Song “A Blind Girl’s Curse” from Odes to My Triceratops, Vol. 3

In case you don’t know, I recently released an album (of actual songs) named Odes to My Triceratops, Vol. 1, based on the nowhere-town adventures of amateur songwriter William Griffin, his blind love interest Claire Javernick, and his best friend the sentient triceratops Lorenzo (no last name), back when they were 12-14 years old. You can download that album here.

I’m slowly “remastering” the songs belonging to the second album in order to release it, but I came up with this new song, titled “A Blind Girl’s Curse.” It’s the current opener for the third (and last) volume of Odes to My Triceratops. I quite like it.

Lyrics below:

I met Lorenzo a long, long time ago.
Now he must be engulfed in flames.

Last week, Claire faced me again.
She’s blind, but she could see.
The way she stared at me,
I was sent straight to hell.

Claire’s home is empty.
She took my warmth with her.

She’s a seventeen-year-old slut
With no clue how to read or write.
One day, she claims to love you.
The next, she goes and kills you.

I like boys, I like boys,
I like boys, I like boys,
I like boys, I like boys,
I like boys, I like boys,
I like boys, I like boys,
I like boys, I like boys,
I like boys, I like boys,
I like boys, I like boys!

Motocross Legend, Love of My Life, Pt. 15 (Poetry)

You can read this novella from the beginning through this link.


In the chiaroscuro of the ultrasound image,
The thick, dark uterine wall encircled life within:
An oval head attached to a bean-shaped torso.
The fetus rocked softly, suspended in space-time,
Untouched by the chaos of the outside world.

In the shadowed profile of its face,
Gentle rises hinted at the forming eyes,
A nose, a budding mouth.
Trailing from the head, a line of vertebrae
Resembled a delicate string of pearls.
Under the insistent thump-thumping
That pulsed through the amniotic fluid,
A certainty branded itself on my mind:
This is my daughter.

I hovered near the ceiling of a delivery room,
Watching like a detached stranger
My wife’s sweat-sheened face,
Hair plastered to her clammy forehead,
Her chapped lips bared in a grimace.
From between the former lawyer’s thighs,
A midwife coaxed out our bloody offspring,
The seed that had germinated
From a lump of cells into a human
Destined one day to venture beyond my reach.

I paced our postnatal room
While I supported my daughter’s head.
A pink blanket swaddled her snugly.
Her skin, fresh off the factory,
Blazed with a rosy tint.
She smelled powdery and pure.
This baby resembled you, Izar:
She inherited your caramel-colored hair,
Your chocolate eyes, your carefree smile
That lightened the weight of the world.
Life still contained wondrous surprises.

In the master bedroom, while our baby slumbered,
I was drinking the sight of her flawless skin
When my aging brain craved the drug of pain.
I needed to stray out of this mundane refuge
Into the infinite darkness,
So I could resume speaking with the dead.
I slid the wardrobe door open,
Its rollers grinding against the track,
But the garments whose hems once draped
Over the moving box holding your remains
Now hung unimpeded.

I shifted aside T-shirts, shirts, and sweaters,
And found myself staring at an empty corner.

Could I have heaved the box out
Only to forget to put it back?
No, not once in all these years.
Frantically, I rummaged through the items
That could hide a moving box:
Unused bags, backpacks, travel suitcases.
I emptied the upper shelves,
Tossing aside old blankets and extra pillows.

I found my wife on the balcony,
Seated on a bistro-style chair,
Scrolling through her smartphone,
And taking a drag from her cigarette.
“Where is she?” I demanded to know.
Instead of chewing me out for my tone,
She kept her gaze glued to the screen.
The dying sun tinted her smoke blood-orange.
“Where’s who?” she asked dryly.
“You know well what I mean.”
“I don’t.”
My heartbeat rammed my ribcage.
“The box.”
“Box, what box.”
“The box containing what’s left of Izar.
The box you kept complaining about,
Arguing that it took up too much space.
The box you clearly hated.
Where the fuck is it?”

After my wife confessed,
The Earth halted its spin.
The distorted echoes of her voice
Resonated through my mind’s cavern:
“I dumped it all in the trash.”

Panic burrowed into my brain and bones.
I rushed out of the apartment,
Down the stairs onto the street,
And straight to the array of recycling bins.
No traces of you among the discarded:
A worn-out stool, a broken microwave,
And disassembled furniture.
The stench of rotting organic waste mingled
With the scents of hot dust and cardboard,
And the bins’ heavy lids clanked loud,
As I peered again and again into the gloom,
Desperatedly searching for a tape or a photograph.

“It’s useless,” my wife said.
She stood with her arms crossed,
But when our gazes met, hers flinched.
She spoke again, her voice wavering.
“I did it two days ago.”

Sharp pangs struck my racing heart,
And spread along my veins and arteries.
I staggered away from the recycling bins
As I struggled to breathe.

My wife’s caustic tone poured on my wounds.
“You’re not bringing that girl back to life.
You should have gotten rid of her stuff years ago
And allowed yourself to move on,
But it seems you derive sick pleasure
From self-flagellation.
It’s time to stop living in the past.
Focus on what truly matters, what’s real:
Your wife, your son, and your baby daughter.
I won’t stand by and watch you neglect us.”

My last vestiges of you, my Izar,
Still carrying the scent of a fallen star:
Figurines, comic strips I drew for you,
Handwritten letters, your motorcycle gloves,
Photographs, cassette tapes with our shows,
A T-shirt stained dark with your blood,
Teeth, bone shards, scraps of flesh,
Your foot severed at the ankle.

I would never hear your laughter again.

A silent bomb had exploded inside me,
Hollowing out a vast space in my core.
My knees hit the grimy pavement.
I clawed at my scalp as spasms rocked me.
“You’re gone,” my mind repeated again and again,
An alarm blaring against the bruised gray matter
Of a broken brain.

I don’t know how long it took
For me to hoist myself up,
Soaked through with cold sweat,
But now, a riot raged in my skull,
A cacophony of furious voices.
At the doorway of the nearby estate agent,
Next to its window flaunting dreams of elsewhere,
A young woman’s brow furrowed with concern.
Other stares pierced the back of my head;
In front of the mechanic shop,
Beside a car with its hood raised,
Two grease-stained men gawked at me,
The stranger unraveling in public.

If I abandoned my wife like she deserved,
I wouldn’t just break my son’s heart,
But also rob my baby daughter of a father.

Tears traced paths down my wife’s cheeks,
Leaving shimmering trails.
She controlled her outburst of genuine emotion
Behind the taut muscles of her face.
That glare alone was a silent rebuke
For managing to wring tears from her,
But I didn’t give a shit;
Whatever goodwill I had accumulated
Over years of a weary coexistence
Had switched off in an instant.
I wished I had never met her.

Despite my wife’s cracking voice,
Her words tore through the air like daggers.
“You’ve grieved for her longer than she even lived.
From the moment you first told me about that girl,
I knew I wasn’t the one you truly loved,
But I stupidly hoped I would be enough.
After all, I’m the one who stuck around,
Who gave birth to your children.
No matter how hard I tried to make you happy,
Nothing ever pleased you.
It’s always been about Izar, Izar, Izar,
That immature, reckless brat
With no care for the future,
Driven only by selfish whims.
You know it was the bitch’s own fault,
Speeding through the rain.
If she hadn’t gotten on that bike,
She’d still be alive,
Bumming off some poor sap,
And you’d have forgotten her by now.”

My body had flash-cooled
As if dunked in a tank of liquid nitrogen.
I struggled to process my wife’s words,
To believe she had uttered them.
I saw myself grabbing the abandoned stool,
And swinging it down on her forehead.
I pictured the shock in her eyes,
But before she could defend herself,
Before any onlooker could intervene,
Her skull would have cracked open,
Spraying splatters of blood and cerebral tissue.
Then I would have run, run, run away,
Fleeing from this rotten city to the nearest highway,
Where some truck wouldn’t slow down in time.

But no remnant of you existed anymore
Except in the molecules of my brain.


Author’s note: today’s song is “Shine a Light” by Spiritualized.

Life update (04/27/2024)

As of today, I’m thirty-nine years old. Most people out there seem to want to celebrate their birthdays, but I don’t: every passing year, I feel increasingly worse regarding my age. In a very real way, mainly due to my neurological handicaps, I doubt I have aged much mentally and emotionally beyond eighteen years old. I didn’t expect to live past that age either. But I find myself as a middle-aged person who others have unironically referred to as a “gentleman.”

I have felt sick for the last two or three days, as if I’ve been beaten up, but I can’t tell if I have caught something or it’s just the mounting stress. Apart from issues at work that refuse to get permanently solved and that keep me dreading the next time some issue will pop up, one I will have to figure out how to solve, I have been put in charge of the maddening task of having to replace about 960 printers in the whole hospital complex. This happens every four years or so due to the contract that our health organization has with the company that supplied the printers. The last time one of our technicians was put in charge of it, he looked miserable every single day, and by the end he refused to continue working as a technician for the hospital, choosing instead to do administrative work somewhere else. I don’t even have that choice, as I can’t speak Basque.

A few days ago, my boss and I received the delivery driver who was supposed to bring the first batch of printers. The company, instead of hiring a regular van dude, sent a truck driver. He barely filled one-fourth of his trailer with our hundred printers, and his gigantic vehicle struggled to maneuver through the inner roads of the hospital complex. We ended up blocking traffic for a while as we hurried to unload the pallets of printers and guide them through the corridors and elevators to the second story of a nearby building, to put them in storage. Turns out that the stacks of printers didn’t fit through some doors, so we found ourselves having to dismantle the stacks and remove the printers one by one. As someone with a heart condition, this isn’t something I should be involved in, but someone had to do it.

So, starting from this Monday, I’ll find myself, an autistic man who can barely tolerate interacting with human beings, in charge of two younger technicians to coordinate going from department to department convincing the users to let us replace their printers. And because human beings are exasperating like that, I’ll have to deal, as I’ve had to already, with the usual, “If you’re changing the printer, why don’t you put a color printer instead?” and “Now that you’re here, you should solve this other issue I have as well.” Some users engage you in conversation because that’s what they’d rather do other than work. The more I deal with human beings, the more I’d rather live in the middle of nowhere, growing and raising my own food.

I daydream often about vanishing from the memories of everyone who has ever known me, and for situations in which I’ve been involved to get magically reorganized so that I wasn’t present. It would be such a relief if nobody knew I exist, if I could just drift from place to place anonymously. Nobody would demand from me more than I can give. In such daydreams, however, I tend to end up shacking up with some wealthy mommy type who’d take care of everything in exchange of regular intimacy. As a thirty-nine-year-old man, such a woman would be a bit younger than me, but in my daydreams I’m younger as well.

What else can I say? I may be depressed at the moment. I’ve been begging the spider goddess to let me die already, but I suppose I have stuff left to create. Other than being left alone, losing myself in creative endeavours has been my main need in this stupid life. I can’t produce songs for a while, because I hit the monthly output limit, but I have progressed a bit more on my novella about a long-dead aspiring motocross rider, a story that apparently nobody likes.

Anyway, I’ll have to keep my head up and force my aging body to perform what’s required of me.

Release of album Odes to My Triceratops, Vol. 1 (v2)

On April 14th, I released my first album of AI-generated songs based on a peculiar story I wrote in 2021. It told the tale, primarily through song lyrics, of amateur songwriter William Griffin from his tween years to his untimely departure, as he experienced his youth in a nowhere town alongside his best friend Lorenzo, who’s a sentient triceratops, and his blind next-door neighbor slash love interest, Claire Javernick. William is obsessed with dinosaurs, is significantly unhinged, and lacks conventional talent, but compensates with passion. Witness his fumbling attempts at meaning, his mixed metaphors, and his contradictory statements, on this 22-song wild ride of an album.

Link to download the album

I wouldn’t have been able to produce these songs if it weren’t for the magnificent AI service Udio.

Songs contained in Odes to My Triceratops, Vol. 1:

  1. Lorenzo
  2. Lemonade and Willies
  3. Tricera Troubadour
  4. Playground of the Prehistoric
  5. Dinosaur Carnival
  6. Claire
  7. Tricera Girl
  8. Better Dead Than Blind
  9. I’m Cactus
  10. Who Even Knows What Girls Like?
  11. Claire With a C
  12. Part Goldfish
  13. Let Me Eat Your Stuff
  14. Fairy Tale Too Real to Be
  15. Eat Your Friends
  16. I Am Your Stegosaur
  17. Ceratopsy
  18. Ponopodon Blues
  19. No Magic Potion
  20. Helpless and Pure
  21. Please, Play with My Guitar
  22. The Burning Heart Inside Your Throat

Changes from the first release:

  • I removed the songs “For Claire, Who Can’t Read” and “Wait About a Month for Love,” as I found myself skipping them while listening to the album. I didn’t consider the lyrics good enough to rework them into better songs.
  • I rewrote the song “My Friendo Lorenzo” and renamed it “Playground of the Prehistoric.”
  • I added the songs “Tricera Troubadour,” “Dinosaur Carnival,” “Claire,” “Tricera Girl,” “I’m Cactus,” “Who Even Knows What Girls Like?,” “Eat Your Friends,” “Ceratopsy,” and “Ponopodon Blues.”
  • I reordered the songs to improve the progression of events.
  • I messed with the volume of some songs.

Perhaps I will rerelease this album in the future, but for now, I can’t figure out what new songs to write for it, and I’m already deep into volume two.

Here you can listen to some of the songs contained in this album, in case you think that AI-generated songs must sound like garbage.

“Tricera Girl”:

“I’m Cactus”:

“Ponopodon Blues”:

Motocross Legend, Love of My Life, Pt. 14 (Poetry)

If you haven’t read all the previous parts or you don’t remember them well, I urge you to read this novella from the beginning (link here).


My wife unclasped her bra and peeled it off.
Her twin globes of fatty tissue
Draped, swayed, and settled.
My mouth watered and my crotch tingled
With the beastly urge to grab that flesh,
Making it spill through my parted fingers.
I needed to feel those nipples hardening
Under the swirling tip of my tongue.

My intense gaze met my wife’s,
That narrowed in anticipation
Of another verbal brawl.
Her guarded posture loosened.
“See, you can still lust.
You’re not a zombie after all.”
As she tugged down her panties,
Her silken curls flashed a glimpse
Of her slit’s pink promise.

Although we resented each other,
We both needed to escape
From our exhausting existence.
Naked save for our wedding rings,
We immersed ourselves in carnal delights
To drown our frustrations,
Exploiting the mechanisms crafted by nature
To convince its slaves wordlessly,
From humans to the most cretinous creatures,
That their lives should revolve around sex,
Sex, and more sex, lest the species perish.

Instead of making love,
We tangled, grappled, and clawed
Like starved dogs devouring a meal,
Both reduced to incoherent strings
Of grunts, gasps, and cusswords.
Flesh smacking against flesh,
Neck biting, hair pulling,
Nails raking across my back,
A hand tightening around her throat.

Once we achieved our release,
We lay on fevered, rumpled sheets
Coated in the sour smell of sweat.
My mind was bleached blank.
As my wife drew deeply on a cigarette,
I surrendered to the afterglow,
Letting it slide me into sleep.

My wife suggested a family outing
To a self-serve Chinese buffet in Oiartzun,
On a whim, I thought, without ulterior motives.
The chilled air around the food counters
Smelled of herbs and spices from meat marinades,
Complemented by the briny scent of fresh seafood.

Amidst the din of hungry patrons’ conversations
And a pop tune piping through speakers,
I fished my meal out of gastronorm containers:
Skewered meats coated with a paprika marinade,
Slices of pink chicken, fatty cuts of beef,
Squid with their tentacles entwined.

Life itself dished out pain like a relentless rain,
So we drugged ourselves with our bodies’ rewards
For stuffing nutrients into our gullets,
And yielding to the innate urge to procreate.

As my son poured soy sauce over his sushi,
My wife rested her elbows on the table.
“Haven’t you two wondered why we’re here?”
My son and I, both chewing, glanced at each other.
She smiled, and pointed at him with chopsticks.
“Little man, you’re gonna become a big brother.”

I choked on a bolus of beef,
And gulped water until I stopped coughing.
While my eyes had teared up,
Hers, hard chunks of obsidian,
Drilled into me expectantly.

I always made sure to wrap it up,
Leaving the slim chance of an accident,
Or the prick of a needle.
Regardless, my wife’s aging womb held within
A new life destined for this ruined world.

“I-Is it a boy or a girl?” my son asked.
“Too early to tell.”
“So, like, I’ll have to share my room?”
“We’ll see. Dad, any thoughts?
Are you going to congratulate us?”
I stared back in stunned disbelief
As cold panic bubbled in my bowels.
She pinched a rice ball with her chopsticks.
“I’m keeping the baby.
You can either stick around or leave.”


Author’s note: today’s song is “Angel” by Massive Attack.

In case you have missed this story (although I doubt many are reading it), you may have noticed that I’ve been busy making songs. As an obsessive, single-minded maniac, once I sink my claws into something, it’s very hard for me to focus on anything else, even my own survival. However, I’ve made sure to progress daily on the story, and I fully intend to finish it. Besides, the AI service that allows me to produce studio-quality songs has a monthly limit that I’m about to hit, so I’ll have no choice but to return to writing fulltime something other than silly songs.

Song “Ponopodon Blues” from Odes to My Triceratops, Vol. 1

In case you don’t know, I recently released an album (of actual songs) named Odes to My Triceratops, Vol. 1, based on the nowhere-town adventures of amateur songwriter William Griffin, his blind love interest Claire Javernick, and his best friend the sentient triceratops Lorenzo (no last name), back when they were 12-14 years old. You can download that album here.

I’m strengthening methodically the first volume for the rerelease (one of a few) by removing some songs, redoing one, and writing entirely new songs. The following song, one of the last in the album, renders the way William takes rejection.

Song “Tricera Troubadour” from Odes to My Triceratops, Vol. 1

In case you don’t know, I recently released an album (of actual songs) named Odes to My Triceratops, Vol. 1, based on the nowhere-town adventures of amateur songwriter William Griffin, his blind love interest Claire Javernick, and his best friend the sentient triceratops Lorenzo (no last name), back when they were 12-14 years old. You can download that album here.

I’m strengthening methodically the first volume for the rerelease (one of a few) by removing some songs, redoing one, and writing entirely new songs. The following one, titled “Tricera Troubadour,” renders William’s and Lorenzo’s childhood antics before a girl came into the picture.

I’m burning through Udio‘s monthly output, so I may only have two or three songs more to create before I find myself helpless.

Song “I’m Cactus” from Odes to My Triceratops, Vol. 1

In case you don’t know, I recently released an album (of actual songs) named Odes to My Triceratops, Vol. 1, based on the nowhere-town adventures of amateur songwriter William Griffin, his blind love interest Claire Javernick, and his best friend the sentient triceratops Lorenzo (no last name), back when they were 12-14 years old. You can download that album here.

The following song, that will be included in the next release of the first album, delves into young William’s private struggles.

Song “Tricera Girl” from Odes to My Triceratops, Vol. 1

In case you don’t know, I recently released an album (of actual songs) named Odes to My Triceratops, Vol. 1, based on the nowhere-town adventures of amateur songwriter William Griffin, his blind love interest Claire Javernick, and his best friend the sentient triceratops Lorenzo (no last name), back when they were 12-14 years old. You can download that album here.

These last few days, I’ve been relistening to my AI-generated songs almost exclusively, in the album’s order (both the first and the unreleased second one). In the first album, I noticed myself skipping certain songs. No reason to include in an album songs that I’d want to skip over, so I’m considering redoing some songs and moving others to a B-sides album thingy. In addition, I’ve written a couple of new songs for the first album, that I will include in a future re-release (one of a few, I’m guessing).

Anyway, here’s the sole song I’ve managed to produce today, titled “Tricera Girl.” It renders William’s infatuation with his next-door neighbor shortly after meeting her. I think it came out very well.