Odes to My Triceratops, Pt. 2 (Poetry)


Claire got a little lonely on the night of September 20th, 2007, when a letter written by her mother on a yellow post-it jumped out of her mailbox onto the lawn, causing Claire to run out of her house without her shoes on. As mentioned, the letter was from her mother, Mary, who had accidentally fallen down a well years ago. However, she was now standing in Claire’s lawn. The girl was the only person that could see her mother. Mary had planned for her daughter to die a slow, painful death. She shot a bullet into Claire’s heart, but the heart was already broken, which caused the bullet to break instead.

Nobody would help Claire, so she decided to get a rifle, a bow and arrows, and a dildo. She ended up having sex with her rifle, then killing a turtle she was hunting with her dildo, after she failed to kill a variety of small animals.

Claire never revealed that the yellow post-it said that her parents would try to join her in Hell. When she read that, she immediately ran back home to get her sledgehammer. She was greeted by her deceased father and mother, who were holding hands. Claire wanted to smash their heads together, but then William knocked on her door. He invited her to come along with the triceratops to a party at their home.

“Plan For a Renegade” by William Griffin

First things first, I wanna talk to you about
Things like war, motherhood, fatherhood, and fatherhood.
Anyway, there’s only a verse about my friend.
See, Lorenzo has a mission that his parents planned:
Gotta shoot a renegade deinonychus, he’s a chupacabra.
Hell’s Gate-a-ray, his parents are sending him down to hell.

“Okay, this is going to sound too crazy.
Hell’s Gate-a-ray, ole-yeter. Uh-unh.”
Lorenzo asks, “What was that, Gramps?”
“Shut up, you son-of-a-gun. Next, I’m tellin’ you the truth,
We’re gonna build a missile out of your heart, ’cause, um,
You, uh, you ain’t, uh, been an angel, but, you know,
You’ll repent and, uh, uh, don’t let the devil tempt you, boy.
An old fart like me, I know.”

“Strings and Gunpowder” by William Griffin

Grab your guitar!
Grab your gun!
Grab your life
And have fun!

Wake up at night and sing a song
Under your friend’s bedroom window.
Hey, Lorenzo! Lorenzo!
Plan to sleep all night long?
(“Shut up, asshole!”)

Yeah! It’s good to be back!
It’s good to be back!
La-la-la-lee
La-la-la-way,
Yay-eh!

Put your fingers on the strings,
Put a bullet in the chamber.
Boom boom boom!
Bang bang bang!
Hit ’em right in the heart!

“Prehistoric Punk” by William Griffin

Lorenzo is one ugly son-of-a-bitch.
His eyeballs are poison green.
With those claws, scales, and horns,
He’s like the truest form of punk.

Lorenzo the triceratops
Carries a tiny soul inside his skull.
That goddamn freak walks around
Like he could topple city blocks.

He’s got the guts of a machine gun,
And a portal to hell inside his throat.

Sing something, Lorenzo!

Rawr, rawr, ra-rawr!
Grr, grr, gr-grawr!
Rooo, rooo, ra-ra-roo!
Rawr, RAWR, RAAAAWR!

“Crap” by William Griffin

This crap is mine, and I am proud.
I’m gonna keep on singing, singing, singing.
I’m gonna keep on singing my crappy song,
And nobody can stop me.

It’s my own little song
That I’ve made myself,
And I’ll sing it any day
If I’m not getting beat up.

I’m gonna keep on singing, singing, singing.
I’m gonna keep on singing my crappy song.
I will sing forever and ever and ever,
Or until the day I die.

“Cruisin’ While Horny” by William Griffin

My friend Lorenzo is a triceratops
With a portal to hell inside his throat.
He would drive around for hours on end,
Trying to find some chicks.
Where did you get that car?
I don’t even have one.

What the hell are you doing, Lorenzo?
What the hell are you doing, Lorenzo?

Every day he’s doing this.
Dude, I’m worried about him.
This whole thing is getting out of hand.
When I told Lorenzo I was scared for him,
He shrugged his shoulders and said, “My bad.”

“Lorenzo 2.0” by William Griffin

Lorenzo the triceratops from space,
Born and raised in a cave.
His parents named him “the Obliterator,”
For that’s what he does best,
But they called him “Lorenzo” for short.

He’s not your average triceratops:
He doesn’t eat plants.
He eats the souls of the dead.

Lorenzo: update version 2.0.
New features include:
More soul-eating capacity.
Greater evil force.
Dark matter bazooka.
Enhanced chupacabras.
Fixes include:
Fixed flaming diarrhea bug.

Dating’s not his strong suit, though.
When Lorenzo dated that allosaurus,
He lost his mind and had to leave.
A relationship doomed from the start.

Lorenzo’s not afraid of anything.
When he heard the allosaurus was after him,
He said, “Bring that bitch over here!
I’ll smash her skull with a crowbar!”

“Father God” by William Griffin

My mom’s the sweetest flower,
But she married a prick.
Mom and stepdad drink together.
The whiskey flows through their veins
While they sing old songs
About suffering and death.

Father God
Looks down upon us.
His teeth are knives.
His heart is cold.
He kicks the poor,
And breaks the sick.
His feet stink,
So does his dick.

Fuck that big asshole up in the sky
Who wants us to love our father,
My dead dad’s replacement,
Who’s so generous with his fists.

Are you proud of what you’ve done?

“Cancer and Virgins” by William Griffin

Our souls are connected
To our bones and our flesh,
But to me Claire could only exist
On the surface.

Lorenzo is half metal
And half stone.
He’s like a newly launched gunship.
On the inside we’re alike:
Cancer and virgins.

But because he is a killer,
Lorenzo is a strange boy.

My sister has an iron fist,
And keeps screaming in envy.
We’re more the same than we are different.

I hate to touch a hand that’s metallic,
She hates to kiss a mouth that’s metal.
But deep down we’re the same:
We are born to murder.

“The Hair on Her Arms” by William Griffin

Claire, I love the way you cry,
And the tears that fill your eyes.

Every time you get close to me, I feel warm.
I dream about the hair on your arms.

You two are my best friends:
Lorenzo and Claire,
A triceratops and a blind girl.
My inspiration for most songs I write.

In these mountains, everything is cold.
What was left behind has turned to dust.
I find myself walking around town in the dark,
Just to know that I’m alive.

* * *

Although the relationship between the trio of friends was becoming strained, Claire and William grew closer to the extent that he eagerly transcribed the poems to which she gave birth.

* * *

“To Old America” by Claire Javernick

This boy can keep me up to date
And help me fix what’s wrong.
I’ll take him to old America.
He’ll show me the way.

This boy can keep me up to date.
His face speaks of new understanding,
And it’s my spirit that he surrounds.
I think I could live in his love.

“Supernova Snack” by William Griffin

If I got hungry in the forest, Claire,
Would ya give me some of your blood?
If I fell in the river and got drenched,
Would ya lick me dry?

You’ve got an ass that could put out the flames
Of a raging forest fire.
(By which I mean your ass is very nice.)

Claire, you’re a fucking snack!
Everything you say makes me hard.
What should I do, girl?
Should I stick my nose in your arm, or what?

The only thing better than dying in battle
Is to get blown up by a meteor,
Or eaten by a carnosaur,
Then get fucked by you.

Claire, if you’re hungry,
Eat my eyes.
If you’re cold,
Light my bones on fire.

The stars will go out,
The planets break apart,
But for now, I’ll be feasting
On my supernova snack.

“Marmalade Sun” by William Griffin

A bird is building a nest in my mind.
Butterflies flutter around in my mouth.
There’s something living in my nose.

(You know those bioluminescent creatures that live in the black depths?
That’s what I have swimming in my guts.)

You and I, my ginger beam,
We were born from dinosaur blood
And that marmalade sun.

My head is round and rounder.
I don’t eat, I live on laughter.
No matter what, we’re going to die,
So we might as well enjoy the ride.

“Eyes Closed” by William Griffin

I’ll never forget the first time we met,
‘Cause something in your eyes
Made me want to try to touch your soul.
It’s such a shame how your eyes are always closed.

There’s a place that’s hidden deep inside your soul,
And if you knew the way to find it,
We could be lost in love forever.

When we find that, then we’ll find what’s within,
And everything that we’re searching for
Will come true like the stars in the sky
And the places on the ground.

“Lorenzo, No” by William Griffin

Lorenzo, no.
I could tell you so many things,
But you’re never gonna hear them.

So go back to your cave
And think on life,
And you’ll find it’s so much better
Than what you think.

“Monster With a Hellmouth” by William Griffin

My friend doesn’t just have a hellmouth:
He also has a monster head
Made of chromium steel.

Whenever Lorenzo sings a song,
He sounds terrifying and murderous.
His hellmouth gushes dark smoke
While all sorts of horrors pour out.
(This does happen a lot.)
He’s a monster with a hellmouth;
I don’t know what to tell you.

Lorenzo ain’t afraid of ghosts or leprechauns.
If you run into him in a dark forest,
He’ll impale you on his horns,
And make a wish with your bones.

He’s also very well endowed:
It looks like a bazooka.
His seed comes out of his mouth
While his bazooka throbs.
(I’m not sure what nature intended
With that reproductive system.)

When I close my eyes, I still see it.

“Hold in There, Lorenzo” by William Griffin

Tumble through the cracks of this shithole town.
A boy and his fucking dinosaur.
You wear your horns like crowns
While I just wear my skin.

I see myself in you tonight, Lorenzo.
You’re out in the sun’s fucking bright light.
Drinking time (fuck yeah).
You’re headed for the bottom.

You’re out there eating your dick.
You’re full of shit,
All fucked-up inside.
Your gonads hold the world in place.
You know we’re all going to die.

“Don’t Wanna Be the One” by William Griffin

Just look at how you’ve changed.
You don’t even look like yourself any more.
Clothes are hanging on you,
Your hair is a mess.
It looks like something’s wrong with you.

Lorenzo.

I don’t wanna be the one
To tell you the truth,
But I think that I should be the one
To tell you the truth.
I don’t like the way you’re acting.
Oh Lord, please help me.
So it’s true what they say.

I love you, and I know you care for me.
Just tell me why you always treat me bad.
I can’t stand you any more,
And I really don’t think that it’s fair.

I don’t like the way you’re acting.
Oh Lord, please help me.
So it’s true what they say.

I don’t wanna be the one
To tell you the truth,
But I think that I should be the one
To tell you the truth.

“Odd Paradox” by William Griffin

We’re losing control.
Somehow I have to make it stop.
As far as I’m concerned,
I’ve got myself a stinker.

I’m obsessed,
And nothing I do
Seems to please him.
He feels that I hate him,
And he’s right, so
Could I really blame him?

It’s an odd paradox.
The world’s a funny place.
I guess he’d prefer
If I was killed
Right here and now.

That seems to me
Extremely ungrateful,
But that’s just the way it is.

“The Same as It Is Now” by William Griffin

Don’t shut the portal to hell,
Don’t close the portal to hell.

Don’t be afraid of what I tell you,
Or you’ll end up down that well.
It will be dark and it will be cold,
And it will be you.

No! It’ll be the same as it is now,
Except with a lot of kids singing songs
About things that go boom.

“Into Hell and Out Again” by William Griffin

You, my friend, will disappear into hell,
So throw away your cigarettes,
Your scarlet lady and your tin box,
‘Cause you have a better life ahead.

It’s just the world we live in:
There’s no one to lead us.
The highway’s packed with assholes,
All of them worse than the last.

Forget the girls who betrayed you,
Every lie that brought you pain.
We should sit back and laugh,
For this life will go away.

You, my friend, will have to cross this stream,
Wading in the water with your arms wide open,
Feeling for each stone with your toes.

Throw away your scarlet lady,
And your cigarettes too.
This fucking world’s a garbage dump,
But not your heart, for that is home.

“Afraid of His Dick” by Claire Javernick

Dude, dude,
Try not fuck with him, ’cause he’s a goddamned
Mammoth triceratops
With a portal to hell inside his throat,
And a dick like a spear.

He won’t let you go, and he will follow you
All the way to the end of your life,
But in the meantime he won’t let you die,
‘Cause he knows a lot of stuff about science.

He wears a shell with a god inside.
I swear, he won’t let me die.
He wants to kiss my vagina,
But he hates the taste of petroleum.
When he bites me,
He comes off as murderous,
But I can never alert the authorities,
‘Cause I can’t read nor write,
And that’s just embarrassing.

Dude, can I tell you something?
If I were to kill him,
You could write about the slaughter,
And then we could kiss,
And drink some wine
And eat some tacos
And watch a movie.

“Cretaceous Razor” by Claire Javernick

Somewhere at the end of the black and blue,
A yellow rose falls from the sky.
Lorenzo’s throat is stuffed with joy and hope.
His heart is a lighthouse in the dark.
His love is a fast-flowing fountain of thought.

It’s a hell of a way to live and love,
It’s the difference between life and death,
To know the feeling of a dino’s claws.
He’ll shred you to the size of a cactus.

Some may find the signs of wisdom.
Lorenzo can’t understand anything from them,
But his warm and kind stories
May make you love life more than death.

A razor from the Cretaceous that cuts the sun.
He’ll make your hat more than seven feet tall.
The curve of his horns is erotic.
He’s an angel in the blackest of hells.

“Girl With a Limp” by William Griffin

Lorenzo’s a dinosaur with a triceratops brain.
If you know his liver, then you know his scrotum.
If you don’t know his liver, then you know his scrotum.
Those balls are hard to miss.

If you asked him where he got his good looks,
He’d say, “A vat of acid.”
If you asked him how to get his abs,
He’d say, “Stick a saw blade in your guts.”
If you asked him where he lives,
He’d say, “Under your bed.”
If you asked him how to find true love,
He’d say, “Open the gates of hell!”

If you asked Lorenzo where he was going,
He’d look at you like you had three heads.
If you told him where he was going,
He’d call you a liar.

Lorenzo would get drunk and fuck my girl.
He kicked her while having sex.

She’s a charming sixteen
Going on twenty-four.
Her eyes are milk,
And she walks with a limp.

“No Entiendo” by William Griffin

His name’s Lorenzo. I think it sounds like a brand.
I was just a kid when I first heard the wailing
That howls out from the depths of his throat.

Ay, ay, ay, ay, ay.
Ay, ay, ay, ay, ay.
Ay, ay, ay, ay, ay.

No entiendo!
Hey, no entiendo.
Yo no entiendo.

Lorenzo takes me by the arm.
“Se llama amor, pero no lo entenderías.”
He runs toward our school with a bomb
That blows up the town and my home.

Necesito una sombrilla.
Hoy es luna de sangre!

“Love Thy Tyrannosaurus” by William Griffin

Tyrannosaurus Rex,
Tyrant lizard king.
He runs with his brothers and sisters
Through the thick jungle brush.
He was born under the shadow
Of a thousand lightning bolts.

Love thy tyrannosaurus,
But keep thy distance:
He will kill thee,
And eat thy guts.

He’s just a vicious dude
In a giant reptile suit,
And we’re one and the same.

“When the Fence is Gone” by William Griffin

The actual lady, Claire,
Is in love with the beast.
She’s trapped in his throat,
Bound by a curse.

We’re the sheep that go out to pasture,
The livestock in a fenced field.
You’re the shepherd of a foolish flock,
Feeding on our blood and souls.

I wish I could pretend
That you never existed,
But now I will pretend
That I care for you.
The day will come
When the fence is gone,
And you will be the one
Left all alone.

Beast of the old ways.

“Hell Is This Way” by William Griffin

Oh Lorenzo, what can I say?
I never liked you when we were kids.
You have a face that’s a million years old.

The portal to hell has swung open.

I am Triceratops, and my wife is Spartacus.
Handsome or ugly, what does it matter?
My wife gives her life away for Triceratops.

Hell is this way.
Hell is this way.
Hell is this way, triceratops.

A world far below this one,
Where darkness never ends.

Your blood’s the best of wines.

“Bitter Bites” by William Griffin

And after all the lies he told,
The rocks he threw at me,
That dino got what he deserved.

I saw tears in his eyes.

He will never betray me again,
That bloody demon.

To satisfy a weird urge,
I cut up some of his flesh,
And ate it.
How sick is that.

“The Devil Inside My Throat” by William Griffin

I met this girl who wouldn’t give a fuck.
One day she led me to her bedroom.
Today I couldn’t look her in the eyes,
Even though she’s only ever seen black.

Her scent is a morning in early fall,
And her voice soft and pleasant,
Like a mother who wouldn’t abandon you,
Or a father who would never hurt you.

It’s all gone.

The devil lives inside my throat.
I hear his chortling every night.
Sometimes he burns my clothes.
He also pees on my bed.

Name’s Lorenzo. I’m a triceratops.
I have a portal inside my throat.
When I open it, smoke comes out
From the bowels of hell.

I see the darkness within me.
I’ve always known it was there.

Odes to My Triceratops, Pt. 1 (Poetry)


As the boy’s loved ones feared, on April 8, 2009 the Santa Cruz County Coroner ruled the 17-year-old’s death a suicide. His name, William Griffin, didn’t mean anything yet to the public at large.

On April 16, 2009, at the funeral in Watsonville, William Griffin’s parents Lisa and Ken welcomed two strange new visitors to their family’s life: the creator of Sonic the Hedgehog along with his wife Angela. Many have seen this as a sign of fate, but the Griffins did not. And a few days later, on April 21, 2009, William’s mother Lisa was brutally murdered.

William Griffin lived in a rough inner-city suburb in Grand Rapids, MI. When he was ten he got accidentally sucked into a TV during the sitcom called ‘Garfield’. The episode in question featured a new character, the triceratops named Lorenzo (triceratops being a large, sharp-toothed, three-horned dinosaur). William therefore met not only the major characters of the ‘Garfield’ series, but also the aforementioned triceratops named Lorenzo, who would end up exiting the TV along with the boy and being welcomed into his family. Out of respect for William Griffin’s passing, the episode where Lorenzo the triceratops was introduced didn’t air until about a year after William died.

The surviving family wished to leave behind painful memories, but as they hurried to move, they discovered William’s treasure trove of poems and cassette tapes. William’s step-father Ken made them available to the public. It didn’t take long for the lives of not only Will, but also his neighbor Claire Javernick and William’s best friend, the triceratops named Lorenzo, to come into focus as they were featured in documentaries.

The following texts were composed by a fourteen years old William, some as lyrics for his songs, others as simple poems, or both.

“Lorenzo” by William Griffin

He has a small black mouth
Like a bottom.
His skin is brown
Like a beet.
His horns are round
Like a pepperoni pizza.

He’s just twelve.
He’s just eleven.
He’s just my best friend,
My favorite friend.
He’s just twelve.
He’s just eleven.
But he’s also twelve.

His horns are round
Like a pepperoni pizza,
And they grow in the middle,
And they’re as big as cans.
They’re aching for a fight.

Fuck yeah!

“Lemonade and Willies” by William Griffin

Gather ’round and hear my tale
Of horns, scales, and a tail.
My best pal, he’s a damn dinosaur:
A trike, a tricera-you-know.

Lorenzo is so proud and tall.
He walked by me at the school gate.
He pointed at me and said,
“I am a triceratops. I am so cool!”

A ponopodon is what he found inside his throat.
He swallowed it and out came light.
He gave me another ponopodon and said, “Have a bite!”,
But the ponopodon was horrible,
And it bit me,
And gave me the willies.

“Tricera Troubadour” by William Griffin

Hey, how did that tune go?
Oh, yeah…

Doo doo doo doo,
Doo doo doo,
Do dodo, dododo, dododododo,
Doododo,
Duh, duh, duh

I walk behind Lorenzo in the library,
Where he devours dinosaur books
By chewing them up.
“Come here and have a snack!”

Lorenzo has six letters in his name.
He uses Google to translate Chinese,
And sings every song to the tune of…

Doo doo doo doo,
Doo doo doo,
Do dodo, dododo, dododododo,
Doododo,
Duh, duh, duh (rrrOOOOAAARRrr!)

Tri-tri-tricera-troubadour,
Tri-tri-tricera-too,
(duh, duh, duh)
Tri-tri-troubadour.

“If I find one penny on the floor
And my best pal finds two,
I can share it with him
And we’ll have four!”

“Lorenzo, that’s not how math works!”

“Playground of the Prehistoric” by William Griffin

Remember the Stegosaurus, with those plates and spikes?
Can’t forget the velociraptor.
What about the Brachiosaurus? Imagine how tall it was.
Oh, and the mighty T-rex.
They’re still out there, somewhere.

Lorenzo eats clams and lobsters,
Crocodiles and lions.
He’s eating me to bits.
He’s eating me.

We’ll all slide
down his throat
Into the portal
to hell.

Swing, swing, swing away!
Don’t give a damn what other people say!

Swing, swing, swing away!
(In a playground of the prehistoric)
Don’t give a damn what other people say!
(Out there somewhere)
Swing, swing, swing away!
(Dinosaurs still live)
Don’t give a damn what other people say!
(And play hide-and-seek)

“Dinosaur Carnival” by William Griffin

A dinosaur carnival
Is coming to town!
Who is excited?
I am excited!

The merry-go-round spins
On the backs of ankylosauri.
The roller coaster cars are draped
Upon the necks of brontosauri.
There will be duck-hunting booths,
But I don’t think they use rubber targets.
I hear there’ll be an ice cream stand
Serving frogs and slugs.

Lorenzo is the star attraction,
With his tail, horns and scales,
And the portal to hell inside his throat
Which makes his voice extra loud.

The show’s over.
The carnival is done.
But the dinosaurs remain,
And they are ravenous.

“Claire” by William Griffin

In front of my house
There’s a girl
Who can’t see
What I do.
Her hair is fire.
Her eyes are milk.
She’s as blind as the world.

I bet
She would have liked
To see
The stars.

“Tricera Girl” by William Griffin

Hey, Tricera girl!
You don’t seem mean.
What’s your name?
What’s your age?
How come you exist?

Is that a smile?

That’s a nice tail.
That’s a nice ass.
And that’s the nicest head
In all the land.

My, my, my.
Oh, my Tricera girl,
Where have you been?
My Tricera girl,
How about we go together
To the bakery?

I will help you be happy,
I will help you be brave,
I will help you enjoy
Everything you have.

Tricera-trip, tricera-trops,
Tricera-tricks, tricera-triple flips,
Tricera-tope, tricera-topade,
Come dance with me!

Where have
You been
All my
Life?

“Better Dead Than Blind” by William Griffin

My friend’s name is Lorenzo.
He’s a three-headed triceratops
With a portal to hell inside his throat.

When I’d sit around and play,
I’d play my guitar,
And he’d come over and sit down by me
To hear me sing a song.

My neighbor she is a blind girl,
And she can’t read nor write.
We are just like friends.
We’d sit on her front porch and talk.

While I sat on her front porch and talked,
She said her name was Claire,
And she said her daddy and mommy died,
And she said she’d rather be dead than blind.
Then she went into her house.

I said, what was that?
Then she came out and asked me
If I’d like to go home with her.
I said, what the hell?
I said, what was that?
She said her daddy and mommy died.
She went in and closed her door.

I said, what the hell?
I said, what was that?
She said her daddy and mommy died.
She went in and closed her door,
Closed her door.

“I’m Cactus” by William Griffin

My cactus is fed the fuck up
‘Cause it hasn’t had water all week.
Its body is covered with spines,
So I ain’t gonna go near it
And get my hands stuck full o’ pins.

If I were the official supervisor of this plant,
I’d have to resign.

My cactus is green with yellow stripes,
The same color as the planet Saturn,
But the planet Saturn
Ain’t got no spines.

My cactus doesn’t like to complain,
So it keeps its mouth shut tight.
I’m a prick, a prick, a prickly prick,
For not watering that thing.

I got my hand stuck in the cactus again.
Ow, damn it! It hurts so bad!

Ow! Ow! Ow!
Ow! Damn! Fuck!
AAAAWWWW!
I’m bleeding!

“Who Even Knows What Girls Want?” by William Griffin

Who even knows what girls like?
I’m a tricera-dude.
Lorenzo, you’re a dude too.
So I guess we’ll never know.

Who even knows what girls like?
Maybe they like trains or trucks.
Maybe they like rocks.
Maybe they like dirt.
I have a hole in my jeans.
Maybe Claire likes holes.

I asked Lorenzo, “Let’s pretend you’re a girl.”
Lorenzo said, “Hell no.”
I asked, “Why not?”
Lorenzo roared loudly in my ear.
That hurt.

At dinner, I slipped into a nightmare
Where the steak was screaming,
“Who even knows what girls like?!”

Ooh-wee, ooh-wee, la-la-la-lee
Ooh-wee, ooh-wee

Claire, do you like stuffed animals?
“I like stuffed animals. They’re cute.”
Do you like flowers?
“Yes, they remind me there’s beauty in the world.”
Do you like dirt?
“Uh… I don’t.”

Alright then.

“Claire With a C” by William Griffin

Me and my friend Lorenzo left on a motorbike
Toward the woods of the North.
We lived in a house
Filled with all the old books.

Claire (Claire with a C) lives next door.
Lorenzo (who’s a triceratops) with his green eyes,
Purple skin and parrot-red hair.
I’m William, fourteen years old.
I can read and write, I’m terrified of my sister
(We have the same mother, our father is deceased).

Claire (with a C) she can’t read and she can’t write.
I don’t think she knows how to shave.
Lorenzo (who’s a triceratops) takes care of our parents.
Claire (Claire with a C) never comes to our house.
She eats everything in her mama’s pantry.

Lorenzo (who’s a triceratops) drinks blood to eat.
We watch Stephen King movies every Saturday
On our projector screen.

Claire reads scary stories to me,
Or she’s making them up because she can’t read.
I found out Claire is a vampire.
I couldn’t care less.

“Part Goldfish” by William Griffin

She must’ve been part goldfish and part salt lick,
Because she could swallow letters and numbers.
My friends told me they had seen her pet goldfish grow
Just six inches long. It could read and write.
She carried a paperback to school in her backpack.
The letters and numbers had traveled through her mouth.

Other kids wondered why she couldn’t read and write,
Even though her eyes were clearly dead.

She would just say that’s alright to all of her friends,
‘Cause I can read and write. That’s my only friend.

Claire is gone and I miss my beloved friend,
Because she has her eyes open just for me.

“Let Me Eat Your Stuff” by William Griffin

Claire, so beautiful,
With such a sweet smile,
Even at 14.
She’s in love with me.
We spend every minute
Like lovers do.
She takes me to a place
Where no one can see us.

I saw her first!
It was last Thursday
In my backyard,
When I was doing chores,
And I saw my friend Claire,
For she was standing there.
She was so beautiful.
Such a beautiful smile,
And I just couldn’t resist.

She made me this toast
With strawberry jam and butter,
And made me some cookies too,
The sweetest I’ve ever had.

I ate all of her food,
Even her share.
I watched as her eyes
Lit up like a candle.

“Fairy Tale Too Real to Be” by William Griffin

Claire is Claire is Claire.
She walks and talks and wears a dress.
Claire’s a fourteen years old
Fairy tale too real to be.

Lorenzo is Lorenzo is Lorenzo,
With a portal to hell inside his throat.
Lorenzo is the Devil’s spawn,
Is the beast that does not eat.

It’s hard to describe Lorenzo.
What a stunning day that was,
The day Lorenzo came to us,
Came to us from God above.

Lorenzo is sweet and sappy,
Has a voice that chimes like the bells.
Lorenzo’s tongue is sweet like honey.
Lorenzo lives on old tobacco leaves.

“Eat Your Friends” by William Griffin

Those dinos from the ancient past,
They’re extinct
They’re dead.

Long gone, oh, oh, oh.
Oh, oh, oh, oh.

How much would it hurt
If both of them left me behind?
Lorenzo could fall into a tar pit,
Claire end up frozen in ice.

Eat your friends, don’t you wait.
Chew through the skin,
Chew through the hair.
Don’t let the chance escape.

Hold onto your friends
With teeth and nails.

“I Am Your Stegosaur” by William Griffin

I am a stegosaur and so is you.
A piece of me in every creature,
Like you and him and all the people.
We all have a heartbeat
And a soul inside.

We like you, Claire.
And since we’re here we may as well be glad
And say a prayer, for just because you’re blind,
You don’t have to be stuck in a place
Where there’s nothing to see.

There’s lots of beautiful things in the world,
Lots of beautiful people.
You’re one of them.

When the sun comes out,
The grass shakes off its dander.
When it rains, the clouds roll in and out.
The mountains and the rivers,
The sky and the earth,
The stars and the planets,
One big beautiful living organism.

Beauty never dies.
We will never see each other die.

The color’s gone from your eyes,
But not from your heart.

“For Claire, Who Can’t Read” by William Griffin

You know, you’re the special one,
The one who took a gander.
You’re a girl that’s cute,
And you’re the love of my life.

She’s just fourteen years old,
And the words we write together,
That I write I mean,
Because she can’t read,
Are nothing but lies.

She’s seen the future,
And the past is past.
I said to her, “Don’t forget your roots,”
Because I learned you gotta grow.
So you ain’t no bigger than a matchstick,
But you still got your roots.

A girl, she’s got a good heart.
She’s just fourteen years old,
And the words we write together,
That I write I mean,
Because she can’t read,
Are nothing but lies.

You know you’re the special one,
The one who took a gander.
You’re a girl that’s cute,
And you’re the love of my life.

She’s just fourteen years old,
And the words we write together,
That I write I mean,
Because she can’t read,
Are nothing but lies.

And we only make each other up.
Never gonna be the truth.
So you know that you’re the special one,
The one who took a gander,
You’re the love of my life.

“Ceratopsy” by William Griffin

Ceratopsy, ceratopsy.
(Horns, horns!)
Claire, Claire.
(She’s got horns!)

I love my little Ceratopsian.
Time for a ceratopsy!

In my heart, I want to eat her.
I will eat her hands, her feet,
Her ears, her hair, her skin,
And those boobs like little moons.

I will swallow her
And keep her
Forever safe
Inside me.

Yeah, uh, um, okay, so, I’m a boy,
And I like you, and you’re a, um…
You have, er, eyes, and you’re blind,
Uh, and, um, and Lorenzo’s a dinosaur,
And y’know, um, you’re very pretty…

Ceratopsis spreads inside me,
Eating me, eating me, eating me.

“Ponopodon Blues” by William Griffin

Lorenzo can light cigarettes
With the fire from his throat.
He went through every stage in hell.
The devil became his buddy and said,
“You have suffered enough.”
Then returned Lorenzo to Earth
With ponopodons in his throat.

Alarm (alarm)
Callers (callers)

What the fuck am I even doing.
As if these songs of mine
Would ever go anywhere,
No matter how hard I try.
Get on a stage in that outside world?
I don’t even want to know what’s out there!

I’ve got the Ponopodon Blues.
I’ve got the Ponopodon Blues (what can I do?).
Oh baby, I’ve got the Ponopodon Blues,
For loving too hard.
There’s also a nasty ponopodon stench
Coming from my pants.

I don’t give a fuck, no sirree!
Can’t give a fuck anymore.

Just let the shit pour out.
Give me a bucket.

“No Magic Potion” by William Griffin

Triceratops, I love you more than anything
(But I’m the only one who sees your white behind).
All the girls adore you,
And they want to touch you.

Claire, if you want to, you can have me,
For I’m not ashamed.
I hope you’re not ashamed.

Triceratops, there’s no magic potion
To chase off
Those lonely feelings.

Claire, there’s no such thing as eternal bliss
Or a hell of aces,
Only eternal regrets.

“Wait About a Month for Love” by William Griffin

It’s not like my heart has ever been full,
In all my life,
Until I met your two eyes.
It’s a matter of fact that I’d like to have you,
And that I’d take any length of time,
I’d take it all if it means,
I can lay my head on your breasts.

But what would I think, if you should tell me
That you’d prefer if I didn’t come at all.
Can I tell you how scared I was, how scared I’ve been,
Every time I thought about you.
My step-father told me don’t play around,
Go for what’s worth having.
He said when a man has a real woman,
He’s got to wait a while.
He said it was about a month.

I asked my step-father, what do I owe to you.
He said the man who says I ought to settle for I love you
Is the man who can’t make me quit.
I asked my step-father, what am I missing.
He said, there is a place where the most evil men are,
And they just laugh at us down here on earth.

And what’s going on in heaven, I don’t know.

“Helpless and Pure” by William Griffin

Claire’s a girl so helpless.
Claire is blind.
Claire’s a girl so pure.
Claire is blind.

This love won’t end in pain.

“Please, Play With My Guitar” by William Griffin

Claire’s really a sweetheart,
As pretty as a picture.
She just doesn’t wanna get wet,
But wait and see.

She’s a human,
But what’s behind
That painted
Fake face.

If Claire had eyes,
She would look into mine.
I’d let her see.

I’ll teach her to read and write,
I’ll teach her how to play,
With my guitar.

This is from William’s diary:

So I look at Lorenzo and I’m just mad ’cause he’s gross. All I know is that he has the Mark of the Beast inside his throat. When he laughs it’s rancid and crumbly and when he cries it’s just creepy. Lorenzo’s ugly and he makes me afraid. When he’s with me, he uses his fist as a piano. I try to pretend that I don’t care when he stares at me like that. Deep down inside, I wish that he would leave me alone, but every day when I look up, he’s there. Lorenzo is worse than a dog, because he can think as well as show his affection. Now he leaves pictures on my pillow every morning.

“The Burning Heart Inside Your Throat” by William Griffin

We’d go underground in a coffin,
Dressed all in black.
We would hug and kiss the stars
With our heads in a casket,
And in her worst dreams
We would dance in the dark.

Lorenzo wears a Jesus apron.
Claire’s belly button is her heart.
Now he’s missing his eye.
My fault.

Ah ah ah ah ah ah.
Ah ah ah ah ah ah.
Ah ah ah ah ah ah.
Ah ah ah ah ah ah.

I’m shaking off the free rays of dying stars.
I am trembling at the breath
Of the burning heart
That’s inside your throat.

Like time, like the cosmos,
This eternity with a physical body
Will one day become a tear
In the eyes of the deepest heart.

I know you’re in my head,
I know you are alive.
I’m shaking off the free rays of dying stars.
I am trembling at the breath
Of the burning heart
That’s inside your throat.

Oh aah, hey aah aah.
Hey aah, aah, aah, hey aah.
Oh aah, hey aah aah.
Hey aah, aah, aah, hey aah.

We’d go underground in a coffin,
Dressed all in black.
We would hug and kiss the stars
With our heads in a casket,
And in her worst dreams
We would dance in the dark.

Oh.

I know you’re in my head.
I know you are alive.
I’m shaking off the free rays of dying stars.
I am trembling at the breath
Of the burning heart
That’s inside your throat.

Final cover for my latest novel “My Own Desert Places”

The contest for the cover of my latest novel, “My Own Desert Places”, has finished, and only one nailed for me its odd tone, a mix of dark comedy, drama and supernatural.

My-Own-Desert-Places-APPLE-IBOOKS-FINAL-copy

Now that I don’t have to worry about the cover any longer, I will continue with my first full-length revision of the novel, which is close to the size of 2,2 novels. Revising texts you haven’t read in a while is a good way to get reminded of how stupid you are, because I average around 70 notes to change stuff by chapter. I also found three places so far in which I will need to add further details from zero. Revising the novel until I’m happy will likely take me a couple of weeks. Then I’ll have to figure out how one self-publishes stuff to Amazon and the likes these days, and whether I’ll need to market it somehow. What a bother.

My mood has only worsened since I stopped writing frantically every day, so I’ll also need to deal with that shit.

Ongoing contest for the cover art of “My Own Desert Places”

I’m already in the process of revising the e-book version of my recently finished novel “My Own Desert Places”, which will remain online.

I have started the contest for talented designers to figure out what cover would be appropriate for this strange tale. You can folow the contest in the following link:

Contest for the cover art of “My Own Desert Places”

Post-mortem for “My Own Desert Places”

I have finally finished my favorite story of all I have written. It took nearly 179,000 words, which I have written frantically in slightly more than a month. If one considers the average length of a novel to be 80,000 words, this story ended up reaching the length of 2,2 novels.

The concept and the few associated notes for this one had been waiting in my archives since maybe 2013. I knew it was about a ghost who falls in love with a living woman and that possesses someone else’s fresh corpse to date her. Beyond that, I was sure of two things: the ending, which I have dreaded writing from the very first part, and that the protagonist’s new life was a mess he would need to navigate, due to how the previous owner had screwed it up.

During creative periods, I tend to come up with quite a few interesting concepts which I’m quick to write up and archive for whenever I end up using them. Sometimes my brain works in the background some more details about those stories. It just happened that most of the details that my subconscious came up with for the initial iteration of this story didn’t excite me. I pictured Asier’s life as being involved with some sort of drug ring, gambling, or some similar illegal enterprise. I believed that the story needed that kind of external pressure, because the protagonist would be focused on seducing slash deceiving the so called impact character, which in narrative terms is the character that changes the protagonist the most. However, I just wasn’t interested in figuring out how to pull off Asier’s previous life convincingly, and I had more pressing stuff to write.

However, after I finished writing my last short story, “A Poor Player”, I browsed through my notes to figure out which concept grabbed me enough this time. I figured that I could test the concept of “My Own Desert Places” for a single part and see if I enjoyed it enough. In that first part not only I fell in love with Irene’s personality, which was tremendously fun to act out, but I also thought of Asier’s particular sins which had ended up wrecking his life. I’m someone who has always had a terrible trouble connecting with others, so when I got to trust someone a little, the notion that they could betray me, and the fact that some did, ruined me significantly for future relationships. I loved the idea of Irene having to bear the burden of a behavior (serial cheating) that I despise, and it allowed to flesh out Irene’s behavior during her first life, mirroring Asier’s: the protagonist hadn’t been a cheater, because she technically never dated any of the girls she pursued, but she only cared about short-term pleasures, not thinking a bit about the long-term misery she caused not only to others but also herself. I have always avoided getting too attached to people, so performing this narrative could work out my personal issues, which is a significant part of why I have always needed to write.

In my original notes, the protagonist was a man. However, I have loved every single story involving body swaps (one of the last of those stories I’ve experienced being Shūzō Oshimi’s “Inside Mari”), so I wanted to contribute to that, and I think that the notion of a woman being in love with another woman but using a man’s body to seduce her, because that’s what the other woman is into, is inherently compelling. I knew very little about Irene when I wrote that first part in the last day of April 2021, but an inherent law of narrative is that most, or ideally all, of the symbols form a pattern that justifies why each of them is there. The symbols either complement each other or offer a distorted mirrored image of others. Usually the subconscious mind works this out in the background during the period when you are writing a full-length story, and you need to be alert and write those notes down. So Irene’s behavior could have been compared to Asier’s because that bastard needed to be a serial cheater, and Irene felt isolated and freakish and killed herself because she needed to connect with Alazne. Kateryna’s suicide was a case of mirroring: she trusted too much, was too good, but people fucked her over anyway. Ainhoa’s inability to accept whatever didn’t contribute to normality, and her implosion when she finds out ghosts are real, plays out differently in Alazne, who eagerly welcomes Kateryna’s ghost. There was also an unexpected mirroring in Kateryna’s brothers Oleksiy and Hadeon: the big brother was the tall, big one with anger issues, same as the protagonist, and Hadeon was the withdrawn person with troublesome fetishes and who loves anime, same as Alazne. I’m not sure what that means. In any case, there are tons of these symbols connected throughout the story, which I’m sure I will enjoy, or even fortify with further details, as I go through a full revision.

I write for fun, whether it involves silliness and acting out ridiculous scene concepts, or for the inherent fun of writing a compelling scene, even if it’s as depressing as they come. Because my brain doesn’t allow me to detach from my obsessions, for the time it takes me to write a full story I live vicariously through it. It feels as if I’ve constructed false memories. Related to that is the fact that Alazne’s demise has lodged a cold ache in my heart. I have always preferred imagined people to flesh and blood ones, after all, so I guess I fell in love with her along with the protagonist. Even before I wrote the first part of this story I knew how Alazne’s arc was going to end, but finally acting out those two scenes that encompass the climax of this story was one of the hardest creative endeavours I’ve gone through. Throughout this last month I tried to think of any other way it could end, but I never figured out any ending that felt more powerful and fitting.

This version of Alazne wasn’t my first iteration. After I self-published two books of novellas written in Spanish, my native language, I jumped into writing a far more complicated story that would end up having to be split into two books, not only because of the length but because its narrative allowed it. That story was about a guy who experiences hallucinations and who befriends a reclusive writer who is trying to write a novel which is barely more than fanfiction about someone she’s obsessed slash in love with. That reclusive writer was named Alazne, and was an Ukrainian refugee from Chernobyl who had been adopted by a childless local couple. There was plenty of stuff about her failing to connect with others, feeling permanently alienated, etc. Ironically, the person that Alazne was in love with was a woman. Anyway, the story was a novel within a novel, because the story that the co-protagonist was writing was also fleshed out. I ended up writing a whole first draft, a very loose one, of what should end up becoming the first book of two. Writing the second book would have required me succeeding even minimally with the two books I self-published (both for scenes involved in the narrative and because I couldn’t imagine this new story selling otherwise), but I sold close to nothing of those two books. In the end, after I finished the first draft of the last scene of that book, I realized that it hadn’t been fun. I had writen that book to work through some troubles of mine, but I wasn’t enjoying it, and I didn’t want to revise that whole novel and then handle the second one. I never reread any of those drafts.

That first iteration of Alazne was Ukrainian originally because I had that connection from high school. For a while I hung out with a guy who was blond and blue eyed, and although there are virtually none of those around in my province, I didn’t think much of it. It was strange that the guy preferred to hang out with outcasts and losers like me. One day we went to his house and it only took me glancing at his parents to realize that the guy had been adopted; his parents were tanned, dark-haired, dark-eyed, probably from the south of Spain. Then someone told me that the guy had been involved in the Chernobyl incident as a baby or a toddler, which matched his age, and that his biological parents either died or gave him up for adoption directly. I never figured out anything more about that background, not even if it was true, but it remained as a cool story for the purposes of me becoming creative with it.

Plenty of Alazne’s issues are or were mine, of course. Her musical tastes belong to me, and I also love to play the guitar. For example, during the writing of this story I became temporarily unemployed (although I’m going to be recalled for the summer), which meant I turned into a recluse except for the times that I went out to the woods to play the guitar. In my mid twenties I also was diagnosed with clinical depression, along with Asperger’s syndrome (now considered merely high-functioning autism), and for many of my earlier years I had a terrible time handling the depressive aspects. Irene’s demise, that of failing to connect with people, dropping out of college, having an abusive job (which was worse in real life) and then wanting to jump off a cliff, were mostly my background as well, except that I stepped back and went to the library.

What comes next is me going through the thirty five parts and fixing minor issues like punctuation. Then I’ll have to figure out how one puts together an epub file these days. Afterwards I’ll spend some time walking around with the digital version of my story to perform a major revision, which will likely involve adding a few descriptions here and there and strengthening symbols. When I consider that done, which might take me a couple of weeks, I’ll spend 150-200 euros to commission the cover art, and I’ll upload the digital book to Amazon and similar services. I have no fantasies that any traditional publisher would want to bother with this story, not to mention that I despise the process of selling it to people who don’t care.

I have no clue what I might write after this. Maybe I’ll try to generate a bunch of new concepts through freewriting (asking myself about my likes and dislikes, what I’m passionate about, what bothers me, what I hate, etc.). What I have always had clear is that I shouldn’t bother writing a story unless I find the concept compelling enough by itself, and even then I wouldn’t invest my energies in writing it unless the process is fun. I have started and abandoned quite a few stories because they sounded good in paper, but they simply didn’t work in practice.

In any case, if anyone is reading this and has read some of “My Own Desert Places”, I hope you got something out of it.

Roleplaying through “Re:Zero” with the GPT-3 story generator (Part 65)

This entry covers part of the eleventh volume of the original “Re:Zero” novels.

In the previous entry, the Witch of Pride wanted in on the tea party, and we got further proof that the protagonist focuses on trying to fuck almost everything that moves whenever he needs to escape from how much of a nightmare his life has become.


An obsidian black, closed iron maiden has appeared out of nowhere a bit further on the hillock. The mere sight of it conjures images of torture in dungeons, and dungeons are no longer an abstract concept for you. You have been through hell and came out alive. You repeat that to yourself as you stand up from the chair and approach the iron maiden cautiously. Even though you don’t dare touch it, it feels heavy and cold.

As you get so close that it would take lunging twice to touch the dark metal, the iron maiden’s doors open. A cold shiver makes you tremble before you register how the girl inside looks. It’s a teenager, or at least her emaciated, small body suggests it. She has raven-black, frizzy hair that comes down in two ponytails. She’s wearing a white straightjacket that reminds you of black and white photos of sanatoriums, and her body is held in place by chains attached to the back and sides of the iron maiden.

More importantly, though, the girl’s lips are bitten off. They are a bloody, glistening mess of raw flesh, as if this girl had chewed on them. No, had eaten them, her own lips. The impression you get is of an insane girl locked up in a dark room for years, who has no other recourse but to cannibalize herself.

You won’t look at this girl’s eyes. The fear has frozen you in place. You don’t want to remain in this death-dream any longer. Hell, you don’t want to exist in the same universe that contains someone like this.

“Ya wanned ‘o shee me”, the girl mumbles as blood drips out of her mouth. Half of her tongue is gone. “He’e I am.”

You swallow. Your legs are trembling. You want to run away, but that would disappoint Echidna. You have faced far worse than a cursed girl who has experienced nothing but a nightmare for her entire life, you tell yourself.

“I did… I did, Daphne. I wanted to know you personally.”

You are talking to a living, breathing being trapped in a situation that would break most people. Perhaps even yourself.

“You look sho good, Shubawu”, she mumbles with pure hunger in her voice. “I would like ‘o bi’e you sho much.”

Daphne is drooling heavily, and it drips from her chin in a mix of her sticky saliva and blood from her open wounds around her dyed teeth. Your stomach churns. You fear you might vomit at any moment. This is the most twisted, insane thing you have ever seen or heard. You don’t know what to do.

“You want to eat me, I’m guessing… Is that how it feels, Daphne? You even want to eat people?”

“I wanna ea’ evewyone, Shubawu”, she says, her voice the embodiment of a madwoman. “Evewyone. I wanna ea’ evewyone and evewy’hing.”

A surge of warmth reaches your eyes, and a tear runs down your cheek. You don’t know if it’s from pure fear or from the thought that anyone could live like this girl and yet fail to go completely insane. But you can’t help it. You pity her, even if she wants to eat you.

“Why a’e you cwying, Shubawu?” Daphne slurs.

Your throat is closing.

“Because the world is horrible”, you say with a trembling voice.

You expect Daphne to agree with you, but instead she laughs, a horrible mix of a chuckle and a wheeze.

“I’ ish fine ash long ash you go’ enough ‘o ea’, ishn’ i’?” Daphne stops laughing, and you feel her stare burning your face, as if she could see through your skin and bone and into your brain. “Sho you came ‘o me ‘caushe you wanna kill Gwea’ Wabbi’?”

You tighten your lips and swallow something hot that was bubbling up your esophagus.

“… That’s right. Those little guys of yours ate me. Although ‘ate’ doesn’t feel like a strong enough word for what they did…”

“‘hank you sho much for feeding my babiesh. Wash vewy nice of you.”

You want to argue, but it would be pointless. For this creature in front of you, satisfying her hunger means good, remaining hungry means bad. At least you understand both the White Whale and the Great Rabbit now.

“Daphne, could you tell me why you created those monsters of yours, the White Whale, the Great Rabbit…?”

You expect her to laugh again, or say something like ‘who knows?’, but she answers seriously.

“My babiesh we’e my gif’ ‘o da wowld.”

You frown, not understanding. You can’t glean much about her expression: because she ate her own lips, her drooling mouth displays her teeth as if she were grinning or snarling constantly. And just glancing at her features is making you dizzy.

“Was that sarcasm, Witch of Gluttony?”, you ask as firmly as you can when you risk vomiting, “Those babies of yours have done little else, it seems, than cause destruction and erase thousands of people from the world, whether by removing the memories of them or consuming them to the last drop of blood. Are you messing with me?”

She shakes her head.

“Nah ah-ah-ah. I wan’ed people ‘o feed on my babiesh. Whaley ish big and mea’y, and ‘here awe sho many of my bunniesh da’ people could fill ‘hem belliesh foweve’.”

You shiver. You can tell now that this deranged witch isn’t joking. In her twisted mind she had wished to bless the world, but because her all consuming hunger is never fully satisfied, she can’t think in terms of anything else. As a result she let loose two curses on the people of this world that were so unstoppable that the population of different nations had to handle her babies as natural disasters. Maybe you can make Daphne understand, maybe she could stop her monsters even from her spectral imprisonment.

You get closer to the iron maiden, but Daphne flinches. The flow of drool that drips from her chin, washing away the blood from her eaten lips, increases, and her saliva hangs in viscous threads. Suddenly the bottom sides of the iron maiden grows six paired metallic legs, and as soon as the tips touch the ground they lift the iron maiden and crawl away from you. The sight of those impossible legs stops you, and your head hurts for a moment as it struggles to handle its current reality.

“I would s’ay away if I we’e you, Shubawu”, the Witch of Gluttony mumbles, “You look vewy appe’izing.”

You are trembling from head to toe. You want to vomit, you want to lie on the floor and cry. But Echidna is watching, and you don’t want that goddess to take you for a weakling. You force yourself to stare at Daphne’s bloody teeth and the glistening, raw flesh that surrounds them.

“Your monsters haven’t been feeding people, they have been eating them! Do you understand what you have done? Both the White Whale and the Great Rabbit are curses upon this world!”

“Why, would you have my babiesh lie ‘here and le’ ‘hemshelves be ea’en ash if ‘hey we’e a cooked meal? If ‘he people of ‘hish wowld we’e craf’y enough, ‘hey would have been able ‘o hun’ down Whaley and ‘he bunniesh. My babiesh have ‘o fill ‘heir belliesh ‘oo.”

“This is madness! They need to die, and you need to…”

You stop yourself. You are standing so close to the iron maiden that it would take those metallic legs jumping forward for the Witch of Gluttony to reach you, and all you have are words. Are words enough?

“You call madnesh ‘he law of na’ure”, Daphne mumbles, “Evewyone ish in a rush ‘o ea’ shomeone elshe sho ‘hey can live ano’her day. Echidna figured ou’ you a’e fwom ano’her wowld. Ish i’ no’ ea’ o’ be ea’en ‘here ash well?”

You can’t argue with that, and can’t say anything at the moment either, because a sudden wave of dizziness and nausea forces you to hunch over and retch. You vomit what remains of Echidna’s tea, along with a good quantity of bile, splashing the grass. You feel covered in cold sweat. While you support yourself on your knees and wheeze, Daphne continues.

“Even plan’sh have ‘o ge’ ‘heir nu’ien’sh from shomewhewe, you know? And ‘hey feel pain when ‘hey ge’ ea’en, even ‘hough you can’ hear ‘hem shcream. You ei’her ea’ or you ge’ ea’en. I’sh ‘he main law of ‘he wowld. If you don’ ‘hink sho, shomeone elshe ish doing ‘he killing for you.”

You wipe the vomit from your mouth, and you manage to raise your head and look at Daphne with wide, teary eyes. You desperately wish for this witch to go away, but if she vanished now, you wouldn’t have learned anything of value. You straighten your back.

“Daphne, I need to kill the Great Rabbit. Not only I risk getting devoured myself, but everyone in Sanctuary is going to die as well. Your friend Echidna agrees that your monster needs to disappear from this world. If you truly created it for the benefit of mankind, in your twisted way, please give me advice on how to destroy it.”

Daphne laughs.

“I’sh ei’her an imbe’ishiwe lil’ crea’uwe ‘hat killsh wheneve’ it deshiwes and ish neve’ sha’ishfied, or ‘he Gwea’ Wabbi’ ish a friendly beash’ie who jush’ wan’ed a hug.”

You aren’t sure you understood everything she said, but you are getting mad anyway.

“I don’t have time for bullshit, Daphne. Just looking at the lower half of your face is going to give me nightmares for years. Please tell me whether you will give me advice on how to defeat the Great Rabbit. If you won’t, we are done here.”

Daphne grins, or at least the way the raw flesh around her teeth widens suggests it.

“I will ‘ell you, Shubawu! I like you vewy much. And no’ only becaushe I wanna fill my belly wi’ you! My bunniesh prefe’ shourcesh of magic, sho ‘hey will shniff ‘he mo’ powewful magiciansh awound and ‘wy ‘o ea’ ‘hem. Mo’ impor’anly, you need ‘o kill ‘he Gwea’ Wabbi’ a’ once, meaning all of i’sh individual bodiesh, or elshe i’ will quickly pwoduce new bunniesh.”

You wipe the sweat from your forehead. You had expected this witch to laugh at you and mumble for you to fuck off, but she helped you. The rabbits are attracted to the biggest sources of magic, and all of them need to be killed as close to immediately as possible. That’s enough information to send Daphne away, you think.

“Awen’ you gonna ea’ you’ vomi’?”, Daphne asks with an anxious voice. “You a’e wash’ing food!”

Before you even realize you are doing it, you step over the puke and stand closer to the iron maiden. The metallic legs twitch, but they don’t retreat.

“No, I won’t eat my vomit, Daphne”, you say with a hollow voice. “Let me tell you, I pity you. You have been cursed with one of the worst conditions I can imagine, but it’s been a long time since you were a child, and in your brain there must be a commanding center freed from your overwhelming impulses that understands that you have led to the death of countless people. So I can’t forgive you. I will use your advice and erase the Great Rabbit from this world.”

“Hwoe hwoe!”

You look into Daphne’s disgusting open mouth, and stare into the blackness of her throat.

“… Was that an attempt at mocking me?”

“Nobody hash managed ‘o kill my babiesh in hundredsh of yearsh, bu’ you believe you will be able ‘o, Shubawu?”

“Yes, I will kill your baby, Daphne”, you say with more force in your voice that you had managed since you first spoke to this disgusting witch. “None of the others who tried could try over and over, learning from their mistakes along the way. I will win.”

You are too dizzy and angry to realize that your gaze has slipped upwards and has met hers. The Witch of Gluttony’s eyes are a bright yellow that instead of feeling painted on the surface of her eyeballs, it deepens into them. You feel you are staring into a yellow horizon that has trapped your gaze, and you will need to struggle to pull it away.

“Bring i’ on ‘hen, Shubawu”, Daphne says with a menacing voice.

The crab-like legs that hold the iron maiden in the air coordinate themselves to carry the Witch of Gluttony further into the hillock, but you only notice her vanishing out of the corner of your eye. You are shaking. Your mouth is filling with saliva. It feels as if a black hole has opened in your stomach, and it’s sucking the walls in. You need to eat now or you will die. The world becomes a monochrome shadow, and nothing in it matters any longer but what you could shove into your mouth.

Your stomach keeps convulsing and the hole in the middle of your body keeps growing. You lick your lips and are overwhelmed by the need to eat, but there is no food around, only vomit. The smell is overpowering and your vision tunnels and you are shaking all over. Then your eyes flicker to what you threw up. The sight of your puke makes you salivate heavily. As you extend your shaky arms towards the liquid dripping down the grass, you stop and look at your hands. Those fingers, the thick flesh at the base of your thumb… You had never seen something so tasty. You sink your teeth into that succulent meat, chewing on it desperately, feeling the thick blood leaking down your chin. You swallow big pieces, then you move to biting chunks of meat off your fingers. The pain is worth it, the deliciousness…

“Subaru, look at me.”

You recognize Echidna’s voice. She is standing in front of her tea table and looking at you calmly. You swallow the tasty meat you were chewing, then focus on the witch. You had never noticed before, but that beautiful face of hers, those glistening black eyes… You need to fill yourself with her. You must grab the sides of Echidna’s head and bite off her nose, eat her cheeks, tear off her lips, suck on her eyeballs until they pop out of their sockets.

You take a step towards the Witch of Greed, but a thought manages to float over the tide of hunger: you don’t want to hurt Echidna. You are very close to falling in love with her. But you won’t be able to contain yourself for long.

“Stay away from me, Echidna!”, you shout with a trembling, pained voice. “That Daphne has given me her hunger! It’s way too much… I can’t think straight!”

Echidna doesn’t flinch. Instead she smiles, her eyes narrowing.

“And now you want to eat me as well.”

You hear the creaking of your bones, the growling of your stomach, the thundering of your pulse.

“Stay… Stay away from me…”

Echidna steps forward, then turns her palms towards you and moves them further apart as if welcoming you.

“Come closer, Subaru. I want to know what you will choose.”

“I… Echidna…”

You picture yourself ripping Echidna’s shoulder off and biting into the meat of her arm. You imagine chewing through her delicious skin, feeling her sweet blood on your tongue. You squeeze your eyes shut and grab your head.

“No!”, you shout through your clenched teeth. “Please, stay away from me! Most of my brain is demanding me to eat you… The parts of me that decide whether something is good or bad only want me to fill my stomach. I can’t barely keep it together. Please, Echidna, save yourself.”

When you open your eyes again and glance at the Witch of Greed, you see that she’s walking slowly towards you.

“If I didn’t know any better, I’d say you really do love me”, Echidna says softly.

You turn your face away from her, but she grabs your chin and forces you to look at her.

“If you want to devour me, go ahead.”

You shake your head frantically, trying to avoid her gaze. Your mouth is filled with warm saliva, and you need to keep it open or else you risk choking on the liquid. Your drool is dripping from your chin. Echidna can’t understand how much you wish to eat her alive. You should sate your hunger with something else, but even your own flesh can’t compete with how appetizing the pale witch looks. You want to lunge at her, grab her with as much strength as you can muster, and sink your teeth into her face. You imagine her screaming in agony, but you don’t let go. You bite through the soft, warm meat and crunch through the bone. You imagine yourself chewing and swallowing the delicious morsel. You wouldn’t stop until only her bones remained, stripped of meat.

“Eat me, my love. I’m all yours”, Echidna says while bending forward and offering her long, elegant neck to you. Her lips are pouted and moist, and her eyes are filled with anticipation and longing.

Your teeth tingle, and you can practically feel your mouth bursting with a near-uncontrollable hunger as the muscles in your jaw contract involuntarily. Your stomach rumbles. You feel dizzy and confused.
You turn your head and grit your teeth, then push Echidna away from you.

“I will not! I don’t want to hurt you, no matter how much my brain orders me to!”

Echidna steps closer and embraces you. You go limp in her hands as if the witch had taken over the control of your body. She leans over you while she narrows her glistening eyes, and wields a loving smile on her rosy lips.

“That’s so sweet”, she whispers. “It’s been so long since someone made me feel this way.”

As the Witch of Greed holds the back of your head, she opens her mouth, extends her tongue and lets a phlegm fall into your open mouth.

“Swallow, Subaru. Do it for me”, she says quietly.

You allow her slimy spit to slide down your throat while she smiles lovingly at you. As soon as you gulp her phlegm down, the hunger disappears. You are left with the memory of how it had overwhelmed your brain like a virus, taking over the specialized centers that handled different aspects of how to exist as a human being, only to manipulate them into convincing you of focusing on nothing else but sating your bottomless hunger.

You are still stunned when Echidna steps back while pulling you in so you stand on your own feet. You haven’t broken the embrace. Your hand doesn’t hurt either, so she must have healed it immediately as well. You stare into Echidna’s black eyes and those white, vertical pupils with awe, affection and trust like you don’t believe you have ever felt for another person. She has saved you twice from horrifying destinies. The Witch of Greed is as powerful as a god, and yet she helps you this much.

“Thank you”, you say as you recover your breath.

Echidna closes one eye to look at you coyly with her other. The closeness of your bodies is making her blush, a conspicuous redness on her snow white skin.

“Maybe I should have warned you more strongly about how bad of an idea looking into Daphne’s eyes would be, but we ended up learning something interesting, didn’t we? You have a knack for seducing witches…”

Your heart is beating so loud that you can’t hear yourself breathing heavily. You slide your hand under Echidna’s silky, white hair so you can cup the back of her head, and then you lean forward to kiss her mouth. The taste of her tongue reminds you of honey.

Echidna puts her hands on your shoulders to keep some space between you, but doesn’t push you away. She closes her eyes while you hold her as closely as you can. Your heart is beating out of your chest, and you feel faint. After several seconds, Echidna opens her eyes again, looking at you with a mixture of bashfulness and guilt, and her tongue leaves your mouth.

“I shouldn’t be doing this,” she whispers.

You tilt her head to kiss along her graceful neck. Echidna shivers in your arms.

“Yeah, we should. I don’t care if your witch friends witness it. We should stay here and make love over and over, forever.”

Echidna lets out a mischievous sigh, and she rubs your back with her hands.

“Ah… You will end up making me want to give up everything as well”, she whispers. “But we can’t. The death-dream won’t stay up eternally. In fact, it won’t last for much longer. And you have to make sure you can get past this loop and continue with your life, for both our sakes.”

“None of that matters now.”

You fondle the witch’s ass with one hand, run your fingers through her hair with the other, and lick her small ear with your eager mouth. Echidna moans softly.

“Make sure you… don’t fall in love with me. Make sure you still hold fondness for the people you miss on the outside. You are trying to escape from your troubles.”

“I’ll keep them in mind when I go back, but right now… you’re the only person that matters.”

Echidna slides her hands under your shirt, and her warm hands caress your naked lower back.

“Then let’s do it… one more time.”

Your lips press against hers, and her tongue enters your mouth. Her hands slide up your back as if she were about to take your shirt off, but then she moves them to your front to fondle your chest with her fingers. Both of your hands now rub her supple ass. Echidna releases you from the kiss and lets out a long breath.

“I’m afraid that will have to be all for now, Subaru. Until you come back again”, Echidna says while she breathes heavily and her eyes glow as if drugged.

Even though a pang pierces your heart, you nod, then follow the Witch of Greed as she leads you by the hand back to the tea table. You sit in your chairs, then lift your gazes at each other over the teacups and the teapot as if you had entered her death-dream seeking her wisdom. You can tell that she’s forcing herself to come down from her arousal, but for the moment she’s not a powerful witch, merely a person who wants to love and be loved. These are feelings you understand well, so you help her down from them.

“That Daphne…”, you begin, then swallow. “She lives in hell.”

“Yes, she does.”

“I don’t know if I experienced her curse to the extent she does every waking moment, but… she deserves some credit for remaining lucid enough after hundreds of years of such a nightmare.”

Echidna nods, and drinks from her teacup as if trying to calm herself. Her nostrils are widened.

“Our burdens aren’t equivalent. She is bound by chains stronger than those that bind the rest of us.”

“Well… The little advice she gave me will have to do. I don’t feel capable of facing her again at the moment.”

“Make no mistake: if the White Whale didn’t content herself with hunting in specific areas every couple of weeks, or the Great Rabbit roamed the land instead of sleeping underground and only emerging when it has snowed significantly, only for them to move somewhere else as soon as they’ve had their fill for the day, the world would end.”

“I had understood that much. Everyone of us hanging out in Sanctuary is going to be eaten alive if I don’t stop those rabbits.”

Echidna’s eyes smile at you fondly over the rim of her teacup.

“Which is a significant part of why you can’t give up and spend the rest of eternity tending to this old maiden’s sexual needs, Subaru, as much as I would enjoy it.”

You sigh.

“It’s hard not to accept defeat when it would taste so good. But can I ask you a serious question about Sanctuary?”

“Go ahead, Subaru.”

“It’s your town, isn’t it? You founded it. So why did you, why here, why the whole thing with the barrier, the half-breeds, all that…?”

“It’s a long story, of course. But the short version is that Sanctuary wasn’t my idea. I needed some solitary land to carry out my research in peace. Back in the old world I approached the Mathers household, and they granted me this backwoods barony, which was as perfect for my purposes as they came. The Mathers lineage would benefit from my research, and I would also take a few of their talented younglings as wards, if I had the patience for it. The Mathers also acted as mediators when I needed people to build houses or dig further into the ground. But back then there wasn’t anything resembling a village, just a few houses for me and the few people that hung around, as well as my laboratories and storage facilities. Through my research I ended up realizing that the blood of half-breeds was vital for figuring out how to find a cure for the worst injustice that ever plagued living beings: that of being born just to die. It was a terrible time for demi-humans back then, because some had gotten particularly rowdy and launched wars of conquest against human nations. They lost, and plenty of the refugees, some of which only intended to live in peace and never agreed with the hostilities, found themselves rejected in human territories. Soon the rumour that a sanctuary awaited them in the backwoods of the Mathers territory reached their ears, and many families found their way over here. They understood that I wanted them for my research, but in exchange they found the safety to live with their families in peace. It became a symbiotic relationship.”

You want Echidna to explain how the barrier came to be, but a wave of dizziness ripples through you. You hunch over and grab your head. Even though for a moment you felt as if you were about to pass out, you end up taking a deep breath and rubbing your shoulders.

“Sorry for interrupting you. Something was wrong with me for a moment…”

Echidna stares at you gravely.

“Some disturbance in the outside is waking you up, Subaru. Our time together has come to an end.”

It must be Emilia. She has woken up from her own nightmare, and must be shaking you awake. You are so disappointed that you want to punch the table, but you take a deep breath. You know that Echidna was telling the truth, that by you wanting to spend the rest of your conscious life with the Witch of Greed as her sexual plaything, you are escaping from your troubles the same way you did back at the capital, during that self-imposed loop that usually ended with you guillotining yourself. You will have to return to that cold, harsh world outside, and wade through your many obstacles over and over until you succeed. How much will the experience change now that you will be able to remember Echidna?

You both stand up and walk until you face each other next to the table. You don’t want to say goodbye, but she speaks first.

“I had such a lovely time, Subaru.” Echidna smiles warmly at you. “But still, every visit to my death-dream requires payment.”

You are pretty sure she made up these rules, but you shrug.

“Sure. Take from me whatever you want.”

“That’s pretty generous of you.”
As you breathe in her scent, you realize that your feelings for her go beyond love. You worship her. You would die permanently to protect her if need be.

“But for now I’ll be content if you offer me that accessory of yours”, Echidna says while pointing at your right wrist.

You are confused about what she means, but you realize you have a handkerchief tied around your wrist. How did a handkerchief end up there? Ah, that precocious trainee tied it as a custom of her village or some shit. You chuckle with disbelief.

“Are you sure you want this? It’s completely worthless.”

Echidna tilts her head and offers you a smile of understanding.

“You aren’t aware, but objects imbued with the earnest wishes of young maidens hold a special magic of their own.”

You grimace as you snap your head back.

“You are fucking with me, aren’t you…”

Echidna can’t keep a straight face. She covers her mouth while her shoulders tremble, but she ends up bursting into laughter. You laugh as well.

“Don’t play around with my lack of knowledge like that!”, you complain.

Echidna wipes one of her eyes.

“Sorry, sorry. But I assure you, after what I intend to do to it, it won’t be useless any longer.”

She takes your arm by the forearm and lets her free hand hang over the handkerchief. She closes her eyes, and even though nothing seems to have happened, when she opens her eyes again she seems content. She lowers your arm gently.

You bow.

“I assume that has done something. Thank you. I assure you, Witch of Greed, I’ll come visit you as soon as I can.”

Echidna looks down. You don’t like one bit the sadness that showed on her pale face.

“Subaru, you truly don’t understand. The requirement for entering a death-dream gets increasingly harder, and the next time you will have to surpass your request for knowledge that you had uttered while you had gone insane.”

You go cold. You stare at her, waiting for the witch to add some comment that would lessen the finality of her words, but none come. She looks worried that this meeting might have been the last time.

“Please, Echidna, don’t tell me I will never see you again”, you mutter with your throat almost squeezed shut.

The Witch of Greed steps forward and places her hand on your chest, over your heart.

“I wish I knew the answer, and you know how much it bothers me not to know something. Let’s hope that you will find your way back to me, and next time we will have something very important to discuss about our future.”

The Witch of Greed kisses you on the cheek, and as she does so, her form vanishes while her death-dream collapses on itself.


Note from January of 2021:

The part where the protagonist meets Daphne took me a lot to finish. I tend to dive deeply into the scenes in my mind, I guess, and I felt dizzy through it. As if that wasn’t enough, I lost my current job midway through. Other times I embrace these pauses between jobs as opportunities to do stuff I actually want to use my time in, but now I feel like shit.

Roleplaying through “Re:Zero” with the GPT-3 story generator (Part 64)

This entry covers part of the eleventh volume of the original “Re:Zero” novels.

In the previous entry we learned that Garfiel is boring, that children shouldn’t be Pokemon trainers, that Echidna is a bad mother, that the protagonist is traumatized after being eaten alive, that the Witch of Greed wants to consume the protagonist, and that the protagonist is waiting to meet the presumably horrifying Daphne, the Witch of Gluttony.


You stare at the empty chair across from you while your heart jumps on your chest and cold sweat beads on the back of your neck. Being so close to Echidna had already made you light-headed, and now you can’t think straight. You realize, for starters, that you are staring at a chair, when Echidna had said that the Witch of Gluttony doesn’t sit. As the hair on your arms stands up, you look around the hillock in case another witch is standing out of sight to give you a scare. You first realize that this isn’t the small hillock you had assumed it to be, in which you would just have to take a few steps to roll downhill. The top of this hillock is much wider, as if Echidna wanted to grant you more room to maneuver.

When your gaze falls back on the chair across you, someone is sitting there. It’s a tanned girl not older than ten, with short, feathered, dark green hair and red eyes. She’s wearing a white sunday dress, and the first instinctive impression you get is of a prim and proper girl from a reputable family. When you return your gaze to her face, she smiles with a wide mouth.

The sudden sight doesn’t compute for your brain, but as you hold her red gaze, you recall the most ominous warning that Echidna had given you: not to look into the Witch of Gluttony’s eyes. You flinch and look down at her side of the table. You must be giving the impression that you want to shrink into the chair. Why is Daphne a child? And why is she so sylphlike? Someone born with the curse of gluttony surely should be as obese as they get.

“I’m glad that I got to meet you, Baru!”, the child says with a carefree, innocent voice.

Her voice dismantles you further. She sounded like the kind of girl who would happily spend hours playing with a doll house. You had imagined that you would face someone who would give some justification for creating those two legendary monsters, the White Whale and the Great Rabbit, but if Daphne is a child who was killed then trapped as a ghost for hundreds of years, surely she must have created those monsters on a whim, as playmates. You feel that you can’t hold her responsible for the damage and uncountable deaths that the White Whale and the Great Rabbit have caused by rampaging for centuries. The problem is that a child shouldn’t have the power to create such monsters in the first place. Was this the reason why Echidna didn’t seem troubled by your fear in anticipation of meeting the Witch of Gluttony? She must have known you were going to meet an innocent child that can’t help but manifesting horrors in the world outside.

Your shoulders slump.

“Ah… I’m happy to meet you as well”, you ask with a nervous voice. “How are you doing?”

On the edge of your vision you notice that she smiles at your words.

“I’m doing better now. Ekidonna always keeps the visitors for herself. That’s not fair, is it? And we get so few!”

Her voice was so hopeful that you begin to feel relieved. She must be a very emotional person, and they usually forgive as they get attached to others easily. Still, you get the sense that you won’t glean any information about how to defeat the Great Rabbit from her.

“Not to disparage the great Echidna or anything,” you say with a conciliatory tone, “but I’m glad I can meet at least another one of you witches. It’s not fair that you ended up locked away for centuries, is it? It must get too lonely.”

The child giggles.

“I’m not lonely at all! I’m always with my friends. But I’m happy that I could meet one more. You are so friendly with Ekidonna too, giving her lots of kisses on her legs. And you wanted to kiss her down there too!” She giggles as if laughing at a silly joke. “That’s where we pee from!”

You gasp. Your gaze darts around in a panic, although you are very careful not to allow yourself to look above the lower half of this child’s face.

“Y-You shouldn’t have seen any of it. Sorry, I didn’t know the other witches were watching. It was supposed to be an intimate moment.”

“It’s fine. I don’t mind. It was very funny! But I’m feeling sad that you won’t look at me. It’s bad manners not to look at the person you are speaking to, you know. Daddy told me that many times. Are you shy?”

You must seem mousy, petrified as you are of holding this child’s gaze. Is this a ploy? Is she feigning innocence, and the moment you look into her red eyes she will be able to eat you, or something more unimaginably horrible?

“You were listening to the long conversation I had with your fascinating friend Echidna, didn’t you? So you know that she warned me about looking into your eyes. I’m merely following her recommendations.”

The child laughs, then shakes her head.

“You think I’m Daphy! That’s so funny! I look nothing like Daphy! But that’s alright, you hadn’t met us before.”

A chill runs through your spine, and you slowly lift your gaze towards the child’s red eyes. She stares back with curious amusement. You stand up from your chair and walk a couple of steps away from the tea table so you can look at this girl fully. She tilts her head, then she turns on her chair to face you. There’s nothing weird about the rest of this stranger beyond the fact that now you know that her white dress has a skirt.

“Who are you then?”, you ask cautiously.

“Me? I’m a wee little girl! A very, very, very little girl!”

Both the presence of a random child here as well as her carefree nature, after having been trapped in this tomb for hundreds of years, unnerves you. You want to retreat. It’s the closest you have felt in this world to being in a haunted house. You are staring at a ghost, who feels to you as incomprehensible and unpredictable as the ones in your old world.

“What’s your name…?”

“Name’s Typhon. That’s the name my parents gave me. Do you like it?”

“It’s… a nice name… Where are your parents, Typhon?”

You don’t know why you asked that. It just doesn’t sit right that this child isn’t at home with her family.

“I ate them.”

She answers so casually that you forget to breathe for a second.

“You… You did… What?!”

“I ate them. I was hungry.”

“But why would you do that?!”

“There’s no cake in this room. The desserts here are terrible!”

You stare at her wide-eyed and with your mouth open. The child can’t hold her serious expression for longer than a couple of seconds, and then she closes her eyes and grins, showing most of her teeth.

“I don’t eat that much! That’s Daphy’s problem! You are so silly, you just believed me!”

You don’t know what to say, but you force yourself to come up with something.

“Yeah, you really got me there, Typhon… Anyway, why did you come to see me? Were you just curious about a stranger entering your tomb?”

“Hmmm… I dunno. I just felt like it. And you aren’t a stranger anymore, Baru! A stranger wouldn’t be so friendly with Ekidonna, would he?”

“Well, I guess not…”

“I like you! But I’m curious to know something… Are you a sinner, Baru?”

You have no idea how to answer. Why is this girl suddenly asking about sins? Who the hell is she? The name Typhon doesn’t mean anything to you. Is she truly one of the witches of old, even though she’s a damn kid? You feel that you need to answer seriously. You have no clue what this child is capable of.

“Let’s see… I have killed a few people, I can’t quite remember how many… I stabbed an Archbishop in the heart and he died some time later, my sword got stuck into a cultist’s head that one time Ricardo launched me against the guy, I… I had my ground dragon murder a pretty teenage girl who was possessed. Those are the things that sound like sins of everything I’ve done, I guess. And I cheated on my Rem…”

“You’re not a very good person, are you?”

You swallow.

“No, I suppose not.”

Typhon smiles at you.

“Good! That means I can eat you!”

You jump away from her. Your whole body is tense, and you are having trouble breathing properly.

“Damn it, are you actually the Witch of Gluttony just pretending to be someone else?”

The child doubles over with laughter. When she recovers, she jumps from her chair and walks a couple of steps towards you. You only prevent yourself from moving because you feel she would simply get closer.

“You believe everything!”, Typhon says between giggles. “I don’t know if you are an evildoer yet. Let me hold your hand!”

“What?”

Typhon slowly approaches your hand with hers.

“This will tell me everything about you, Baru. If you truly are a bad person deep down, then I will curse you.”

You feel your pulse in your neck. You swallow to return some saliva to your mouth. Are you a bad person?

You feel like you are. But Echidna has seen all of your memories and still accepted you.

“Ah… Can I refuse to be judged like that?”

Typhon frowns at you.

“No, because I’m the judge.”

You allow the girl to grab your hand. You tense up. You had expected to feel some electricity-like surge of power running through you, but it just feels as if you are holding a small girl’s hand.

Typhon giggles as she looks into your eyes.

“Baru, those are so many icky thoughts about girls!”

“Wha…?”

“You think about naked girls all the time!”

You try to withdraw your hand from her grip, but somehow you can’t move it.

“I do not! Well, I do! Is that bad!?”

You panic as a bead of sweat rolls down your forehead. The smile on Typhon’s face broadens.

“That’s not right, Baru! Those girls would feel bad if they knew, wouldn’t they?”

“Ah… I think that Rem and Emilia would be happy about it, don’t you think…? Do you know who they are…?”

Typhon is still smiling up at you, but with a coldness in her red eyes.

“You feel much worse about yourself than the stuff you have done, but those are so many dirty thoughts about girls! We have to do something about that, don’t we?”

You don’t want to respond, but you feel that you need to say something.

“Typhon, I also think about things other than girls…”

“Are you sure?”

“Of course! I think about eating good food, and talking to people I like, and killing people I don’t like, that kind of stuff.”

“Don’t you think you have a dirty mind, Baru?”

This child is still holding your hand. Your palms are sweating profusely.

“Anyway, I’ll help you with your problem”, Typhon says. “You are not an evildoer, just naughty!”

She moves back while still holding your hand, and you realize that your right arm has followed her even though you haven’t felt a pull in your body. She’s holding on to your rigid arm as if it were a doll’s limb. Your blood runs cold. You look down towards where your right arm ought to be, but it ends slightly below the shoulder as if it had been cut off and the wound cauterized immediately. No, as if you were a detachable action figure. You look back at Typhon, who has lowered her right hand, still holding on to yours, but keeps staring up at you as if she didn’t just pull off one of your limbs.

“You need to be punished, right?”, Typhon says casually. “In the future, whenever naughty thoughts come to you, you will fear that you will lose a part of yourself!”

You’re about to cry.

“There’s nothing wrong with naughty thoughts!”, you say unconvincingly. “Wanting to have sex with a bunch of people is one of the most normal things in the world! Maybe not with that trainee, but… those outfits are too much!”

You’re edging backwards, and at some point you realize that your left arm has fallen to the grass as if it were poorly glued to your body.

Typhon steps towards you while she chews innocently on her thumbnail. She’s still holding on to your detached right arm.

“I don’t want to eat you, though. You’re too skinny! And I’m not allowed to eat people with black hair!”

“I-I already know you aren’t Daphne! Please, don’t steal more of my limbs! I can’t regrow any of them!”

“But you need to be punished”, she says again with a playful smile.

You feel as if you are about to pass out. You don’t feel any pain at all, but trying to move your arms only for just your shoulders to pivot helplessly is screwing with your mind, sending it into a panic. Relax, you repeat to yourself. None of this is actually happening. You are inhabiting an avatar of sorts courtesy of Echidna. Think of that black-eyed loon and her warm insides you never got to taste.

“I don’t. I shouldn’t be punished. I should be able to think about having sex with whomever I want. I don’t hurt anyone with thoughts. You are the one messing with me.”

Typhon frowns as she stops chewing on her thumbnail. She tosses your right arm aside and she shakes her head.

“You’re not very nice, Baru. You’re not even nice to yourself! Maybe I should get Daphy to eat you after all.”

You shudder. You want to motion for the child to stop, but you don’t even have hands. Your legs are getting numb, as if they wish to stop holding your weight.

“You know, Echidna told me she would return to me after I had a chat with your glutton”, you say with a shaky voice. “The Witch of Greed won’t be happy if she finds me dismembered!”

“Nah. Ekidonna will find it interesting!”

She looks at your left arm, which is lying on the grass, and as if Typhon had cut it with a huge, invisible knife, the arm gets bisected silently.

“Y-You seem like such a nice girl, Typhon”, you say with a thin voice. “You wouldn’t fuck with me to such an extent, would you?”

Typhon looks at you with an innocent, cherub face.

“Don’t use bad words! When people can’t help themselves, they only learn through punishment, isn’t that right? All those icky thoughts about girls are making you feel guilty. That’s okay! I will divide your body for every naughty thought you ever had!”

The terror makes you want to vomit. This girl is going to reduce you into atoms!

“I’m sorry! I’m sorry!”, you yell as tears drip down your face. “Please forgive me! I am dominated by my genetic imperatives!”

“Nah, you must learn your lesson, Baru.”

Your legs give out, and you fall to your knees. No, to the stumps that your knees have become. The lower half of your legs has broken off cleanly. As you fall forward, unable to prevent yourself from faceplanting given that you lack both arms, you head gets detached and rolls off. A blade of grass slides across your eyeball, so you close your eyes. When your head, the only thing you feel you can move to any extent anymore, rests, you open your eyes to see the grass you are lying on rising in your vision like a tiny jungle. The rest of your body keeps bisecting slowly. Typhon is making sure you notice each time she applies her power. The child appears in your field of view, and she looks down at you with an innocent grin, as if she’s merely playing with you. You open your mouth to speak, but suddenly you lose your bifocality. It seems as if the part of your head that contains your left eye has detached and has slid down, so it only shows you the blue sky surrounded by unfocused blades of grass.

To your surprise, you can still speak.

“You called me mean, and yet you just reduced me to this. What does that make you, witch?”

Typhon giggles.

“Me? I’m not the mean one here. You’ve got a very mean look about you, Baru, even though you aren’t that bad of a guy. Besides, I’m saving you, am I not?”

You try to shake your head, but it just slides a little to the side.

“How do you call this being saved when I can’t even tell where my junk is? This is around the fourth time I’ve lost those guys!”

Typhon giggles, and she is about to say something when you both are startled by the distant sound of a woman shouting. It comes from the sky, and it increases in volume as if someone had jumped from a skyscraper and on the way down she berated as loud as she could the people she was about to meet below.

A few seconds later, the shouting becomes intelligible.

“The first time you meet him and you hurt him like this! It’s unforgivable! How could you be so cruel!? He only wished to speak to us! You think you can get away with this!?”

Typhon frowns, and crouches next to you to touch your forehead with the tip of her fingers.

“It looks like Nerva isn’t too happy with me. She can’t stop yelling, that one.”

One of your eyes catches a glimpse of a person falling feet first maybe around twenty meters away, where the hillock curves down. When the person crashes, it jolts the ground sending up a burst of dirt, grass and particles. After the grass and the dirt fall around the crater that has formed, you see a girl maybe in her late tens or early twenties, who is down on one knee. She’s beautiful, blonde and blue-eyed, and her fit body is clothed with the closest thing you’ve seen in this fantasy world to a superhero outfit, white and blue, which provides a generous amount of cleavage. She has gathered her long hair in a ponytail at the side of her head, as if she just wanted her hair out of the way. When she stands up, she flounces angrily towards Typhon and you, and midway through she points with a trembling hand towards the child. This new girl’s eyes are crying as if out of indignation, because she’s glaring at Typhon.

“You! You dare hurt Subaru like that!? I’ll never forgive you!”

Typhon rolls her eyes.

“Oh, he’s alright. Aren’t you fine, Baru?”

You narrow your eyes, even though one of them is only showing you blue sky and blurry grass.

“I’ve been better.”

The blonde girl shakes her head in disappointment, and now she’s looking down at you while tears keep running down her face. This stranger came to defend you, it seems.

“Nice to meet you”, you say. “I guess you must be one of the witches of old, right? You know my name from prying into my conversation with Echidna.”

She crosses her arms while she stares at you with her beautiful light blue eyes, but she’s frowning heavily as if outraged.

“We have no choice but to see and hear! We can’t go anywhere! You didn’t come to hurt any of us, nor to attempt to cast us from this world! In fact, you wanted to make love to the Witch of Greed!”

“Which is public knowledge now, it seems…”, you mumble.

The blonde woman clenches her right hand into a fist and she pumps it energetically.

“People should love each other! That’s the solution for all the troubles in the world! I’m Minerva, the Witch of Wrath! I’m glad to meet you in person, Subaru!”

“I like you already, Minerva. It doesn’t hurt that you have the body of a model, or how I imagine a model would look in person. I’d love to shake your hand, but you’d have to find mine first.”

Typhon lets out a noise of indignation.

“What did I tell you, Baru? No mouth for you.”

Something detaches in your face. It must be your mouth, because everything under your nose and above your chin feels hollow. You have lost the sense of taste, and you don’t feel the saliva in its cavity. You are surprised that you haven’t bled to death, nor had a heart attack because none of the things happening to your body make any sense.

Minerva narrows her eyes at Typhon, while her nostrils widen.

“You dare hurt Subaru further in front of me! You are the worst, Pride!”

“Oh, I’ll have you know that I’m still the best! The best! Wouldn’t you agree, Baru?”

You make a point of narrowing your eye that shows the child in its field of view. The little shit knows damn well you can’t say a thing.

“I won’t let you get away with this, Typhon!”, Minerva shouts while tears keep jumping from her eyes.

“How many times do I need to tell you to be careful with people’s feelings!? You have no right to hurt others!”

“I need to know if people around me are evildoers, and to what degree. You know this, Minerva! I can’t have them getting away with being evil.”

“You’d do well to listen to someone who has more experience than you do, kid!”

“We are both more than four hundred years old, though.”

“I’m still older, and I have accrued more life experiences! I’m telling you, breaking people apart is a bad thing, especially someone you’ve just met!”

Typhon frowns, clenches her fists and stomps on the ground.

“You’ve always been like this. Why am I even friends with you?”

“Because the pair of us can’t exactly be choosers when it comes to allies! We are both outcasts, and we have to help each other out! Now, I suggest you return him to normal or I will keep demanding you do so!”

“No, I don’t wanna. He hasn’t learned his lesson! He had icky thoughts about you the moment he saw you!”

You want to say that you couldn’t help it, nor wanted to, really. But you can’t say anything without a mouth.

“I’m not mad about that, people can have whatever thoughts they want!”, Minerva shouts as she keeps pointing an accusatory finger at Typhon. “Hurting people, that’s a different matter! You better make this right or I’ll be this close to never forgiving you!”

Typhon looks away, then snorts as she crosses her arms.

“You are one to talk. You want nothing more than to punch and headbutt people.”

“I may have done some questionable things in the past, but I have never outright hurt someone like you do! Turn him back, Typhon!”

“No! People need to be punished for their bad actions!”

Minerva groans loudly, then turns toward you and glares murderously at what remains of your face.

“Alright, then! I will do it myself!”

The Witch of Wrath stands in a fighting stance. She pulls her fist back while eyeing you as if she’s targetting your forehead.

You want to scream, you want to ask for mercy. This witch who a moment ago was defending your existence suddenly intends to obliterate you. You don’t understand anything.

She leaps towards you while launching her powerful fist. You close your eyes. The moment her fist connects with your forehead, you feel whole, standing on your legs. The shock almost makes them buckle. You stagger around for a moment while balancing yourself with your arms, which you have regained as well.

Minerva holds her fist in front of her as if she’s checking if she’ll need to punch you again, and although she’s frowning and tears run down her cheeks, she’s as close to satisfied as you have seen this strange person.

Typhon shakes her head.

“Why did you have to get involved, Nerva?”, she complains with a teary voice. “I wasn’t doing anything wrong!”

Now that you have a voice again, you want to take the opportunity to defend yourself.

“Please, girls, let’s forget this regrettable incident.” You focus on Minerva, who looks back at you with her beautiful light blue eyes, like the water in a pristine lake. You walk up to her and offer your hand to shake. “I’m so glad to make your acquaintance, Witch of Wrath. Not only you look so fucking good, but you also prefer to put me together instead of breaking me apart. That makes you a winner in my eyes.”

Minerva wipes the tears from her eyes. She doesn’t stop frowning, or can’t, as she grabs your hand and shakes it while squeezing it strongly.

“I apologize if I seem a little angry! I can’t tolerate people hurting others, it gets on my nerves!”

“Don’t worry, I can tell that being furious is your niche. And man, you are as sexy as they come, aren’t you.”

Typhon stomps on the ground and clenches her teeth.

“Baru! Don’t say such icky things to my friends, I’m telling you!”

“If you don’t like it, then go away”, you say, barely glancing at her. “Sorry, Witch of Pride, if you have a problem with me having naughty thoughts, you might as well never share a room with me, because I’m made out of little else than naughty thoughts. If you took them out I’d become an empty husk.”

It seems that you won the argument, because Typhon pouts, walks away and vanishes as if she exited the death-dream.

Minerva smiles back at you, even though it looks malicious due to her frown. She gives your hand a final squeeze before letting it go.

“Typhon might be a dragon in a dress and I a lion, but you are a cat, Subaru!”

“I’ll take that as a compliment. You are too kind, Witch of Wrath, healing me through a righteous punch. I’m sure that if I ever get to leave this death-dream, I will remember you fondly. And not only because of that appetizing cleavage.”

She pumps her fist.

“Hah! You’d better remember!”

“I was supposed to meet Daphne, the Witch of Gluttony that you must be familiar with. Any tips on how to face such a terrifying prospect?”

She lowers her head while glaring fiercely.

“A-ha! Daphne is a real monster, but you are not! Just face her with the courage of your convictions, and I’m sure she will be just as charmed by you as I am!”

A smile grows on your mouth. You put your hands on your waist.

“Thanks for the advice. You remind me of my senior servant, if she were nice. It’s too bad you are dead, Minerva.”

“You look like you mean that, so I’ll take it as a compliment! I’m sure we would have been friends! Now, I have taken too much of your time! I hope we meet again, and remember to be fair and kind to people!”

“I intend to…”

You wave as Minerva turns around and walks away. When she vanishes, you feel sad.

As you turned to walk to your chair, Echidna is sitting in the shade of the parasol. Staring back at those black eyes with vertical slits fills you with such relief, it’s as if you came home after a long day at work. You sit down slowly while the Witch of Greed regards you with an apologetic expression.

“I failed to predict how eager Typhon was to meet you. She was waiting for the defenses to wane so she could take a good look at you.”

“It’s fine, really. I got to meet two interesting new people.”

You take a sip of your now tepid tea. Echidna rests her cheek on her hand and observes you with curiosity.

“You are something else, Subaru. Typhon’s black-and-white thinking led to that child breaking you apart, and yet your mind has recovered entirely. If anything, you seem more energized now. And I got to witness again how your psyche uses your sexuality as a defense mechanism. The moment you got aroused by our relentless paladin, your mind integrated the uncanny events without issues.”

You open your mouth to answer with the first thing that comes out naturally, but you realize that you are looking at someone whom you attempted to pleasure orally, and she’s pointing out that you just ogled at some other witch’s attributes.

“I apologize if me finding Minerva sexy bothered you, Echidna. I assure you that didn’t lessen how fascinated I am by your witchy self.”

She raises her eyebrows and sighs.

“I can see that you have a preference for the body type, and that’s fine by me. A lot of men seem to have a thing for dominatrixes.”

“I doubt that a dominatrix who healed people whenever she hit them would have a successful career. However, you are wrong about that. I want nothing more than sweet, loving intimacy occasionally accompanied by being murdered. That blonde hottie wouldn’t provide any of that. I was going to say that the prospect of it would make her angry, but I suppose that winning the lottery would make that one angry as well. You people have some burdens to bear with those curses you have been born with.”

Echidna takes a gulp of her tea. When she lowers the teacup, she turns her head slightly to the side and closes one eye as she looks at you.

“However, you did make me feel like a woman again, a flesh and blood female, by stimulating me to such an extent, but later on you salivate for a different woman. That’s a very mean thing to do, Subaru.”

You clear your throat. You can barely hold her gaze.

“You know, Echidna, I might have been cursed myself at birth to incarnate some horniness-related ideal. Have some sympathy for a fellow sufferer.”

She narrows her eyes at you, then puts her head down and chuckles.

“That’s true. It probably means you’re in more pain than even me. I’ll give you that. We are stalling, though. Our intention here was to summon the thorny witch of Gluttony, so you could figure something out about how to defeat at least one of her children. I’ll open the barrier again, and this time I will take extra care in making sure that nobody else interrupts your meeting. I can’t wait to witness how you deal with Daphne’s peculiarities.”

You shift your weight on the chair.

“You know, I feel we have been very lucky that more troublesome witches, one in particular, hasn’t taken the chance to confront me in your death-dream.”

Echidna nods slowly with a knowing, serious look.

“You are right about that. During this session, the Witch of Envy has attempted repeatedly to break into my death-dream.”

Your throat closes, and when a noise of surprise escapes your mouth, it sounds strangled.

“What!?”

“Special defenses, remember. Her insistence worries me, but she won’t succeed when I’m restricting access to the death-dream this much.”

“Somehow that doesn’t soothe my worries in the slightest. I’m guessing plenty of idiots in this fantasy world of yours had issues with you because you are a witch, and a powerful one at that, but I can’t imagine you doing something like what that traitorous Witch of Envy did to me: moving the return point so I couldn’t save the love of my life. That’s fucked.”

Echidna looks down at the grass for a moment.

“You wouldn’t hear pleasant words coming out of my mouth if I were forced to speak in depth about the Witch of Envy. She ruined my life. Ended it, in fact. But let’s forget about anything else that doesn’t relate to you meeting our Daphne for the first time. You will face a witch that won’t trigger your psyche’s main defense mechanism.”

You swallow your sudden anxiety.

“You know, I can appreciate some portly bodies.”

Echidna chuckles, a low sound.

“I’m sure you do, but I’m afraid that doesn’t apply here. Stay strong, Subaru. I’ll see you on the other side.”

You keep holding Echidna’s gaze in the vain hope that it will prevent her from leaving you, but as if she had been an illusion all along, the lovely, black-eyed Witch of Greed disappears leaving behind an empty chair.

Roleplaying through “Re:Zero” with the GPT-3 story generator (Part 63)

This entry covers part of the eleventh volume of the original “Re:Zero” novels.

In the previous entry, our protagonist failed to push the button of the magnificent Witch of Greed, Echidna.


Echidna turns to whisper in your ear, and her warm breath makes you tingle.
“When I want to get away, I love to float like this and think about how many wonders out there remain to be discovered.”
You whisper back, not wanting to disturb this moment.
“Echidna, you are more bewitching than any of the stars there.”
She chuckles, but then taps you on the chest as if asking you to stop.
“You need to learn how to focus, Subaru, if you want to overcome your many trials. And I’m certainly not talking about the ones I set up. So think about the troubles you have gone through, and how I could help you.”
You rub your face, but your quickened heartbeat makes it hard to think properly. Not to mention that you want to stop thinking and just turn around and make love to this black-eyed loon. But you end up gasping and lifting your head enough to stare at the witch properly.
“Oh, shit, you know everything! How do I bring Rem out of her coma!?”, you say, your tone becoming desperate, your desperation turning into a childlike hope.
Echidna narrows her eyes. She swallows, then looks around as if disappointed with herself.
“That couldn’t have started worse, but it’s on me. I aspire to know everything, Subaru, but I don’t magically know the facts of this world. I have my means, such as my perfect recollection of every image and thought that has entered my mind, and through the trials I can absorb the memories of the participants. Just imagine if everyone in the world went through my trials… My point is, I do know, or used to anyway, more than any other being in the world. As the affliction that landed your girlfriend, or your first one I guess I should say, into a permanent sleep was a mystery without a solution, back when I was alive I researched the subject and even had a patient to test my theories on. But I never found the cure. I’m… sorry.”
You stand there motionless as you stare at her, but when you realize how ashamed she looks, you kiss her white hair and rest your forehead against her temple.
“Don’t worry. It’s obviously not your fault. It just confirms what I already knew, that bringing Rem back is going to be nearly impossible.”
“I suspect, however, that whoever inflicted this condition should be killed to undo the damage. It smells like a sustained spell. It might be that the culprit has evaded retribution for hundreds of years.”
You perk up, and nod vigorously.
“Killing people solves most problems, as usual. We’ll have to keep working with Crusch’s crew until their spy network finds a lead, because we certainly can’t rely on the intelligence networks of our household.”
“I’m sorry that my mood has turned somber”, Echidna says gravely. “There are few things I hate more than not knowing something, and particularly disappointing someone who needs to know the answer as well.”
“It’s alright, Echidna. I’m the one who is sorry to have soured your mood like that. After all, my whole intention for this meeting was to please you, as I will replay in my mind the next time I go to bed…”
“I know all about that, so I can’t expect anything else. But remember, you need to focus. What else could you ask me?”
You tap on your lips as you stare at the faint glow of distant stars.
“Well, Garfiel we could handle if we avoided misunderstandings… You know Garfiel, don’t you?”
“… Yes, I know all about him. I hold his memories, after all.”
“That’s right, he attempted your trial and failed it catastrophically, I’m guessing!”
“That poor tiger boy wasn’t strong enough to stick around and listen to someone’s last words. He might never find the strength to do so, no matter how much he needs to. After all, he is already the strongest man in the world.”
“You don’t seem to like him much.”
“Garfiel bores me. There are nearly infinite interesting subjects in this world and others, and I must deal with limited time and energies.”
“Very well, the mansion, then. Do you know any of those two contract killers? I’m guessing they were born after you died, right?”
Echidna sighs. You don’t want to keep piling up topics that will reveal holes in her knowledge. You have fallen hard for this dead witch, after all.
“They must have, yes”, Echidna says. “However, that blue-haired girl is clearly a beastmaster. Some talented people were, back in my time. They can command monsters. Simple concept, but very effective. They tend to travel around gathering the most dangerous ones. A child, though… No child should run around collecting weird creatures.”
“I’ve been collecting weird people ever since I came to this world.”
“You are obviously a special case, both in talent and… Hmmm, let’s leave it at that.”
You laugh nervously while Echidna smiles, but as if she just thought of something troublesome, her smile fades and she narrows her eyes.
“That Elsa Granhiert… is interesting.”
“She’s a fucking sexy bitch.”
“That too, but it is interesting how she has potential to be an even bigger bitch. I can see her leading an army of undead troops to lay waste to the kingdom in a fit of rage and vengeance. Maybe even an army of wraiths. Yes, that girl shall certainly rise to power.”
“You’re awful at being reassuring.”
“I’m being realistic. Now then, let’s get on with your next question.”
“I won’t have issues with any of our people left behind in the mansion, I don’t think, except for Beatrice. And she’s a great spirit who doesn’t seem to care much about the world that came to be after the last Apocalypse.”
You don’t want to keep the witch’s delicate face out of your sight, so you catch how she tightens her lips and looks away, as if the kooky librarian was a compromising subject for her.
“She’s a good girl. Never did anything bad, in fact, she actually did nothing at all except exist.”
You turn towards Echidna on your invisible hammock, and put your hand on her opposite cheek so she stares straight into your eyes with her black irises and pussy-like pupils.
“Oh shit, you did know Beatrice from the old world!”
Echidna’s snow white skin blushes as if you touching her cheek and asking about the librarian from up close is an excuse to shove your tongue into her witchy mouth. And maybe it should be.
“I better know about Beatrice”, Echidna says with a voice tinged with regret. “I’m responsible for her being in this world.”
You take your time closing your mouth. That fancy butterfly brooch in Echidna’s witch, the butterfly-shaped irises that Beatrice’s eyes display, that single-minded devotion for this presumably great Mother that the librarian hadn’t interacted with in a long, long time. And Echidna’s rosy lips look so welcoming from up close.
“I want to either point out that you must be that Mother person, or I want to hug you tightly while my tongue plays with yours.”
Echidna shakes her head while deep in thought, but then she smiles warmly at you, looks down at your lips and touches your lower one with her index finger. Your heart skips a beat, and you end up holding her fingertip between your lips and licking it. It tastes like finger.
“I don’t know how much you’ll retain from my words now, Subaru,” Echidna says with a low, alluring voice, “but I am indeed the person whom that great spirit refers to as Mother. I told her not to call me like that, though…”
Echidna doesn’t pull her index finger away from your mouth. Instead of that, she slides her fingertip along your lower lip as if tracing it, while she looks down at your mouth with her glistening black eyes.
You swallow. You shouldn’t want to get another erection, particularly when there’s nothing but blue balls in your immediate future.
“Why didn’t you want Beatrice to call you Mother? She must have been contracted to you, right? Puck, that missing cunt, also developed a made up familial relationship with Emilia.”
“I didn’t think I would be good mother material. I find myself quite flighty, and my tastes are esoteric at best.” She chuckles to herself, and sighs. “But seriously, I was the first person that Beatrice saw when she opened her eyes, so she believed that I was her mother. A foolish child doesn’t distinguish fact from fiction. Even as the years passed, she continued to call me Mother… It got to be quite annoying, to be frank.”
Echidna’s pulls her finger away from your mouth. With that hand she touches your chest, and slowly slides her hand up and down. You shiver pleasantly from head to toe.
“Ah… Beatrice idolizes you, as you have seen in my memories”, you say with a thin voice. “Keeps going Mother this, Mother that.”
“You have met her, Subaru. Would you be comfortable letting people know she’s related to you to such an extent?”
“She does have a tendency of stuffing random people’s hands into her mouth… But you were the one who contracted her to take care of Roswaal’s library, right? After four hundred years living the hikikomori lifestyle while surrounded by moldy books, that would make anyone nuts.”
“Beatrice was already a kooky one when my body wasn’t rotting.”
“That doesn’t surprise me. But the whole business with the corpses in the library…”
“I don’t like that your tone suggests that I’m somehow responsible”, Echidna says casually.
“Well, it was your thing, wasn’t it? She said you were obsessed with dead people, and you were collecting dead half-beast villagers and keeping them for some probably unsavory reason.”
“Your suggestion is that I’m making zombies? Hmmm… It’s true that one of my interests is corpses, but I wouldn’t make zombies. They’re too much of a pain to control, and they’re not fun to be around.”
Despite her playful tone, you lean closer to her face to figure out if she’s joking. Also because you desperately want to make out with her.
“You have learned about zombies from my memories of the previous world, haven’t you? They were all over that place.”
“Now seriously… Beatrice got the wrong idea. I’m not obsessed with dead people, I wanted to become immortal. That’s why I studied those half-beast villagers. The corpses weren’t meant to be stored beyond their use in my research. That child bothered to preserve them for four hundred years because, as usual, she fails to understand things properly.”
“So you’re saying you didn’t make any zombies…?” You freeze, as a horrible realization just popped into your mind. “Wait a second, you keep referring to Beatrice as a child.”
“Yes, she is. Even if her mind has endured hundreds of years of this troublesome world, she’s still a child in terms of life experience. But you did fail to pick up on that.”
Your body goes cold, and you lie in silence for a few seconds. Echidna moves her hand up to your chin and turns your head towards her. You swallow.
“I have said terrible things to that child”, you say quietly.
Echidna chuckles, then tilts her head and combs her long, white hair behind her pretty ear.
“You say terrible things to everybody. That’s your niche.”
Your breath is thickening, and you don’t want to tear your gaze away from Echidna’s moist lips. It’s taking all of your willpower to prevent yourself from pulling this black-eyed witch towards you and tasting her saliva from the source.
“You want to have me so bad”, Echidna says while smiling appreciatively. “And it helps you avoid bringing up what you don’t want to remember.”
“Ah… I don’t deny that I want us to stop talking so I can undress you, kiss that whole pale body of yours, then play with your tongue as I push myself deep inside you. If you know what I mean.”
Echidna lets out a contented sigh, then touches the tip of your nose playfully as if you were an unruly child. She’s hundreds of years old, after all.
“I see that lying under the stars doesn’t have the same relaxing effect when you share it with someone your body wants to possess. Forgive me, I have been detached from people for a long time.”
“Oh, no, it has been magical, I assu-“
As if Echidna had pressed pause on your consciousness and then play again, you are now sitting at the tea table, and the tea you poured for yourself still waits hot in front of you. The Witch of Greed is sitting across from you. When she notices the disappointment on your face, she makes the expression of a mother who doesn’t want her child to cry because he can’t stay up after ten.
“I understand, Subaru, but you yourself know that engaging in sexual pleasures is your more recurrent technique to escape from your troubles. So is Emilia’s, it seems, so you have that in common. But you need to keep living in this world, and for that you’ll have to defeat enemies more dangerous than that ancient ghost you know as Petelgeuse.”
You agree sulkily.
“Right… the trials.”
“… My, that monster has truly done a number on you. You don’t think of my trials as your most difficult obstacle, Subaru. You just want to avoid thinking about your most scarring death.”
You shift your weight on your chair, then rub your eyes.
“Would you want to think about it? I have been disemboweled only for the person who did it to get off on playing with my insides. She even castrated me. That’s a single example of my horrible deaths, but I remember it somewhat fondly. And yet those monsters who ate me… I think you might have helped me more by rescuing me from my resulting mental state than anyone ever has.”
“You have no choice but to be strong to face the troubles that insist on coming your way.”
You take a sip of Echidna’s warm tea. It tastes like regular tea as far as you can tell. Why couldn’t she have masturbated into it instead?
“I suppose I’m not as mentally strong as I thought.”
“Really now? Considering you’ve been able to shoulder the deaths of yourself and those around you, I’d say you’re pretty strong. Anyway, I have a feeling that not everything has gone according your plans, and I think it’s time to give you a new one. That demon beast you came across is called the Great Rabbit.”
You sigh.
“Which of those little monsters is supposed to be the great one?”, you ask with a thin, tired voice. “All of them munched on my flesh and bones pretty competently.”
Echidna is staring at you with the closest thing you’ve seen in her to a professional attitude, like a scientist sharing information. You prefer the Echidna who lies on a rug and opens her legs for you.
“All of them are the Great Rabbit. They share a consciousness, even though it’s divided in many bodies.”
“So it’s like an ant colony, then?”
“Not even. They don’t need to share information through pheromones. They truly are a single brain sending information to different bodies.”
“Where is that brain located?”
“It’s just a figure of speech, Subaru.”
You were about to take another sip when your hand trembles, and you lower your teacup again.
“How could nature produce such a monster…? Your world is a fucking mess.”
Echidna smiles reassuringly.
“Don’t blame my world. One day, when you and I aren’t pressed for time, when we can truly talk in peace, I’d like us to share our thoughts about that previous world of yours. So many ingenious ways to compensate for the shocking lack of magic. It’s too bad that you were never interested in figuring out how to build one of those computers, although I doubt we could even develop the necessary industry to produce them. Nevertheless, I digress. The Great Rabbit isn’t an animal that nature gave birth to. It’s what you would call a legendary monster, created by none other than our Witch of Gluttony, Daphne.”
“What!? She didn’t have enough with bringing the White Whale into this world!?”
“Our poor Daphne doesn’t have enough with anything. She was born with the curse of permanent hunger, and it has twisted her mind in predictable ways. And neither did she stop with the Great Rabbit. I hope you never have to face the Black Serpent.”
You shiver, then hunch over and warm your hands with your warm teacup.
“I feel like I’m going to.”
“You might, but you aren’t right now. We still have a chance to address the root of the problem, head on. You know where the Great Rabbit is going to appear. That monster needs to die.”
“Can’t I just stay here with you and eat you out until my tongue falls off?”
Echidna blushes heavily, but then clears her throat against her fist and holds your gaze with difficulty.
“I’m sorry, I can’t let you do that, or at least I shouldn’t. This is a threat to the entire world, but more importantly for our current purposes, I can’t have it wreaking havoc in Sanctuary.”
“And you stopped me when I was about to play with your button, too… You are an even bigger masochist than me.”
Echidna smiles, then wipes a bit of tea that spilled on her chin.
“I know you quite well, Subaru, which is a benefit of being able to revisit all your memories whenever I want. If you allow yourself to falter, you will push yourself into a self-imposed loop during which you will keep saying that you’ll solve your seemingly insurmountable troubles in a future life. I can’t allow you to do that, I care too much for you. You will have my full support. You are my eyes and ears out there.”
Echidna’s words make you feel guilty. She has been trapped for hundreds of years. Trapped while dead, no less. And you want to avoid facing reality just because you risk getting eaten alive until nothing of you remains. More than that, though, you want to make Echidna proud. You wonder if people who believe in a god, or several, feel like this. You need to earn this impossibly powerful witch’s respect, and any way you could satisfy her would make you happy.
“Alright, Witch of Greed. I will do my best.”
A bright smile comes across her face.
“I knew I could count on you, Subaru. You are a unique person, a silly one who makes mistakes every now and then, but a good one. I’m sure that together we’ll crush our enemies.”
You want to reach for her pale hand, which is resting near her teacup, but you would have to reach over the table. Echidna must have read your intentions, because she tilts her head and smiles warmly at you.
“I have seen all your life”, Echidna says with a sultry voice that makes you tingle. “I could revisit it now if I wanted to. We are almost one, you and I.”
You swallow as your heart beats louder.
“You know that we can become one whenever you want”, you say with a low voice which betrays how much you want her.
Echidna gazes at you intensely. She’s sliding her finger slowly along the rim of her teacup.
“I’m sure us making love would feel wonderful, but I mean beyond that. I wish we would share the same body. We would be entwined as a single soul. I had never wished for that…”
You want to smile, you want to come up with a clever answer, or at least one that would allow you to hear her pretty laugh, but you feel as if you aren’t looking at Echidna right now, but at the Witch of Greed. She desires you in a way that would consume you, and that gushes out of her abyss with a strength that dwarfs her towering intelligence. Although you have accepted yourself as a servant of Emilia and her ambitions, you hadn’t yearned to serve the way you want to be of use to this black-eyed witch.
Your mouth is dry.
“I don’t know how to address such a naked declaration of lifelong love, Echidna.”
She breathes passionately. You feel the air around you grow warmer, more humid. Her eyes don’t blink.
“Love is too small for what I mean, Subaru. Or more appropriately, there isn’t a word big enough for what I want.”
Her expression can’t hide her deep-seated desire. She wants everything that is you, body and mind. And while you have often thought similar things regarding Rem, and Emilia, the difference is that both of them would settle for your heart, but never demand everything.
“I… look forward to knowing you more and more, Echidna”, you say with a voice that seems insufficient for the circumstances.
“Aww, why does that sound so formal? I know you can’t offer me your heart, but would it hurt to be more intimate?”
“If… if I drop my guard for even a second, I would lose myself. You are a lot, Witch of Greed.”
“You won’t. Trust me. You can freely give yourself to me. And I will offer you something now that you wouldn’t have access to otherwise. How about you have a chat with the artificer of your most troubling death so far?”
You are feeling light-headed, and for a moment you have no clue what she’s talking about. Then you don’t want to have a clue about what she’s talking about. You swallow and lean towards Echidna, resting your elbows on the table.
“Are you suggesting I speak with Daphne, the Witch of Gluttony?”
“Yes, yes. She’ll be the most entertaining for what you want to know.”
“As… As in she will be sitting there and I will have a face to face talk with the person who created both the White Whale and the Great Rabbit?”
“Daphne doesn’t sit anywhere. But don’t worry about the logistic details, that’s my job. Just relax and let me take care of everything.”
Your breath is thickening. The person who has created such monsters can only be a bigger monster. Are you truly going to attempt this?
“But… can I trust her?”
“Trust is such a strong word. How about hope? You can hope that she will be truthful to an extent that’s beneficial to you.”
You know full well that it’s unlikely that the Witch of Gluttony will tell you how to kill the Great Rabbit, but there’s no harm in asking… Unless the harm comes because she will eat you on sight.
Echidna has placed her hands underneath her chin and keeps staring at you patiently with her black eyes.
“Yes… I think I should take this opportunity”, you say with a raspy voice.
“That’s wonderful, Subaru. I’m very curious about how you will deal with her. Gluttony doesn’t have much on her plate right now, so she should be up for a chat.”
She moves her chair back as a shiver runs through your spine. Your throat tightens.
“Please, don’t use food-related analogies when I have to face someone cursed with permanent hunger!”
Echidna closes her eyes and giggles mischievously as her shoulders tremble. That annoys you. Surely she understands how much facing another witch of old, one who created such monsters, scares you, but maybe she knows that you have nothing to fear.
“Sorry, sorry”, Echidna says, amused. “But you need to know a few things. First of all, although your body rests at the antechamber of our tomb, your mind struggles to keep it together in a death-dream. I am helping you with my magic, but you always risk the possibility that your mind will face such an incomprehensible or non-integrable event that it will shatter. If it gets bad enough, you will never return to your body.”
You are getting colder and colder.
“I don’t know how to even begin to prepare myself for that.”
Echidna waves a hand dismissively.
“Ah, you will be fine. You have survived much worse. Very well, I will relax the defenses and invite Daphne to appear in my place. Alright?”
“Sure thing, Echidna…”
“Try to keep your wits about you. Two things to have in mind: don’t get too close to the Witch of Gluttony, and don’t look into her eyes for any reason. I will return to you later.”
“Wait, why shouldn’t I look Daphne in the eyes!?”
Echidna winks at you, then disappears. You are left with your mouth open, leaning towards the empty chair, and frozen in anticipation for the moment when the mother of the two worst monsters you’ve ever known appears.

Roleplaying through “Re:Zero” with the GPT-3 story generator (Part 62)

This entry covers part of the eleventh volume of the original “Re:Zero” novels.

In the previous entry, our unlucky protagonist got to enjoy a break with some cute little bunnies.


You are looking down at grass so green as if it came out of a painting. None of the fingers of your right hand are missing. In fact, you still have arms. You check what you can see of the rest of your body, but you are as healthy as you have ever been. Even more than that, you are calm as if you just came out of an operation where they pumped you full of morphine, and yet you feel completely lucid. You remember everything. A horde of monstrous rabbits devoured you to the last drop of your blood, and you lost your mind. There wasn’t the hint of a commanding center that could steer your consciousness away from insanity. Would that have been the end? No matter how many lives you live, how many times you die and get reborn, what use is it if you lose your mind? And how were you saved?
You lift your gaze and you see her. Echidna. The Witch of Greed is sitting on her chair in the shade of the parasol. She has prepared two teacups and a steaming teapot, and she waits for you to join her. You keep staring at the witch while an indescribable gratitude fills you. She’s as pale as the snow you waded through, but still not as white as her long, silky hair. She’s wearing an elegant funeral dress that only exposes her flesh from the neck up, as well as her hands. She holds your gaze knowingly with her intelligent black eyes that have vertical, white pupils, and her smile welcomes you genuinely, as if she had wanted nothing more than to receive you again.
“That death was unimaginably awful, wasn’t it?”, Echidna asks calmly. “You were quite lucky that you just happened to end up in a room where I could help.”
You swallow, and try to clear the images from your mind.
“I was… I had lost it, hadn’t I?”
“Oh, don’t worry about it, I’ve been there. Dying and seeing my corpse decay before my very eyes left an impression on me. It was such a beautiful, elegant body, too. What a waste. At least you don’t stay around for that part. But you’re here now, safe and sound, thanks to my mercy.”
Echidna gathers her long white hair in one hand. She lifts it slightly as she tilts her head, and lets the hair slide through her fingers.
“Unless my eyes deceive me,” you say with a deep voice, as your heartbeat quickens, “you haven’t lost any of that beauty.”
Echidna laughs, and her black eyes shine. She smiles displaying her pretty teeth.
“You jump so quick to praising the women you are attracted to, Subaru. Not everyone likes a flatterer.”
“I’m serious. Seeing your pale face fills me with such joy that I could take your hand and dance for hours in this fake world of grass.”
Echidna closes one eye to look at you coyly with her other one.
“Hmmm… That’s quite the declaration. But you have seduced with similarly buttery words all those other women who prevented your mind from breaking, haven’t you?”
“None other could have. That’s what you wanted me to understand from the beginning, right? There is only one Echidna, the Witch of Greed, now or ever.”
Echidna hums, her eyes narrowing. She moves her hair to one side with both hands, leaning her head forward and exposing her long, slender neck. Her head cocked to the side, she lets out a mischievous little grin.
“You always did have a one-track mind, didn’t you?”
“One when it comes to the best.”
“In all that praise, I haven’t yet heard a ‘thank you’, Subaru. As in ‘thank you from stopping my mind from breaking permanently after being consumed by the Great Rabbit’. I wouldn’t do that for just anybody.”
“That’s right, you wouldn’t. You are a witch of old. You have better things to do.”
“But I’m doing it for you. Why is that?”
As she speaks, her voice becomes lower, the sultriness of it washing over you. You are short on breath, even though you intend to speak normally.
“Because I’m the first guy whose memories you have taken full possession of who happens to be able to return to the past whenever he dies, I’m guessing.”
Echidna smiles, and puts her hand on her chest.
“You know me so well.”
You walk up to the tea table. As you stand between the empty chair and Echidna’s, she looks up at you with a wavering smile, as if she didn’t predict you approaching her this way. You put your hand on the table and lean towards her.
“Why would you erase yourself from my memories whenever I exit this grass world of yours, Echidna?”
“Does it really matter? Besides, it’s not like I erased everything. I still left you with some… experiences.”
You put your hand on Echidna’s, which she’s resting on the table next to her filled teacup. She opens her eyes wide for a split second, and separates her lips. Her hand is warm. You’d gladly hold it for the entire time you spend here.
“It matters because I don’t want to forget you, Echidna. I want to keep you in my thoughts, that I was able to look at your beautiful face, that I had great conversations with you, and that you saved my life.”
Echidna’s lips curl into a smile, and even though she looks as if she’s containing it, she blushes slightly.
“In my case, I’d love it if you could come back to me whenever you die, again and again.” She slowly lifts her finger, and touches your chest. “It’s done. I have rewritten the pact so you will never forget me.”
Echidna gives you a small wink while she blows on her tea, as if to tell you it’s ready.
You stand there overwhelmed. You haven’t lifted your hand from Echidna’s, although she doesn’t acknowledge it. She is a witch who has been dead for hundreds of years, but she has seen every single memory you have stored and she can likely revisit them with perfect recollection. Instead of fleeing from you in a panic, she rescues you from insanity and then welcomes you lovingly in her dream. Your heart is beating as hard as you want this woman, and you fear that if she offered you to stay with her in her death-dream forever, you would jump for joy.
Echidna has lowered her head and is glancing at you shily while bending a corner of her mouth in a smile.
“What will I do with you, Subaru, when you just stand there staring at me so intensely?”
“I was just thinking of how beautiful you are.”
Echidna puts her hand on her mouth as she giggles, then she lifts that hand to touch your cheek.
“Well, I suppose I am. But we share something more meaningful than beauty, wouldn’t you agree?”, Echidna says.
Against your will, merely to make it less awkward, you nod, pull your hand away from hers and sit slowly on the chair across the Witch of Greed. A thin vapor rises from the tea she has poured for you.
She rests her elbows on the table, which displays the vertical strips on the sleeves of her black dress, and she rests her face on her palms while her black eyes glisten.
“I prepared my tea just how you like it. You didn’t remember me outside of my death-dream, but I wondered if you would have missed sitting in front of me, lifting a warm teacup to your lips and tasting my special tea.”
“Well, it depends. Did you add your special ingredient?”
“Oh, you don’t have to doubt that I will always prepare your tea with special attention. I put some more of that special ingredient this time, just for you.”
Her black eyes shining, she lifts her teacup to her lips and takes a sip.
“In that case, Echidna…”
You lift the warm teacup to your lips and you drink from it slowly, without stopping, tilting the teacup until only the sludge at the bottom remains. When you put your teacup down and lick your lips, Echidna’s eyes are watery, her white pupils have dilated horizontally, she’s breathing harder through her mouth, and her cheeks have reddened.
“Delicious”, you say with a throaty voice. “I’ll have some more.” You grab the steaming teapot and fill your teacup carefully. “But you will grant me some more time to enjoy my second cup more leisurely, won’t you?”
She plays with a strand of hair to avoid holding your gaze.
“Y-Yes, you may take all the time you need…”
“Still, why go through the theatrics of salivating on the tea you so lovingly prepare for me, Echidna? I would go straight to the source of your bodily fluids.”
The witch gulps.
“You know how to make the heart of a long-dead maiden race, Subaru. Would you clarify what you are proposing to me?”
“Isn’t it obvious? You do know more than anyone in this world, don’t you, Echidna? Then say what I meant.”
Even though she can’t push her blush down, she smiles mischievously at you.
“Why, you want to drink my blood, of course… Though it would be simpler if you just said so.”
“Ah, I see how it is. You know how much I have enjoyed all that blood-sucking business. But I wasn’t going for that. So would you care to guess again?”
She looks away from you and her face becomes one big frown, though she’s also trying not to laugh.
“You… You want… To taste my blood…”
“I want to taste something of yours, for sure.”
“Then… Then you want… But we both know what you want, Subaru.”
You lift your ass off the chair, then reach with your hand to hold her chin and make her look deep into your eyes.
“Echidna. I want to taste your blood, your sweat, your saliva, your tears… I want to taste every single liquid and fluid in your body. I want to feel your pain and your pleasure. I want you to lie on the grass, pull your panties down and open your legs. I will eat out the cobwebs from your dried up pussy. I will lap up your witchy cum to the last drop. And I’ll want to do it over and over.”
You can feel her emotions leaking into your mind. The sensation of a small droplet of water rolling down your cheeks. She shakes her head, and you feel the pulsating pain coming from her through your link. She takes your hand that was holding her chin, and slowly lowers it down to the table, although she doesn’t stop touching it.
“You use some dangerous words, especially with someone who has been alone for far too long… Far too long…”
“I’m glad that I am able to stimulate you, and I would stimulate you much more.”
Echidna lifts her free hand to her breast, that her funeral dress hugs tightly, and swallows. Her rosy lips are wet.
“You must get such pleasure of saying bold things, don’t you, Subaru?”, she asks with a low voice.
“For sure! Being weird is one of the best pleasures of life. As for other pleasures, lie down gently on the grass and open your legs for me so I can make you live again.”
A bead of saliva is about to run down her lip, but she licks it and closes her mouth. She looks down at your hand that she’s holding, and she strokes it slowly with her thumb.
“You are saying some very bold things right now.”
“Have I said too much already? My feelings for you are no secret, certainly not for a being of such immense power. At this point you must almost be able to read my mind and know what I think of you.”
“Subaru, you have a girlfriend, who is in a coma. And you have a girlfriend, who is lying on the antechamber’s floor, and who has shared passionate moments with you even if her current self doesn’t know it.”
“You wouldn’t be jealous of Emilia or Rem, would you?”
She makes a pouting face, and shuts one of her eyes. She turns her head to the side. You laugh at her childishly cute reaction.
“That’s even bolder, laughing at someone who can crush you with a snap of her finger”, she says nonchalantly.
“But at this point I would be glad to be crushed by you, Echidna. Surely you understand that.”
“You do have such a concept as cheating in your world. That much I have seen.”
“Yeah, it’s not good.”
Echidna looks up at you with her cheeks still red, but frowns in amused disbelief.
“But that’s what you are proposing by wanting to take care of this maiden’s long-buried longings, aren’t you?”
You don’t want to pull away from the warmth of Echidna’s hand, but you rub your chin with your free hand and think about it.
“Yeah, I don’t know why it doesn’t feel like cheating to me. It might be a complicated matter. The reality is that I want you to melt in my mouth as a gesture of genuine love and gratitude, instead of something sexual.”
Echidna’s cheeks blush even harder, and she hides her face with her free hand.
“I don’t believe there’s a world in which licking someone’s genitals to give them an orgasm wouldn’t be considered a sexual act. And you say it so calmly… You’re not at all hesitant like you were with the other two.”
“Well, in any case, have that in mind. If you ever want to get your pussy eaten, give me a call.”
She lowers her palm along her face, and her fingers linger on her lips for a moment. She can’t bring herself to look you in the eye.
“I hold all of your memories, Subaru, and I still can’t tell if you are serious. That’s how much of an enigma you are for me. And it just happens that mysteries make my heart race…”
You lean towards her blushed face, and you get to see those beautiful, delicate features that much closer.
“I don’t know either if I’m serious or not. So how about you lie on the grass, pull down your panties and we find out?”
She remains in silence for long seconds as she breathes heavily through her nose, and her heartbeats pound loudly in the artificial silence.
“Alright.”
With an immediate and decisive answer, she releases your hand, stands up and walks away from the tea table. With a snap of her fingers she materializes a fluffy, very comfortable looking rug which covers a patch of grass. She sits down on it, facing you, and leans back against the rug. She lifts the side slit of her funeral dress so she reveals her long, thin and snow white legs, befitting a princess locked in a tower.
You bite your lower lip while your heart jumps on your chest. You have no clue how you can have an erection in a death-dream, and although you are glad, the crotch of your pants is complaining about it.
Echidna slides her black lace panties down to her ankles, and then parts her legs a bit. You can’t see her pussy from your position, but you can’t wait to taste it. The open skirt of her black dress flows along with the wind, almost as if it’s a bridal gown. Echidna holds your gaze with her glistening black eyes, beckoning you to get closer.
“Come on over here, let’s get started.”
“Sorry, I can’t hear you. My raging erection is giving me tunnel vision.”
Echidna giggles quietly, taking one hand out of the slit of her dress to cover her mouth while her shoulders bounce lightly.
“I’m the only thing that matters in front of you, am I not?”
“I can’t think of anything else that would matter now.”
With a mischievous smile, Echidna parts her legs a bit more. She holds her black dress to her stomach with her other hand, giving you a full view of her damp pussy and beautiful legs. As you walk slowly towards the devil without moving your gaze away from that delicious meal, for a moment you are a bit disappointed that it didn’t turn out that Echidna had some weird pussy like a horizontal one or something crazier, but it doesn’t matter. Those rosy lips hugging that welcoming button on top are all you need in the world. You aren’t surprised that her pubic hair, which she hasn’t trimmed for a long time, but that still doesn’t suggest four hundred years of growth, is white as well.
“Come on, Subaru”, Echidna says with a sultry voice. “Do we have all night?”
Crouching down, you are now face to face with Echidna’s womanhood. Her overwhelming scent fills your nostrils, and you feel the heat coming from her, so hot as if it intended to scorch your skin. You stare into her vaginal opening, which from this angle and position it looks like a flesh version of the witch’s pupils. You won’t be able to hold her gaze the same way again.
You swallow before you start drooling, and then with both hands you caress the interior of her thighs slowly and lovingly, as if kneading her flesh. Echidna closes her eyes and lets out a sigh of pleasure.
“How bad do you want it, witch?”, you ask with a low, hungry voice. “How much do you want me to take care of that delicious pussy of yours over and over?”
“Mmmm, so much… You don’t even know how much I wish for that, Subaru”, she replies, her legs a bit shaking from the pleasure.
You lie on your chest and scoot closer to the warmth emanating from her insides. You caress along the sides of her waist, sliding your hands under her dress. You kiss and lick the pale skin of her inner thigh as you trace a slow path towards her pussy.
“Tell me”, you whisper.
“I want… I want you to need me… to love me… to be mine forever.”
You spread the lips of her pussy and move closer still, breathing in and out while feeling the intense heat of her core warming up your face. Her scent is making you light-headed.
“Forever, huh?”, you murmur. “As your personal slave…?”
“Nnhh… We’ll see… we’ll see.”
Threading your fingers through her pubic hair with one hand, with the other you wet your fingers with her warm juice, and slowly move in for a lick. Echidna arches her back and grabs your head with both hands, pulling you into her as her feet curl up.
Echidna sighs deeply, but as the tip of your tongue is about to touch her clit, you cannot move your face any closer. It’s as if an invisible barrier was holding you in place. You look up, thinking that Echidna has moved her hands to your forehead to push you, although you would have noticed, but she’s still holding your head as if to pull you closer. Still, you can’t reach further. A drop of your saliva falls from your tongue on her drenched insides, and Echidna lets out a soft moan.
“Ah… We have learned so much, Subaru”, she purrs.
You retract your tongue. Even though Echidna is running her fingers through your hair, you don’t like one bit that finality in her voice.
“We still have plenty to learn, Echidna”, you say almost out of breath.
The witch’s eyes glow with pleasure as she stares down at you with trust and love. She’s smiling as if she just came, even though she prevented you from even trying.
“I know we do. And our experiment was such a success. I have learned so much from myself, and from you. Despite my reservations and pretensions, plenty of them born because I have been trapped for hundreds of years, I yearn for this intimate touch with someone who would love to please me. I am a woman, I am alive. I am so grateful that you showed me that, Subaru.”
“I-I can show you much more than that! I will eat you out so good that it will send your spirit straight to heaven! I will make you see the light!”
“Ah… That interests me. The act of sex is to reproduce, but even without that, we humans find so much joy in it.”
“Just let me get a little bit closer, for the love of God.”
Echidna chuckles softly, then lets out a long sigh. She moves her hands to your cheeks, then caresses them lovingly as her gaze moves on your features.
“No, no… The love of the gods has abandoned us both.”
You frown, wondering what she means. Her pussy is still warming your face, her rousing smell filling your nostrils. Your dick hasn’t gone down a bit, and it must be leaking pre-cum. The blue balls for this one are going to kill you.
“Echidna… Is this another one of your trials?”
“In a way, everything is a trial, just not one as formal or as purposeful as the ones that lift the barrier of Sanctuary. Please, Subaru, tell me. I’m very curious to know how come I saw you hesitate so much in getting involved romantically with Rem and Emilia, and yet since you entered my death-dream I have seen nothing in your eyes but the wish to please me entirely.”
Echidna sits up, her calves still resting on your shoulders as she looks down at you. Her eyes analyzing your every thought.
You close your eyes, then you lower your hands to her thighs and use the inner part of one as your pillow. Your dick is squeezed against the ground.
“You know, back when I only thought about loving my Rem forever, I punished myself for every thought about touching other women, even if my subconscious produced them by itself. And my subconscious produced them by the hundreds, believe me. I thought that if due to some horrible lapse of judgement I let myself cheat on her, I wouldn’t be able to survive psychologically. My mental stability has always been precarious, and to keep going I have to be able to stand on platforms such as ‘I’m not the kind of man who would cheat on the love of his life’, or ‘I won’t eat human remains’, or ‘I will never have sex with the precocious trainee despite her skimpy outfit and that in my mind I keep confusing her name with Lolita’. We need those kinds of maxims to survive in society, even though the society I have ended up living in is nuts. But… unfortunately I discovered that I can survive, remain sane, after committing the worst sin in the world, and carrying on regardless doesn’t seem so bad anymore. Does that make me stronger, Echidna?”
Echidna combs her waist-long hair with her hand while looking up at the clouds, deep in thought.
“I don’t know. I’ve never thought of myself as strong, just lucky. I’m just a girl that was given powers beyond imagination and a broken brain to use them.”
You hide your face with the witch’s thigh.
“You remain coherent even in the midst of your overwhelming compulsions, so that alone makes you a role model for me.”
Echidna giggles as she runs her fingers through your hair.
You sigh deeply.
“If I want to be real honest with myself, maybe I don’t even want to pursue the next intriguingly pleasurable shot of pain, nor wear my willpower down to nothing by saving the people I like over and over. Every aspect of my personality is just a symptom of my overpowering need to devour pussy, hence how I ended up hiding my urge to cry against the thigh of a witch that has been dead for four hundred years.”
“I understand”, Echidna whispers.
“Maybe you could help me with that one last compulsion.”
“We cannot do it, Subaru. Not in this place.”
You separate your face from her warm thigh just enough to see Echidna’s expression. She is running her fingers through your hair slowly while she holds your gaze with an expression of unconditional understanding, as if she were your loving mother. Your penis isn’t sure whether it should soften or harden. You swallow.
“There would hardly be a more suited place for us to enjoy some naked romance while rolling on the grass, possibly downhill.”
“I never really thought about having sex in the outdoors before… but then I suppose I never had such a beautiful partner to do so with.”
“You are really not making it any easier that I cannot lick you dry right now.”
Echidna clicks her tongue.
“Ah, I know…”, she says as if she isn’t the one preventing you from eating her out.
Echidna motions for you to lift your head off her thigh, and you are disappointed that you can’t enjoy her warmth any longer, but the witch slides down next to you and puts her arms around you. You hold her waist and put your head against her chest. Her dress smells like an antique shop, but it’s not unpleasant. You sigh, then relax your body. This feels real nice. It’s hard to believe that your body remains in the cold, dark world outside, waiting for you to fly back into it.
“Subaru… We can’t satisfy our sexual needs with each other because you forgot something vital about this place”, Echidna says softly.
“I don’t know what it could be. Your pussy was as real as they come, except that this one wouldn’t come!”
Echidna chuckles.
“I’m very, very serious. Think about it.”
“You mean the witches’ tomb itself?”
“That’s right. It’s in the name, isn’t it?”
“… Sorry. Most of my blood isn’t reaching my brain.”
“It’s fine. The plural in the name isn’t a misnomer, Subaru. The same way my spirit remains restless, so do theirs.”
A cold shiver runs through your body, and before you know it you have sat up. Your current world is an ocean of grass in which the swollen waves are frozen, allowing the lovely Echidna to set on the top of them her tea parties enhanced with saliva. No sign of any voyeur witches.
“Are you suggesting that the other witches of old are here, and I just can’t see them?”, you ask quietly, even though any other witch present would have heard plenty of incriminating stuff.
“Correct. By binding all of our souls into the very tomb, they prevented us from disrupting their notion of how the world ought to be. But we have never ceased to think, to feel, to suffer…”
“That’s… that’s not natural.”
Echidna sighs, and sits up. She touches her fingers to her lips, then touches them to yours. Although you want so bad to kiss her, she wouldn’t allow it.
“But the worst punishment was locking us up for hundreds of years with each other”, Echidna adds. “I’m the only one who can create these realistic simulations, and the others can only enter them as long as I weaken the defenses. But I assure you, they have heard everything, they have seen everything.”
You gulp, and now you feel a bit sick.
“Even Satella…?”
Echidna’s expression sours as if she wished to never be reminded of the witch who killed her. The Witch of Greed sighs, then nods.
“I have special defenses set up for that one.”
You lower your head, trying to take it all in. You are already overwhelmed by the current witch of old. She’s capturing your thoughts and your senses. But a bunch of them you have never met have been looking into the scene as if from a sex shop booth, probably while touching themselves? It’s too much. And that Witch of Gluttony, who created the White Whale, is among them.
Echidna twists around and pushes you down playfully so you lie on your back, and then she lies next to you. You are staring at a perfectly blue sky as if Echidna didn’t add neither red nor green into the equation.
“Subaru, let’s forget about those girls for a while. You must have so many questions that only my knowledge can answer, isn’t that right? And you have spent all your time since you entered my death-dream trying to pleasure me sexually.”
“Which you appreciate, I hope…”
“Of course, but maybe we should focus?”
“I suppose…”
“Good. Ask away, you adorable little thing. Ah… But let’s first set the mood by gazing at the stars.”
You turn your head towards Echidna to figure out if she’s making a joke.
“The day is as clear as th-“
The death-dream goes dark, and the grassy ground ceases to hold your weight. Although you seem to be floating in a void, in practice something like an invisible hammock is holding you in place. Echidna, the Witch of Greed, leans against you from the side. She rests her temple on yours, and after she lifts a hand towards the black void above you and she snaps her fingers, an endless horizon of a myriad of stars, nebulae and galaxies lights up. The both of you are bathed in their distant warmth.
You want to choke up. You are holding on to the closest thing to a goddess you have ever known.

Roleplaying through “Re:Zero” with the GPT-3 story generator (Part 61)

This entry covers part of the eleventh volume of the original “Re:Zero” novels.

In the previous entry we witnessed Garfiel going through a mental breakdown, which is more dangerous than usual when the person in question can transform into a ginormous, unstoppable anthropomorphic tiger. Patrasche ended up allowing the protagonist to keep struggling for a bit longer. That ground dragon is the only innocent character in this tale.

This part is much shorter than the rest, the shortest in fact, because I have already written most of the following one and it turned out to be fucking long and had a different feel.


You are lying on a floor made out of lots of flat stones. You recognize it as the antechamber, but your body knows immediately that something is wrong. When you breathe, the air comes out as a fleeting, misty cloud, and then you feel the cold. It’s as if a winter has descended. Winter has never meant anything good in this new world of yours. The weather in Sanctuary didn’t suggest this cold, so either a lot of time has passed, or Emilia has died.
You sit up and hug yourself. It’s far too cold for your current clothes, and you can’t keep your teeth from chattering. The chamber is illuminated by the shafts of light the descend from the openings in the stone roof, but you notice that snow has amassed on the floor below the openings. Even if Emilia has died, and the world is on its way to another Apocalypse, you must have been out cold for a while.
You hide your face in your hands and try to focus on your situation. With every breath, a few of your ribs hurt. You must have broken some of them when you flew off Patrasche. Garfiel transformed into a gigantic, unstoppable tiger, and he killed Otto, he killed those villagers, he killed your Patrasche… This world needs to end already. It’s another failed run. But at least you will take the opportunity to figure out why the hell would it be snowing suddenly. If Emilia has died, you doubt it would have been by Garfiel’s hands, unless the hick bastard decided to turn around and massacre absolutely everybody else in Sanctuary. Would he have done so?
“Emilia?”, you find yourself calling out, but no reply comes back.
Your eyes are starting to burn, and you’re beginning to feel dizzy. You want to hold the half-elf in your arms and feel for a while that everything is alright. To do so you will need to die again, and you always hate to anticipate that incoming pain and in which form it will come this time. You are far away from that fancy suicide device back at the capital, and it’s not as if you can rely on the safe death that a gun provides.
From the feeling in your chest and the blurry vision in front of you, you can tell your heart is about to give out at any given moment. You stagger up while you grit your teeth. You will return to Ryuzu’s place, that nice Ryuzu that baked you cookies, and find out for sure if your Emilia is dead. When you confirm it, you will procure yourself one of the slow deaths by plunging a knife into your carotid artery.
As you walk slowly out of the antechamber and into the darkness of the stone corridor, you feel again that something isn’t right. Shouldn’t the trial have triggered? You should be experiencing the second trial of the three. Is this part of it? If as they suggested, the second trial represents the present, certainly struggling to deal with Sanctuary’s problems is one of the most pressing issues in your current life. You’ll keep that on the back of your mind.
You exit the witches’ tomb and shuffle up to the edge of the platform. The clearing as far as you can see is blanketed in glittering snow, and judging by how it has amassed against the trees, the snow must be shin-deep. The enclosing forest is topped with white. If you weren’t dreading that you need to kill yourself as soon as possible, and also you weren’t risking hypothermia if you aren’t suffering from it already, you would bask in the beauty of this wintry scene.
You jump off the last stone step to wade into the snow. With every third step you take, the snow rises above your ankle. By the time you’ve taken twenty steps it has swallowed your calves. The world is silent except for some occasional bird calls. All the previous times you ended up at the witches’ tomb you could rely on Otto’s carriage to return to the center of the village, but this time you’ll need to trek there on foot. You hope you’ll remember the way.
It takes you what feels like way too long to reach the first villager homes, farms and barns. You don’t see anybody. The barns and grazing fields are devoid of animals, and the only sign of life are the birds that move in the snowed canopy and that fly over the path. You don’t want to check any of the houses, because you don’t want to deal with any of the villagers if they happen to be huddled inside.
The church is one of the tallest structures in this part of the village, so you know you can head in that direction to find it. Once you spot it, you quicken your pace. Your teeth are chattering bad, your lungs tingle from the cold, your hands and feet are getting numb, snot is coming out of your nose. Living is such a bother. You are already aching for the all too short break of floating in that black bath of love, so you can glare with resentment, even though you won’t have eyes any longer, at that traitorous witch.
Once you reach what passes for the village square in Sanctuary, with both Ryuzu’s home and the church-like building in the background, you would have hurried to check on Emilia if it wasn’t because you see that there’s bunch of clothes strewn about the snow, as if someone had ran around to throw the laundry. As you get closer to one of those sets of clothes, though, it looks different. It’s as if a villager had fallen and his body had disappeared, leaving his clothes lying on the floor. You mess them a bit, to see if there’s a hint of any remains, but you don’t notice anything weird about the clothes beyond them being thrown outside and half-frozen.
The large door of the church is open, and you glimpse lots of either people or clothes gathered on the floor. You shiver in the cold and run towards the church. As you enter you hold your breath. Sets of clothes that had belonged to Roswaal’s villagers are gathered on the floor as if, again, their owners had just fallen and then vanished, leaving the clothes behind. You even spot the idiotic village chief’s wizardly robe.
Your heart stops for a moment. You aren’t going to find Emilia’s dress inside Ryuzu’s home, with the half-elf missing, will you?
You can’t think straight as you exit the church again, but some movement near the center of the square makes you stop on your tracks. A white rabbit seems to have emerged of the snow as if it had been burrowing under it. It looks very similar to the rabbits you knew, except for the solid red eyes and a small horn protruding from its forehead. The animal licks its paws, and when you let out a sigh of relief, it lifts its gaze as if it feared a predator. The white fur that covers most of its body is almost as clean as flour, without a single trace of dirt. The soft hair shuffles on its feet as it moves them on the powdery snow. The rabbit focuses its red gaze on you.
You find yourself smiling. Coming across a beautiful little bunny is the only nice thing that has happened to you recently. You trudge your way through the snow, with more difficulty because of how much your ribcage hurts than because of the depth of snow on this square, and you stop within petting distance of the rabbit. It looks up at you curiously while its ears twitch.
“Look at you, what a cute little fella! I haven’t had good experiences with horned animals in this world of yours, but who am I to judge about horniness?”
The rabbit licks its nose and hops a bit to the side. You crouch down as you prepare yourself to pet it.
“What is a cute little bunny like you doing in a place like this? Do you come here often?”
The rabbit hops a bit to the other side, and your hand hovers just out of reach from it.
“Come on, I promise I wont hurt you. Just let me touch you for a moment.”
The rabbit seems to consider it, and then moves a bit forward. You smile, and you reach with your hand to touch the fur of its head. A chill makes you shiver from head to toe as you feel as if you’ve lost a split second of your life. What just happened? Your right hand feels warm, and it keeps warming as something liquid runs down it towards your wrist. You look at your hand and it takes you a moment to register that the palm is covered in blood, and that both your index and middle finger are missing. You scream and stumble back. The blood from your hand makes it slippery and you fall on the ground.
The rabbit sits there looking at you, blood dripping from its mouth. You notice its teeth are unnaturally long, like fangs, but not normal ones. It hops forward with a grunt and bites on your right forearm with its teeth, piercing the skin through the clothes and sinking them into your flesh.
You push yourself with your heels while at the same time you try to kick at the monstrous rabbit, and when you land a hit on its belly, everything below where the rabbit was chomping on your arm tears off. As you scream, blood pumps out what remains of your right arm. The rabbit devours your detached flesh, including its bones, with a few chomps, and then runs around licking every pool and drop of blood as if cleaning the snow.
You stagger to your feet. You are surrounded by furry balls of white that stand or hop around in every direction of the village square. As gray patches grow on the edges of your vision, your entire world turns into dozens of pairs of red eyes staring at you on a white background.
Your legs wobble. You clench your teeth, fearing to make a single sound, but it’s no use. As if controlled by a single voice, every one of the dozens of rabbits that have emerged out of the snow bare their teeth and charge at you from every direction. You raise your remaining hand as if to beg them to stop, but an uncountable number of rabbits leaps towards you and shove their teeth into your flesh. You fall helplessly to the ground. There’s no popping sound when their teeth puncture your skin, but a slurping sound. It’s as if your body is a block of ice-cream, and the blood that spews out is as pleasurable as the sweet treat. The pain does not come immediately, and you just feel a tingling sensation all over your body, but when the shockwaves of pain do come, it’s along with visions of rabbits tearing off your feet, chomping through your thighs, burrowing into your abdomen, munching through your ribcage, pulling off your genitals. Tiny sharp teeth chew through your skin, shattering your bones. Viscous liquids are mixed together in a blender of sharp claws and jagged teeth grinding against fragile brittle bone that ultimately shatters like glass.
You are unable to scream, the only air that escapes is a stifled wheeze. The grayness you see at the edge of your vision begins to engulf your entire field of view, accompanied by a ringing in your ears. You feel the rabbits feeding on you from the inside, roofed by what remains of your ribcage. Other rabbits are biting your neck and your head, crunching bone.
The soft crunching sound of chewing, the sloshing of liquids being mixed, the disgusting squishing noise of your organs being rearranged. Your brain is fried by the excruciating pain. Your spinal cord is shredded apart, and your nerves are pulled taut like guitar strings. Your heart continues fluttering weakly in an attempt to escape the rigid cage that holds it still. With death approaching, you regret not telling Ram you were sorry. You regret not thanking Emilia for everything she’s done. You regret not being able to say one last goodbye to Rem, who surely…
In the blinding redness that your vision has become you get a glimpse of rabbit faces as they leap onto your head and munch on your face. You feel them plunging their teeth into your eyes and pulling them off, then burrowing further into your eye sockets. The front of your skull is punctured as they bore through. The lobes of your brain are torn as they pull outward, then the jelly-like insides are pulled out, scrambling and destroying the gray mass while they finish chewing through all the soft spots. The blood vessels in your brain and spine explode as you feel yourself falling into an endless pit of darkness.

Blackness all around. I can’t see them. Where are they? They are all over me. Something warm seeps into me. I need to escape. I don’t see the way. There’s nothing but blackness. What’s that shape? A woman. A woman with hazy, glowing purple eyes. She’s coming. She’s reaching towards me, her hands have claws. Stay away! Get away from me! Don’t touch me! No, I don’t want it! Get out of my face! I can’t move! I can’t feel my body! I can’t get away!
“I love you I love you I love you I love y-“
“Aaaggh! Help me! I can feel them, they are all over me!”
“I love you I love you I lo-“
“No! Get away! Leave me alone! They are eating me! They are inside me!”
“I love you I-“
“They are inside of my chest! They are tearing me apart! Get out! I need to escape! I can’t move!”
“I love-“
“No! Get out of my face! My throat! I can’t scream! No, not my eyes! They are tearing my face off! They are clawing crunching eating my skull! They are in my brain!”

You are lying on a stone floor. Your mouth is full of dust. You spit, then break into coughs. Where are they? Where have they gone? They aren’t here. I need to get away. You half crawl half push yourself up the ground to stand up, but there’s a body on the floor. A woman. You trip on the woman and fall on your chest. The pain makes you scream, and you scratch at your clotches so you can pull away those monsters from you. You can’t grab them, they are already inside. Why did they eat you? Why did this happen? I didn’t do anything. I didn’t deserve it. They tore me apart, every limb, every organ. They fed on me until I disappeared.
As your body shakes and you clench your fists against the stone floor, you voice escapes in guttural cries.
“Why!? Why!? Why!?”
Someone speaks in your head, with your own voice. You hear yourself saying a sentence that you hadn’t thought.
“I grant you access to my death-dream.”
Your eyes want to close. Your forearms fail to support your weight, and your cheek hits the cold flat stones. Everything goes dark.