” I say, raising my hands. “You wrote about a magical box, really?”
“Yes!” she says, agitated. “I wanted to challenge myself.”
“Writing about a magical box instead of the usual aliens, lost civilizations, bigfoot, underground complexes of tunnels that hold kidnapped and tortured children, and isolated islands of sin for the one percenters?”
“Yes, because I can do that too!” she says, raising her voice. “I just wanted to try something new. I always have my cat save the day, so I wanted to switch it up.”
“Instead of your cat solving the mystery, now you wanted a new cat to save your own cat?” I laugh out loud.
“Stop making fun of me,” she says, abashed. “At least I’m trying.”
She mutters something to herself as she holds her story with her arms crossed.
“Don’t get me wrong, Lydia,” I start. “I love your stories. It’s just that I get tired of suspending my disbelief week after week while listening to how your cat discovers alien life, or hunts down a bigfoot, or saves the children from the underground tunnels built by the military-industrial complex, or blows up some private island full of mostly naked underage girls.”
“You think too highly of yourself, then,” says Kumiko. She doesn’t seem to have forgiven me for correcting her story before.
“What’s that supposed to mean?” I ask with annoyance.
“You think you’re the only one who has issues coming up with stories? I’ve had the same issues as you, except way worse. And let me tell you why,” she says, her eyes flickering towards the black binder in front of her. She looks at it for a while, as if trying to remember something she wrote inside it.
“You… you don’t have to tell me,” I say. “If it’s too personal, you don’t have to.”
She sighs. “It’s not that personal. It’s just. I’ve been working on this story for a long time now, and I still haven’t finished it.”
“Are you trying something seriously? What is it about?”
“It’s about a girl and a guy who are good friends, almost like siblings. Over the years, they grow closer together and become romantically involved.”
“I must say, I’m loving the sibling angle.”
She gives me a look. “Well, they do grow up together. Together, they face all sorts of trials and tribulations. It’s a story about growing up, really.”
“A coming of age story?”
She seems to think for a moment, before nodding. “Yeah. You could say that. But it’s not just for the main characters that things happen. It spans decades, so there’s time for generations to pass and see change.”
“One of those stories that try to feel the pulse of society during many decades, or something like that?”
She nods. “Sure. Something like that.”
I stare at her. She stares at me. The room is quiet save for the occasional sound of pages flipping as Hibiki turns a bunch in front of him. After a while, Kumiko speaks up.
“So… you want to hear it?” she asks.
“Sure,” I say. “Why not?”
Kumiko takes a deep breath, and begins to tell her story.
“Our tale starts in a hospital, with the birth of our two leads. I will speak now from the point of view of the protagonist… I’m born first, a crybaby but a strong one. You come out second, strong and silent. So strong and silent they think you’re deaf, but it’s just an act of defiance. We grow up with each other, inseparable. We do everything together. School, playtime, everything.” Kumiko takes a deep breath. “For our eighteenth birthday we’re given our choice of whatever car we want from the dealership down the road. I want the one that goes from zero to sixty in three seconds. You want the off-road SUV that can drive over practically anything. We fight over it for hours…” Kumiko begins to cry. “We… We fought all day. I didn’t think we’d fight on our birthdays, so I didn’t get you a present. I’m sorry, I tried to make it up to you later… But we fought all day, and in the end, we took the dealership. I went first, and when they handed me the keys to my new car, I said ‘this is for you’. I handed them to you. I broke into tears immediately after, because I knew you’d hate it. You took the keys from my hand, and went to look at the car. I looked up about the car later, and saw that it costs almost twice as much as a house in our town. It was too late to give it back. You didn’t say anything. But then, you didn’t need to. I understood. I cried for our lost friendship, and never spoke to you again. The end.”
Kumiko is sobbing heavily now. I struggle to say something. I walk around the table and I try to hug our blonde princess, but she pushes me away.
“No, no!” she screams. “Don’t touch me! I’m disgusting! Just leave me alone! All of you, leave me alone! Leave me alone!”
I stand back. Kumiko pulls out a cigarette and a lighter. She struggles to light it with a trembling hand.
“Please stop her,” I say to the others. “Tobacco has never been on her side.”
At this point, the cigarette has caught fire.
“I’m sorry,” she says, blowing out the flame. Slowly but surely, she stands up and heads towards the window. I stare in horror.
“You aren’t thinking something crazy, are you, Kumiko…?”
“You, least of all, should call me crazy,” she says coldly.
Then, she jumps out. Lydia, Hibiki and myself run to the window, only to catch that Kumiko has already landed on the grass a meter and a half below and is sprinting towards the gated entrance of our school.
“Kumiko!” I shout.
My blonde friend never looks back. After she disappears behind some trees, I shake my head and return to the table. We sit around in silence for a while, not knowing how to bring up this disgraceful event. Hibiki is wringing his hands.
“Hibiki…” I start, “you need to take good care of that girl.”
“I don’t know what to do!” he cries.
“Just keep being friendly with her. You’re the only person she’s got, you know.”
He nods, his eyes red from crying. I feel a huge, dark pit in my stomach. What the hell have we done? We’ve pushed our only stable member to jump out of a window and attempt suicide. It’s a miracle that she survived. But I’m not sure whether she did it for herself or for us.
I wipe the sweat from my forehead.
“Well, I guess I might as well read my own story. I did go through the trouble of writing it and all.”
I walk over to the whiteboard and grab a marker from the edge of it. I then begin sketching out the plot of my story on the board, but shortly after I give up and I draw a huge dong. I return to my chair and sit down wearily.
“My story starts like this: the protagonist is some guy called JB who attends some high school or other. His life is generally fine, I guess, but what he loves to do the most is to attend the literature club that he’s a member of. Maybe not the most important or prominent member, but a vital part of the whole, I’d say.”
I pause my story to grab another pastry. As I do so, our headmaster comes in for his weekly meeting with the club. Apparently he’s had some sort of announcement to make, but he forgot it. He leaves, and we hear his hurried footsteps fading away.
“Where was I? Ah, yes. It was a hard week for our protagonist, as he had to pass the most critical exams. But that’s behind him already. We meet him on a friday as he enters his beloved literature club. He’s bringing a bunch of trash food to fill the stomachs of his grateful friends. I haven’t said anything about the other characters yet, but as secondary players we have Lydia Hirsch, a delusional girl who loves everything mysterious and who particularly adores her cat Mr. Whiskers. She’s very much into writing stories that involve the aforementioned cat. Frankly, I’m a bit sick of the whole thing, but what can you do. This girl probably needs some therapeutic help, and it’s likely that after this year of high school ends, I will never see her again. Would that be sad? Remains to be seen.”
I pause my story again to eat some chips.
“What do you think of my story so far, Lydia?” I ask. “I particularly hope to hear your early opinion, for some reason.”
“I like it, Jacob. Actually, it’s really starting to come together. Hey, but I have an idea for your story.”
“Oh no,” I reply. “Not another one of your ideas.”
“Yes, Jacob. Another one of my ideas.” she says with a cheeky grin on her face.
“Fine, what is it?”
“You should make the protagonist’s love interest a cat named Mr. Whiskers,” she replies with a giggle.
I shoot her down immediately. “I’m not doing that.”
“Come on, Jacob. Just think about it for two seconds.”
I sigh in exasperation. “Fine, I’ll think about it,” I say, not meaning it in the slightest.
“That’s all I ask,” she says with a huge grin on her face.
“Alright, back to my story. We also have this guy called Hibiki. He’s the soft spoken kind whose expression demands other people to believe that he is hiding some inner ocean of wisdom or whatever. Somehow he won a couple of awards from his previous stories, likely because the judges consider that stories in which little to nothing happens and the protagonists mope around are good stuff. This Hibiki is also madly in love with his childhood friend, a blonde, blue eyed beauty called Kumiko. However, Kumiko will never love him back, because she’s into being abused by rough, older men.”
Hibiki glares at me. “Jacob, that’s enough.”
“Do you have a problem with my story?” I say.
“No, but you know it’s not true,” he replies.
“How would I know, if you never tell me anything about it?”
“Jacob, there’s no way…”
“Anyway, the remaining member of this fictional literature club is a beautiful princess called Kumiko. She’s blonde, has pale blue eyes, and a soft body to die for. However, this princess was taken by the dragon of depression, and she’ll need to save herself in this one, because no brave hero is heading off to slay her foe.”
“Shut up, Jacob! You’re being an asshole,” Hibiki says.
I shush him, and he does shut up, but keeps glaring at me intensely.
“You know,” I begin, “I used to love coming here. It was my happy place, where I got together with my good friends to goof off, write some bunch of nonsense and giggle as we read them out loud. But that’s gone, isn’t it?”
“Jacob, you’re drunk,” Lydia says with an understanding tone. “Go home, sleep it off, and apologize to everyone tomorrow.”
I shake my head. “Apologize? There’s nothing to apologize for. You all have been lying this whole time about everything, and I’m not gonna take it anymore.”
“Lying about what?” Hibiki asks sharply.
“That this is even a real literature club,” I say.
Now they’re all staring at me with confusion and fear on their faces. Lydia asks, “Jacob, what do you mean by that?”
“You’re all too scared to go out, meet people and make friends. You’re just using this as an excuse not to.”
“Jacob, that isn’t true,” Lydia says softly. “It really is a literature club.”
“You keep telling yourself that, cat girl.”
There’s a moment of silence. I want to tear into my two remaining friends further, but I feel there’s no use. And then comes the weariness, the exhaustion. The void in my chest is expanding.
I let my ass fall onto the chair.
“We are living in a fantasy. In a few weeks we will exit this clubroom for the very last time in our lives. Lydia, you will move out to the other side of the country for college, Kumiko will start working at her family store, and you will probably do something in the world outside, Hibiki, although I don’t particularly care. Do you two understand what I mean?”
They both nod.
“We have already lived through our carefree years,” I say with a thin voice. “Until now we could laugh with the utmost sincerity. But what awaits us in the coming decades? Do we have anything to look forward except for mounting responsibilities, increasing bills, and the pains and humiliations of our progressively decaying frames?” I stand up and continue, “Do you really want to live the rest of your life knowing there is no escape from reality?”
I don’t give them the chance to answer. I’m not even sure what the answer is. I just need to believe in what I’m saying.
“We’re all living a lie,” I say, “but if we stand up together, we can change it.”
My two remaining storytelling friends remain silent. They don’t answer. They don’t disagree.
I look at the ground. I feel empty inside. “I will stand up to the lies of this world all by myself,” I say. “Good luck to you.”
I leave the clubroom and close the door. A few seconds later I open the door, walk to my chair and sit down. Tears are streaming down Lydia’s face, and her glasses have fogged up. Hibiki’s face is all red and he makes no effort to clean the snot running down the sides of his lips.
“The end,” I say. “Well, what do you think?”
“It was the most beautiful story I ever heard,” says a voice behind me.
I turn around, and can’t believe my eyes. There stands a princess straight out of a fairy tale. Her long, blonde hair glistens in the late afternoon light, and the blue pools of her irises remind me of beautiful dreams. Her eyes are red and puffy, as if she has been crying for an eternity.
“Kumiko?” I say. “It… it’s been so long.”
“I know,” she says. “I just… I just wanted to say that… you were right. I was unhappy. I was so unhappy. My stepfather, he…”
Tears roll down her face. I have never seen her so sad in all the years I have known her. In a way, it’s like seeing a stranger. I stand up and quickly walk up to her.
“It’s OK,” I say, grabbing her hand. “It’s OK.”
She looks into my eyes. “Do you remember… the day we met?”
“Yes,” I say with a smile. “I saved you from the rain.”
“Will you save me again?” she asks.
“Of course,” I say, but it’s already too late.
A gunshot rings out, echoing through the halls of the school. I squeeze Kumiko’s hand and close my eyes, but the distant meowing is getting louder.

VR Tales of the Imouto (GPT-3 fueled short)

I was bored today, and I have enjoyed that new anime “Full Dive” recently.


The classes finally end for the day. As soon as I reach my home and I eat some, I sit on my virtual reality chair to log into my beloved game. I recline my head and I feel the virtual sensorial orchestra overwhelming this lackluster reality, kidnapping me from the dreadful real world into a more colorful virtual one, in which I can be important and do exciting stuff.
Inside the virtual world, I awaken in my home, a two-story building in a small, generic fantasy town. I embrace the alien breeze in my skin, the feeling of the adventuring clothes keeping my virtual body warm, the heavy trusty sword now sheathed and hanging from my belt. I hear the voices of my virtual parents, both non-player characters, talking to each other on the floor below. They wouldn’t speak with any other inhabitant of this home when I’m not present, because I’m an only child. Then I smell the cooking. These virtual parents are nice, not like the couple of neglectful punks from my real world.
When I descend the stairs I see my mother sitting on the couch, her face buried in a book. She looks up towards me.
“You look ready for an adventure, dear,” she says with a smile. “But also tired. Make sure you get plenty of sleep, OK?”
I nod to her and say goodbye, then leave my hometown behind to venture into the wilderness. New adventures await.
I can expect a variety of dangers, from slavering beasts lurking in the forests to rogue mages in their towers. I am ready for them all! But today is a beautiful day, so I decide to enjoy the scenery. In real life I’m lucky if I can venture far enough from my street from time to time. I get so exhausted, and I need to deal with transportation and all that crap. On here, in the virtual world, everything is grandiose, and adventures await me in every corner. Bloody tales, often involving murder. Those tend to be the best kinds.
I’m so absorbed by my surroundings that I don’t watch where I’m going, and walk right into something. It feels like running into a wall. There was a man standing on the path, dressed in leather armor and gripping a sword with his teeth. He takes the sword out of his mouth.
“Hello,” he says. “I am Sir Owen. Are you new to this world?”
“Not at all, I’ve been playing for a while. Are you another player?”
“A player?” Sir Owen chuckles. “No. I’m afraid not. None of us are. We’re all locked in this world, doomed to stand by and watch as you players have all the fun.”
I nod solemnly.
“Damn, they pack non-player characters with some gravitas these days.”
“I take it you’re a player,” says Sir Owen. “I haven’t seen you around before, unless you’ve joined since the last time I went to sleep. What’s your name?”
“I’m Cockslapius Fuckbucket the Third.”
“Well, Cockslapius Fuckbucket the Third, I wish you the best of luck in this world.”
“Don’t need luck, my friend, just my trusty sword and my healthy bloodlust. Both have done wonders for me already. Kind of a veteran player at this point.”
“Ah, an experienced one, then. You’re just the man I need to talk to. I was told that players could go to the city if I needed help, and you seem trustworthy.”
I just got here and already some NPC is trying to rope me into doing his dirty work? What a pushy bastard. Then again, this could be a good opportunity. If I help this desperate character, he might have some goodies for me… And I wouldn’t forgive myself if I passed the chance to train further.
“Sure, I can waste my time with some sidequest. What city are we talking about here, my good man?”
“The one I am trying to protect, of course. We call it… Oh, what is the name of it again? It’s on the tip of my tongue…”
“Uh… Nevermind. Probably doesn’t matter. What do you need me to do?”
“I need you to infiltrate the city and kill the evil wizard who controls it.”
“Is this a new development? I haven’t heard of any nearby cities with such issues before.”
Sir Owen grips his sword with determination, and looks at me sternly. He’s like some serious dude.
“Sire, I wouldn’t dare joke about such a grave matter as an evil wizard controlling an entire population of innocents. I need your help, Cockslapius. Will you help me?”
I rub my chin while I consider the situation. Would the artificial intelligence have introduced such a status quo altering event, given that it would affect other players? And out of nowhere as well? It seems wholly unlikely. Maybe this non-player character is messing with me. But then, he seems pretty damn serious.
“If you’re lying to me, I’m coming back to haunt you.”
He nods vigorously.
“Of course. Now, let’s get down to business.”
“Fine. Let’s go.” After a few meters, I turn towards him. “Wait, what was the city involved in this mess?”
“Oh, certainly, we must do this first. It’s Bealbeast.”
My eyebrows rise in surprise. That’s one of the more popular hubs, well protected by a powerful mage who lives there. The chances of this being legitimate are low.
“I see. And what’s the name of this powerful wizard?”
“Cyrus.”
As I frown, we continue on. The man doesn’t seem to notice my disapproval, and rattles off his story.
“Cyrus was my pupil when I was still a teacher at the magical university in the city. He was a bit of a loner, but he had such promise… One day, he just left without a word. We never expected him to become this powerful wizard that he is rumored to be. He is no doubt capable of destroying the city.”
“What timespan of events or whatever are we speaking of here?” I ask cautiously.
“Hmm, you want to know how long it’s been since I was exiled from my home? It’s been a little over twenty years now.”
“And you’ve waited this long to take action?”
His head hangs low.
“I have wanted to go back ever since then, but I haven’t had the strength. Until now.”
“What changed? Wait, let me guess: meeting me?”
He nods vigorously.
I pat the non-player bastard on the back.
“I must say, you damn bunch of ones and zeros know how to make a player feel special.”
He doesn’t respond, but instead looks longingly at my hand. It’s unsure whether he’s being sincere or perverted right now. Maybe both. The man puts his hood back up and continues on, ignoring my presence. An awkward silence ensues, which I’m not used to in video games, as players usually have something to say to each other. I guess the AI can’t figure out new stuff to make this puppet say.
“So, sir Owen, what do you think about when a player hasn’t happened to run into you?” I ask.
He takes his time to answer.
“I think you have a low opinion of me, if you can’t tell.”
“Why do you say that?”
“Because I haven’t been insulting you the entire time.”
“It’s a matter of fact that you are a denizen of this virtual world and I belong to the rotten dimension of reality,” I say, “which those of us unfortunate enough to be born in need to escape from in order to tolerate another stretch of maddening, anguished boredom. We either escape through the traditional dreams or the virtual ones. You are the lucky one, as far as I’m concerned.”
He says nothing in response, and I continue to speak without waiting for him to reply.
“I’m not sure what you’re expecting from all of this, but I’m going to give you a bit of unsolicited advice: don’t expect anything from anyone. People will let you down every time.”

We walk on in silence, passing by a bunch of trees that were drawn with less detail than the ground at their feet. What feels like half an hour later we arrive at the outskirts of the great city of Bealbeast. A voice shouts out to us from the distance. It’s some kid.
“Hey! Are you the guy who’s going to rescue our princess?!”
“That would be us,” sir Owen says, “Why do you ask?”
“Because she’s been taken to the top of the palace by a bunch of evil bandits, and nobody has had the bravery to save her!”
When I care enough to, I raise my hands to stop their conversation.
“You fellas are crossing events here. I came with sir Owen to free the city from some evil wizard or some other. Nobody said anything about a princess.”
“That’s because it’s all been covered up,” sir Owen says.
“Apparently not well enough, because this kid here knows about it,” I say. “And before we go and do anything rash, I want to get a few things straight: what’s our motivation for exerting ourselves?”
“The princess is being held hostage by an evil wizard who wants to marry her,” the boy says.
“Ah, a cliché kidnapping of the pretty princess by some evil guy.” I shrug. “How hot is this princess supposed to be anyway?”
“I’ve never seen her, but I’ve heard that she is a beautiful maiden with long blonde hair,” the boy says.
“You hear that Owen? That sounds like a princess fit for a hero.”
Sir Owen eyes me with concern.
“I fear you are taking this too lightly, adventurer.”
“You worry too much, Owen. I’m just having fun. Anyway, where is this evil wizard?”
The boy turns around and begins walking towards a large palace surrounded by a rather large moat.
“Follow me. It’s this way,” he says.
I look at sir Owen, who nods in response.
The three of us walk towards the palace while the boy tells me about the city of Bealbeast. Even though I’ve been here like a hundred times, I let the non-player character speak his piece. Might as well.
“Are you even listening to me?” the boy asks.
I look at him and nod my head.
“I’m listening. The princess is in a tower just waiting to be saved, right?”
“No! The princess is in the palace, but she’s being held in one of the towers on the upper levels.”
“Which tower?” I ask.
“I don’t know!” The boy cries out in exasperation.
The palace he’s guiding me towards doesn’t sport any towers. It only has one floor. I shake my head, then pat the annoyed kid on his.
“Why did the AI involve a kid in a kidnapping plot by some evil wizard? Does this town not have decent adults to inform heroes of such matters? If you can’t offer anything else to misinform me about, just run to whatever corner you need to turn before you dematerialize again.”
The boy stands there for a moment, then opens his mouth as if to say something, though no words come out. He looks hurt, but he turns around and walks away. In any case, I am near the bridge that crosses a moat and that leads to the big front doors of a huge palace that I don’t recall existing before. A couple of guards protect the entrance.
I turn to sir Owen.
“Well, sir, how do you suppose we should approach this rescue operation?”
Owen looks around, as if he’s trying to find an answer written on the walls of the nearest house.
“I do not know… but we can’t let the evil wizard succeed. We need to rescue the princess.”
“Why? She’s not real. Even if she was, she’d just be a stuck up royal brat that is unsatisfied with her luxurious lifestyle. Not our problem.”
“But evil must not prevail!”
I sigh.
“Getting tangled in such a cliché development will poison my soul. How many experience points or what reward are we talking about here as compensation?”
“What? How can you put a price on the life of the princess?”
“How can I not? If I don’t, then I’ll die and I won’t be able to play this game anymore.” I am not sure what I mean, but I add: “Is the princess more important than my enjoyment of this virtual world?”
Owen opens his mouth, but doesn’t say anything in response, so I continue with my line of thought.
“I’ve had such a lousy time in class this morning. Just unbearable. The people around me are all posers, you know? All phonies. I feel like I should wear an earflap hat as a fashion statement. In the afternoons when I log into this game I just want a smooth ride filled with gruesome murders to quench my thirst for mayhem and blood, you know? Pleasures of the flesh. I want to quicksave and pull out my firing rod.”
“I… I’m not sure about that…”
“So you see, if your princess is in trouble, then she’ll have to offer me something tempting before I save her.” I grab sir Owen by the lapel. “The best thing about this world is the careful simulation of all human senses! Do you understand what I mean, you fake fella?”
I release sir Owen, who keeps staring at me blankly. He doesn’t seem to be repulsed by my touch, which makes me glad. I’m far too used to people backing away.
“Sure, sure. The… the princess will offer you a boon. Whatever you want! If you save her from this terrible fate, she’ll give you anything. I’ll make sure of that.”
“That sounds vaguely like a promise of sexual favors to me,” I reply. “I am not going to lie to you, I’m only motivated by virtual sex these days. They don’t make them like that in the world out there, you know?”
“I… I’ll make sure of it.”
My interest spikes.
“Oh? You’ll make sure of it?”
He nods slowly.
“This is a good chance for you, then? No more questions?”
“None.”
“Yes… Good. Then what are we waiting for? Let us go save the princess!”
As I cross the bridge, I unsheathe my mighty sword and point at the couple of guards ahead that likely intend to prevent me from opening the big doors of this damn place.
“Hey, I’m going in. Either you stand aside or you end up in pieces. I haven’t had my fill in a whole day!”
The guards look at each other, perhaps trying to make a decision. Cowardly peasants!
“Come on,” I mutter. “What are you waiting for?”
One of the guards turns his head towards me, and holds up a hand.
“We… We don’t want to fight.” He says. “Let’s talk this over…”
I walk up to him and stop close enough that the tip of my sword digs into the soft flesh of his neck.
“Sure, fella. Let’s get to babbling.”
He swallows and continues.
“We have families, okay? Children who count on us to bring home the bacon. If you kill us, who will pay for their food? Is it fair to put such responsibility on some poor woman’s shoulders?”
“Damn right,” I reply. “That’s what families are for.”
“You would send mothers and fathers, sisters and brothers to an early grave?”
“I have and I shall over and over. I wish for you bunch of ones and zeros to be fully real, so it’d feel even more satisfying. You are speaking to a madman here.”
The guard swallows again, and then nods at his comrade. They both step aside, which is all I need to push through and open the big wooden doors.
I march confidently into the throne room, where a young girl sits on her knees. A crown has been placed in front of her; she looks like a queen being presented to the public. Except there’s no one else here, just this girl and myself. And I guess sir Owen behind me.
I stop for a moment, and while checking my surroundings to make sure both Owen and me don’t get ambushed, I take a good look at this kneeling supposed princess. She seems to be about my age, perhaps a year or two older, with dark brown hair and light blue eyes. The crown, being gold and jewel-encrusted, shines brightly under the sun that pours from the windows.
“Hey,” I say in an attempt at conversation. My voice cracks towards the end, so it comes out more like “Hiighhh…” I clear my throat and try again. “Well, you must be the princess? I’m pretty sure I was promised a blonde, but I guess we can’t be too choosy these days.”
I give her a short bow, and clumsily fall forward. I dive into a roll and end up in a battle-stance, just in case.
The girl bursts out laughing. She falls onto her side and holds her stomach. Tears roll down her cheeks as she continues to laugh.
“You fell on your face!” She manages to say in-between laughs. “Even I didn’t expect that to happen!”
I clench my teeth, then punch my thigh in rage.
“Damn it, woman! I spend so many hours playing this damn game because it should allow me to feel mighty, while in the shitty world outside I’m some powerless nobody! I receive enough mockery in the classroom, five days a week! You want to antagonize the moody introvert who’s always glaring from the back of the room? I’ll come back wearing sunglasses and a trenchcoat!”
I unsheathe my sword, and the princess’ eyes open wide. She jumps backwards and kicks over the crown in the process. She puts her hands up and starts to scream for help.
“Shut up!” I shout. “I’m not here to kill you, you damn idiot!”
My shout makes her cover her mouth. I take a deep breath. That was pretty damn rude of me. I usually try to be a gentleman to ladies. As my heart calms down, I speak carefully.
“Listen, you virtual princess: sir Owen guided me to this very place because you were supposed to have been kidnapped by some evil wizard or whatever. So are you in trouble or not? And what is the reward?”
The princess looks at me in confusion.
“I’m not a princess.”
“Well, you certainly look like one.”
She sighs.
“Fine, I’ll play your silly game. What do you want to know?”
“How did this whole princess-capture thing start?”
“I wanted to leave this town. I was bored. So I went to the local tavern, because all adventurers drink there. I wanted to hire one to guide me out of the city. Then, I got captured by the evil wizard!” She looks at me with hopeful eyes. “Are you here to save me?”
I sigh and sit down on a chair nearby.
“Well, it depends on the size and jiggliness of the reward.”
“What?”
I avoid her gaze.
“Look, I’m supposed to be a mighty warrior. But I’m not. I’m a damn bookworm who prefers to stay indoors. I’m weak and powerless. Very, very powerless.” I make sure she hears the pain in my voice.
She pauses for a moment, then sighs.
“Fine. I’ll pay you compensation if you take me out of this place.”
I look back towards the open, now unguarded front doors.
“Why don’t you just walk out? Did the AI seriously create such a lazy questline?”
“It’s not a questline, it’s my life!”
I feel the itch I have gotten so many times in this damn game, the urge to destroy the foundation of these virtual people until they sink into a pit of virtual existentialism. Then we’d be even.
“Listen, you don’t have a life. None. You don’t even exist.”
“I do so!”
“Open your eyes, dammit! You’re a set of numbers and some data that’s been programmed by some guy with a laptop, who doesn’t love you. Nothing else. You have no emotions, no feelings… You’re not even good looking.”
The princess seems taken aback. I have managed to hit a chord.
“How… how dare you?”
She steps forward angrily. I step back angrily. Then she stops, as does my backward motion. I frown; there’s a wall behind me. I growl, trying to regain control of the situation.
“I came to fulfill some lazy quest, and you’re here stalking me because the game wouldn’t be fun if it was realistic.”
“How would you know? You’ve never experienced anything in your life.”
That struck a nerve. Damn virtual persons and their AI generated cleverness.
“Maybe I haven’t, but so what? People are born just to die. Before you know it you are already decaying! So what’s the point, really? We should all spend our days naked and touching ourselves. Anything is better than this constant dread-infused depression!”
The princess takes another step forward. I want to take one backwards myself, but there is that wall behind me. The princess holds my gaze, then bursts into laughter.
“Wha… what?” I stammer.
“Ha ha ha! You are such a fool to think you can stand against the likes of me!” She grabs my shoulders and holds me in place. I struggle to free myself, but I can’t. “You think you can scare me? You think you can intimidate me? You are nothing before the great… well, you get the idea.”
She takes out a small bottle and pours the contents on my face. The smell is strong, and I feel a tingling sensation all over my features.
“W-What did you do?” I ask fearfully. “Is this poison? Or maybe a more personal fluid of yours?”
“Ha ha! I have poisoned your virtual body. The effects of the poison are instant, and fatal. You’ll be dead in a few minutes.”
I struggle once again to free myself from her clutches, but nothing happens. “Oh god, I get it! You are both the princess and the evil wizard!”
She takes out a medallion and shows it to me.
“Yeah, I’m the evil wizard. I lied to sir Owen about my true intentions so he’d help me.”
I had forgotten that I had come with that other NPC, but he’s standing there dead-eyed as if he might as well be T-posing. I look back to the scary princess-wizard.
“Why would you do such a thing?” I ask fearfully.
“For fun! Just like this!” She takes out a small hour glass and turns it over. “Watch the sands of time!”
I try to avert my eyes.
“No! Anything but the sands of time!”
The princess flips it again, and I watch as the sands fall from one chamber to the other. And as they slowly fall, I feel the transformation. My breathing is becoming shallower, and I am starting to gasp for air. I must have fallen to my knees. I want to stand up and run away from this place, but my body feels heavy and immobile.
“Will you truly cause me to die without my daily dose of desperate VR sex?” I struggle to say. “That’s like two thirds of the virtual experience. Can anyone be so cruel?”
“This is your punishment for giving me a stiffy,” the princess says. The princess moves over to sir Owen and flips the hourglass once more. Sir Owen gasps once, then collapses into a pile of ash-like sand.
“No!” I yell. “You can’t just kill off an innocent person!”
“Sir Owen was no innocent. He was a power-hungry man who sought to control others for his own purposes. Now he’s a pile of sand, just like you soon will be.”
As the princess-wizard’s laughs reverberate in my skull, I claw at my face in agony. Such torture, witnessing my faithful NPC friend sir Owen being disintegrated before my eyes is too much to bear. My vision fades to black as I begin to cry for help. I manage to crawl past the princess-wizard, and reach for the phone installed on some pillar. I lift the receiver to my ear.
“Hello, 911? I’d like to report a murder.”
The operator on the other end sounds bored as she asks for my name and address. I tell her my name but realize I don’t know my address.
“Are you sure?” The operator asks. “The police usually take this sort of thing seriously.”
“No really, there’s been a murder! By an evil wizard! I guess I’m somewhere near Bealbeast, in this damn game.”
The princess has now thrown a ball of fire at me, and I’m desperately leaping out of the way.
“Sir, are you on drugs?” The operator suggests. “Because if you are, I can refer you to an addiction treatment line.”
“I don’t need drug rehab! But the wizard is trying to kill me!”
The princess now zaps me with lightning and I convulse on the floor. As I drop the receiver, the operator hangs up on me.
“P-Please, princess-wizard…! Surely we can come to some compromise! There must be something I can give you that will satisfy your murderous bloodlust, but that won’t involve my virtual annihilation!”
“I want you to suffer, for my teacher, sir Owen, suffered.”
“But that’s terrible! There must be another way!”
“Yeah yeah,” the princess sighs. “I dunno… I suppose if you can make me laugh, I’ll spare your virtual life.”
I’m grappling with my fading thoughts in an attempt to somehow make her laugh, but she looks like a frigid bitch. Thinking is a struggle while the after effects of her electric spell course through my bones.
“Damn it, I can’t think of anything! Making people laugh on command is like the hardest thing in the world. Surely you don’t want anything better, like some sexual enslavement sort of deal?”
“No, hahahahaha! That’s pretty funny. But I want to hear about the sexual enslavement… Is it a painful experience? Will you cry while this is happening?”
“Yes. I have no issues crying during sex.”
I was ready to hear her evil, icy, frigid laugh, but her laugh is warm and sweet.
“Good, then I’ll do it.”
“So… you won’t kill me?”
“No, that would be too kind. You’d enjoy the experience too much,” she says with a smirk. “But I will enslave you. Tell me something, how do you feel about sirens?”
“They are quite noisy.”
The princess turns into a siren, and her beautiful, sweet laughing voice becomes a shrieking cackle that would put any normal man into deafness.
“I’ll remember that.”
For some eternal minutes I struggle to resist her call, but then I can’t take it anymore. I succumb to her desires. My mind is taken over by the siren, and I am forced to become her slave. I obey her every word, her wishes, and commands. I have no free will. Normally, this is something a person would want to get out of. But for me, this is the best case scenario. The siren and I fall in love, and live happily ever after.

A few minutes later I log off the game and realize that my sister is standing a few feet away while glaring in disgust at my stained underwear. I jump out of the VR chair and cover my privates.
“How many times do I have to tell you not to spy on me while I’m hooked in!? Damned tsundere imouto…!”
“Shut up pervert, you’re not real mature yourself. What the hell are you doing?”
“What the hell do you mean by what the hell am I doing!? The same thing I do every afternoon! I come back home defeated, then undress myself down to my underwear and rejoin the wonderful, consequence-free realm of virtual reality that involves simulated pain and naked ladies! Can’t help if my body reacts to its offerings while I’m not monitoring it.”
“Well, stop doing that in the living room!” My sister cries out in frustration. “You know how mom is about… things like that. You’re already on thin ice with the VR, and I won’t be held responsible if you get into trouble for your weird habits.”
“How is it any of your business what I do in my free time?”
My sister’s glare intensifies.
“Mom has been asking me if you’re doing okay lately. I’m starting to get worried about you, honestly. If you keep this up, she’ll find out what sort of smut you’ve been involved with on the VR network, and that’ll be the end of your little hobby.”
I feel fear crawling through my spine.
“It’s only some shit about sirens and slavery, I swear!”
My sister sighs.
“Yeah, I don’t want to know. Just don’t let it happen again, or we’re gonna have a bigger problem on our hands.”
I force myself to stand straight and hold this overconfident imouto’s gaze.
“Well, it will keep happening, every afternoon, for the foreseeable future. What do you think about that!? What are you going to do, dweeb!? You are smaller than me.”
She purses her lips.
“I’m telling you now as a favor to you, but if mom asks me about it again I won’t lie to her. And you’d better have a damn good excuse for your disgusting habits.”
I sigh, and force myself to relax.
“What excuse could I give except that I’m scum? Think about it. We are both scum, it’s woven in our DNA. You will end up like this as well, or worse. The craziness lurks in your cells, waiting for the smallest chance to burst forth and ruin your life.”
I am unsure about the source of my outburst, but my sister’s expression is priceless. She’s a cunning devil though, and stands her ground.
“Don’t try to manipulate me with vague existential threats. For your information I’m going out with Jake now, so I have someone who can take care of my animal urges when they pop up. Unlike some people.”
“I have been married to my right hand for years! Your separate-flesh-based relationships can’t compete with the strength of this bond.”
My sister shakes her head in disbelief.
“What are you even on about right now? Jake and I love each other, and we don’t have to manipulate each other with such low blows. Unlike some people.”
The strength of my glare should burn imouto’s eyes.
“Stop saying ‘unlike some people’. It keeps replaying in my head. You have no idea how crazy I am. I don’t care if you are some imouto, I will pummel you into a paste! Then we’d see Jake wondering how to fuck the remains.”
My sister chuckles.
“Oh no, you wouldn’t hurt a lady.”
“I’d hurt you, rip your limbs from your body, tear out your eyes so you couldn’t see and drink your blood so you couldn’t resurrect, and do it all over again. And when you were nothing but a broken bag of meat I would laugh at how weak and stupid you were.”
She continues to laugh, as I continue to glare at her. Blood flows from the open wounds on my palms, as my nails dig into the flesh.
“You keep going on about stuff like this,” imouto says. “No wonder nobody loves you!”
“We are the Great Old Ones. The most terrible beings who ever lived. There is nothing funny about our existence.”
“I find your existence hilarious. It’s a funny tale of how a little boy got so butthurt over a VR video game that he kept crying about it.”
“Shut up. Shut up. Shut up,” I say, my voice increasing in intensity. “Everything was going fine until you showed up. Now everything is ruined.”
“Maybe your life is,” imouto says. “But not mine.”
As usual, my sister’s words strike harder than any of the insults hurled my way in class. She has found out my weaknesses, and now holds them over my head. Defeated, I turn away from this witch to hide the tears welling up in my eyes.

The next day, class goes on as normal. My classmates continue to throw barbs at me, and I pretend that they hurt like they are supposed to. But deep inside, none of the taunts affect me. None of their insults matter, not when I have a bigger enemy to fight. Every afternoon when I get home I lie back on my VR chair and I train. I shall train for eternity if necessary, until I defeat the little bitch whose cold disgust waits for me to face it again. At this moment, my sister is probably running her soft fingers through her hair, or licking some candy while she reads some light novel. She is living the good life, and I will make sure that she pays for it.
Maybe I’m just a little boy who can’t let things go. But when the final battle arrives, on that day, you better make sure you kill me, because I will be coming for you. And I will never stop coming for you.