• Previous part (4)

Chieko flew us back in her pineapple yellow, antigravity car to the small town where she lives, and where the office of the SFPT that I know is located. I keep staring out of the surrounding windshield at the town, which has been built on both sides of a wide, winding river with fern green waters. I wouldn’t have considered this community a town. The buildings, which are megalithic, constructed from huge stone blocks, are distant enough from the rest as if they were farmhouses surrounded by grazing fields back in my native Gipuzkoa, but we keep coming across colorful flying cars, so I guess that the inhabitants of Mars walk around on the stone footpaths for leisure and exercise.
Both suns, the original and the one that Chieko called artificial, are dipping into the horizon, dyeing the sky in coral and watermelon pinks. I’m tired, my body is heavy. I feel my clothes touching my sensitive skin. I can’t remember how much I’ve cried, overwhelmed by having been rescued from a certain death on the old Earth. The gratitude I feel towards Chieko is an alien warmth in my heart that makes me feel like a bashful little girl. I can’t pay back what she has done for me, and I can’t live up to the artist she believes me to be.
Our ride through the sunset ends when Chieko points out that we have arrived at her place. She lowers her vehicle until the windshield shows an arched stone bridge that crosses the tranquil river, and beyond it a vast estate that features a garden with trimmed hedges, vibrant statues of human figures and animals, and a central ornate fountain that is shooting streams of water. The footpath leads into the two-story portico of a large villa that extends in colonnades to two adjoined buildings, forming a blocky ‘U’. The villa is also made out of huge stone blocks, but they are painted alabaster white except for the roofs that cover the colonnades, which are penny brown. It’s so fancy that I can’t close my mouth nor move out of the car seat I’ve sunk into, although Chieko has already opened a hole in the frame next to her seat.
“Chieko, you are loaded,” I say in a dry voice.
She smiles, but waves a hand back and forth.
“Oh, you have no idea how rich some people are. This is just a regular house.”
“I’m ready to marry you, just so you know.”
Chieko laughs and jumps out of the vehicle. I follow her down the airstair, then stand unsteadily next to her as I squint against the setting suns.
“Let’s get going, Izar,” Chieko says as she walks on the footpath towards the bridge. “I’m so hungry.”
I admire the white paving stones as we walk up the arc of the bridge. In the waters below us, I glimpse a couple of fishes swimming through underwater weeds. The greenery on the river’s edge has grown big and healthy. I hear the distant echo of a dog barking. I’m not surprised that these people brought dogs over, but I wonder if they get to live for hundreds of years.
As we cross through the garden, we pass by flower beds of bright yellow-pink flowers. Some look like daisies, and there are also violet and blue flowers that I can’t name. I feel like I’m walking through their scent.
“You must spend so much time tending to this place,” I say.
“What? Nah. The AIs trim these thick hedges, they make sure that the flowers don’t die, all that kind of stuff. Most days I barely notice they are there, to be honest.”
The cooling breeze blows water droplets from the fountain’s streams in my face, refreshing my skin. The central statue is a bronze, stylized fox, depicted as if it represents a deity.
As we approach the large portico, I spot a man jogging in the shadows of the colonnade leading to the front door. I’m startled, but in a couple of seconds I realize that he must live with Chieko. When he notices us, he stops. Once we stand in the cool shadows under the ceiling of the portico, I look up at the tall man, who holds my gaze with his brown, slanted eyes. He must be around a hundred and eighty-five centimeters. His face, which is beaded with sweat, looks like he’s in his mid twenties, but that might mean little around here. His hair is apple red, short, thick and unruly. He’s wearing a simple T-shirt and shorts, although their fabric looks expensive. By how vigorous the man seems, he must work out regularly, and knowing that the inhabitants of this new reality also run for exercise comforts me.
The man wipes his nose with the back of his hand as he recovers his breath.
“You brought your new friend over without giving me a heads-up,” he says with a deep voice. “That’s really rude, Chieko.”
“Oh, shut it!” she answers good-naturedly. “Don’t listen to him, he already knows I was working on your case.”
I bow slightly. I feel like I’m intruding in the lives of rich people when I’m just a peasant.
“Nice to meet you. I guess you already know that I’m Izar, that I come from the past and all that… Are you Chieko’s husband?”
The man makes a dismissive wave with both hands.
“Izar, you have screwed up your introduction. What a way to give me a bad impression! Me, Chieko’s husband!”
My rescuer lets out a noise of dismay. She shoves the man’s chest, but he barely budges.
“You know that she just found out about this society! Damn idiot…” She looks at me apologetically. “This is my brother, Yuichi. We both live here. He’s usually nicer when you get to know him.”
Yuichi smiles thinly, and bows his head.
“So, are you going to live with us for a while?” he asks me.
I look nervously at Chieko.
“I think I’d be a burden, but…”
Chieko grabs my shoulder and narrows her eyes at her brother. I can’t tell if she’s actually mad or if they are used to interacting like this.
“Yes, you know that’s the standard practice. A representative takes care of the artist they bring over from the past, until they can live on their own. And I would have invited her to live with us anyway if I had found her living in the streets!”
Yuichi rolls his eyes.
“That means close to nothing. When was the last time you saw a homeless person on Mars? But I guess that Chieko needs someone to share the workload with. Don’t worry, we’ll keep you fed. I can’t imagine what the people in town would say if we allowed a servant to starve.”
I’m smiling like an idiot, unable to defend myself or contribute to the conversation. Chieko puts her hands on my shoulders from behind.
“No workload of which to speak! I have barely done anything but laze around recently. C’mon, you just keep running! We are getting in and replicating some food.”
When Yuichi gives up and continues running, Chieko pushes me gently towards the front door, which is made of some smooth, brown metal. She presses her hand against it, and the door opens inwards.
We enter the cool house, which smells like leather and saffron. A low-key jazz song starts playing from somewhere deeper within the house. My gaze is glued to the floor of the foyer, which is a mosaic of carefully laid out pieces that display beautiful scenes, in reds, yellows, whites and blacks, filled with Japanese imagery: white-faced ladies wearing yukatas, the silhouettes of traditional Japanese houses, heroic images of samurai. Areas of the large mosaic also show depictions of animals. Maybe I should already expect to find arresting masterworks wherever I go in this society, but my brain has a hard time associating this artistic display with someone’s home.
Chieko grabs my hand, and then swings my arm as if we were both children. I’m getting dizzier and a heat is rising to my cheeks as I walk further into the large space. I may be staring at the central room of Chieko’s house: it’s an atrium bathed in pinkish light. The beams come down from the skylights built into a vaulted ceiling made of stone, that wouldn’t have felt out of place in a cathedral. The slanted beams of light from the sunset are bathing sofas, hammocks, dining and coffee tables, a structure that looks like a chimney, and some isolated machines that resemble game consoles or ovens. Flowerbeds and water gardens are arranged near the furniture.
The illuminated space is about four times larger than I would have expected even a luxurious living room to be. You could play a sports match in here if it weren’t for all the obstacles. All the walls are covered in kaleidoscopic frescoes that represent scenes both from ancient myths and from either my era or one that came after, because I recognize the skyline of modern cities from my original present, as well as spaceships. This living room is ringed by an interior balcony. From down here I glimpse an arched gallery that must lead to bedrooms, offices and other personal rooms.
“Come!” Chieko says as she guides me around a tiny fountain towards a sofa. “You clearly need to sit. Let’s eat something, shall we? Or do you need to go to the bathroom first?”
I look at her nervously.
“Well… I don’t know… No, I don’t think so.”
If I were in my house, I would have emptied my bladder, because I’m feeling those two glasses of water that I drank at the SFPT office. But I need to sit down and figure out a way to stop my mind from reeling. When I sink into the sofa, the velvety fabric embraces me lovingly. Next to the gilded, pleated arm of the sofa, a cluster of red buds that have grown in a flower bed are wafting a sweet scent.
Chieko sits next to me, takes off her shoes and folds her slender legs so her bare feet rest on the cushion. She smiles at me and opens her mouth to say something, but I interrupt her.
“Do you have any clue of the life of luxury you and your people enjoy?” I ask in a weary voice.
Chieko shrugs.
“It’s a matter of comparisons, isn’t it? But yes, when I travelled to your era, I was shocked by how tiny the houses were, and stacked on top of each other! It was suffocating. You could hear the neighbors going to the bathroom, and could even make out parts of their private conversations! That couldn’t have been good for people’s mental health. No wonder people were so neurotic!”
I sigh.
“Yeah, I have always thought that living in cities, let alone in a metropolis, turned people crazy. We aren’t meant to live in such cramped spaces. But then again, it’s not as if we could have chosen to live in some better way. The Earth was vastly overpopulated, moving to the countryside was expensive, and everyone needed to get used to being a speck of dust that would likely amount to nothing.”
Chieko twists one side of her mouth into a grimace.
“I don’t think Earth has improved much in that regard. If you thought that it was overpopulated, if you see it now you may vomit. Truth be told, many of those people have never been ready to leave the nest. But thankfully we don’t have to worry about that on Mars, or other colonized planets.” She claps once. “So, are you hungry? Because I’m starving.”
I nod quickly.
“Sure.”
She turns to make eye contact with an oven-like machine that is propped on a stand.
“Replicator, we want your services.”
The indicators over the cavity of the machine light up in arctic blue, and to my surprise the machine lifts off silently and floats up to us, until it hovers a meter and a half in front of Chieko as static as if it was propped on an invisible stand. It reminds me of a butler, another one, waiting for instructions.
“Pay attention to this, Izar,” she says. “You’ll rely on the replicators and the decomposers to fulfill your basic needs, and you’ll also use them whenever you need to replicate objects like cutlery, clothes, books… Everything that could fit this cavity, really. These are the personal models. For cars, furniture and similar objects you go to a shop, because they own industrial replicators.”
I swallow, then nod. I stare at Chieko’s reflection in the reflective front of the machine.
“Alright, replicator,” Chieko says. “Recommend us a menu for dinner!”
The machine radiates a solid-looking beam of light that unfolds and spreads until it forms a mosaic of images, around thirty, which are as colorful and detailed as those in the computer screens with which I’m familiar. Each image shows a plate with food as they would appear in the menu of a restaurant, and the images also feature associated dishware such as bowls, saucers, glasses, spoons, forks… as if they came with the dish.
I point with a trembling finger at the options.
“Chieko, are you telling me that I can choose any of this food and it will appear in that cavity inside of the machine…?”
“You get it quickly.”
I rub my eyes.
“I don’t. I really don’t… How is this possible?”
“Don’t worry about that for now. As you know, you don’t need to understand how something works to use it! I wasn’t the one who invented this thing. Just order whatever, Izar.”
I take a deep breath and look over the options. Although I only recognize about a quarter of the food I’m staring at, my mouth salivates.
“Oh, that looks like pizza.”
“It certainly is. Cheese pizza in particular. The replicator always recommends it to me, because I love it. Have you ever tasted pizza before, Izar?”
“If I have… Nevermind, yes. Pizza sounds good. So how would I choose it?”
“Remember, the machines are sentient. Replicators and decomposers are silent by design, but they understand. So just tell it what you want.”
When I stare back at the replicator, I have a hard time believing, or facing, that a person is waiting for my order. I’ll need to get used to dealing with artificial intelligences, but thankfully that Guide showed me that I could make myself understood without issues.
I point at the image of the cheese pizza.
“Alright, then give me that one, please.”
The mosaic collapses, and the beam of solid light dissolves. As the machine hums, the cavity fills with a similarly opaque and featureless light, and when it vanishes, the inside of the replicator contains a steaming cheese pizza. Even a pizza cutter. The pizza’s crust looks so crispy, and the golden yellow cheese so thick and juicy, that my mind forgets its doubts and worries. I only want to fill my stomach with that impossible food.
The replicator’s cavity opens, which allows the pizza’s aroma to reach us, and Chieko pulls out the plate. After she leaves it on the coffee table, both of us are quick to grab a slice, which came pre-cut although the replicator also produced a cutter. When I bite and chew the morsel, my mouth fills with the expected taste of a cheese pizza. My shoulders relax.
“Chieko, you live in heaven,” I say with my mouth full.
“This pizza always tastes amazing, yes. The same as the pizza that was scanned to produce this blueprint. Not that I ever tasted the original pizza, but that’s the idea.”
After I finish eating my slice, I wipe off the juices left behind on my lips. I go for a second slice.
Chieko also orders glasses of orange juice. We eat as we lounge on the sofa. Night has fallen, and some floating orbs have switched on and are bathing us in soft white light. I’m so comfortable that I get mental images of kittens rolling around in their cat bed.
We finished eating a couple of minutes ago. My benefactress’ eyes have turned sleepy. After she picks up crumbs from her puff sleeve blouse and eats them, she leans back and offers me a tired smile.
“That’s all you need to know regarding replicators, I think. Now I’ll show you what you’ll do when you want to get rid of something.”
Chieko looks directly at the replicator as she addresses it. Maybe it’s necessary to make eye contact.
“Replicator, return to your stand, please.” As the replicator floats towards its stand, Chieko gazes at the similar machine propped up on a stand next to the empty one. “Decomposer, come here.”
The decomposer obeys like a pet. Although this machine’s purpose is the opposite of the replicator’s, its main difference is that the cavity is hidden by a round hatch. The machine stops a meter and a half away from Chieko, who gets off the sofa and puts the pizza cutter on the plate on which only crumbs remained. She adds both our empty glasses. She opens the machine’s hatch and leaves the plate inside. After she closes the hatch, she sits back down.
“Decomposer, destroy your contents.”
A round indicator on the front of the humming decomposer lights up in red, and a couple of seconds later it shuts off.
“That’s it,” Chieko says.
I have a hard time wrapping my mind around the fact that any machine could get rid of any object with such speed. This society must have solved the issue of the growing mountains of garbage, as well as the patches of plastic in the oceans.
“Doesn’t it worry you that someone could kill another person,” I ask, “dismember them, throw their remains into a decomposer and make them disappear?”
Chieko laughs merrily, closing her eyes and holding her hand against her mouth.
“Your mind goes directly to murder, huh?” she says. Her fingers flick outwards to open her palms towards me. “What a horror… You should want to help other people, Izar, not end them.”
“Hey, that’s a worry that anyone would have.”
“That’s why they built in a system that notifies the authorities in case it detects that it would decompose human remains.”
“Alright, so you future people haven’t outgrown homicidal impulses. You haven’t evolved that much.”
“The animals that evolve to outgrow violent impulses get killed by those who didn’t. Isn’t that the case?” Chieko replies with a smile.
I realize that jazz was still playing in the background when it stops abruptly, and gets replaced with music similar to soft rock. I’m confused for a moment, because Chieko didn’t order it, but a more important question pops up in my mind.
“How does this replicator of yours produce objects from zero? Are the raw materials inside the machine? Even 3D printers from my era needed some sort of cartridge.”
“It makes a request for the needed periodic elements to the deposit that every town has. We pool those resources together, it’d be too much of a hassle otherwise. They get sent through quantum teleportation.”
“Of course, it had to have quantum in the name.”
“Haven’t you both gotten comfortable,” Yuichi’s deep voice reaches us from behind.
Chieko and I look over the back pillows of our sofa. Yuichi must have taken a shower, because his thick, wavy red hair is combed back and damp. He’s wearing a grey sweat jacket and sweatpants. His sweat jacket features the drawing of a multi-limbed mechanical being with a red cape. I won’t try to deduce what it represents.
He struts to the replicator, which is resting on its stand, and tells it to produce his usual protein shake. In a few seconds he’s holding a metallic-looking, opaque flask. He approaches the armchair closest to us and plops down on it. As he unscrews the cap of his bottle, he stares at me brashly as if he intends to challenge me.
“So, Izar, are you religious?”
Chieko lets out a noise of dismay.
“Yuichi! You barely know her!”
The man doesn’t tear his gaze away.
“When my sister told me that she had taken one of the rescue missions, I was sure that she would bring home some nut from the Middle Ages, or an Ice Age sculptor. I would find myself having to listen to that person freaking out and wondering how his or her god fit into this new world.”
“I see how that would be annoying,” I say. “I’ve never been religious.”
Yuichi sighs, then leans back on his armchair as if he figures he can relax.
“What century did you come from again?”
“Early twenty-first.”
Yuichi arches his eyebrows as he takes a big gulp of his protein shake.
“Was your era as terrible as we picture it from the surviving records?”
“I don’t know what you’ve seen. I’m sure that any other era looks like hell when compared to living in this town. But I admit that I didn’t enjoy living in my time. I dreaded that everything was going to collapse eventually.”
“To me, it looked apocalyptic,” he says with sympathy.
I let out a long sigh.
“What can I say, I’m glad that Chieko brought me here. I can’t begin to explain how safe I feel now.”
A cat-sized creature is moving close to a flower bed filled with purple and yellow flowers. I glance at it absentmindedly, expecting to see a cat, but my gaze falls on a sleek, metallic octopus that’s watering the flowers through its flexible tentacles. My eyes widen, but neither of the siblings pay the robot any attention.
“You are a writer, right?” Yuichi asks. “Many of those around.”
“Yes, and not one that deserved being saved. There were millions of writers like me in the world back then. We were lucky enough to get published, but didn’t sell enough to pay the bills.”
“Izar, you need to stop putting yourself down,” Chieko says, more upset than I would have expected.
I lower my gaze to my lap.
“It’s true. I have no clue why you saved me.”
“I don’t know why my sister chose you in particular,” Yuichi interjects as he smirks at Chieko, “but your heroine was motivated by procrastination. You have avoided a sad fate because Chieko couldn’t figure out what creative project to start next. That’s the truth.”
My benefactress looks down and fiddles with the corner of a pillow. More than embarrassed, she seems guilty. I reach over to put my hand on her arm. I don’t want the person who saved my life feeling bad about any aspect of her decision.
“She didn’t tell you that she had lofty, virtuous reasons for bringing you over from the past, did she?” Yuichi asks with some concern.
“No, she told me that she was going through a dry spell,” I say. I try to hold Chieko’s gaze, although she’s avoiding it. “I wouldn’t care if you rescued me because you were paid to do so, or because you wanted to impress someone. If it weren’t for you, I would be living in the streets, and in less than a week I would have drowned in the river. You were never clear about how, but I don’t care. My life is yours.”
Chieko mumbles something as she blushes. Yuichi snorts, then shakes his head.
“She’s charmed you already, huh, Izar? I guess you can’t help it. That SFPT, they are running the ultimate seduction scheme. You have no idea how many of the people they bring over here from the past end up naked in their representative’s bed by the end of the first day.”
Chieko straightens her back and glares at her brother.
“It’s nothing like that!” She looks at me. “You lack some qualities necessary for me to… feel like that about you.”
“Hopefully just the physical ones that I can’t change,” I say nonchalantly. “I wouldn’t mind if you intended to seduce me. With this new life you have given me, I should fall in love with you out of principle.”
Chieko sighs and rubs her temples with both hands. Her brother empties the bottle, then chuckles as he wipes his mouth. He leans back again, with one hand behind his head.
“You know, it might do you some good, Chieko,” Yuichi says teasingly. “It’s been too long since you’ve been with anyone.”
“H-hey. I don’t have time for boyfriends!”
“What do you mean? You barely do anything now that you aren’t working on new movies!”
“You know I’m going through a dry spell.”
Yuichi grins as if he was expecting his sister to say it.
“That’s what I meant, sis.”
Chieko snaps her head back and stutters her reply. I have been letting my weight sink into the velvety cushions and the back pillows for a few minutes, my stomach is digesting that delicious pizza, and now that the siblings have forgotten that I’m here, a smile tugs on my lips. Every other person I had met either walked past me, or proved to me that I should have kept hidden the most important parts of myself. But now I can close my eyes and let out a long sigh as a warm feeling spreads throughout my body.

Chieko showed me how to use the toilet, which works the same way except that it contains a tiny matter decomposer that takes care of the waste. We keep hanging out in the siblings’ luxurious atrium. By the time that Yuichi left to his bedroom, the skylights on the vaulted roof brimmed with stars. The floating orbs failed to illuminate the huge open room with their soft white light, so it felt as if Chieko and I were sitting on an island surrounded by darkness.
My benefactress guided me to replicate cotton panties, because I needed clean underwear, along with silk pyjamas, which were lemonade pink and shimmered in my hands as I ran my fingers over the fine and smooth fabric. I follow Chieko up the stairs to one of the guest bedrooms. Once she opens the door, I find myself staring at the most comfortable-looking and luxurious bed I have ever seen. The bedding set, which is embellished with gilded, royal motifs, is made of thick silk that overflows the mattress with a liquid feel. The four pillows resting against the headboard look so inviting that I want to run over and jump face down into them.
I close my mouth, then speak in a dry voice.
“This is ridiculous.”
Chieko places a hand on my shoulder, and my heart jumps. I feel every hair on my arms. I wasn’t kidding earlier: if she tries anything, I’m done for. Chieko is pleasant to look at, a joy to be around, and now that my heart stores nothing but boundless gratitude towards her, I don’t need much incentive even though I’ve never gone for women. Back on Earth I wanted to disappear; now that she has brought me over to this paradise, the notion of disappearing into everything she might have to offer is intoxicating.
“That thing on the double dresser is the multimedia center,” Chieko says, oblivious to the tingles running through my body. “Talk to it when you want to listen to music, watch movies, browse the net… Stuff like that. I’m sure you’ll figure it out. The gear to experience virtual reality is in another room, though.”
I turn around and look at Chieko in the dimness of the bedroom, only illuminated by the beams of honey-colored light coming out of two lamps on the nightstands. I stare for a couple of seconds at her apple red hair, gathered in two buns. I wonder what Chieko sees on my face. Even with both of us standing just a step apart, our personalities are standing on the opposite sides of a wall.
“I think that tomorrow you should take a walk around town by yourself,” Chieko says softly. “See the sights, focus on what interests you. People are friendly around here. And hopefully one of these days you’ll feel like writing again.”
“Yeah.”
We look at each other silently. While Chieko glances at the bed, I get the feeling that she’s unsettled, as we are both held hostage by this comfortable, secluded bedroom.
“You better get out of here, Chieko,” I say in a low voice. “I told you that I sink my claws in the people that I care about.”
She blinks rapidly and nods.
“Yeah, I’m feeling weird myself,” she says, befuddled. “Anyway, sleep as much as you want, alright?”
We say goodnight. Once she closes the door behind her and I hear her footsteps fading, I shuffle to the side of the bed and sit slowly on the mattress. I wait until my heart calms down.
I undress, I put on my clean underwear and I try on my new pyjamas. They feel like they float over my skin. I can barely tell that I’m wearing them. When I slip under the silk sheets and the comforter and then let the back of my head sink into the pillow, I feel ready to die. My old life, with all its troubles, has ended. I would be happy if I never had to move again. I wouldn’t think, I wouldn’t talk, I wouldn’t write. I would keep floating in a warm cloud and never worry about anything else.

Note from June of 2021:

Yesterday I went back to work, and this contract will last until the end of September. I’m not the kind of person that is happy whenever he’s able to work for others, nor do I understand that kind of slave mentality. My last contract ended on May 11, if I remember correctly, and in about a month and a half I wrote frantically a novel the length of 2.2 regular novels, as well as a few short stories and lots of poetry. Yesterday I barely managed to write anything at work, because they kept me walking throughout the hospital complex to fix annoying problems that nobody wants to handle, and by the end of the day I was exhausted and felt like shit, so my brain kept trying to convince me to lie in bed and just rest. That’s the routine that I’m terrified of returning to for the next months. I hate living like that when I could be writing otherwise, but like everybody else, I need to accumulate money.

Anyway, I have planned the rest of this novella, and I’ll finish it for sure sooner or later, even though I suspect that it barely works as a story. I’m having fun with it, and that’s what matters as far as I’m concerned.

• Previous part (2)
• Next part (4)

When I open my eyes, my gaze falls on a crack in the eggshell white ceiling. Dusty strands of cobweb span the crack near one end. For the second night in a row, a sheet and a duvet have kept me warm, and instead of being woken up by the laughter of children and nearby footsteps, it seems that my brain considered that the noisy toilet cistern from the upstairs neighbor was a threat. Or maybe it was time to wake up, because the morning light is filling the bedroom through the glass panes of the door to the tiny balcony.
Chieko, my benefactress from a faraway place, is gone. She fell through reality. And I bet that, as she assured me, whenever I walk into the living room, that opaque white doorway will be waiting for me.
In the kitchen, I prepare myself a coffee and I also grab some slices of salty ham. Chieko, or her employers, had stacked the fridge with groceries, although some of them will expire sooner than when the lease runs out. Also, the first time I entered the bedroom I found the apartment key next to a wad of banknotes, which looked as fresh and crisp as if they had been printed a few days before. A total of two thousand euros in tens and twenties.
Once my stomach starts digesting the slices of ham, I carry the steaming cup of coffee through the hallway into the living room, and I stand near the white doorway. It remains as lifeless as any other door. Nothing moves in this apartment but me and a couple of spiders. Although the impossible doorway doesn’t scare me anymore, it gives me the anxiety of a ticking clock. It would be nice to take advantage of this shelter and be alone for a few months, although I’m sure that I’ll feel as broken a few years from now. I want to lounge around thoughtlessly. Still, the money would run out eventually, and nobody will support me anymore. I’d need to find a job, at some office no doubt, and those nightmares would begin all over again.
For several minutes, while I sip my coffe, I observe the white void through which Chieko left. I barely got to know that odd woman, but now that she’s gone, the silence gets heavy and oppressive at times. She has abandoned me. No, she hasn’t, I barely knew her. And yet that’s how I feel. I miss her smile, those ostentatious dimples, and how much she cared. I finally met someone nice who wanted to help me, but she has disappeared in a more definitive way than the other people in my life had, even those who died. I get the feeling that unless I follow Chieko through the doorway, I won’t be able to find her anywhere even if I spent the rest of my life searching.
“Once I go through this doorway, I will never see this world again,” I mumble, repeating her words.
Why didn’t she stay and help me in person instead of giving me the freedom to choose? I’m tired of making decisions, of pondering what road to take. For years I focused on losing myself, on escaping reality, through fictional stories, and I left the technical details of how to survive in this world to my boyfriend. Maybe to a fault. I’m sure I wasn’t mentally present for plenty of it. I let Víctor worry about everything but cooking, and I would have gladly allowed cobwebs to grow in the corners of the ceilings. Maybe if I hadn’t lost myself into fantasy, if my living heart still beat properly, maybe he wouldn’t have stopped caring about me. I shake my head. No, nothing justified him cheating repeatedly on me. To break the covenant is unforgivable.
After three quarters of an hour standing there like a zombie, my brain gets tired of thinking about it and decides to wake up. I take a shower. I clean my skin with the amount of liquid soap that any other person would have spent in four showers, but during this past week I became self-conscious about my stink as if I was constantly trailing around a noxious cloud.
The first night I spent here, finding my clothes in the wardrobe of the bedroom should have astonished me. They are the clothes that I left behind in Victor’s apartment after I decided to become homeless, without any thought about how I would survive the following days. The only way I imagined that anyone would have retrieved my clothes involved Víctor agreeing to let those strangers in, but I stopped myself from trying to figure it out. Chieko, or Chieko’s employers, had produced a two-dimensional door that led to another world. I’m sure they had their peculiar ways of transferring my clothes to this apartment.
I put on some jeans, a short-sleeve V-neck blouse, and on top my favorite hooded knit cardigan. I don’t feel that it suits me well anymore, but it reminds me of sitting next to a window to write.
I test the key in the apartment’s door a couple of times, just in case I’m suffering a psychotic break and I’m still living in the streets. I can lock and unlock the door, so I should be able to return here after a walk. At this hour on a Thursday, beyond the regular traffic on this one-lane road, I spot delivery vans supplying shops, along with housewives and retirees walking around. The same old anonymous, monotonous parade. I saunter towards the parts of the Kursaal that show up at the end of the street. The slanted, translucent glass cubes stand against a porcelain white sky. Once I reach the intersection, I stop and take in the view. The line of flags that promote some event that the Kursaal is hosting are fluttering in the breeze. To my right, although the outside sitting area of some restaurants block most of the view, a wall-like, foresty hill blocks the horizon. Cars are passing in front of me in both directions. A couple of surfers are driving electric scooters, heading likely to Zurriola beach, which is located behind the Kursaal.
I feel unreal. Everything seems fake, as if I’m staring at a painting. These past two nights have granted me enough rest, and my mind must be detaching itself from this world that it had already relinquished when I became homeless a week ago.
I cross the street and I keep walking in front of the Kursaal until a flat view opens up, that shows the beachfront promenade and beyond it a band of steel blue water. I’m seeing myself from above as I approach the low wall that borders the beach. Tanned men and women, either barefoot or wearing sandals, are standing or walking on the sand. A muscled man wearing orange trunks is climbing the safeguard tower.
I won’t see this view, or any that I have stored in my brain, ever again. Whatever awaits me on the other side of that white doorway will become my new reality. I will follow the only person who cared enough to save me. I refuse to continue in this world that has thrown me aside so carelessly, and if it turns out that crossing that impossible doorway will kill me, then so be it.
As I rest my back against the low wall, I focus on whether I’ll miss anything or anyone of this world I was born in. As I got older, fewer and fewer people cared for my books, which were my only contribution. All these strangers walking around don’t glance my way; I looked my best in my mid twenties, too long ago already.
The breeze is cooling my face. It smells like salty water and crustaceans. My ex-boyfriend’s face pops up in my mind. All that’s left of those five years with him is bitterness and pain. I’m sure any of his other women will take his calls. Although I threw my cell phone in the garbage, I doubt he would have insisted on calling beyond the first couple of days otherwise. In any case, I no longer feel capable of loving people. It’s not worth the trouble.
I stare at the distant view of the hill, and how it slopes down until it ends in cliffs a couple of kilometers into the sea. I can make out the silhouettes of distinct treetops on top. What about my father? I haven’t seen him for years, since he started his new family. Even though I was older when he abandoned us, I always remember him as he looked when I turned my head towards him while I lay on the sofa of his office, back when I was a child. He wore his glasses when he went over papers related to his work in the publishing industry. He always printed them out, he hated reading them on a computer screen. Sometimes when I would ask him to tell me more about what he was looking at, he would just laugh and give me an offbeat smile. He has been dead, as far as I’m concerned, for a long time.
I never cared much about my mother. That day at the hotel, when she announced that she was going to move out with her boyfriend and her kids, she made it clear enough that I would become a secondary concern from then on. Still, she called me regularly, and I was the one who refused to meet her in person as much as she wished. I didn’t attend her wedding, and I’ve only met my half-brother a few times. Once I cross that opaque white doorway, I will disappear as if the earth had swallowed me up. My mother might have tried to contact me in the last week, but she never met my ex-boyfriend, so she wouldn’t know how to locate me. I picture her realizing that I’ve gone missing, that she will never see me again, nor will she ever find out what happened to me. I suppose that she’ll assume that I killed myself so proficiently that nobody would find my body.
My chest gets tight, and I’m having trouble swallowing. I close my eyes and breathe slowly. A black cloud is enveloping my heart. My mother will grieve for years. I won’t stick around just to spare her the pain of not seeing me again, but at least I want to let her know that it was of my own volition, and that maybe I moved out far away, somewhere I could be happy.
As I walk back towards my current apartment, I realize that I haven’t seen a phone booth in years, and I don’t want to ask a random stranger for his or her cell phone, mainly because I don’t want them to stand nearby as I have a difficult conversation. There’s a pub in the corner of the street that leads to my apartment. Its front is made of wood, and painted cobalt blue. I look in through the window. It reminds me of Irish pubs. The interior is dim, and at this hour there are only two customers, both retirees. One of them sips a beverage in a large pint glass.
I enter the pub nervously. I approach the bartender, who is a woman in her forties. Her hair has plenty of greys already, and she’s wearing a striped, black and white T-shirt. I get on a bar stool.
“Give me one of those potato omelette sandwiches, please. And… would it be possible to use your landline? I have to make an important call, but I’ve forgotten my cell phone at home. I’ll pay if necessary.”
The bartender grabs one of the plates with those sandwiches and slides it towards me.
“No problem. It’s in the kitchen. Do you want to call now or after you eat your sandwich?”
She’s looking at me as if she can tell I’m troubled. I’ve spoken too fast and loud, as I always do when I’m speaking with someone for the first time.
“Yeah… I’d rather get the call out of the way first.”
The bartender gestures towards a door between shelves stocked with alcoholic drinks. As I walk behind the bar, she shoots me a look of concern.
“Are you ok? Your face seems very pale.”
“I’ll be alright soon enough, I hope.”
The kitchen is empty. I guess that they don’t open it for orders until closer to midday. The landline is mounted on the wall, close to a sink. My heart is beating fast. I hope I remember my mother’s cell phone number correctly. My hands are sweating.
I start counting backward in my head to give myself some time. Then, while holding the receiver with a sweaty palm, I dial the number. To my surprise, a kid answers. I can’t tell at first whether it’s male or female.
“H-hello? Who is this?” I ask impertinently.
“Uh… Iker. This is my mom’s phone, though.”
It’s my half-brother.
“I’m… Is your… mom around?”
“No, she left an hour ago. I guess she forgot the phone.” The kid coughs. I wonder if he’s at home because he’s sick. “Who are you anyway? Your voice sounds familiar.”
“Uh… I’m… Izar Uriarte.”
My mouth gets dry when I say my father’s last name.
The kid doesn’t speak for a few seconds, and I don’t hear his breath either. I have no idea what this kid thinks about me. If our mother has insisted that we are half-siblings, maybe he wonders why we have barely seen each other. I wouldn’t know what to tell him.
“Hi, sis,” Iker says.
I swallow. I’m nobody’s sister.
“Yeah, hi.”
“Did you want to tell mom something? You can leave a message.”
The kid is old enough to realize that I only called in the past because I had something to say, not because I enjoyed small talk nor wanted to catch up. And I’m sure that all of them remember the bitterness in my voice.
“Yes, I want you to tell her something. Listen… I’m going away. For a long time, maybe forever. So she should… You both should know that I do it of my own volition.”
My last words are lodged in my throat. I feel tears building up behind my eyes.
“Where are you going?” Iker asks, concerned.
“I can’t tell. Far away, that’s all. I wanted to tell her that I’m sorry… for the way things turned out.”
“You aren’t going to call again,” Iker says as if he just realized.
“No, I won’t. I don’t think I will ever hear your voices again, nor will you hear mine.”
Tears come into my eyes slowly. I wonder what this kid is thinking, but he’s a stranger. Will he remember this conversation years from now? Will he blame himself for having been unable to say the right thing?
“You can call back whenever you want,” Iker says nervously.
I wipe my eyes.
“By the way… how old are you? Twelve, thirteen…?”
“Twelve.”
My lips twitch as I try to figure out what to say.
“None of this was your fault. It’s me. I’ve never known what to do with people.”
Iker remains silent. I hear something playing in the background, but I can’t tell if it’s a movie or music.
“Are you going to be okay?” Iker asks in a low voice.
“Yeah… I’m going to try something new. Neither of you need to worry.” I force myself to smile at nobody, but instead my mouth quivers. “Anyway, that’s all. Don’t forget to tell mom.”
“Sure, I will. Take care.”
I hang up. As I turn around, I want to walk directly back to the potato omelette sandwich I ordered, but I end up leaning against one of the kitchen counters, and my gaze falls on the dirty, stagnant water pooled in one of the sinks.

I thought of packing a backpack, but there isn’t one in this apartment, which doesn’t contain anything except for groceries, food-related objects and clothes. I wonder who is going to find my remaining possessions in the wardrobe of the bedroom, but I guess it doesn’t matter. I have no doubt that Chieko was telling the truth: I won’t return to this world. Everybody who knows me here will forget me soon enough.
I didn’t bother changing my clothes. I would hate to leave this cardigan behind anyway. I stand a few steps away from the featureless, white doorway in the living room. The front half of the soles of my shoes are resting on the edge of the carpet. I keep shivering every few seconds, and I fear that I’ll end up pissing myself, even though I made sure to empty my bladder. My heart beats wildly. Something awaits me on the other side of this hole in reality, and I can’t begin to imagine what it might be. But it contains someone like Chieko, so it should be fine. Still, I’m sure that this doorway will lead to more disappointment and pain. No other world can be that different.
I step forward and reach with my right hand slowly. I follow how the white light brightens the fabric of my cardigan. Once my fingertips touch the white surface, I expect them to find some resistance, but they disappear into a void that lacks any sensations. I draw my right hand back. The ends of those fingers haven’t been cut off. After I probe them with the fingertips of my other hand, they seem undamaged.
Alright, this is it. I close my eyes, but the powerful bright light shines through my eyelids. I take a deep breath and walk through the doorway.
An electric current runs in my body from end to end, but only for a second. I’m receiving muffled sounds. Although they seem familiar, my brain can’t make out what they are, as if I had started playing a song midway through and it would take a couple of seconds for me to recognize which one it was. I panic; even a moment of disorientation feels fatal. However, when I open my eyes I find myself inside a glass bell the size of four phone booths, and beyond the clear glass I see that this bell has been installed in a large room, one similar to the lobby of a luxurious hotel. The floor is marble-like, as smooth and reflective as a pool, and it features circular designs in shades of brown, from tortilla to hickory. Soft orchestral music is playing somewhere, a mix of string and wind instruments.
My mind freaks out by itself. I take a step forward and turn around as if to make sure that the doorway I came through remains there, but as Chieko said, it’s gone. I might as well have popped up inside the glass bell as if I materialized.
When I turn back, a rounded hole the size of a door has opened in the glass bell as if it was cut out with surgical precision. My mind is reeling as I step out of the glass bell. There are three others to my right, set up in an arc. They are closed and empty. The ceilings and the walls are engraved and embossed with labyrinthine motifs, some of which seem to depict animals. I realize that the building was constructed with stone, not bricks, as if it were a surviving monument from a long-dead civilization. An arched doorway stands tall on one side of the room, and around it hang green and purple wreaths that remind me of peacock tails.
As I was listening to my footsteps echoing in the large room, I feel someone’s gaze upon me. I look in that direction. There is a large recess in the wall where they have installed a reception desk of sorts, but it’s also made of stone, and bedecked with gilded motifs of flowers and vines. A curved wall of screens is obscuring partially the sight of the person standing behind them. When I realize that the screens, which are too slim, paper-like, are floating in the air as if mounted on invisible displays, I face that nothing like that would have been possible in my previous world. I’m either in another dimension, or in the future. Either way, I’ve reached a whole new reality.
The person behind the wall of screens, a woman, says something, and it takes me a moment to realize that I just heard my name but pronounced with a strange accent. My legs are trembling as I approach the desk. The woman stands on the other side of the desk in a way that the back of the screens don’t hide her. It’s a human being. I had feared she wouldn’t be. Her skin is peanut brown, but her eyes are much darker. She’s pretty, beautiful even, the kind of attractive woman they would want to greet the clients at a hotel lobby. She’s wearing two round earrings that remind me of the sun, and she’s also wearing a long-sleeve, crimson dress made of a velvety fabric. The torso of the dress is covered in intricate, gilded motifs of blossoming flowers. I feel as if I entered the most expensive hotel in the world.
The woman smiles with perfect teeth, and pushes a hemispherical device over the counter towards me. It’s about the size of a fingertip. The woman gestures for me to pick it up and press it against the skin behind my ear. I saw Chieko wearing an identical device behind her ear, which I had confused with a wart. I obey the woman. As soon as I press the device against my skin, it latches on painlessly, and then something alien flows throughout my brain. I stagger, and I step back until my legs hold me properly. I feel as if my mind were larger, as if it suddenly held more content, but the experience is painless and unobtrusive.
“Do you understand me?” the woman asks, now lacking any accent.
I snap my head back. Only a couple of seconds later I realize that I’m standing there with my mouth agape. I feel tears coming.
“Y-yes! I understand perfectly!”
The woman offers me a kind smile.
“Welcome to our present. You are now in one of the offices of the SFPT. Can you confirm for me, just in case, that you are Izar Uriarte?”
“Yeah,” I say as I wipe a tear from my right eye. I want to sob. “W-what’s your name?”
“Why, I’m Garima.”
“Garima… I’m so pleased that we can understand each other. For a moment I thought I would be trapped in a strange world without being able to make myself understood.”
The woman chuckles softly, and then points at the identical device latched on to the skin behind her ear.
“We aren’t born knowing every other language, Izar. That’s why we have technology. In case you lose your translator, just come here or to any of our other offices and we’ll give you a new one. I’m sure that random people would also help you in that case, maybe lend you one.”
I’m overwhelmed. My legs are weakening, my throat closing.
“This is a miracle,” I mumble.
“You will get used to it, dear. I already notified your representative, Chieko Sekiguchi. Very nice girl, I’m sure she’ll be eager to show you our town. You can just walk around for a while if you want. We have a beautiful waiting room beyond that doorway.”
“Y-you have welcomed many others, right?”
“Dear, I don’t know how many. I hope I’m being cordial enough, even though I’ve had the same conversations over and over.”
My mind is going numb. The animal part of my brain is having trouble integrating what’s happening, or maybe it’s trying to push me out of it, as if it has assumed that I’m hallucinating. Garima keeps staring at me calmly. She must have seen it before and it’s nothing to worry about.
“Sit somewhere. Do you have to go to the bathroom?”
“N-no, I’m fine.”
I teeter away towards the arched doorway, and I pass under the hanging wreaths of green and purple flowers. I avoid looking over my shoulder, because I fear that I’m about to break into uncontrollable sobbing.

• Previous part (1)
• Next part (3)

I don’t want to imagine what I must look like, a thirty one years old homeless woman who hasn’t showered in a week and who has been sleeping on benches, walking next to a chipper Asian woman with a Japanese name, whose hair is apple red and whose gait suggests she has never known any anxiety. The sun is high in the sky, and despite the time of the year, I’m getting sweaty inside my coat.
“Here we are,” Chieko says as she points at the front door of an apartment building across the one-lane road.
“What? It’s only been three minutes!”
“Well, I don’t know why you’re complaining.” Chieko smiles. “Come on.”
I stand behind my odd benefactress as she fishes for her key chain inside her small backpack. I look down the street in the direction of the sea, and at the end of the passageway between two alabaster white buildings, the fancy kinds with embossed ornaments on the walls, I spot part of the translucent cubes that they call the Kursaal around these parts.
Chieko opens the door into the building’s hall, but as she stands aside, I feel uneasy.
“Are you telling me that you just happen to live in an apartment three minutes away from where I was sleeping recently?” I ask her.
Chieko offers me a calming smile.
“I chose this place for that reason, yes.”
I shake my head as I try to understand.
“H-how did you manage that…?”
“I have connections.”
“What kind?”
“You’ll see. Come on! What do you think I intend to do to you?”
I don’t doubt that Chieko’s intention is to get me out the streets, but this woman is an enigma, and I have learned to be wary of even those whose lives were open books. I sigh. Still, I follow her as she walks towards the elevator.
Her apartment is on the third floor. I enter behind her, and when she closes the door, which looks old and painted over, I find myself in a narrow hallway with eggshell white walls, which instead of a deliberate choice seem as if they were originally whiter but had gotten dirtier over the years. The hardwood floor has a weird design in peanut and walnut browns that looks like a power-up in a racing game, those that would make you go faster. Chieko gestures for me to follow her into a small kitchen that I can see from the front door. The walls are made of white ceramic tiles. Both the stove and the cabinets seem to have been made in the eighties. My benefactress leaves her backpack on the dining table, which would only accommodate four people because one side has been pushed against the wall. The apartment smells as if it has been sanitized in the last couple of days.
“What’s the matter, Izar?” Chieko asks casually while she rests her back against the table. “Do you find this place unpleasant?”
“I wouldn’t have any right to complain about the shoddiest of apartments, given that I sleep in the streets, but I find this one a bit too old for… Well, for you. I had taken you for a rich jetsetter.”
Chieko rubs her chin as if considering it.
“And now?”
“I have no clue.”
Chieko pushes herself off the table and walks up to the window that occupies almost all the space on the wall between the sink and the doorway out of the kitchen. She moves the curtain aside and looks towards the street below.
“We need to have a conversation, an important one,” Chieko says. “But first you need to relax, and do something about that stink. Go take a shower. I’ll wait here.”
I wouldn’t have expected this woman, who remains mostly a stranger although she has read some of my books, to offer me to take a shower. Will she allow me to live here? I’m getting anxious, but I can’t tell whether it’s out of worry or because I feel the wind changing.
“The lock in the bathroom doesn’t work that well,” Chieko adds. “I wouldn’t lock myself in there just in case. Don’t worry, I’m not going to interrupt you. It’s the first door to your left as you exit the kitchen.”
“Alright…”
I’m too confused to think coherently. I try to rub my temples as I walk out of the kitchen, but the bathroom is so close to the kitchen that I could hold the handles of both doors simultaneously. After I find myself alone in the bathroom and I switch the light on, it bathes the cramped space in a pleasant electric blue. I avoid looking at myself in the mirror, and I sit down to pee next to the standing shower.
As soon as I feel the warm water of the shower flowing down my bare skin, I feel relieved. There’s a single sponge, and I wonder if Chieko forgot that I’m a guest and that she apparently lives alone, but the sponge has never been used before. I shake the questions away. I scrub my skin with the sponge, in which I pour an excess of honey-scented liquid soap. I close my eyes and let the water wash over my body.
When I exit the shower, I’m a new person. I take a breath and dare look at myself in the mirror. My cheeks are pink from the heat of the water, my cinnamon brown hair is shiny. Although I feel better now than at any point of the last month, my reflection in the mirror looks as old and worn as it has for years, like a tool that needs to be replaced. I discard the thought, and I open the cabinet to find a set of towels. The one I grab feels as soft as a cotton handkerchief. I dry myself off. Unfortunately I don’t have any other clothes than my smelly T-shirt and my denim jeans, both of which have absorbed stale sweat for days. It’s too late to ask Chieko whether she can lend me some clothes, as I don’t want to walk up to her wrapped in a towel.
When I return to the kitchen, I see that Chieko has changed her clothes. She’s wearing a grey, long-sleeved T-shirt with the black and white drawing of a woman’s face sticking her tongue out, along with beige pleated shorts that barely cover half of her toned thighs. She looks even younger, more vibrant. I’m jealous.
“Oh, that’s right. I should have offered you some fresh clothes,” Chieko says apologetically.
I sit down wearily at the head of the table.
“That’s alright, unless the sweaty smell bothers you.”
Chieko shakes her head, and then she wrings her hands as she looks at the hanging cabinets.
“Before we begin, do you want a coffee? I need one myself.”
“Do you have any whisky?”
Chieko stops midway, and shoots me a look of pity over her shoulder.
“I don’t think so.”
“I was kidding anyway. Coffee sounds good.”
Chieko smiles. She opens the first cabinet next to the fridge, then stands on her tiptoes to look inside, but she doesn’t find what she’s searching for. After she fails to find it as well in the second cabinet, she mumbles something to herself. She takes out a container of powdered coffee from the third one, and then she grabs two cups from a cabinet she had opened before. She’s showing me her slender back, along with her long, shiny red hair, as she empties two spoonfuls of coffee in each cup. I give her a break while she opens a new carton of milk from the fridge, pours cold milk in each cup, and then she puts them in the microwave.
“Who does this apartment belong to?” I ask carefully.
Chieko freezes, but then she presses a couple of buttons on the microwave’s panel and starts it up. As the appliance makes its noise and the cups turn slowly, Chieko turns towards me herself, and offers me an apologetic look.
“Because I didn’t know where the coffee was, huh? I’m not that experienced with this kind of thing.”
“What kind of thing? Approaching homeless writers?”
She doesn’t reply. The microwave dings, and she takes the cups out. She places mine in front of me. As I take a sip of the coffee, which is warm enough but tastes too bitter and artificial, I watch how my benefactress puts the milk back into the fridge.
Chieko finally sits down across from me. She leans back and rests her right ankle on her left knee. For a few seconds she avoids holding my gaze.
“If you mean who’s paying the rent, that would be my employer,” Chieko says. “I haven’t spent a single night here.”
I narrow my eyes at her, more confused than anxious. I don’t understand this situation.
“Alright… What did you want to talk to me about, or propose…?”
Chieko smiles again, now that I’ve given her the opportunity to get back on track. She takes a big gulp of her coffee. She reaches for her backpack, which she had rested against a leg of the table, but she only holds it as if she’s about to open it.
“You’re a talented person, Izar Uriarte. You have a lot of potential, but your talent has never been fully exploited.”
“That’s too much praise. I don’t feel that way at all, and in addition, that’s absurd. I’m thirty one years old, I have published seven books, and those were the ones I convinced strangers to publish. I abandoned plenty of stories along the way because I couldn’t make them good enough. What else do you expect me to do?”
“It’s not about what you have been able or not to do. It’s about the future.”
I shift my weight in the chair.
“About me not rotting in the streets, you mean?”
Chieko lifts her backpack onto the table, and pulls out a book. A glimpse of the cover reveals that it’s my first one, which I wrote when I was twelve years old and that got published, thanks to my father’s connections, when I was thirteen. I don’t want to bother with it, but Chieko places it on the table and pushes it towards me.
I shake my head.
“Yeah, ‘The Flowers of the Forest’. Even the title is stupid, isn’t it? But what did I know about life or about anything at all back then?”
Chieko shakes her head sadly.
“Even as a child you invented complex imaginary worlds because you intended to escape the broken reality that the adults had put together, with its greed, cruelty and violence. Isn’t that right? You wanted to be free.”
I’m silent for a few seconds.
“And yet, I have been discarded by everyone.”
Chieko drinks some more coffee, then taps on the cover of my book as if intending for me to focus on it.
“Back then you dreamed about a nation ravaged by war and destruction, that had barely avoided collapsing into an Apocalypse, and about the girl who escaped that world to live wild, to talk to the animals of the forest as well as to the magical beings that inhabit it. That was the kind of life you wanted to lead, wasn’t it? Your protagonist’s parents looked for her insistently, but the couple of times they caught her, she just escaped again.”
I rest my elbows on the table and rub my eyes. The thin steam of my cup of coffee, placed between my elbows, goes up my nostrils. I hear the muffled sounds of the traffic behind the window.
“I suppose that you intend to remind me of how magical and necessary the act of writing used to be for me, but that’s not going to work. Don’t tell me about the contents of this stupid novel. I was a child, and I thought that writing this story could change everything for me.”
“You turned out to be a much better writer than what that twelve years old version of you could produce.”
I sigh, and as I shake my head I hold the book in my hands. It’s a new copy, as if Chieko had bought it a few days ago. I didn’t know it was still in print, but I hadn’t looked at my sales for a long time. They only depressed me.
“I recall lying on the sofa in my father’s office as he worked at his desk. That’s where I wrote most of this book. I guess that there were complicated reasons for why I thought I needed to write. Certainly, I wanted to impress him. He worked in the industry, so for someone as detached as him to pay enough attention to me, I should have stood out, become a writer. But you know how that turned out.”
“No,” Chieko says, “I don’t know.”
I narrow my eyes. She does know, and yet she wants me to keep talking. But she has fed me breakfast, she has invited me home, and there’s the chance that I might get to sleep indoors.
“Why would anyone write, Chieko?”
She looks away, and then back at me.
“The same reasons for which anyone would produce any kind of art, right? To be understood, to belong?”
“All those readers you believe you are connecting with are ghosts in your head. You don’t have access to how other people are experiencing your stories, scene by scene, word by word. The only tangible effect is the money you receive for your effort, which never rewards you enough.” I push the book towards my benefactress. “In the end, it’s just words on a page. None of our creative efforts have amounted to anything, have they? Am I wiser for having written all those books? Has my life improved? Have they allowed me to understand people better?”
Chieko props her chin with her hands, and her expression turns almost condescending.
“You aren’t the same girl who wrote about magic all those years ago.”
I roll my eyes. I take a big gulp of coffee to handle my irritation.
“How many millions of people have been killed practically yesterday, from the perspective of how long human life has existed?”
Chieko is taken aback.
“None of that is your problem.”
“If millions of earnest human beings creating art didn’t stop millions of deaths, didn’t end greed nor injustice, then what are we playing at?”
“It’s not your fault. The world is broken.”
I hang my head low and grit my teeth.
“What?” Chieko insists. “You’re mad because you feel responsible for the misery of humankind? Because your books didn’t save them?”
“It’s not that simple. I hate the delusion of it, believing that all these intellectual exercises, or even the genuine attempt to explore one’s inner worlds, will make us significantly wiser. It’s just a past-time, a way to ease the decline into illness and death.”
“Just a pretentious equivalent of watching television, then?”
“When I die, Chieko, my books will be forgotten. Barely anyone cares already. I will have passed through this world without changing anything. What I hate the most is that when I was younger I convinced myself, or allowed others to convince me, that it would be different. That I would be different. I nurtured that hope. I trusted people.”
“And now you are ashamed of it?”
“The biggest fools are those who think they have something vital to offer. This world is a terrible place with people that will hurt you if you give them the opportunity, and every effort will only lead to disappointment and pain. It’s foolish to hope for anything in a world built to break your heart. It’s also exhausting.”
Chieko raises her eyebrows as she tilts her coffee cup towards her mouth.
“You know the world could be much better. That’s why you have always been disappointed.”
“Yeah, but that’s not enough reason to write books.”
“But it is a reason to keep living.”
I look at Chieko, the self-assured expression in her youthful, pretty face, and I sigh. I lift the book back up towards me.
“So you’re telling me to return home, whichever one of my previous homes, and try to be a normal person?”
Chieko shrugs.
“I could tell you that you shouldn’t write any books for a while, nor try to fix anything. Just live. But there’s no time left for that.”
“You mean because I’m in my thirties already and completely broke, so I can’t play around any longer?”
Chieko holds my gaze meaningfully, as if wanting to tell me more but being unable to.
“I mean that your allotted time in this world is ending.”
“How do you know?”
“I will ignore answering that directly, and instead I will bring up my final, most meaningful topic. Go back in time to when you were eighteen years old, a few years after your beloved father abandoned you to start a new family. You are being forced to share a hotel room with your mother, who just told you that she was marrying into a built-in family.”
I put the book down again. I take a deep breath and hide my face in my hands. I don’t know who I am speaking with, I don’t understand anything that has happened to me in the last few years, and I have lost the strength to go on. I wonder if this is a taste of how my grandmother felt in her seventies, once that personality-stealing illness was rotting her brain.
“I am grateful to you, Chieko,” I say, pained, “particularly if meeting you will lead to me sleeping in a warm bed tonight, but I hope you understand that you are pushing a knife into my heart.”
“I don’t care. You need to find yourself again. So tell me, once you understood that your mother would discard you so she could continue on her own, and you attempted to lower yourself through the window with that improvised rope made out of sheets, where would you have gone, if they hadn’t stopped you?”
Nobody but my mother and her new boyfriend at the time should have known this information. My own mother never even brought it up again, and I kept it hidden deep inside me. I wasn’t strong enough to continue living a normal life with the knowledge that she wanted a new family, that the last person who should have cared for my well-being intended to get rid of me.
“I don’t know,” I say in a dry voice.
“You don’t know? You weren’t that far from the ground. You could have landed, could have run away. Where would you have gone?”
I lift my head and look at Chieko. She’s staring at me with a maturity beyond her years. I feel like a child again, looking up at my father.
“I don’t want to know,” I mutter weakly.
“Were you going on an adventure? Back to the woods, hoping to join the magical kingdom?”
My hands are trembling. I want to hide them, but this strange woman has already noticed it.
“You are truly bothering me now, Chieko.”
“Were you going to kill yourself? Did you want to die in some remote place, where nobody would find your body?”
“I wanted to leave this prison. Not die, I don’t think. I wanted to escape from the cell I hadn’t chosen to exist in, where I was only able to daydream about the half-imagined world I glimpsed through small holes in the walls. And I remain trapped there.”
Chieko smiles widely, somehow pleased with the result of her prodding. She takes my first novel from my hands and puts it inside her backpack. Chieko then pushes her empty cup aside and leans on her elbows while staring at me.
“I work for the SFPT,” she says.
I blink a few times, wondering whether I should know what that implies or if my brain is getting as liquified as it has felt since I met this person.
“Is that supposed to mean anything?”
“It means that I have a mission. To rescue you from this world and its limitations.”
She gets up from her chair. She shoulders her backpack as if we are leaving the apartment. I snap my head back, and I can’t help but massage one of my temples in confusion as I get up wearily myself.
“Where are we going?”
“To the living room. Follow me.”
Chieko passes by me as she enters the hallway. I hurry up behind her. The eggshell white corridor is so narrow that I wouldn’t be able to walk side by side with Chieko. She passes by two closed doors, that I guess belong to the bedrooms, and she opens the door at the end of the hallway. First I notice a berry blue sofa pushed against the wall, resting on a hardwood floor with a rhombus pattern that looks as it would fit the disco era. Both are bathed in a frost white light as if coming from a lamp with a powerful light bulb.
Chieko enters the living room and stands next to the sofa, waiting for me to come in. Then I see that instead of a coffee table, on the carpet is standing a white, vertical rectangle with the dimensions of a door, and made of opaque white light. I stop, then stare dumbfounded at the vision. I twist my head towards Chieko as if to confirm that I should be alarmed, but my odd benefactress looks back at me calmly.
“It’s beautiful, isn’t it?” she says. “It always draws people’s attention.”
I’m stupefied. I can’t even mutter a response. I approach the side of the door with caution, hoping to find out that it has volume, that it’s some monolith-like artifact covered in ultra reflective paint. However, as I stand a few steps to the side of the vertical rectangle, I stop seeing it, although its white light keeps illuminating its surroundings. It’s a two dimensional object.
“What… What the hell is this?” I ask in a dry voice.
Chieko holds her hands behind her back, pushing her backpack. She offers me a playful smile.
“What does it look like to you?”
“A door. It’s the only way I can describe this thing.”
“Alright. Doors lead somewhere. What awaits on the other side, Izar?”
I swallow. I have retreated closer to the exit of the room, if only because I feel safer near the odd stranger that led me to this impossible sheet of white light. I’m getting dizzier. I’ll need to sit down soon.
“I don’t know.”
“Don’t you want to, though? What would crossing over be like, and what would you see the moment you stepped through it? It sounds like an adventure.”
My body feels weak. I have eaten so poorly in the last week, and my nerves are frayed after having stood guard against anyone who might have wanted to attack me in the night. I shudder.
“I’m not into adventures.”
Chieko chuckles. She walks until she stands next to me, facing the opaque doorway.
“You aren’t, huh? What was that book of yours, ‘The Mountain Cracks’, about? A group of anthropologists who were the last to live among and relate to natives of a beautiful island that was used as a testing ground for atomic bombs. Or your ‘The Interval of Shadows’, about a young soldier who enters a time machine in the middle of the first World War, so he can travel to the past and save a woman. Or ‘A Serpent of the Desert’, about a woman who has ventured into a strange land and finds herself between two warring tribes. Or ‘The Frozen Seas’, about another woman who travels to a forbidden island in the Arctic Circle in search of a mystical artifact. Or ‘The River of Dreams’, about a third young woman who searches for her lost boyfriend in the jungle. This life is sad enough. Don’t make it even worse by lying to yourself.”
Chieko places her right hand on my trembling shoulder.
“Who are you really?” I ask her. “What are you? Where do you come from?”
Chieko’s eyes turn kind. She looks at the opaque doorway.
“I told you, I work for the SFPT,” she says quietly as if trying to comfort me. “I’m not their go-to person for this kind of operation, but I took it as a personal project.”
“You know that doesn’t mean anything to me.”
She smiles at me, narrowing her eyes.
“This doorway leads to a far away place, Izar.”
“H-how far away are we talking…?” I ask nervously.
Chieko places her right hand on my cheek and caresses it gently with her fingers.
“If I told you the exact number of kilometers between here and there, you wouldn’t believe me. But I came from the other side, and set up this meeting so we could stand in front of this option I’m offering you.”
“Is it dangerous?”
She winks.
“It could lead to a room full of leeches and spiders if you aren’t careful. That’s a bit unlikely, though.”
I swallow. My legs are getting wobblier. As I stare at the impossible doorway, much brighter than a computer screen, I squint and try to make out details, but I don’t notice any imperfection. It’s like some deity cut a rectangular hole in the universe, and light from the other side was leaking through.
“I’m offering you two options, Izar,” Chieko starts as she shifts the weight of her backpack. “You can live in this apartment until the lease runs out at the end of the month. Naturally, they won’t let you continue living here past that point, but it would have given you time to figure out how to continue existing in this lonely world. Your other option is to venture through that opaque whiteness to find out what awaits you on the other side.”
“Which one are you suggesting?”
Chieko laughs.
“Neither, Izar. Both. I believe in personal choice. But I should clarify that once you go through this doorway, you will never see this world again. So have that in mind.”
I want to say something, but my throat closes up and I can’t even breathe properly. Chieko’s eyes are serious.
“What do you think?” she asks me.
“I-I don’t know…”
“Everyone who should have cared properly for you has abandoned you. In less than a week your lungs will fill with filthy water until your brain shuts off.”
“W-why are you doing this for me?”
“To save you, of course. I want to see how far your talent goes.”
“I’m no good, Chieko. I’m worthless. I did my best work when I was thirteen years old. That’s the truth. I was never as honest, as original, as creative as when I was a girl who still believed in this world.”
Chieko smirks.
“Then maybe you need time to improve.” She takes a couple of steps towards the doorway. When she turns towards me, the white light haloes her as if it were white water splashing against her back. “This door will remain here until the last day of the month. Afterwards, it will never appear again, and neither will I or any of us return. We will assume that you have made your choice.”
She holds her hands in front of her waist and bows slightly towards me.
“In case this is the last time we see each other, Izar,” Chieko adds, ” I hope you manage to live a life of which you are proud.”
My vision is blurring, and I can’t push words through my closed throat. Chieko’s misted figure raises a hand to wave while she steps through the white doorway, which engulfs her as if she fell through the world.