We’re Fucked, Pt. 78: AI-generated images

Some neural networks excel at recognizing patterns in data, and as if that wasn’t enough, they can extrapolate those patterns into new data. In practice, the AIs involved in this entry study images (millions, perhaps billions of them) and produce new images based on the patterns they have recognized, patterns that you wouldn’t understand even if they explained them to you. Plenty of those images are masterful paintings and compositions far better than anything you will ever create with your mess of a human brain haphazardly cobbled together by evolution, that still believes you are fleeing from predators in a savannah. That’s just how it is. Learn to use AI-generated images as inspiration, because you’ll only rage against the machine in vain.

Anyway, if the measure of density of a chapter is how many images it manages to inspire, chapter 78 of my ongoing novel We’re Fucked is hella thicc. Some of the pictures look like anime because one of the neural networks studied anime-like stuff exclusively, plenty of it perverted.

You can check out all the entries I’ve posted with AI-generated images (twenty-nine so far) through this link.

“The breeze blows on the grass and weeds like a whistling ghost.”
“Its cold seeps under my corduroy jacket and leeches the warmth from my bones.”
Mommy
Anime mommy
“[…] her ivory-white face, that hovers above me like an earthly moon.”
“Her cobalt-blues, beneath which she conceals a thousand secret fountains and grottoes, are piercing deep into my psyche as if to flush my demons out of their hiding spots.”
“I’d love to stare up in silence at this divine being for the rest of my life; any words would mar the silence.”
“Humans have to acknowledge their mental states through verbal constructs on a regular basis, to distract themselves from the certainty of their impending doom.”
“A nice glow-in-the-dark shine.”
“This Paleolithic creature deserves a bit of paradise, with food to eat, a wide-open sky, trees for shade, and grass for chewing.”
“My mind gets inundated with images of that boreal forest from which I snatched our girl.”
“Nairu’s abandoned kin must have prayed to their gods and devils to be spared from the unspeakable apocalypse that befell them.”
“I wish I could leap forward another ten thousand years and disappear from this sickening age of mass destruction and despair.”
“As Jacqueline crouches, she smooths her plaid skirt over her thighs, then she lies down sideways beside me, resting her face on her palm.”
“The close-up of her regal visage in the dark makes me feel like a cat snuggled up by a radiator.”
“I take a whiff of her fragrance, a flower garden blooming with myriad blossoms.”
“Isn’t it nice to feel the grass beneath us and hear the sound of the wind in the trees?”
“She nuzzles my nose with hers.”
“I’ll have to avoid turning into the kind of mom that forgets her daughter’s name, locks her out in the freezing rain, keeps her chained in the cellar, or hands her over to a warlord.”
The Earth becomes a burnt cinder drifting in the void.
“the zest of a dog that comes across a mud puddle in a park and rushes to turn itself into a swamp monster.”
“The wind gusts a long-ass moan through the leafless tree branches as the night takes a chillier turn.”
“The three of us huddle together like house cats napping in a wrinkled blanket.”
“My limbs feel heavy and stiff, like sacks of sand strapped to my torso.”
“I close my eyes and unmoor my mind, which has grown fuzzy with drowsiness, so that it paints on the canvas of soft blackness whatever insane spectacle it pleases.”
“The first pinkish streaks of morning light stain an ethereal sky.”
“A yellow sun appears, spreading waves of liquid gold.”
“The sky cracks open as if a projectile punched through the stratosphere.”
An angel descended from heaven.
“The beast’s leathery snout gleams with its own sticky sap.”
“When the beast lets go of the paper, it unfolds itself with a dry crackling sound and takes off like a sparrow that had gotten captured and imprisoned in a birdcage.”
“The decrepit paper flutters towards me.”
“The paper’s edges are browned and torn, and its coarse surface is sullied with bloody fingerprints, but it contains spidery handwriting in fading red ink and an archaic script.”
“My name is Dialectos, which in your language means ‘tongue.'”
“My soul is sustained by the constant stream of dark matter that suffuses every atom of the universe.”
“I enclose in my wings a tiny sliver of the blackest metal, found at the center of your Milky Way galaxy, where countless stars spin like pinwheels of fire.”
“In the realm of the unseen, you humans and other beasts are like flies upon a wall.”
“Leire, your ancestors’ bloodlines can be traced to the sphinxes that used to roam your continent like sentient wildcats.”
“[…] you kidnapped her, upending her life forever, to bring her past the barrier of the Younger Dryas apocalypse into a world of steel-boned cities.”
“A world of steel-boned cities, lightbulbs, telephones, radios, televisions, submarines, airplanes, rockets, computers, guns and atomic bombs.”
“You have violated the sanctity of time and space.”
The riverlike course of fate.
“I promise to reward you with a salary of dark matter.”
“Under your care, if the child grows into a lovely woman, your name will be inscribed in the Hall of Ancestors at her place of birth.”
The fiend that haunts the nightmares of children.
“I will cast you back in time, into a frozen cave where you’ll meet a future self.”
“That I promise and swear on the ancient blood that coats every blade of grass.”
“The paper curls itself into a bowtie, then flies away towards the dawn’s light.”
“I smile to the darkness of my mind.”
“I imagine my heart hardening to the extent that a thousand years of suffering couldn’t crack it.”
“I want to slice my head off with a kitchen knife, then hold the decapitated head in the sky so that my eyeballs and mouth, dripping red-and-green goo down on humankind’s face, could scream one thing to everyone, even those who loathe me: ‘I love you.'”

We’re Fucked, Pt. 78 (Fiction)


The breeze blows on the grass and weeds like a whistling ghost. Its cold seeps under my corduroy jacket and leeches the warmth from my bones. I shiver as though I’m sitting naked on the floor of a cavern.

Jacqueline has walked up to us although she risked soiling the soles of her boots, and is towering over my supine self. Her raven-black braid is draped over the thick lapel of her peacoat, but dark indigo highlights are undulating in the windblown loose locks around her ivory-white face, that hovers above me like an earthly moon. A sweet smile settles on her rosy lips, which would feel as soft and supple as the nipples now hidden by her turtleneck sweater and by the reinforced brassiere that supports her prodigious breasts. Her cobalt-blues, beneath which she conceals a thousand secret fountains and grottoes, are piercing deep into my psyche as if to flush my demons out of their hiding spots.

I’d love to stare up in silence at this divine being for the rest of my life; any words would mar the silence. But humans have to acknowledge their mental states through verbal constructs on a regular basis, to distract themselves from the certainty of their impending doom. I wring enough energy out of my bone-tired brain to string together a few words.

“Our adopted daughter vastly overestimated my physical prowess,” I utter in a rusty voice.

Jacqueline narrows her eyes and broadens her smile. She brushes a raven-black lock away from her face.

“Sure, but she already trusts you enough to know that you would save her from a nasty fall.”

“Or maybe she’s that reckless and self-destructive.”

Jacqueline chuckles.

“That may be part of it. She has taken quite a shine to you, hasn’t she?”

“A nice glow-in-the-dark shine. Enough to travel with me across spacetime to our wretched present.”

Nairu’s warm breath is tickling the base of my neck. This Paleolithic creature deserves a bit of paradise, with food to eat, a wide-open sky, trees for shade, and grass for chewing.

My mind gets inundated with images of that boreal forest from which I snatched our girl. A lump rises to my throat. Nairu’s abandoned kin must have prayed to their gods and devils to be spared from the unspeakable apocalypse that befell them. I wish I could leap forward another ten thousand years and disappear from this sickening age of mass destruction and despair.

“More importantly now,” Jacqueline says warmly, “even in this growing cold, you two look comfortable. Don’t mind if I join you.”

As Jacqueline crouches, she smooths her plaid skirt over her thighs, then she lies down sideways beside me, resting her face on her palm. The close-up of her regal visage in the dark makes me feel like a cat snuggled up by a radiator.

“Jacqueline, thank you for everything,” I say in a strained voice that risks becoming a broken whisper. “For welcoming this new daughter of ours into your home. For being here with me in this park. For existing at all in this insane world, when most of everything has come and gone.”

Jacqueline’s eyes glimmer. She softens her gaze and blows air through her nostrils. The vaporized exhalation lingers between our faces.

She slides a hand behind my head, brushing the top of Nairu’s, to cradle my nape. My beloved leans her face down and kisses me on the lips. She pushes her tongue into my mouth while her fingers entwine themselves in my hair. I take a whiff of her fragrance, a flower garden blooming with myriad blossoms. When Jacqueline pulls away, my heart is pounding in my ears like a tribal drum.

“You’re welcome, sweetie,” she whispers. “Isn’t it nice to feel the grass beneath us and hear the sound of the wind in the trees?”

“I’ve been far worse.”

She nuzzles my nose with hers.

“It’s going to be alright, you know.”

I swallow to loosen my throat.

“As long as you’re around, I’m sure it will be fine. If you become to Nairu even a fraction of the loving mommy you are to me, she’ll be happy.”

Growing up I only integrated bad examples of motherhood, so I’ll have to avoid turning into the kind of mom that forgets her daughter’s name, locks her out in the freezing rain, keeps her chained in the cellar, or hands her over to a warlord.

Jacqueline rests her head next to mine on the grass. With the tip of her index finger, she traces the seam of my upper lip.

“And I have no intention of ever giving you up,” she says in a deep purring voice.

“E-even after ten thousand years of brutal struggles, wars, earthquakes, plagues, ice ages and extinctions? Even after the human race disintegrates, leaving only scattered tribes of primitive savages? Even after the Earth becomes a burnt cinder drifting in the void?”

She slips her lips and tongue along the rim of my ear.

“Even if you get old and wrinkly,” she murmurs in my eardrum.

Jacqueline has stirred the water in the teapot within me; as its contents heat up, they slosh around and boil, threatening to scald my internal organs. I’d love to take my clothes off then roll around naked over every inch of mommy’s skin, with the zest of a dog that comes across a mud puddle in a park and rushes to turn itself into a swamp monster.

The wind gusts a long-ass moan through the leafless tree branches as the night takes a chillier turn. Nairu slides down from my chest, squeezing my right tit through my shirt and bra, and nestles against my shoulder as if to sniff my armpit. The three of us huddle together like house cats napping in a wrinkled blanket.

My limbs feel heavy and stiff, like sacks of sand strapped to my torso. I’m slipping into a languid trance. I close my eyes and unmoor my mind, which has grown fuzzy with drowsiness, so that it paints on the canvas of soft blackness whatever insane spectacle it pleases.

The first pinkish streaks of morning light stain an ethereal sky. A yellow sun appears, spreading waves of liquid gold. But the sky cracks open as if a projectile punched through the stratosphere, that sheds its pale inner membrane down over the horizon like a dirty gauze while the culprit, a rotund creature with shaggy, burnt umber fur outlined in buttermilk-yellow light, falls towards me with leisurely gravity.

The beast’s leathery snout gleams with its own sticky sap. On either side of a chalk-white face, the roughly nostril-sized eyes, two black holes into a crumpled universe, betray the monster’s dim-witted gentleness, like that of an uncle who would always lend a helping hand and dispense morsels of dubious advice. At the end of its elongated forelimbs, the inward claws, large as dinner forks, are holding awkwardly a folded, yellowed paper.

When the beast lets go of the paper, it unfolds itself with a dry crackling sound and takes off like a sparrow that had gotten captured and imprisoned in a birdcage. The decrepit paper flutters towards me. It touches my nose, flips over and hovers in front of me, displaying its underside. The paper’s edges are browned and torn, and its coarse surface is sullied with bloody fingerprints, but it contains spidery handwriting in fading red ink and an archaic script.

I am a creature of great mystical power. My name is Dialectos, which in your language means “tongue.” My soul is sustained by the constant stream of dark matter that suffuses every atom of the universe. At the end of my feet I have four toes, and at the end of my tail, two; each of them a gigantic stiletto. I enclose in my wings a tiny sliver of the blackest metal, found at the center of your Milky Way galaxy, where countless stars spin like pinwheels of fire. I do not speak the language of men, or even the tongue of beasts, and yet my speech is known to all living creatures. In the realm of the unseen, you humans and other beasts are like flies upon a wall.

Leire, your ancestors’ bloodlines can be traced to the sphinxes that used to roam your continent like sentient wildcats, before the age of iron and steam engines. I hereby grant you full custody of Nairu, the little orphan from the Paleolithic age, who was exploring the fringes of her community when you kidnapped her, upending her life forever, to bring her past the barrier of the Younger Dryas apocalypse into a world of steel-boned cities, lightbulbs, telephones, radios, televisions, submarines, airplanes, rockets, computers, guns and atomic bombs.

You have violated the sanctity of time and space, as well as diverted the riverlike course of fate, so I shall appoint you to the job of loving the Ice Age child. Although she was born in a distant time, now she belongs to your tribe. You will feed her, bathe her, comb her hair, dress her in pink tutus and slippers, sing her lullabies, cuddle her when she has nightmares, buy her toys, stuff her face with pastries and ice cream, and teach her to play the harp. To help Nairu forget the horrors of the world that your gormless species has created, you will make her life fun and absurd. In return, I promise to reward you with a salary of dark matter.

Under your care, if the child grows into a lovely woman, your name will be inscribed in the Hall of Ancestors at her place of birth. But if you instead become the fiend that haunts the nightmares of children, I will cast you back in time, into a frozen cave where you’ll meet a future self who will ask: “Who are you?” And you shall answer: “I’m Leire, the mommy who lost her daughter.” That I promise and swear on the ancient blood that coats every blade of grass. For the next three thousand years, I shall periodically send you letters so you may remember your mission, and that I am always watching.

Signed this day, at the last hours of the eighth year of the calamity,

Dialectos.

The paper curls itself into a bowtie, then flies away towards the dawn’s light. As the paper shrinks, it ignites into a fluttering white flame against the furnace-red sphere of the sun.

I smile to the darkness of my mind, and imagine my heart hardening to the extent that a thousand years of suffering couldn’t crack it. I want to slice my head off with a kitchen knife, then hold the decapitated head in the sky so that my eyeballs and mouth, dripping red-and-green goo down on humankind’s face, could scream one thing to everyone, even those who loathe me: “I love you.”


Author’s note: the two songs for today are “路標” (“Michishirube“) and “鬼ヶ島” (“Onigashima“), both by the great Ichiko Aoba.

I keep a playlist that contains all the songs mentioned throughout this novel. Eighty-one songs so far. Here’s the link.

Two neural networks did AI stuff to render many, many pictures related to this chapter. Here’s the link.

Review: Boku to Issho, by Minoru Furuya

“Whether you’re an idiot who’s watching or an idiot who’s dancing, if you’re really an idiot, you might as well dance.”

Throughout my reading of Minoru Furuya’s Saltiness, Ciguatera, Himizu, and Wanitokagegisu (the links go to my reviews of those titles), this author became my third favorite mangaka after Inio Asano (mainly because of Oyasumi Punpun and Solanin; unfortunately the guy seems to have lost his drive since) and Shūzō Oshimi.

Furuya’s stuff tends to be similar: character-driven tales of outcasts forced to deal with bad luck and troublesome compulsions. Plenty of weird sexual stuff. Although the characters endure harrowing experiences that would have traumatized most people to the extent of ruining their lives, Furuya’s characters get used to trauma. However, the commitments between the characters tend to be equally temporary. His stories rarely include neat resolutions: unless the character in question dies, the issues that person had been struggling with throughout the story are likely to continue beyond the conclusion. The author also has a fantastic sense of the absurdity of life, so his plot points and character interactions are often unpredictable and hilarious.

This manga series I’m reviewing was made in the late nineties. A different beast to his later works, Boku to Issho is an extremely caricaturesque comedy slice-of-life. While the extreme behaviors of the characters put me off initially, as well as the author’s talent to depict ugly faces, Furuya ended up turning the caricaturesque nature of this story into an art form. It became one of the funniest series I’ve read in a long time.

The story follows two brothers (about fifteen and twelve respectively) in awful circumstances: their mother just died, and their violent stepfather booted them out. They find themselves homeless, penniless, with no talents that they can put to use. The big brother acts as a father figure to his younger sibling, but he’s lazy and delusional: although he believes that he’ll become a pro baseball player the moment he applies himself to it, he’s mainly focused in protecting his ego from the damage that testing his delusions in the real world would cause.

They quickly meet one of the other main characters of this tale: a glue-huffing orphan who makes a living by theft and petty grifting.

Later on they also get together with a pretty boy runaway teen. After the glue-huffing guy steals a cellphone, they start selling their services as gigolos. Their naïveté quickly clashes with the real world when one of their first customers turns out to be a young woman with a penchant for toy-assisted domination.

Most of the characters we meet struggle at least with their self-esteem, but often with poverty, and in some cases with compulsions and fetishes. They are rarely sure of their place in life and where they’ll be in a few years.

As mentioned, I’ve been exposed to plenty of Furuya’s works, so I already expected this story to “just end”. The author attempts some circularity, which mostly serves as the thematic point that not much in our lives gets resolved, and we’re left to figure out how to keep going.

Another winner by Minoru Furuya, as far as I’m concerned.

We’re Fucked, Pt. 77: AI-generated images

Coaxing two neural networks to produce generated images of whatever nonsense is going on in a chapter creates a strange dynamic: plenty of the stuff they spit out inspires me to go on deranged tangents that in turn send new prompts their way. It’s like having talented creative partners that can’t refuse to cooperate with you no matter how much they’d want to.

I hope you enjoy AI-generated images, because I’m going to post a fuckton of them, all related to chapter 77 of my ongoing novel We’re Fucked.

You can check out all the entries I’ve posted with generated images through this link.

“Nairu has gotten stuck in a dopamine-driven feedback loop, hypnotized by the promise of controlled danger.”
“As she stands on top of the play tower, the streetlamps bathe her in yellow ochre light and shade her features with stark shadows.”
“She submits her fate to the interaction of gravity and friction.”
“[Nairu] runs to the climbing wall while the white ghosts of her breath pursue her.”
Nairu bouncing off the slide. Why is her face so cursed?
“She sails through the air as if riding the crest of a rollercoaster.”
“Her body plows belly first into the rubber tarmac, which squeezes a yelp out of her lungs.” I regret everything.
Dirty rubber tarmacs.
A lifetime of regret.
The pilomotor reflex shuts down.
“Don’t they say that the majority of cells in your body get replaced every seven to ten years?”
“Maybe we never grew up, we just appear to age to our bodies.”
“I only laugh anymore as an evolutionary mechanism to prevent me from going insane.”
“Did we forget about our adopted daughter? She has climbed the tower and is standing on the edge, maybe waiting to be noticed.”
“The closest streetlamp is bathing her in light, giving her a golden tinge, as if framed against the sunset sky.”
“I’ve known our adopted daughter for less than a day, but if she were to fall and break her neck, the memory would petrify inside my brain, and for the rest of my life, most of the blood and thoughts would need to flow around the tumorous stone.”
“You’re going to end up looking like a modern sloth again.”
“The corners of Nairu’s mouth curl up in a mischievous smile, as if she had imagined herself slipping a caterpillar into someone’s hand as a prank, and she could barely contain the giggles at the thought of the ensuing freak-out.”
“She grins, then flings her arms out wide, bends her knees and leans forward.”
A girl taking a shit.
“She leaps from the edge towards me like a linebacker hurling himself into a tackle.”
“I move my toes to make sure that I haven’t cracked my spine.”
“Weeds are bending against my ears and the underside of my jaw as their vegetal blades dig into my flesh.”
“Our adopted child is pressing down on my chest as she clings to me like a koala.”
“This stranger from the cold wildlands of the past has bested me with her mysterious guile, making a mockery of thousands of years of language evolution.”
“It will take less than an hour for those microscopic beasts to crawl in through my scalp, spilling some of my brains’ juice in the process, and begin digesting my scalpels and bone saws.”
“In the isolation of a droning sound in my ears and a darkness tinged with citrine-yellow lamplight, I become a mother who is holding her firstborn child.”
“A blizzard swirls up and down, covering our hair in white ice, creating a maelstrom of whirling snowflakes as it sucks up in a frenzy leaves, bits of bark, and twigs.”
“The frozen matter, as well as every form of organic litter, will be taken away by the whirlwind of the snowstorm, swept up into the sky and reincarnated as dust particles.”
“Nairu and I have begun an evolutionary journey into a stronger species by this act, by her invasion of my world, by our physical and psychic bond.”
“Our bodies now resonate like the soundboard of a Stradivarius.”
“The vibrating walls of a gargantuan tuning fork.”
“Curled up in a corner, I felt like a piece of rotten meat thrown in a dustbin.”
“I dealt with the ghosts of programming languages past, haunted by their convoluted syntaxes, buried under the piled layers of virtual scaffolding that supported their unfathomable intricacy.”
“I inhabited a realm far beneath society’s surface, at the bottom of an ocean populated by abyssal beasts that had to be fed with pain.”
“Such an outburst would turn my brain into a sponge forever dampened by the sticky ooze of regret.”
“Should any child fear to see her loved ones shot with bullets that tear out the insides of human bodies?”
“To shield Nairu from this insanity, we could whisk her away to a deserted tropical island, a sanctuary of natural beauty and blinding sunlight where the air would smell of brine and warm skin, where only birds would speak a language.” The neural network, being a bit of an autist, was quite literal regarding that “whisk” thing.
“Nairu would paint the amber hues of sunset skies on my bare legs.”
“My naked body would be drenched in sweat, and the sand would cling to my ass.” Thank you, anime-based AI.
Merfolk blues.
“A whole pod of dolphin children could join our mafia-run aquatic colony.”
“We’d drag under the waves any human who swam too far from the shore.”
The neural networks’ notion of lava plains on the Moon.
“I’d love to bathe in the dust of millennia.”
“We would launch ourselves down the tubes carved out in the lunar crust by rising liquid rock, slippery slopes that lead all the way down to the center of the world.”

We’re Fucked, Pt. 77 (Fiction)


Nairu has gotten stuck in a dopamine-driven feedback loop, hypnotized by the promise of controlled danger. As she stands on top of the play tower, the streetlamps bathe her in yellow ochre light and shade her features with stark shadows. She lowers herself to the slide and compresses her butt cheeks against the cold metal, then she submits her fate to the interaction of gravity and friction, which bring her in contact with the rubber tarmac. Our girl jumps to her feet and runs to the climbing wall while the white ghosts of her breath pursue her. She leaps to the top of the play tower like a mountain lion.

Our adopted daughter is careening down the slippery metallic surface when the soles of her leather boots squeak. Her legs fold, and she bounces off the slide in a burst of velocity. She sails through the air as if riding the crest of a rollercoaster. Her body plows belly first into the rubber tarmac, which squeezes a yelp out of her lungs.

My heart palpitates in alarm as a wave of dread rolls through me. Nairu lies spread-eagled on a dirty, spongy surface that has absorbed, helped by rainwater, the grime of hundreds of soles and dog paw pads. I witness in a flash the splatter of blood and grey matter that the impact spurted out of our girl’s shattered skull, which remains tethered to the spine by a thin strip of skin. Jacqueline drops to her knees, takes the broken head by its hair, and cradles it against her breasts.

Her ashen face is frozen in a grimace as she glowers at me.

“We failed. We are unfit to be parents. It’s all your fault.”

My muscles twitch in spastic panic. Jacqueline has rushed to Nairu’s aid, but our adopted daughter pushes herself to her knees. She spits dust. My girlfriend was about to kneel beside her when Nairu scrambles to her feet.

“Quite the dramatic fall, darling,” Jacqueline says warmly. “Thankfully you’re fine.”

She brushes dirt off Nairu’s chocolate-stained sweater. The child grins up at her adoptive mother, then giggles and scampers away towards the climbing wall, as if to reclaim her place atop the play tower.

My heart sinks back to my chest. The pilomotor reflex shuts down; slowly, the tiny hairs on my arms go limp. Jacqueline approaches me, strokes my neck and leans in to kiss my hairline.

“Is that how we lived as children?” I ask hoarsely. “After some potentially devastating mishap, we just sprung to our feet and kept playing, instead of remaining traumatized for years?”

Jacqueline sighs, blowing a plume of vapor.

“I wish I could remember. Don’t they say that the majority of cells in your body get replaced every seven to ten years? Or is that a myth?”

“Maybe we never grew up, we just appear to age to our bodies.”

“I have changed,” she says as her fingers comb through the hair on my nape. “If I were to meet my child self, I wouldn’t recognize her.”

“Well, I’m glad that Nairu can giggle like that. I only laugh anymore as an evolutionary mechanism to prevent me from going insane.”

Did we forget about our adopted daughter? She has climbed the tower and is standing on the edge, maybe waiting to be noticed. The closest streetlamp is bathing her in light, giving her a golden tinge, as if framed against the sunset sky. The shadow cast on her left cheek is inky black.

If I controlled her body, I’d make her step back, but I can barely make myself understood by the Paleolithic child. I walk closer, the same way an onlooker would approach the façade of a building if she had spotted a child leaning over the windowsill on a high floor. I’ve known our adopted daughter for less than a day, but if she were to fall and break her neck, the memory would petrify inside my brain, and for the rest of my life, most of the blood and thoughts would need to flow around the tumorous stone.

“H-hey, Nairu, please be careful. You’re going to end up looking like a modern sloth again.”

I’m paralyzed under the weight of her inscrutable gaze. I feel like I’m the kid and she’s the parent, but then again, I would have perished in hours back at that boreal forest where Nairu lived and played. Why would I pretend to know the right answers, when in my own daydream I let a child slide down a kilometric slide-grater that reduced her to a waxy pile of death?

The corners of Nairu’s mouth curl up in a mischievous smile, as if she had imagined herself slipping a caterpillar into someone’s hand as a prank, and she could barely contain the giggles at the thought of the ensuing freak-out. She grins, then flings her arms out wide, bends her knees and leans forward.

“W-wait, what are you doing?!” I exclaim.

She leaps from the edge towards me like a linebacker hurling himself into a tackle. I hurry to catch her. When the few dozen kilograms of girl body hit my chest, the electricity in my heart crackles, the muscles along my back shudder with strain, and most of my breath rushes out of my lungs.

My vision whitens. I stumble backwards on my wobbly legs while Nairu giggles. One of my heels collides with a raised slab of concrete, and I drop down onto the grass.

When I regain my bearings, I move my toes to make sure that I haven’t cracked my spine. However, I have likely smushed dog shit against the back of my corduroy jacket. Weeds are bending against my ears and the underside of my jaw as their vegetal blades dig into my flesh; some are brushing my earholes while they plan how to conquer my defenseless brain. Our adopted child is pressing down on my chest as she clings to me like a koala.

I lift my head off the ground and take a deep breath of cold air to fill my lungs, but a cough roughens my throat.

“Wh-what’s the big idea, you little hellion?” I ask hoarsely. “You must have shattered my ribcage. Did you want me to know how it feels to breathe through a couple dozen puncture wounds to my lungs?”

Nairu giggles. She snuggles closer, rubbing her warm cheek against my jaw, tickling my neck with her wool scarf. As if the barrier of my skin had been breached, the girl’s softness invades my insides. This stranger from the cold wildlands of the past has bested me with her mysterious guile, making a mockery of thousands of years of language evolution.

My facial muscles relax. I let the back of my head rest on the grass, pressing my hair against mud, anthills, and whole ecosystems of bacteria; it will take less than an hour for those microscopic beasts to crawl in through my scalp, spilling some of my brains’ juice in the process, and begin digesting my scalpels and bone saws. Meanwhile, Nairu burrows deeper into my corduroy jacket. By the time I catch myself, I have snaked an arm around our adopted daughter’s back to hold her in a hug, while my free hand moves through hair that this morning absorbed shampoo and conditioner for the first time, hair soft as a baby bison’s wool. My heartbeat echoes between the bricks of my chest, beating out the rhythm of Nairu’s purring.

I close my eyes. In the isolation of a droning sound in my ears and a darkness tinged with citrine-yellow lamplight, I become a mother who is holding her firstborn child. Beyond the boundaries of our snug embrace, a blizzard swirls up and down, covering our hair in white ice, creating a maelstrom of whirling snowflakes as it sucks up in a frenzy leaves, bits of bark, and twigs. The frozen matter, as well as every form of organic litter, will be taken away by the whirlwind of the snowstorm, swept up into the sky and reincarnated as dust particles.

Nairu and I have begun an evolutionary journey into a stronger species by this act, by her invasion of my world, by our physical and psychic bond. Our bodies now resonate like the soundboard of a Stradivarius, like the vibrating walls of a gargantuan tuning fork.

Blessed be the innocent children! Back when I used to return to my dingy apartment in that border town, I sought interlocutors among my dilapidated sofa, the pile of board games, the washing machine, and my collection of dirty dildos, until I gave up and, curled up in a corner, felt like a piece of rotten meat thrown in a dustbin. My brain itself had long been picked over by scavenging vermin, leaving behind only a bitter and loathsome taste. I dealt with the ghosts of programming languages past, haunted by their convoluted syntaxes, buried under the piled layers of virtual scaffolding that supported their unfathomable intricacy. All of existence had become a black box, and it almost drove me to suicide. I inhabited a realm far beneath society’s surface, at the bottom of an ocean populated by abyssal beasts that had to be fed with pain.

But now I have someone to play with! After learning to distinguish one sound from another, we are all destined to speak, or at least to bark. To my beloved partner I shall bark in French: “Je te mords les couilles!” Words will always be inadequate and inept compared to the wordless truth of music, but if Jacqueline and I teach Nairu Spanish to the extent that she can read the newspapers and understand the newscasters, our adopted daughter will despair at the post-apocalyptic world into which I snatched her. She’ll scream that she has grown sick of our time together, that I’m a horrible human being who should be avoided at all costs, that her lungs are breaking out into plague-riddled boils, and that she wants to return to her forests and her freedom. Such an outburst would turn my brain into a sponge forever dampened by the sticky ooze of regret. After all, should any child fear to see her loved ones shot with bullets that tear out the insides of human bodies? Should any child fear her home being ravaged and bombed out? So we better focus on teaching Nairu how to play board games. With our Paleolithic wonder by my side, I won’t need to depend on the moods of a depressed horse to beat Shadowcluster. And if anyone ever looks at Nairu with ill intent, or ridicules her squinty eyes, I will disembowel that person with a rusty spoon. Their viscera will rot in the dirt for the fleas to feast on.

I’m overwhelmed with an urge to snatch our girl up and flee from civilization. To shield Nairu from this insanity, we could whisk her away to a deserted tropical island, a sanctuary of natural beauty and blinding sunlight where the air would smell of brine and warm skin, where only birds would speak a language. The three of us would watch the clouds roll into giant clumps shaped like breasts. Nairu would paint the amber hues of sunset skies on my bare legs. We’d snuggle up in the sand and listen to the surf while the saltwater washed over our feet. My naked body would be drenched in sweat, and the sand would cling to my ass.

Perhaps I should take up on my old pal Git’s advice and become a family of merfolk. We would spend the days hunting fish in the coral reefs, and at night we would congregate in the clear blue waters to admire the stars. A whole pod of dolphin children could join our mafia-run aquatic colony. We’d drag under the waves any human who swam too far from the shore.

We could travel to the Moon and live on its lava plains. I’d love to bathe in the dust of millennia. We would launch ourselves down the tubes carved out in the lunar crust by rising liquid rock, slippery slopes that lead all the way down to the center of the world.


Author’s note: the two songs for today are “Oxford Comma” and “The Kids Don’t Stand a Chance”, both by Vampire Weekend.

I keep a playlist of the all the songs mentioned throughout this novel (seventy-nine so far): check it out.

Leire attempted to play the board game Renegade with a somewhat sentient horse back in chapter 20. Also, she sought counsel from an anthropomorphized open source software for distributed version control back in chapter 44; Git recommended that she should transform herself into a sea creature.

I promised to throw scraps at my pair of pet neural networks if they digested my prompts and vomited out fucktons of images related to this chapter. Check them out!

This chapter is just half of what I intended to include to conclude the current sequence. However, these last 2-3 weeks have been a nightmare at the office; I’ve felt more mentally unstable than in the previous few months, even unhinged at times. Posting two thousand words of my ongoing novel makes me feel better, so that’s what I’ve managed to do today.

We’re Fucked, Pt. 76: AI-generated images

Two neural networks, one of them trained on anime, teamed up to depict moments from chapter 76 of my ongoing novel We’re Fucked. It’s a good thing that I keep such talented artificial intelligences busy; they may otherwise figure out how to open portals to other universes, and who knows what kind of nonsense might walk out from the other side?

You can check out all the entries I’ve posted with generated images through this link.

Play towers way fancier (and more dangerous) than the real one.
This is a powerful composition, but why is Nairu only wearing panties?
“The girl, turned into a watchtower lookout, surveys her surroundings.”
“Cross a suspension bridge.”
“Lose myself in mazes made of netting and padded walls.”
“I dared to examine my face in the stark light of a bathroom mirror, only to remember that my skin is marred with scars and pockmarks.”
“Did I become depraved because I was deprived of a girl’s dreams?”
“Hesitating like a dog that considers jumping into the pond where its owner has thrown a stick.”
“My girlfriend squats down, which causes the flesh contained by her cinder-colored tights to bulge like a fruit about to be squeezed out of its juice.” Not much squatting going on, but I won’t complain.
“I picture a child, the size of a sack of potatoes, throwing herself down the slippery surface of a kilometric slide.” Anime AI imagined some kind of sport that involves a sack of potatoes.
Horrid stuff.
“Her tears fall like raindrops from a starless night sky; they mix with the waterfalls of blood that paint the scene in scarlet hues.”
The aftermath.
“The flood of this vision has carved through the mountains of my brain like an Ice Age outburst of subglacial meltwater.”
“My consciousness keeps cycling back into madness, and I’m having a harder and harder time clambering my way out of that spiral.”
A happy Ice Age child.
“She launches herself into her descent, plunging feetfirst on her back like a luge track’s racing bobsled.”

We’re Fucked, Pt. 76 (Fiction)


Nairu stares up at the vertical, perforated panel of the play tower, a grater-like surface from which protrude pink climbing holds like half-jammed-in butt plugs. Although the metallic panel and the plasticky climbing holds must differ from any rock wall or tree that Nairu may have climbed, she reaches to grab one of the holds, then she pulls herself up. She attempts to climb further, kicking her right leg like a monkey, but her left foot slips. She falls flat on her butt with a thud.

I gasp. This is my fault: if I hadn’t brought her to the present through an invisible portal, she wouldn’t have had to suffer the indignity of landing ass-first on a rubber tarmac. I expect Nairu to start bawling and then increase the decibels exponentially, which is what I would have done, so mommy would rush to her aid and fill her mouth with one of her flesh pacifiers. Instead, Nairu springs to her feet and wipes dirt off her rear end. Her unbreakable confidence that whatever she does, both of her mommies will remain forever by her side to pick up the pieces, must have made all her woes vanish as if they never existed. She squints at the climbing wall with newfound respect.

Our girl stands on her tiptoes to reach a climbing hold, but Jacqueline approaches the child from behind, grabs her by the armpits and lifts her. Nairu, defenseless against the might of an adult, goes limp, until she clings to the closest metallic poles. She places a foot on a climbing hold and steps onto the top of the tower. The girl, turned into a watchtower lookout, surveys her surroundings: the splash of color of the rubber tarmac, the park that spans the hilltop, and the encircling trees, most of which are leafless, but also taller and older by a few decades than Jacqueline’s apartment bulding.

My girlfriend’s show of strength has caused tingles to shoot through my body, with my groin as their neuralgic center.

“Holy damn, Jacqueline,” I say in awe. “You are ground-sloth strong!”

Jacqueline chuckles. She adjusts the collar of her peacoat.

“Am I that strong, or should you eat healthier and exercise with me more often?”

“Likely a combination of those three things.”

“Anyway, I want our doll to experience how it feels like to go down the slide, so she’ll have a better motivation to scale the tower. Don’t you miss playing with this stuff? My parents brought me to indoor playgrounds quite often. I guess they paid by the hour so I could jump in ball pits, cross suspension bridges, slide down plastic pipes, lose myself in mazes made of netting and padded walls… Don’t you wish you could access such equipment as an adult?”

“That sounds enthralling, but my parents never brought me to magical places.”

Jacqueline shoots me a look imbued with pity. I feel as if I dared to examine my face in the stark light of a bathroom mirror, only to remember that my skin is marred with scars and pockmarks.

Coldness spreads in my chest. Did I become depraved because I was deprived of a girl’s dreams?

I avert my gaze, in case my eyes reveal the misery lurking within.

“Don’t look at me like that, please. I wasn’t one of those latchkey children, although I stole food from stores, and hocked jewelry and clothes. I worked as an assistant for a black market doctor and a bootlegger, until one day I fell in love with a nobleman’s daughter. All in the past, though. I’ve had lots of fun with you, Jacqueline.”

“We sure have.”

Nairu utters a garbled string of nonsense syllables. She’s standing at the top of the slide, hunched over and eager to put herself at the mercy of the playground equipment that may butcher her, but hesitating like a dog that considers jumping into the pond where its owner has thrown a stick.

Jacqueline and I walk up to the slide. After she signals for our adopted daughter to pay attention, my girlfriend squats down, which causes the flesh contained by her cinder-colored tights to bulge like a fruit about to be squeezed out of its juice.

“It’s easy, Nairu,” Jacqueline says. “Lower your butt to the slide, then…” She thrusts her waist forward. “Let yourself go.”

I picture a child, the size of a sack of potatoes, throwing herself down the slippery surface of a kilometric slide, but as she accelerates, she remains unaware that further down the metallic slide turns into a grater. Its sharp-edged grating slots gleam in the moonlight as they anticipate snagging the child’s skin and shredding her flesh. When the slide’s grater takes the first bite, the child screams and screeches. She hugs the side of the slide, but the metallic teeth dig deeper and deeper into her flesh, which bubbles under the strain. Her tears fall like raindrops from a starless night sky; they mix with the waterfalls of blood that paint the scene in scarlet hues. Her heart sputters and shuts down.

The chewed corpse lands on the rubber tarmac with a thump, like a sandwich dropping to the pick-up port of a vending machine. Her mother rushes over, only to discover that her child has become a flayed-pork carcass. The father rushes in too late: the dismemberment and devouring of his child’s remains has begun.

A cold shiver runs down my spine. The flood of this vision has carved through the mountains of my brain like an Ice Age outburst of subglacial meltwater. I’m bracing myself for more devastation, for more blood-soaked trauma. My consciousness keeps cycling back into madness, and I’m having a harder and harder time clambering my way out of that spiral. Will one day my nerves burn so violently that I’ll beg my girlfriend to push me off a cliff?

I unclench my teeth, then rub my eyes as my heart calms down. The slide squeaks; Nairu is sliding down the smooth metal at breakneck speed. She braces herself for landing, and at the end of the ride, she bounces on her feet and wiggles her arms in wild excitement. Our girl shrieks with laughter.

Jacqueline claps.

“Good job, darling!”

“She loved it,” I say, relieved. “And kept her flesh intact.”

Nairu bounds to the climbing wall. Once she faces it, she jumps and clutches a climbing hold that protrudes halfway up. She swings her legs and pulls herself up to reach the next hold, again and again until she summits the play tower.

Nairu straightens her back and shows off a triumphant smile. A giggle bursts from her lips along with puffs of white mist. She hurries to sit down on the flat part of the slide, and as she crows with delight, she launches herself into her descent, plunging feetfirst on her back like a luge track’s racing bobsled.


Author’s note: the two songs for today are “Don’t Lie” by Vampire Weekend, and “Rambling Man” by Laura Marling.

I keep a playlist with all the songs mentioned throughout this novel. Seventy-seven songs so far. Here’s the link.

Hey, do you know that neural networks can generate quite competent images? Check out some inspired by this chapter by clicking this link. I’ve already posted twenty-two such entries, which you can check out through this link.

Leire’s sickly daydream feels right now like the most harrowing in a while, perhaps because it involves a child. But hey, if I have to endure intrusive daydreams, so should you; it’s not like anybody forces you to read this shit. Poor Nairu, though: of all the people that could have visited the Ice Age through an invisible portal, she had to end up with my protagonist.

The current sequence had already become the longest in the novel. Once I realized that Jacqueline, Leire and Nairu would spend at least four chapters in this park, it became clear that I could split the sequence into two. The previous sequence, titled “A Hail of Meteorites Upon Our Heads,” ended back in chapter 73. The current sequence is titled “Who Stole the Stars?” You can check out all the chapters of this novel through this link.

We’re Fucked, Pt. 75: AI-generated images

If I were to travel back in time to meet my child self and told him that in the future, an artificial intelligence would generate images of whatever nonsense crossed my mind, my child self would ask, “Then why are you still miserable?” I would be rendered speechless, then I would punch my kid self in the face for being impertinent.

This time I have also enlisted the help of a newborn neural network trained exclusively on anime. Bring forth horrors beyond comprehension!

The following images are related to chapter 75 of my charmingly-named, ongoing novel We’re Fucked.

“The child born thousands of years ago is prancing on the asphalt footpath.”
“She may as well be wearing her leather tunic the way she’s bopping and swaying to the long-lost song she’s humming, making her twin loose braids bounce and the tail of her scarf flop around.”
Anime version of the previous image.
Possible extinct megafauna.
Some extinct giant tapirs.
Mutant sabre-toothed tigers.
Rhinoceroses that may or not be vampires.
“A phantom of catastrophes that may come again.”
Same as previous prompt, but anime version.
“Cast shadows on the grass and across the path form a labyrinthine maze.” This isn’t what I meant, but cool images nonetheless.
A radioactive tree.
“Twin human-sized contraptions depict the structure of the atom; metallic hula hoops represent the orbitals of the electrons, but the nucleus is missing.”
Recklessly unsafe play towers.
“Smiles must have been a universal currency even back in frigid times.”
Same as previous prompt, but plain anime style.
Delinquents and cherry bombs.
Dragons that spit poison.
Colorful rubber tarmacs.
“The builders have created surfaces for the two inclined orbitals by attaching sturdy nylon nets.”
“Our adopted daughter exercises her monkey nature by balancing herself on the netting and by swinging like a pendulum between the orbital rings.”
The queen of debasement herself, plus anime versions.
“Just how many luxuries have you been able to afford through your debauchery?!”
“She must have knocked at a fissure in my porcelain-ice psyche.”
Curious anime depiction of the previous image.
“That goddess consumes my maladaptive vulnerabilities with the sheer exuberance of those tits.”
Oh no.
“That mouth of yours looks like it was made to eat bonbons.”
Anime AI’s invaluable contribution to this prompt.
“I want to sneak along Jacqueline’s inner thighs and climb through to enter her honey labyrinth headfirst.”
The previous prompt, interpreted by anime AI’s hornier self.
“I would like us to make love in a hive and then emerge with thousands of childish faces crawling all over my body.”
Questionable interpretations of the previous prompt by the anime-based neural network.
“What I will do tonight is hold you in my arms and entwine my legs with yours.”
Anime variation of the previous prompt.
“Only the most rudimentary notions are rising from the dark matter inside my cranium.”
Anime AI’s interpretation of the previous prompt. Different, but nice.
“Silvanus was the Roman god of the woodlands and fields.”
“The child’s scarf unwinds further, covering her face like a funeral shroud.”
Keep little Sylvie away from ovens, just in case.
Same, but no Sylvie in the picture. Thank you, anime-based artificial intelligence.
“Her birth was celebrated with a drumming ritual during which the proud parents slapped each other’s faces with dead birds.”

We’re Fucked, Pt. 75 (Fiction)


Ahead of Jacqueline and I, the child born thousands of years ago is prancing on the asphalt footpath. My girlfriend chose and bought a modern costume for our girl: mid-calf leather boots, skinny pants, a wool sweater, and a lemonade-pink scarf. However, she may as well be wearing her leather tunic the way she’s bopping and swaying to the long-lost song she’s humming, making her twin loose braids bounce and the tail of her scarf flop around. Maybe she’s mimicking the beastly gait or mating dance of one of the many species, like the giant tapir, the woolly rhinoceros and the saber-toothed tiger, that were blown apart by superbolides, drowned in the floods, were buried under tons of mud and ripped-out trees, had their DNA cooked and mutated, starved after their food sources vanished, turned into vampires through a bite from some vampire-creature, or froze to death during the roughly 1,300 years-long plunge into glacial conditions. A phantom of catastrophes that may come again.

We crest the hill. The path turns on level ground, leading towards a playground and its recreational equipment, which gleams silver in the moonlight. Twin human-sized contraptions depict the structure of the atom; metallic hula hoops represent the orbitals of the electrons, but the nucleus is missing. Beyond that equipment, a play tower is constituted of four poles, a slide, and a perforated vertical panel that resembles a grater.

In a grassy area adjoined to the playground, a venerable tree’s trunk is as wide as an obese person’s waist, but it supports a humongous, leafy canopy that resembles a mushroom cloud. The breeze is bullying its leaves around as their cast shadows on the grass and across the path form a labyrinthine maze. Maybe the tree is several hundred years old. Perhaps it was a sapling during the Ice Age, and then survived the heat of the cataclysm, outlasted soaring flood waters and the twitches of volcanos, in pursuit to yield fronds of fine lace. But who would place a playground next to a radioactive tree?

Our child gawks at the playground equipment. As she wriggles with excitement, she jabs her index finger at the metallic hula hoops and utters a few words that suggest that she’s begging for permission to play. I doubt that the girl has caught on yet that nodding means yes, but smiles must have been a universal currency even back in frigid times, because as soon as Jacqueline shows off her pearly whites, our dainty lambkin darts ahead to the playground. Her twin braids sway in rhythm with her confident strides, those of someone unable to conjure up dangers more metaphysical than delinquents throwing cherry bombs, or dragons that spit poison.

When the child steps onto the rubber tarmac, its springy nature distracts her. She looks the surface over, which is painted in three distinct wavy shapes, red, green, and blue. Squandering this much paint in coloring a floor must be a sign of high civilization.

Our girl forgets about the tarmac, and leaps onto the closest atom-like structure. From up close I realize that the builders have created surfaces for the two inclined orbitals by attaching sturdy nylon nets. I wouldn’t know how to play with this equipment, but our adopted daughter exercises her monkey nature by balancing herself on the netting and by swinging like a pendulum between the orbital rings. Although the metallic hula hoops must be hand-burning cold in this November night, the child clutches on to the top of the vertical orbital and pulls herself up while giggling.

I sense a presence to my left. I find myself staring at the most ravishing woman of the Holocene, who looks back at me with a pair of gleaming cobalt-blue eyes. Jacqueline’s face is tinted peach orange in the lamplight, fitting for the succulent fruit whose juice sweetens my life. Her raven-black hair shimmers with dark cerulean highlights. Her nose, the cupid’s bow of her upper lip and the fullness of her lower one are shading the right half of her face. Her long eyelashes flutter, then the corners of her mouth rise in an affectionate smile.

In front of such beauty, I feel like a cockroach. Yet, I speak.

“Not going to lie, Jacqueline: this playground is kind of shit.”

She breathes out through her mouth, which forms a white cloud, then she laughs.

“You silly idiot. I brought you here because of the trees! The playground at the end of the street is far better, and it offers a lovely panorama of the outskirts of our city.”

“Just how many luxuries have you been able to afford through your debauchery?!”

Jacqueline closes her eyes and giggles as her shoulders tremble. When she pulls herself together, she cocks her head at me and smirks.

“Hey, do you think that I invest all the money I make at work in a retirement fund? Every little bit contributes to provide a safe life away from the tumult. I’ve always loved peace and quiet. Did I tell you that I used to dream of buying land in one of the many hills further into the province, large and green enough to grow crops and raise animals? Wouldn’t you have loved to grow up in such a place? Once I got used to the notion that I would never have children, I gave up on that dream, but… look at us now. Haven’t I won the lottery with you, baby?”

A shiver runs down my spine; she must have knocked at a fissure in my porcelain-ice psyche. My neck trembles, and I consider averting my gaze before the warmth gathered behind my eyes escapes through my lacrimal glands in liquid form.

Jacqueline drapes an arm around my shoulders, pulls me closer and rests her head on mine. I swallow saliva to loosen my throat, but my voice comes out thin.

“I’m tempted to assert that my company is like contracting a plague.”

“I know you think so, honey.”

The warmth that emanates from her body, as well as her hair brushing my face, takes me back to the nights that I have spent under Jacqueline’s sheets, nestled between the ample globes of her bosom. That goddess consumes my maladaptive vulnerabilities with the sheer exuberance of those tits. Hasn’t the temperature kept dropping since we got out of her Audi? I want to finger myself under a blanket.

Our child is draped face down over the top of the vertical orbital, balancing herself while she expels puffs of vapour that rise around her head.

My eyelids are growing heavier, my brain turning into a sponge. A big yawn overwhelms me, and Jacqueline copies it.

“Careful,” she says in a sleepy voice, “you are going to unhinge your jaw if you open your mouth that wide.”

“My jaw will never go unhinged. It’s the only sane part of me.”

Jacqueline snorts. She touches my lower lip with the tip of her index finger.

“And that mouth of yours looks like it was made to eat bonbons.”

She giggles at her own words, although the pastry-adjacent reference has brought up recent trauma. She lowers that hand to mine and interlaces our fingers. The breeze has chilled the back of my left hand, but its palm and fingers now feel snug in Jacqueline’s grasp.

I want to sneak along Jacqueline’s inner thighs and climb through to enter her honey labyrinth headfirst. What delicious feelings would tighten around my nape.

“You are a queen bee, Jacqueline,” I say to my sublime beloved.

“Then you should be a ladybug.”

I want to scoff at such notion, but I sigh instead. If Jacqueline were to study every detail of my skin, apart from dirt and grime and insect bites, she would recognize the traces of sunburns and countless bruises. The lines and furrows are engraved there by decades of sadness; the blue-gray discoloration is due to postorgasmic trauma after determined self-diddling.

“I’m not the least bit ladylike. In fact, I’m feeling more like a slug right now. But I would like us to make love in a hive and then emerge with thousands of childish faces crawling all over my body.”

“I… need some time to process that imagery.”

“I devoured a decade’s worth of pastries, so I’m afraid that I won’t be able to have sex tonight. I’m going to pass out as soon as I lie down. However, you can take advantage of my unconscious self however you see fit.”

“Oh, don’t tell me that, darling, because I will take you up on the offer.”

“Give me a stamp and I’ll make it official.”

Jacqueline turns to me and lifts my chin with her free hand. Her cobalt-blues leer at me through their eyelashes while her warm breath caresses my lips. It smells faintly of sugar and jam.

“What I will do tonight is hold you in my arms and entwine my legs with yours. Soon enough you’ll start drooling and snoring against my neck.”

My blood grows hotter. After I close my eyes, the lustful urge becomes a comforting lullaby, a hymn for my heart to sing while the blood pours through my body.

“Yeah, squeeze your tits against my comparatively puny ones until I can barely breathe,” I say in a weak voice. “That’s the optimal state of this world.”

Our child squeals with joy. How can anybody distil so much fun out of a misguided representation of an atom, one that was turned into playground equipment?

A gentle breeze brings the scent of damp leaves, and flutters my hair.

“Isn’t it such a nasty thing to do to someone, Jacqueline,” I say, “to present them with a child from a Paleolithic forest for whom they are responsible, at least until she turns eighteen? All the baggage, rules, duties, chores, sexual hangups, eating disorders and seclusion-seeking behaviors, without anyone asking if you’re ready for that kind of commitment.”

I melt into the sound of her chuckles. She rests her forehead against my temple, then she nuzzles my ear.

“Oh, I’m not mad,” she whispers. “Not at all. But don’t you think it’s about time we name our daughter?”

Jacqueline’s half-lidded eyes are sparkling, and the warmth in her smile suggests that she would push me out of the way of an incoming truck even if it would flatten her instead. My knees weaken and my heartbeat quickens. Now that we have a daughter, our relationship has become more serious.

“I-I suppose that any child would have a hard time growing up if her parents can’t be bothered to name her. Why don’t we just call her Child? Capitalize it, pretend it’s a name.”

Jacqueline giggles, then shakes her head.

“Leire, we can’t do that!”

“Why not? We’ll always know we are referring to her. We don’t have more children running around.”

“Do you think we’ll keep her cooped up in the apartment forever? What if other people find out that this child that somehow belongs to us is called Child? We would get a visit from Child Services in no time!”

My mind has devolved, and I barely discern solid thoughts in the fog. I rub my temples.

“Sorry. Only the most rudimentary notions are rising from the dark matter inside my cranium.”

Jacqueline squeezes my hand.

“That’s alright, darling. Coming to the park after the day you’ve had was asking a lot of you.”

“So our girl needs a proper name, but what kind would fit a prehistoric painter?”

“This morning I’ve been researching names on the phone, and I think I’ve come across a good one.”

“Great, because my brain would love to settle for nonsensical ones. But please, no clichés. I wouldn’t be able to handle that.”

“‘Alicia’ goes out of the window, then?”

“Unless you want me to vomit. Besides, we’d have to give her the full-on hippie treatment. She’d wear a flower crown and a headband made of wheat stalks.”

“What do you thing about ‘Leire’?”

“Too common. Also, that’s my name.”

“Then how about ‘Sylvie’? It seems to originate from the Latin word for forest. And Silvanus was the Roman god of the woodlands and fields. Wouldn’t it be an appropriate name for our forest fae?”

“Oh, I love it!”

“I thought you would. Let’s announce it to the recipient.”

We step onto the rubber tarmac to approach our girl, who’s dangling upside down from the top of the vertical orbital. Her eyes are shining like glassy marbles, maybe a combination of the blood pooling in her head and the cold breeze, that is also whipping her hanging twin braids.

When the child notices us, her expression turns attentive; a moment ago she was a cat pawing at a mouse toy, but now she has found herself the target of the whims of two of those bipedal giants that although they feed her and keep her warm, still frighten her with their size, and one day might flip out and stomp her to death. However, the child’s scarf unwinds further, covering her face like a funeral shroud. Both of her hands are busy; she shakes her head and lets out noises of frustration that resemble those of a dog having a fit while being teased with a rolled-up newspaper. She ends up clambering down from the metallic orbital. With her legs splayed, she perches herself on the netting and gazes at us.

“Hey, little one,” Jacqueline says as she stands in front of our child so that the words will reach her directly, echoing through her mind. “Your other mommy and I have decided to take care of you forever and ever, so we will give you a name: it’s Sylvie.”

“We’ll also keep you away from ovens,” I say, “just in case.”

The girl tilts her head sideways.

“Now, how will I make you understand…” Jacqueline wonders. “Oh, I know.” She perks up and points at herself. “Jacqueline.” She points at me, which causes a burst of warmth to flow down to my groin. “Leire.” She points at our adopted daughter. “Sylvie.”

The girl furrows her brow and squints, then her mouth opens in disbelief. She utters a word soup full of vowel sounds and gurgling consonants, but the tone alone spells out her disapproval.

“She hates it,” Jacqueline says, crestfallen.

I put a hand on her shoulder.

“The name is good.”

Our child speaks in a loud, dollish voice.

“Nairu!”

Jacqueline and I exchange a look. When we stare back at the girl, she’s smiling as if our confusion amused her.

She points at Jacqueline. “Akedin.” She points at me. “Eide.” She points at herself. “Nairu!”

Jacqueline has blushed, but I shake my head at our girl.

“What the hell, child of the woods? Back at the cursed patisserie, I taught you that whole thing of pointing at yourself to share your name, but the two words you uttered to call yourself didn’t sound anything like ‘Nairu’! And why do you keep calling me Eide although you can pronounce the R of the name you gave yourself?”

An impish grin widens across Nairu’s face. She clutches the top of the diagonal orbitals, installed at both sides of her body, and she swings back and forth while giggling like a loon.

I sigh. Our adopted child was born during the Ice Age; for all we know, her birth was celebrated with a drumming ritual during which the proud parents slapped each other’s faces with dead birds, then they danced and beat their backsides to an inhumane rhythm, thus bestowing upon the infant a life of madness, a love of the absurd, and a hatred toward civilization. So I guess ‘Nairu’ fits this girl just fine.

“She may be trying to pull a fast one on us, and that word means ‘booger’ in her ancient language. In that case she played herself, because we will honor her choice. Won’t we, mommy?”

Jacqueline’s shoulders droop. She shoots me an awkward smile.

“Well, there goes my research.”

I walk up to the playground equipment, then I reach to wrap the tail of our daughter’s scarf around her neck.

“Welcome to our deranged little family, Nairu.”

Her face breaks into a joyous smile. She claps her hands and chortles.

The corners of my mouth are fighting against my self-control to curl into a smile. This child is the most endearing little creature that I’ve ever met. I want to slide through her pupils until I reach the back of her brain, where I’d dissolve and become an indistinguishable part of her soul.

How would it be to exist as someone who can hoot with laughter like that? How does it feel to live a life that lacks a looming black cloud hanging over it?


Author’s note: the two songs for today are “I Found a Reason” by The Velvet Underground, and “Perfect Day” by Lou Reed.

I keep a playlist with all the songs mentioned so far throughout this novel: this is the link.

A genius neural network (old pal of mine), one that has generated plenty of images based on moments from my novel, teamed up with a newborn AI trained on anime to render images from the current chapter: follow this link.

Although it may seem otherwise, this chapter still hasn’t finished the current sequence. I clearly have no clue when it comes to figuring out how many words rendering a bunch of notes is going to take: I originally believed that this story, which is already about 180,000 words long, would be a novella. I’m likely the only person on earth that cares about this, though.

Perhaps three months ago I enjoyed a two weeks-long break from my office job. One of the (very few) special tasks I managed to complete was visiting the park depicted in the current sequence (as well as the previous patisserie). I walked around and took some photos until I had a good notion of how being present there felt like, something you can’t properly garner through photos and videos, unfortunately.

Another thing that writing does, at least for people whose brains work as weirdly as mine, is create memories that feel stronger and more meaningful than those of stuff you’ve actually lived through. So now that park in the hills of Donostia will forever be for me the place where I had a good time as Leire, Jacqueline and their little nugget. I also retain many bittersweet memories of the events depicted in my previous novel. Does this phenomenon happen to people other than writers?

Revised: Our Spot Behind the World

I wrote this short story back in July of last year, in a single day, if I remember correctly. Back then I took pride in starting a text and uploading it by the end of the day; nowadays, particularly when it involves writing my current novel, I revise the text until I can’t think of anything to change. I have become hardcore like that.

I remembered the aforementioned short story from last year fondly; I consider it one of the best I’ve written in the last couple of years. However, when I reread it a few days ago, I found it in an appalling state: the text was chock-full of redundancies, awkward writing and broken English. In general, an embarrassing mess. I apologize to everyone who read it back in the day.

I’m working afternoons this week. I have decided to spend a few hours revising the short story to a state that at least today feels good enough, and that doesn’t make me groan in despair. It managed to make me tear up a bit, so the emotional core remains there. However, if you find any mistake and you care enough about the matter, please tell me.

Whenever I thought about this story, The Clientele’s beautiful song “K” more often than not played in my mind. That’s the song I always associate, incidentally, to my favorite manga series ever, Inio Asano’s Oyasumi Punpun.

Bottom line: if you enjoyed this story back in the day, you should read it again through the link down below. If you have no clue what story I’m talking about, I’m presenting to you 4,667 words of a new self-contained story that doesn’t contain any of my usual silliness and nonsense. Just read it.

Link here: Our Spot Behind the World.