Posted a commission on ArtStation for a header #9

The day of reckoning has finally arrived: I have found my artist. Before I go in depth about the person in question, I’ll give a shout out to the couple of artists who offered themselves this weekend, with no luck:

  • David Becerra Silva (portfolio): a talented artist with a bold, action-oriented style that I like a lot. Not what I wanted for this job.
  • Saúl A. Arcucci (portfolio): a unique vision focused on dark fantasy. Quite interesting material. He could do bizarre well, but not the absurd, silly angle that accompanies most of my material.

Anyway, my chosen talent is Daniel Acosta, an artist from the land of Andrés Calamaro and Ariel Rot: Argentina. I can’t even with this guy’s talent and imagination. Check out his range:

Isn’t he grand? He’s the only artist who gave me the confidence that he could pull off bizarre yet silly material such as the sasquatch goddess (who is very much a sasquatch) and the sentient triceratops named Lorenzo, in addition to the lovely cat-girl Minami and motocross legend Izar Lizarraga. So in a couple of weeks or so I’ll be short 250 USD, but thankfully I’m made out of money, and I’ll have emblazoned my website with a header that I’ll love to stare at for years to come.

Tomorrow at work I’ll send personalized apology emails to all the other authors whom I had considered and that were informed of that fact. As for you reading these words, if you are neither me nor one of the artists in question but instead an author who has found your artist of choice through these posts, at my expense, I hope you’re grateful.

Posted a commission on ArtStation for a header #8

Another day, another entry of this popular series. Just five artists to consider today.

The style I’m searching for is somewhere between the following examples, belonging to the portfolios of some of the artists who have offered themselves: 1 – 2 – 3 – 4 – 5 – 6 – 78

Here’s the artist whose talent has impressed me enough that I’ll consider her when time comes to choose:

  • Srish Nair (portfolio): a unique artist with a fantastic sense of color. She has also drawn some weird stuff, so perhaps she’d be able to handle nutty material like the sasquatch goddess (who is, despite instincts to the contrary, a sasquatch) and the sentient triceratops.

Here are the drawing persons whose talents I won’t consider further for this particular project:

  • Mónica Acosta (portfolio): very talented fellow Spaniard who wants to work in the game industry. I like her style a lot, it just isn’t what I want for this project.
  • Conscious Meat (portfolio): a unique vision with a matching name. I see myself paying this creature for a drawing, just not this one.
  • Setsu Setsy (portfolio): a gorgeous, dark, horror-oriented style. I love it in general, but it’s hardly related to what I’m looking for right now.
  • Chris Rutayisire (portfolio): competent stuff. Incompatible with my stories.

That’s all. Hope weather is good wherever you live.

Posted a commission on ArtStation for a header #7

Throughout yesterday’s hellish day at work, and an afternoon in which I finished the latest chapter of my ongoing story, I had artist after artist offering themselves for the job listing I posted on ArtStation, one I was on the verge of closing. What the hell is up with you, artists? Are you that desperate for work? Anyway, today I woke up to find out that someone from the US, presumably one of the artists, checked out the entirety of my tale of motocross legend Izar Lizarraga, for which I’m grateful. I’m a cranky loner, but I still like when people read my stuff.

The style I’m searching for is somewhere between the following examples, belonging to the portfolios of some of the artists who have offered themselves: 1 – 2 – 3 – 4 – 5 – 6 – 7

Here is the single artist from this batch whose talent has impressed me enough that I will consider her seriously for the “prize” of having to draw my header in exchange of money:

  • Laila Arêde (site): fantastic style, a unique vision that approaches what I’m searching for. I’m tempted to call her a genius. My issues with it: may not be “loopy” enough for my material, and is perhaps too feminine for sasquatch goddesses and sentient triceratopses.

Here are the artists whose talents I won’t consider further for reasons:

  • Nikita Atrenev (portfolio): this person has an excellent ability to use colors in a way that makes the illustrations look very realistic. But for this job, I need a different set of skills.
  • Zamfir Sinziana (portfolio): very interesting work that would do great in game cards or visual novels. I find this person’s backgrounds particularly attractive. Wrong style for this job, I’m sorry to say.
  • Kaide Robertson (portfolio): a fellow who’s majoring in writing and who proved that he had read at least my sasquatch-related story. Unfortunately, his visual work doesn’t cut it even just compared with today’s batch of applicants.
  • Lucy Finch (portfolio): I love her medieval stuff; great use of colors to elevate her drawings. Wrong style for what I want.
  • Kauan Dias (portfolio): a unique, gorgeous style paired with a great imagination. I see myself paying this person for a job, just not this one.
  • Mailen Jacome (portfolioinstagram): very talented lady. I appreciate her attention to detail. Wrong style.
  • TszHin Lau (portfolio): intriguing line-based style that unfortunately lacks when compared with other artists from today’s entry.
  • Sebastián Ceballos (portfolio): a unique, very personal vision, that unfortunately doesn’t align with what I want.
  • Gabo Zeta (siteportfolio 1portfolio 2): cases like these hurt: he’s clearly very talented, passionate, confident, and with a fully-developed personal style. It just happens that it doesn’t match what I want.
  • Chloe Boetcher (portfolioinstagram): very talented, with a careful style that I appreciate a lot. Doesn’t match the anxious, loopy tone that I’m searching for, though.

Considering applicants takes hours; no wonder people hire secretaries. Whoever you are, I hope you got something out of this post. Now back to ordering the notes for my next chapter.

Motocross Legend, Love of My Life, Pt. 9 (Poetry)

If you haven’t read all the previous parts or you don’t remember them well, I urge you to read this short story (or novella) from the beginning (link here).


After my pregnant lawyer quit smoking,
Her poised persona devolved
Into furrowed brows, clenched jaws,
Shifting in her seat, pacing aimlessly.
To keep her mouth busy, she snacked constantly
On nuts and seeds like almonds and walnuts,
That she seasoned with soliloquies
About her research into dietary changes
Which would maximize fetal health.
She increased her intake of kale and spinach,
Chock-full of folates, nutrients for a growing brain.
She switched to whole grains rich in B vitamins,
And integrated more milk, yogurt, and cheese,
Hoping that one day, out of her would emerge a baby,
Instead of some godforsaken abomination.

Together we researched cribs and strollers.
She shelved her popular novels and self-help books
For guides on babies’ developmental stages,
Creating a nurturing home for a child,
And balancing motherhood with a career.
As if bracing for a shadow boxer’s pounce
From the corners of her mind to sucker-punch her,
She swung words at phantoms, often striking me.
During legal arguments, she found her wit blunted,
Her sentences faltering, her thoughts scattering,
And she suspected that those colleagues of hers
As useful as shadows in a blackout
Gossiped about her incompetence.
When one dared to rib her, she snarled
Like a cornered junkyard dog.
Until now a lawyer focused on her career,
She pondered reducing hours or working remotely
To dedicate more energy to our awaited baby.

The lawyer and I indebted ourselves
To a bank, my parents, and my in-laws
To buy a second-hand, two-bedroom apartment
On a fifth floor, with built-in wardrobes,
Electric heating, and an American-style kitchen;
Located in San Pedro Street, beside the Bidasoa River,
Near the primary school you and I had attended.

The largest bedroom bloomed into a nursery
Equipped with a crib of white wood;
A mobile adorned with stars; a changing table;
Wall stickers of lions, monkeys, giraffes, elephants;
A sturdy, comfortable rocking chair;
And set on a nightstand, a lamp with a dimmer.

Inside the master bedroom,
In a corner of the wardrobe,
I tucked the moving box
Housing my keepsakes of you.
The hems of my row of shirts
Draped over the lid as if caressing it.
In that confined darkness,
Your figurines, my comic strips,
Your motorcycle gloves
And handwritten letters,
The tapes with our pretend shows,
Photos that had captured you,
All aged second by second
While you remained eighteen.

Evenings lost in the glow of dramas,
Lying on the couch watching TV
With our legs and fingers entwined.
The heat emanating off her curvy body.
The scent of freshly-brewed tea.
Shelves of books and DVDs,
Framed motivational quotes.
The lunar landscape of my existence
Had become inhabited.

Her cravings escalated to chips, doughnuts,
Potato omelets, ice cream, fried pork meatballs,
And whatever she could munch or suck on,
From candies and energy bars to popsicles.
She gained weight, her breasts swelled.
I made myself useful by rubbing her feet
And massaging away the aches from her joints
While she, amidst balled-up snack wrappers,
Pored over childcare books, flipping pages
With her cigarette-deprived fingers.

She zigzagged along an agonizing route:
Aversions, headaches, insomnia,
Nausea, vomiting, constipation,
Anxious gynecological appointments,
Prenatal yoga, birthing classes,
Nightmares of miscarriages and stillbirths,
Of episiotomies, hemorrhages, C-sections,
Of premature infants hooked to machines.
At night, she clutched her belly,
Fearing the budding life inside
Would twist and strangle itself.

Whenever I failed to intuit her needs,
She snapped at me, and slammed doors.
At times, exhausted, loathing herself,
She sobbed inconsolably,
And repeated that she had botched her career.
Sprawled across the bed, backaches gripping her
Thanks to the demon’s growing weight, she cried,
“Why the fuck did I need a goddamn baby?!”

The echo of “Fly Me to the Moon” playing elsewhere
Resonated in the sepulchral bedchamber.
Dust motes danced in the beams of evening sunlight
Spilling through windows stained by time.
The light gilded an ornate, full-length frame
Adorned with carvings of wildflowers,
That encased a scratched and scuffed mirror
Whose bottom third was marred
By a dried-out splatter resembling rust.
Within that glass portal, you, my Izar,
Wore a dress with a pleated bodice,
Dyed like the blush of summer dawn.
Your caramel locks cascaded in gentle waves,
Framing your twinkling eyes and buoyant smile,
Both alight with recognition.

Through the mirror, you strode into the room.
As you padded barefoot towards a vast bed,
You made your dress glide over your head,
Leaving the fabric to flutter downward.
You rolled onto the plush duvet, lay supine,
And illuminated your face with a playful grin,
Showcasing those crooked front teeth.
Your satin, coral-pink panties glimmered
As you eased them down your thighs.
“Fly me to the moon,” you asked.

I awoke to faint snoring,
To a naked, round-bellied woman
Whose swollen breasts heaved against me
In the warmth of the night.

Before you vanished once again,
I shut my eyes tight
And gathered the dream’s fragments
As I fondled my partner to her senses.
Our breaths mingled,
Her ballooned belly brushed my abdomen.
My hardness delved into the silky folds,
Becoming engulfed in your warm currents.

I pictured you bouncing on me,
Your caramel waves bobbing,
Your breasts shuddering.
Light and shadow played across your torso,
Accentuating the ridges of your ribs
And the grooves of your abdominal muscles
Under smooth, taut skin sheened with sweat.
The outline of your pelvic bones emerged
With each rock-and-roll of your hips.

Your thighs trembled,
Your fervent moans grew ragged.
My hands clenched the bedsheets
And her nails dug into my back
As I thrust desperately,
Escalating the slaps of colliding flesh,
Until I released all that hurt and sorrow
Into the cushioning waters.

Under the moist bed linens,
Your figure merged with the lawyer’s,
Who nestled against my side
While the fetus’ kicks nudged me.
She loved me with an infant on the way;
It should have been enough
To hang onto and live for.

On a rainy Sunday morning,
A gush of clear fluid soaked the mattress.
The woman grimaced and cursed
As she clutched her belly like a wound.

Labor pains, hours of pushing,
Sweat and tears mixed in her eyelashes,
Her crushing grip bruising my fingers,
Tearing of flesh, blood loss,
Insults flung at me for knocking her up,
Feral screams and utter helplessness.

Ripped out of the womb with forceps,
Emerging into the harsh fluorescence,
Coated in blood and amniotic fluid,
Arrived a screeching, blue-tinged thing,
A sea creature destined to die ashore.

While our newborn’s wrinkled limbs jerked
And his scrunched, purple face twitched
As he protested against the indignity of birth,
The obstetrician cut and clipped his umbilical cord.
A nurse, efficient like a conveyor worker,
Suctioned the mucus from the baby’s nose,
Rubbed his skin with a towel to cleanse him of gore,
Then placed him in my partner’s trembling arms.
Weeping, shell-shocked, she gasped,
“Oh god, I’m his mother.”

Lying in a plastic bassinet, swaddled in a blanket,
My rosy-skinned, plump-cheeked firstborn fussed,
His miniature fists protruding from the binding.
My fingers brushed the silky tuft of black hair
That crowned his defenseless head.
Over the years, the clay mold of his body
Would take on the contours of the boy,
Then the man he would become,
Perhaps one who, despite life’s challenges,
Would never falter, never give up,
Who would pursue his dreams,
And remain free of sorrow.

On an October weekend, at Irún’s city hall,
The lawyer and I signed documents
Affirming our legal partnership.
While my mother-in-law held her grandson,
And my parents pretended you had never existed,
I posed for wedding photos alongside my wife
In a dimly-lit corner of the registry office,
Standing theatrically still.

I wore a well-fitted charcoal-gray suit;
My bride, a sleeveless ivory gown
Dappled with flower embroidery.
I had shoved my hands in my pockets;
She, solemn and lost in thought,
Clutched a bouquet of red roses.
My sunken eyes bore a piercing gaze
That stared past the confines of the photo
At someplace distant and unreachable.

Starting my own family, getting married,
Both promised a rebirth,
But even now, remembering that ceremony
Fills me with sorrow for her, and for this life
That carelessly tossed us together.
As a girl, my wife must have fantasized
About her special day, about prince charming.
Instead, she ended up bound to a wreck
Whose cracks oozed tar,
Who dreaded to look beside him at his bride
In case a dead teenager gazed back.


Author’s note: today’s songs are “This Is How It Always Starts” by Grandaddy, and “Only in Dreams” by Weezer.

If you enjoy my free verse poetry, I have three books worth of it yet to be self-published. Check it out.

Posted a commission on ArtStation for a header #6

How y’all doing on this lovely Monday morning? You know the drill by now: I paid for a job listing on ArtStation so willing artists would offer their services. My goal: to end up with a good header for my site, one that I wouldn’t mind staring at for years to come.

The style I’m searching for is somewhere between the following examples, belonging to the portfolios of some of the artists who have offered themselves: 1 – 2 – 3 – 4 – 5 – 6 – 7

Here’s the latest batch of artists who have bravely offered their talents:

  • Kirin Kar-Wai (portfolio): a unique, very interesting style, but one that clashes with what I want.
  • Ertan Ceyhan (portfolioinstagram): super talented dude. Extraordinary attention to detail. Not what I want right now.
  • Beau Madden (portfolio): I’m not sure what to say in cases like these (and I’ve had a few). Thank you for being brave, I guess.
  • Giulia Minutillo (portfolio): very talented artist who does interesting stuff with color. I feel bad for not considering this one further, maybe in part because she said that she was “really fascinated” by my writing. Although I suppose that’s what someone applying to a job offer of this kind says.
  • Nikodem (portfolio): a growing author who is unfortunately not on the level of the examples provided above.
  • Tim Msibi (portfolio): a cool, dynamic comic book style that doesn’t match what I want.

The volume of emails has slowed down conspicuously, and disappointing so many artists by sending back “Sorry, but…” is making me sick. I think I’m going to shut down this job listing and choose the “winner” among those artists whose examples I have provided.

Ongoing manga: Isekai Craft Gurashi Jiyu Kimamana Seisan Shoku No Honobono Slow Life, by Aroe

Four stars. The title translates to “The Heartwarming Slow Life of a Free-Spirited Production Worker.”

This is yet another title in the isekai sub-genre of “let’s contrast how shitty my life on Earth was by having a good ol’ time in this fantasy world.” When this series started, I expected it to be completely mediocre, but it surprised me with its character work and sense of humor.

The story follows an overworked Japanese salaryman in his thirties, who works at one of those Japanese companies that require you to wear a suit and tie, and to die inside. Wanting to remain human, he exercises his architectural talents in an online VR game. His buildings are so popular that they’re regularly used as backgrounds for wedding proposals by the kind of people who would propose to someone in a video game. Anyway, the godess of love or some shit contacts the protagonist through the game and offers to send him to a new world where he may be able to have a good ol’ time.

He finds himself in your average isekai fantasy world, based on Central Europe during the post-medieval period, but including monsters and sentient fantasy races of the Tolkienesque variety plus beast people. His abilities back on Earth have been turned into vastly overpowered skills: previously a crafty fellow, he’s now the most talented builder person around. He has also access to a warehouse-size inventory in some private dimension, along with the kind of Minecraft powers that allow him to dig through a mountain easily. Although initially he’s a bit freaked out, and tries to remove the VR headset in front of confused fantasy people, he quickly gets used to a life that won’t involve working at a Japanese company.

Like in many other isekai, first cute girl he meets, who is usually the first female at all he meets, becomes the intimate option. In this case, with the guy in his thirties even though his new body doesn’t suggest it, they establish a sort of father-daughter relationship with no incestual undertones. Because she helped him, a broke guy with no ID, to get around in that new world, he imprints on her (or is it the other way around?), and is happy to follow her on her adventures as long as he has the opportunity to make her comfortable. By that I mean stuff like cooking restaurant-grade food for her every day, or producing entire houses out of his inventory whenever they need to take a rest in the wild.

Still, she doesn’t fall for him, which may have to do with the fact that she has a questionable relationship with the older female receptionist at the adventurers’ guild; this girl even calls “dates” her outings with the receptionist. Oh well, can’t fix nature.

Plenty of the plot so far involves the protagonist wanting to enjoy a slow life in this new fantasy world, only for people to take notice of him because of shit like stacking the processed meat of eleven orcs on the guild receptionist’s desk, or earning about a year of his previous salary in Japan with a single quest. Soon enough he attracts the attention of the local duke, and a troublesome party of adventurers.

This story is fun, and I like to have fun.

Posted a commission on ArtStation for a header #5

Welcome to yet another instance of me mentioning several artists by name, and potentially annoying them. You should already know what this is about: I posted a job listing on ArtStation because I wanted someone talented to replace the awful AI-generated header of my site with something I would love to stare at every day for years to come.

The style I’m searching for is somewhere between the following examples, belonging to the portfolios of some of the artists who have offered themselves: 1 – 2 – 3 – 4 – 5 – 6 – 7

Sadly none of the following artists match what I’m searching for style-wise.

  • Lina Russo (portfolio): I’m very fond of her drawings, but wrong style for what I want.
  • Gianpiero Mangialardi (site): a tremendous pro that apparently has produced covers for dozens of books. I’m very impressed with his stuff. Wrong style, though.
  • Loan Art (portfolio): huge talent, very unique stuff. Same thing.
  • Out Class (site): a collective of talented pros. They have pointed out two artists in particular, specialized in comic book styles, but that’s not quite what I’m looking for.
  • Diya Sengupta (instagram): very talented artist with an extremely unique style. I like it a lot, yet…
  • Alejo Vigliani (portfolio): fantastic work that would do great for hard-boiled, grungy projects. Mine’s not one of them, though.
  • Michelangelo Di Gregorio (portfolio): I’m impressed by his stuff, and I appreciate that he’s from Rome (the old Rome would have continued to exist, if I had any say in it). He approaches the anxious, loopy vibe I was going for, but not quite as well as the examples above do for me.
  • Kamilla Egri (portfolio): I like her drawings in general, particularly her use of colors. Not comparable to the drawings I’ve put as examples, though.
  • Adrian Merchan (portfolio): an interesting style, but not what I want.

Nobody else has applied so far; maybe the onslaught of emails will slow down to the point that closing the job listing will make sense.

A curious detail I’ve come across: after informing some artists that their style didn’t match what I was looking for, some of them were eager to try and mimic those other styles. Is that something that visual artists actually enjoy doing? As a writer, if someone suggested that I should change my artistic voice to match what they prefer, I’d be tempted to tell them to eat a dick. Maybe visual artists are more adventurous.

Posted a commission on ArtStation for a header #4

After a busy morning working as a computer technician at a hospital, which has absolutely nothing to do with writing, I’m too tired to edit the current part of my ongoing story, so I figured that instead of wasting the afternoon, I could catch up on the numerous new replies I’ve gotten to my job listing on ArtStation for a header to my site. Who knew there were so many artists in the world?

The style I’m searching for is somewhere between the following examples, belonging to the portfolios of some of the artists who have offered themselves: 1 – 2 – 3 – 4 – 5 – 6 – 7

I connected with the art of the following artists to the extent that I’ll consider their work when time comes to choose, as well as for future endeavors:

  • Alicia Bernáldez (site): apart from being a fellow Spaniard, she offers an enchanting style that’s uniquely hers. I love discovering an artist whose stuff would have hardly come out of anyone else.
  • Bruno Gonçalves (portfolio): a huge talent able to create the kind of works that I wouldn’t mind hanging on my walls. I love his attention to detail. He also pointed out the fact that I’m reporting on those who have offered their services, and he didn’t seem outraged by it. Although I’ll consider his talent and I’m happy to give him free publicity on my humble site, it doesn’t match the style I was going for.
  • Mae Dominguez (portfolio): gorgeous drawings, a very unique talent, but I write an anxious, loopy, generally disturbing kind of fantasy.

I failed to connect with the art of the following artists to the extent that sadly I won’t consider their work further, for different reasons:

  • Valentine Tomeh (portfolio): I love some of this person’s drawings, and they make a great use of colors, but the style doesn’t match what I’m looking for.
  • Mohamadali Moh (instagram): interesting and unique style. Not for this project, though.
  • Anna Ballestero (portfolio): another fellow Spaniard who loves Baldur’s Gate 3 (count me as one of them). I like her style, but it isn’t what I want.
  • Bruno Gonçalves (portfolio): I like how lifelike he makes the people.

I have yet to answer to like seven artists. Have I mentioned how much I hate replying to the humans whose works I won’t consider further? I imagine them opening my email only to find out that their day has gotten a little worse. That said, many more out there aren’t brave enough to show themselves.

Posted a commission on ArtStation for a header #3

Yesterday I received the highest number of hits in the history of my modest site, due to artists checking out my stuff. That’s the power of money. Here’s today’s batch of artists whose talents I had to consider, since they answered to my job listing on ArtStation. Unfortunately, none of them have convinced me to consider them further, for different reasons:

  • Roch Hercka (portfolio): super talented dude with medieval-themed stuff. He also described my stories as “gonzo,” which I appreciated. Unfortunately, the wrong kind of style for what I’m looking for.
  • Cengiz Ergüleç (portfolio): talented and with a very particular style that doesn’t match what I have envisioned for my characters.
  • Burnt Butter (site): gorgeous drawings, but the wrong style for me.
  • David dos Santos (portfolio): a dedicated high school student under extremely heavy competition on ArtStation.
  • Pouya Zarif (portfolio): amazing drawings in a hyperrealistic style. Great use of colors. That said, wrong style for the anxious, loopy angle I want.
  • Daniel Rüger (site): great style, fantastic imagination. Still, wrong style. I want something more cartoonish in an undefinable way.
  • Ander Del Molino (portfolio): this guy lives in a neighboring province and has a graffiti-ish style that I like. Yet again, though…
  • Diogo Aurich (site): nice style, and I appreciate the work he’s put into his website, which I can’t be arsed to do on mine even though I used to work as a website developer.
  • Tristan Keith (portfolio): talented dude, good compositions and use of color.

So far, the style I’m going for is a mix of the following, all belonging to artists who have contacted me before: 1234567

I hope it isn’t a faux past to mention the artists by name, along with their works. I’m linking to their portfolios, after all.

Answering to these people is taking time from editing my work, so I suspect that I’ll end up cutting short the job listing, that otherwise has about thirteen days to go.

Review: Joou Heika no Isekai Senryaku, by Eiri Iwamoto

Four stars. The title translates to “Her Majesty’s Swarm” (supposedly; I don’t see the word “isekai” in there).

Our protagonist is an eighteen-year-old Japanese recluse who spends her days playing a strategy game set in a fantasy world. She’s particularly fond of the evil faction, one focused on “zerg rushing” with a horde of spiderlike monsters. Anyway, one random day, she either dies or just arbitrarily gets transported to a fantasy world (all these isekai stories are blending together).

She finds herself as the real-life queen of a horde of spiderlike monsters, the same kind that she commanded to victory in the game. They operate as a hive mind, and she quickly realizes that with herself set at the middle of that web of consciousnesses, she may end up dissolving into the collective.

After an encounter with some local elves, she discovers that this world has never seen monsters like the ones she commands: she hasn’t only been transported to a fantasy world, but to one where her own game faction doesn’t belong.

What should be her goal in this fantasy world, where she has no business existing? She figures that she may as well focus on the same goal she pursued in the game: absolute victory. But is such a victory palatable when she’s going to look into the eyes of the people she’s supposed to slaughter?

The protagonist struggles to retain her humanity by dividing the world into victims and oppressors. She refuses to unleash her horde of spider monsters into someone merely because they annoyed her or because it would be convenient. However, one day, a neighboring country makes the regrettable mistake of fucking with her, and for the spider queen who increasingly cares less about losing herself to the collective insectlike hunger, that means one thing: a genocidal war that won’t spare even children.

Apart from the protagonist, the only other main person the reader could connect with is the queen’s spawned hero unit, her sole knight, a devoted half-woman half-spider who is more than eager to slaughter every single living thing in her path as long as her queen demands it. I found her quite enjoyable.

This story, determined to pull a “downfall” kind of arc for her initially normal protagonist, pushes us to empathize with the hapless human inhabitants of the kingdom that finds itself in the crosshairs of the horde. They’re a zealous bunch that believe themselves under the protection of a god of light, and they actually are, since their higher-ups can summon angels at will; they nonchalantly show up from the heavens to try to save the day. While bigoted against any infidel and heretic, their perspective allows the reader to feel the absolute horror of facing an onslaught of previously unknown monsters rushing through your lands, consuming everything and everyone in their path.

I found the ending quite haunting. In general, this shortish story (around forty chapters) left me feeling a bit ill, I don’t know if it was the constant gore, the extreme hopelessness of it all, that something I ate didn’t agree with my stomach, or a combination of such factors. I do recommend this story, but I vastly prefer isekai in which the protagonist has a good time without attempting to ruin the world in the process.