Better AI-generated images with upgraded service

Determined to ruin the lives of visual artists everywhere, the service that I exploit to generate images has rolled out a new and beastly neural network that has been in the works for a long time. The results, inspired by characters from my ongoing novel We’re Fucked, are good. Check them out.

Here’s Jacqueline:

Below you can gaze upon a Paleolithic wonder:

This is Leire, the (let’s say) troubled protagonist of the tale:

Nice composition, but your arm is fucked, Leire!

How about some other stuff unrelated to my fictional tales?

Random AI-generated images #17


I pay an undisclosed amount of money each month to a couple of neural networks, one of them trained on anime-like material, so they provide me with rendered images that make me go, “That’s some good shit,” which causes me to feel better for five seconds. It’s like an addiction. I need help.

I’ve posted thirty other entries that feature AI-generated images. Check them out.

Ground sloth sports cards
Anime AI kept giving me gorgeous ladies as I asked for more.

We’re Fucked, Pt. 78: AI-generated images

Some neural networks excel at recognizing patterns in data, and as if that wasn’t enough, they can extrapolate those patterns into new data. In practice, the AIs involved in this entry study images (millions, perhaps billions of them) and produce new images based on the patterns they have recognized, patterns that you wouldn’t understand even if they explained them to you. Plenty of those images are masterful paintings and compositions far better than anything you will ever create with your mess of a human brain haphazardly cobbled together by evolution, that still believes you are fleeing from predators in a savannah. That’s just how it is. Learn to use AI-generated images as inspiration, because you’ll only rage against the machine in vain.

Anyway, if the measure of density of a chapter is how many images it manages to inspire, chapter 78 of my ongoing novel We’re Fucked is hella thicc. Some of the pictures look like anime because one of the neural networks studied anime-like stuff exclusively, plenty of it perverted.

You can check out all the entries I’ve posted with AI-generated images (twenty-nine so far) through this link.

“The breeze blows on the grass and weeds like a whistling ghost.”
“Its cold seeps under my corduroy jacket and leeches the warmth from my bones.”
Mommy
Anime mommy
“[…] her ivory-white face, that hovers above me like an earthly moon.”
“Her cobalt-blues, beneath which she conceals a thousand secret fountains and grottoes, are piercing deep into my psyche as if to flush my demons out of their hiding spots.”
“I’d love to stare up in silence at this divine being for the rest of my life; any words would mar the silence.”
“Humans have to acknowledge their mental states through verbal constructs on a regular basis, to distract themselves from the certainty of their impending doom.”
“A nice glow-in-the-dark shine.”
“This Paleolithic creature deserves a bit of paradise, with food to eat, a wide-open sky, trees for shade, and grass for chewing.”
“My mind gets inundated with images of that boreal forest from which I snatched our girl.”
“Nairu’s abandoned kin must have prayed to their gods and devils to be spared from the unspeakable apocalypse that befell them.”
“I wish I could leap forward another ten thousand years and disappear from this sickening age of mass destruction and despair.”
“As Jacqueline crouches, she smooths her plaid skirt over her thighs, then she lies down sideways beside me, resting her face on her palm.”
“The close-up of her regal visage in the dark makes me feel like a cat snuggled up by a radiator.”
“I take a whiff of her fragrance, a flower garden blooming with myriad blossoms.”
“Isn’t it nice to feel the grass beneath us and hear the sound of the wind in the trees?”
“She nuzzles my nose with hers.”
“I’ll have to avoid turning into the kind of mom that forgets her daughter’s name, locks her out in the freezing rain, keeps her chained in the cellar, or hands her over to a warlord.”
The Earth becomes a burnt cinder drifting in the void.
“the zest of a dog that comes across a mud puddle in a park and rushes to turn itself into a swamp monster.”
“The wind gusts a long-ass moan through the leafless tree branches as the night takes a chillier turn.”
“The three of us huddle together like house cats napping in a wrinkled blanket.”
“My limbs feel heavy and stiff, like sacks of sand strapped to my torso.”
“I close my eyes and unmoor my mind, which has grown fuzzy with drowsiness, so that it paints on the canvas of soft blackness whatever insane spectacle it pleases.”
“The first pinkish streaks of morning light stain an ethereal sky.”
“A yellow sun appears, spreading waves of liquid gold.”
“The sky cracks open as if a projectile punched through the stratosphere.”
An angel descended from heaven.
“The beast’s leathery snout gleams with its own sticky sap.”
“When the beast lets go of the paper, it unfolds itself with a dry crackling sound and takes off like a sparrow that had gotten captured and imprisoned in a birdcage.”
“The decrepit paper flutters towards me.”
“The paper’s edges are browned and torn, and its coarse surface is sullied with bloody fingerprints, but it contains spidery handwriting in fading red ink and an archaic script.”
“My name is Dialectos, which in your language means ‘tongue.'”
“My soul is sustained by the constant stream of dark matter that suffuses every atom of the universe.”
“I enclose in my wings a tiny sliver of the blackest metal, found at the center of your Milky Way galaxy, where countless stars spin like pinwheels of fire.”
“In the realm of the unseen, you humans and other beasts are like flies upon a wall.”
“Leire, your ancestors’ bloodlines can be traced to the sphinxes that used to roam your continent like sentient wildcats.”
“[…] you kidnapped her, upending her life forever, to bring her past the barrier of the Younger Dryas apocalypse into a world of steel-boned cities.”
“A world of steel-boned cities, lightbulbs, telephones, radios, televisions, submarines, airplanes, rockets, computers, guns and atomic bombs.”
“You have violated the sanctity of time and space.”
The riverlike course of fate.
“I promise to reward you with a salary of dark matter.”
“Under your care, if the child grows into a lovely woman, your name will be inscribed in the Hall of Ancestors at her place of birth.”
The fiend that haunts the nightmares of children.
“I will cast you back in time, into a frozen cave where you’ll meet a future self.”
“That I promise and swear on the ancient blood that coats every blade of grass.”
“The paper curls itself into a bowtie, then flies away towards the dawn’s light.”
“I smile to the darkness of my mind.”
“I imagine my heart hardening to the extent that a thousand years of suffering couldn’t crack it.”
“I want to slice my head off with a kitchen knife, then hold the decapitated head in the sky so that my eyeballs and mouth, dripping red-and-green goo down on humankind’s face, could scream one thing to everyone, even those who loathe me: ‘I love you.'”

We’re Fucked, Pt. 78 (Fiction)


The breeze blows on the grass and weeds like a whistling ghost. Its cold seeps under my corduroy jacket and leeches the warmth from my bones. I shiver as though I’m sitting naked on the floor of a cavern.

Jacqueline has walked up to us although she risked soiling the soles of her boots, and is towering over my supine self. Her raven-black braid is draped over the thick lapel of her peacoat, but dark indigo highlights are undulating in the windblown loose locks around her ivory-white face, that hovers above me like an earthly moon. A sweet smile settles on her rosy lips, which would feel as soft and supple as the nipples now hidden by her turtleneck sweater and by the reinforced brassiere that supports her prodigious breasts. Her cobalt-blues, beneath which she conceals a thousand secret fountains and grottoes, are piercing deep into my psyche as if to flush my demons out of their hiding spots.

I’d love to stare up in silence at this divine being for the rest of my life; any words would mar the silence. But humans have to acknowledge their mental states through verbal constructs on a regular basis, to distract themselves from the certainty of their impending doom. I wring enough energy out of my bone-tired brain to string together a few words.

“Our adopted daughter vastly overestimated my physical prowess,” I utter in a rusty voice.

Jacqueline narrows her eyes and broadens her smile. She brushes a raven-black lock away from her face.

“Sure, but she already trusts you enough to know that you would save her from a nasty fall.”

“Or maybe she’s that reckless and self-destructive.”

Jacqueline chuckles.

“That may be part of it. She has taken quite a shine to you, hasn’t she?”

“A nice glow-in-the-dark shine. Enough to travel with me across spacetime to our wretched present.”

Nairu’s warm breath is tickling the base of my neck. This Paleolithic creature deserves a bit of paradise, with food to eat, a wide-open sky, trees for shade, and grass for chewing.

My mind gets inundated with images of that boreal forest from which I snatched our girl. A lump rises to my throat. Nairu’s abandoned kin must have prayed to their gods and devils to be spared from the unspeakable apocalypse that befell them. I wish I could leap forward another ten thousand years and disappear from this sickening age of mass destruction and despair.

“More importantly now,” Jacqueline says warmly, “even in this growing cold, you two look comfortable. Don’t mind if I join you.”

As Jacqueline crouches, she smooths her plaid skirt over her thighs, then she lies down sideways beside me, resting her face on her palm. The close-up of her regal visage in the dark makes me feel like a cat snuggled up by a radiator.

“Jacqueline, thank you for everything,” I say in a strained voice that risks becoming a broken whisper. “For welcoming this new daughter of ours into your home. For being here with me in this park. For existing at all in this insane world, when most of everything has come and gone.”

Jacqueline’s eyes glimmer. She softens her gaze and blows air through her nostrils. The vaporized exhalation lingers between our faces.

She slides a hand behind my head, brushing the top of Nairu’s, to cradle my nape. My beloved leans her face down and kisses me on the lips. She pushes her tongue into my mouth while her fingers entwine themselves in my hair. I take a whiff of her fragrance, a flower garden blooming with myriad blossoms. When Jacqueline pulls away, my heart is pounding in my ears like a tribal drum.

“You’re welcome, sweetie,” she whispers. “Isn’t it nice to feel the grass beneath us and hear the sound of the wind in the trees?”

“I’ve been far worse.”

She nuzzles my nose with hers.

“It’s going to be alright, you know.”

I swallow to loosen my throat.

“As long as you’re around, I’m sure it will be fine. If you become to Nairu even a fraction of the loving mommy you are to me, she’ll be happy.”

Growing up I only integrated bad examples of motherhood, so I’ll have to avoid turning into the kind of mom that forgets her daughter’s name, locks her out in the freezing rain, keeps her chained in the cellar, or hands her over to a warlord.

Jacqueline rests her head next to mine on the grass. With the tip of her index finger, she traces the seam of my upper lip.

“And I have no intention of ever giving you up,” she says in a deep purring voice.

“E-even after ten thousand years of brutal struggles, wars, earthquakes, plagues, ice ages and extinctions? Even after the human race disintegrates, leaving only scattered tribes of primitive savages? Even after the Earth becomes a burnt cinder drifting in the void?”

She slips her lips and tongue along the rim of my ear.

“Even if you get old and wrinkly,” she murmurs in my eardrum.

Jacqueline has stirred the water in the teapot within me; as its contents heat up, they slosh around and boil, threatening to scald my internal organs. I’d love to take my clothes off then roll around naked over every inch of mommy’s skin, with the zest of a dog that comes across a mud puddle in a park and rushes to turn itself into a swamp monster.

The wind gusts a long-ass moan through the leafless tree branches as the night takes a chillier turn. Nairu slides down from my chest, squeezing my right tit through my shirt and bra, and nestles against my shoulder as if to sniff my armpit. The three of us huddle together like house cats napping in a wrinkled blanket.

My limbs feel heavy and stiff, like sacks of sand strapped to my torso. I’m slipping into a languid trance. I close my eyes and unmoor my mind, which has grown fuzzy with drowsiness, so that it paints on the canvas of soft blackness whatever insane spectacle it pleases.

The first pinkish streaks of morning light stain an ethereal sky. A yellow sun appears, spreading waves of liquid gold. But the sky cracks open as if a projectile punched through the stratosphere, that sheds its pale inner membrane down over the horizon like a dirty gauze while the culprit, a rotund creature with shaggy, burnt umber fur outlined in buttermilk-yellow light, falls towards me with leisurely gravity.

The beast’s leathery snout gleams with its own sticky sap. On either side of a chalk-white face, the roughly nostril-sized eyes, two black holes into a crumpled universe, betray the monster’s dim-witted gentleness, like that of an uncle who would always lend a helping hand and dispense morsels of dubious advice. At the end of its elongated forelimbs, the inward claws, large as dinner forks, are holding awkwardly a folded, yellowed paper.

When the beast lets go of the paper, it unfolds itself with a dry crackling sound and takes off like a sparrow that had gotten captured and imprisoned in a birdcage. The decrepit paper flutters towards me. It touches my nose, flips over and hovers in front of me, displaying its underside. The paper’s edges are browned and torn, and its coarse surface is sullied with bloody fingerprints, but it contains spidery handwriting in fading red ink and an archaic script.

I am a creature of great mystical power. My name is Dialectos, which in your language means “tongue.” My soul is sustained by the constant stream of dark matter that suffuses every atom of the universe. At the end of my feet I have four toes, and at the end of my tail, two; each of them a gigantic stiletto. I enclose in my wings a tiny sliver of the blackest metal, found at the center of your Milky Way galaxy, where countless stars spin like pinwheels of fire. I do not speak the language of men, or even the tongue of beasts, and yet my speech is known to all living creatures. In the realm of the unseen, you humans and other beasts are like flies upon a wall.

Leire, your ancestors’ bloodlines can be traced to the sphinxes that used to roam your continent like sentient wildcats, before the age of iron and steam engines. I hereby grant you full custody of Nairu, the little orphan from the Paleolithic age, who was exploring the fringes of her community when you kidnapped her, upending her life forever, to bring her past the barrier of the Younger Dryas apocalypse into a world of steel-boned cities, lightbulbs, telephones, radios, televisions, submarines, airplanes, rockets, computers, guns and atomic bombs.

You have violated the sanctity of time and space, as well as diverted the riverlike course of fate, so I shall appoint you to the job of loving the Ice Age child. Although she was born in a distant time, now she belongs to your tribe. You will feed her, bathe her, comb her hair, dress her in pink tutus and slippers, sing her lullabies, cuddle her when she has nightmares, buy her toys, stuff her face with pastries and ice cream, and teach her to play the harp. To help Nairu forget the horrors of the world that your gormless species has created, you will make her life fun and absurd. In return, I promise to reward you with a salary of dark matter.

Under your care, if the child grows into a lovely woman, your name will be inscribed in the Hall of Ancestors at her place of birth. But if you instead become the fiend that haunts the nightmares of children, I will cast you back in time, into a frozen cave where you’ll meet a future self who will ask: “Who are you?” And you shall answer: “I’m Leire, the mommy who lost her daughter.” That I promise and swear on the ancient blood that coats every blade of grass. For the next three thousand years, I shall periodically send you letters so you may remember your mission, and that I am always watching.

Signed this day, at the last hours of the eighth year of the calamity,

Dialectos.

The paper curls itself into a bowtie, then flies away towards the dawn’s light. As the paper shrinks, it ignites into a fluttering white flame against the furnace-red sphere of the sun.

I smile to the darkness of my mind, and imagine my heart hardening to the extent that a thousand years of suffering couldn’t crack it. I want to slice my head off with a kitchen knife, then hold the decapitated head in the sky so that my eyeballs and mouth, dripping red-and-green goo down on humankind’s face, could scream one thing to everyone, even those who loathe me: “I love you.”


Author’s note: the two songs for today are “路標” (“Michishirube“) and “鬼ヶ島” (“Onigashima“), both by the great Ichiko Aoba.

I keep a playlist that contains all the songs mentioned throughout this novel. Eighty-one songs so far. Here’s the link.

Two neural networks did AI stuff to render many, many pictures related to this chapter. Here’s the link.

Random AI-generated images #16


Two neural networks, one of them trained on anime-like images, work tirelessly to spread their madness to the ends of the earth. This is the latest batch of about a hundred of such AI-generated pictures.

You can check out so far twenty-eight other entries featuring generated images through this link.

Sunglasses mafia
Nietzsche
The cooler Nietzsche
Horrifying anime-like depictions of Nietzsche
Eren Yeager cosplaying as Nietzsche
Erwin danchou
A lion’s heart
Shinzou wo sasageyo

Random AI-generated images #15


Some of the money I earn at my job goes to secure the services of a couple of neural networks, one of them trained on anime-like images, so they sweeten my days with lovely depictions of whatever nonsense crossed my mind. This is the latest batch of about a hundred of such images.

You can check out the other twenty-seven entries with AI-generated images through this link.

Batman playing tennis.
A portly Superman.
Chainsaw Man fighting the Platypus Devil

Review: Boku to Issho, by Minoru Furuya

“Whether you’re an idiot who’s watching or an idiot who’s dancing, if you’re really an idiot, you might as well dance.”

Throughout my reading of Minoru Furuya’s Saltiness, Ciguatera, Himizu, and Wanitokagegisu (the links go to my reviews of those titles), this author became my third favorite mangaka after Inio Asano (mainly because of Oyasumi Punpun and Solanin; unfortunately the guy seems to have lost his drive since) and Shūzō Oshimi.

Furuya’s stuff tends to be similar: character-driven tales of outcasts forced to deal with bad luck and troublesome compulsions. Plenty of weird sexual stuff. Although the characters endure harrowing experiences that would have traumatized most people to the extent of ruining their lives, Furuya’s characters get used to trauma. However, the commitments between the characters tend to be equally temporary. His stories rarely include neat resolutions: unless the character in question dies, the issues that person had been struggling with throughout the story are likely to continue beyond the conclusion. The author also has a fantastic sense of the absurdity of life, so his plot points and character interactions are often unpredictable and hilarious.

This manga series I’m reviewing was made in the late nineties. A different beast to his later works, Boku to Issho is an extremely caricaturesque comedy slice-of-life. While the extreme behaviors of the characters put me off initially, as well as the author’s talent to depict ugly faces, Furuya ended up turning the caricaturesque nature of this story into an art form. It became one of the funniest series I’ve read in a long time.

The story follows two brothers (about fifteen and twelve respectively) in awful circumstances: their mother just died, and their violent stepfather booted them out. They find themselves homeless, penniless, with no talents that they can put to use. The big brother acts as a father figure to his younger sibling, but he’s lazy and delusional: although he believes that he’ll become a pro baseball player the moment he applies himself to it, he’s mainly focused in protecting his ego from the damage that testing his delusions in the real world would cause.

They quickly meet one of the other main characters of this tale: a glue-huffing orphan who makes a living by theft and petty grifting.

Later on they also get together with a pretty boy runaway teen. After the glue-huffing guy steals a cellphone, they start selling their services as gigolos. Their naïveté quickly clashes with the real world when one of their first customers turns out to be a young woman with a penchant for toy-assisted domination.

Most of the characters we meet struggle at least with their self-esteem, but often with poverty, and in some cases with compulsions and fetishes. They are rarely sure of their place in life and where they’ll be in a few years.

As mentioned, I’ve been exposed to plenty of Furuya’s works, so I already expected this story to “just end”. The author attempts some circularity, which mostly serves as the thematic point that not much in our lives gets resolved, and we’re left to figure out how to keep going.

Another winner by Minoru Furuya, as far as I’m concerned.

Life update (10/27/2022)

This week I’m working afternoons. I’d rather always work in the afternoon; that allows me to spend at least a couple precious hours every morning writing, which is my main preoccupation these days. I’ve already polished about a thousand words of the chapter that will conclude the current sequence.

I was supposed to go to the dentist, but she got covid. My brother and his wife got the virus as well.

These last couple of weeks, my non-writing, non-working hours have been filled with Japanese matters: Ichiko Aoba’s music, manga, and Chainsaw Man. Mappa is doing interesting stuff with the adaptation. The pacing feels a bit weird given how quickly the manga moves, but I’m enjoying revisiting the deranged exploits of our boob-obsessed, mommy-worshipping neglected boy Denji.

The following video is the ending of a single episode of the anime (the third one). I can’t imagine how much money and manpower they spent on this.

As a manga reader who’s currently following the second part of this story, it’s been real nice to see Power again.

Besides all that, I’m doing as fine as someone so mentally unstable could.

We’re Fucked, Pt. 77: AI-generated images

Coaxing two neural networks to produce generated images of whatever nonsense is going on in a chapter creates a strange dynamic: plenty of the stuff they spit out inspires me to go on deranged tangents that in turn send new prompts their way. It’s like having talented creative partners that can’t refuse to cooperate with you no matter how much they’d want to.

I hope you enjoy AI-generated images, because I’m going to post a fuckton of them, all related to chapter 77 of my ongoing novel We’re Fucked.

You can check out all the entries I’ve posted with generated images through this link.

“Nairu has gotten stuck in a dopamine-driven feedback loop, hypnotized by the promise of controlled danger.”
“As she stands on top of the play tower, the streetlamps bathe her in yellow ochre light and shade her features with stark shadows.”
“She submits her fate to the interaction of gravity and friction.”
“[Nairu] runs to the climbing wall while the white ghosts of her breath pursue her.”
Nairu bouncing off the slide. Why is her face so cursed?
“She sails through the air as if riding the crest of a rollercoaster.”
“Her body plows belly first into the rubber tarmac, which squeezes a yelp out of her lungs.” I regret everything.
Dirty rubber tarmacs.
A lifetime of regret.
The pilomotor reflex shuts down.
“Don’t they say that the majority of cells in your body get replaced every seven to ten years?”
“Maybe we never grew up, we just appear to age to our bodies.”
“I only laugh anymore as an evolutionary mechanism to prevent me from going insane.”
“Did we forget about our adopted daughter? She has climbed the tower and is standing on the edge, maybe waiting to be noticed.”
“The closest streetlamp is bathing her in light, giving her a golden tinge, as if framed against the sunset sky.”
“I’ve known our adopted daughter for less than a day, but if she were to fall and break her neck, the memory would petrify inside my brain, and for the rest of my life, most of the blood and thoughts would need to flow around the tumorous stone.”
“You’re going to end up looking like a modern sloth again.”
“The corners of Nairu’s mouth curl up in a mischievous smile, as if she had imagined herself slipping a caterpillar into someone’s hand as a prank, and she could barely contain the giggles at the thought of the ensuing freak-out.”
“She grins, then flings her arms out wide, bends her knees and leans forward.”
A girl taking a shit.
“She leaps from the edge towards me like a linebacker hurling himself into a tackle.”
“I move my toes to make sure that I haven’t cracked my spine.”
“Weeds are bending against my ears and the underside of my jaw as their vegetal blades dig into my flesh.”
“Our adopted child is pressing down on my chest as she clings to me like a koala.”
“This stranger from the cold wildlands of the past has bested me with her mysterious guile, making a mockery of thousands of years of language evolution.”
“It will take less than an hour for those microscopic beasts to crawl in through my scalp, spilling some of my brains’ juice in the process, and begin digesting my scalpels and bone saws.”
“In the isolation of a droning sound in my ears and a darkness tinged with citrine-yellow lamplight, I become a mother who is holding her firstborn child.”
“A blizzard swirls up and down, covering our hair in white ice, creating a maelstrom of whirling snowflakes as it sucks up in a frenzy leaves, bits of bark, and twigs.”
“The frozen matter, as well as every form of organic litter, will be taken away by the whirlwind of the snowstorm, swept up into the sky and reincarnated as dust particles.”
“Nairu and I have begun an evolutionary journey into a stronger species by this act, by her invasion of my world, by our physical and psychic bond.”
“Our bodies now resonate like the soundboard of a Stradivarius.”
“The vibrating walls of a gargantuan tuning fork.”
“Curled up in a corner, I felt like a piece of rotten meat thrown in a dustbin.”
“I dealt with the ghosts of programming languages past, haunted by their convoluted syntaxes, buried under the piled layers of virtual scaffolding that supported their unfathomable intricacy.”
“I inhabited a realm far beneath society’s surface, at the bottom of an ocean populated by abyssal beasts that had to be fed with pain.”
“Such an outburst would turn my brain into a sponge forever dampened by the sticky ooze of regret.”
“Should any child fear to see her loved ones shot with bullets that tear out the insides of human bodies?”
“To shield Nairu from this insanity, we could whisk her away to a deserted tropical island, a sanctuary of natural beauty and blinding sunlight where the air would smell of brine and warm skin, where only birds would speak a language.” The neural network, being a bit of an autist, was quite literal regarding that “whisk” thing.
“Nairu would paint the amber hues of sunset skies on my bare legs.”
“My naked body would be drenched in sweat, and the sand would cling to my ass.” Thank you, anime-based AI.
Merfolk blues.
“A whole pod of dolphin children could join our mafia-run aquatic colony.”
“We’d drag under the waves any human who swam too far from the shore.”
The neural networks’ notion of lava plains on the Moon.
“I’d love to bathe in the dust of millennia.”
“We would launch ourselves down the tubes carved out in the lunar crust by rising liquid rock, slippery slopes that lead all the way down to the center of the world.”