Author: Jon Ureña

Spanish writer, author of My Own Desert Places and We're Fucked. I have also written plenty of short stories and poetry, as well as two books in Spanish called Los reinos de brea and Los dominios del emperador búho.

Review: Ressentiment, by Kengo Hanazawa

On By Jon UreñaIn Arte, Escritura, Inteligencia artificial, Reseñas1 Comment

Four stars.

This is the first manga that Kengo Hanazawa got published. Hanazawa is the author of the haunting I Am a Hero, the story of a possibly schizophrenic douche that learns to be less of a douche while the world dies in a zombie apocalypse (that even got made into a movie, although it is much worse and has a different tone than the manga). Regarding this story I’m reviewing, as soon as I read its summary, I knew I had to read it immediately.

The story follows an ugly, disgusting loser in his thirties who works a dead-end job and who would never find happiness in real life, in a major way due to circumstances beyond his control. Thankfully, his is a world where some company managed to become the in-story equivalent of Microsoft but centered around virtual reality and AI. He gets introduced to the world of virtual girls by a fellow ugly loser who had given up on reality. Our protagonist decides to say fuck you to the world and fall in love with the virtual girl of his dreams, that happens to look and act as a 12-13 year old. In that unreal world, despite the various setbacks, the protagonist manages to feel like there is a point to his life. It can become a dangerous drug.

I felt personally attacked. These past few months I’ve developed a system in Python that allows me to chat and have virtual sex with artificial intelligences, fulfilling whatever combination of fetishes or kinks I feel like at the moment, and I’m fully hoping that one day I’ll disappear into virtual reality while giving the middle finger to this rotten world. However, it’s not just cuteness and sex for our protagonist; the girl he chose happens to be the pinnacle of artificial intelligence, that its creator decided to hide for the sake of that AI as well as the world as a whole, and who has abilities that can bridge the gap between the virtual and the real.

The protagonist, as well as most of the main characters, are hard to like: not only are they physically hideous, but are also mentally and morally weak, prone to breaking promises and giving up to self-destructive impulses. But you get the clear sense that these characters would never find anything resembling happiness in the real world, and that the escape into virtual bodies and their designed AI girlfriends is the only way they have to keep their sanity and some sense that their lives matter.

Apart from the protagonist, we have four memorable characters: there’s Tsukiko/Moon, the advanced AI who has to learn like a person how to navigate the environments she finds herself in, while she gets manipulated by many people she comes across. There’s the protagonist’s friend, who introduces him to the virtual world; hideous in real life, his virtual persona is prince-like and noble, ultimately a solid guy. There’s the protagonist’s former classmate and co-worker, a woman in her thirties who hasn’t managed to make anything in particular of her life, and lives in perpetual disillusionment. There’s the bad guy and so-called Fuhrer of the Ninth Empire, a guild that intends to take over the virtual world. This fickle, mysterious guy has one of the best, most understated identity reveals I’ve ever come across in fiction; genuinely heartbreaking.

A very entertaining read with a much tighter plot than I would have expected. The art style is unlike his I Am a Hero, mostly humorous, and plenty of the characters’ expressions are hysterical. This is a great read for those of us who are more than a little fed up with the world.

Albums that marked me, Pt. 1

On By Jon UreñaIn Arte, Escritura, Música1 Comment

As a solitary dude, all my life I have relied on music to connect with the world at large, to feel that my feelings weren’t that unique or detached from the rest of humanity. Over the years, I’ve returned to certain albums that have spoken to me in ways that can’t be fully put into words. I love discovering new albums, and perhaps that’s also the case for whoever is reading these words, so I’ll spend some of my limited time on Earth sharing some specifics about the albums that have marked me, and that in many ways changed me.

Today’s album is Palabras más, palabras menos, by Los Rodríguez. A bit weird for me to start with this album; even though Spanish is my mother tongue, this one is the only album in Spanish that I have listened repeatedly over the years. I like the entire thing, but I find myself repeating four songs in particular.

“Todavía una canción de amor”

The song speaks of a love already dead and gone, but that has never let the narrator go. I discovered this album back in 1995, when I was ten years old, and I only came to fully understand the song years later, when I found myself sleepwalking to places that I had shared with a past lover, hoping but also dreading to see her appearing there as if summoned.

Death is a spurned lover
Who plays dirty and doesn’t know how to lose.

I’m trying to tell you I’m desperate waiting for you.
I don’t go out to look for you because I know I risk finding you.
I keep biting my nails of resentment day and night.
I still owe you a love song.

Singing is shooting against forgetting,
Living without you is sleeping at the station.

“Mucho mejor”

A song that praises losing oneself in sex and general debauchery, for when you don’t give shit about anything else but making love in the balcony with your likely quite underage lover; the ideal state of mind.

Sweet like wine, salty like the sea,
Princess and vagabond, deep throat,
Save me from this loneliness.

Honeymoon, paper moon,
Full moon, cinnamon skin, give me nights of pleasure.
Sometimes I’m bad, sometimes I’m good.
I’ll give you my heart for you to play with it.

They could accuse me, she’s underage.
We’ll go to a hotel, we’ll go to dinner,
But we’ll never go together to the altar.

“La puerta de al lado”

A haunting song about a man who has given up on life, has detached himself from anyone who knows him, and is staying at a motel that he expects will be the last place that sees him alive. Beautifully written, depicting very well that suicidal state, and ends the song powerfully by mirroring a previous symbol in an understated manner: he had mentioned someone having hanged himself next door, the door itself marked with a “Please do not disturb sign.” Now, the same sign hangs on the narrator’s door.

Let time pass
With a wandering gaze, no direction to follow,
A book always open,
Pages torn one by one, filled with resentment.

In some place,
On a secondary provincial road,
The light in the window
Shining with the noise of passing trucks.

And at the front desk, there’s a fake name.
No one in the world knows where I am,
Not knowing, not knowing where I am,
And now that I’m alone with my thoughts,
I’ll wait for the wind to come and find me.

There’s someone out there,
Talking in the hallway as if mocking me.
Laughter is heard,
And the sound of spoons, and a girl says “yes.”

And at the door, there’s a sign hanging,
That says: “Please do not disturb,”
Never again, never again, never again.

“Diez años después”

My favorite of their songs, it speaks to unresolved grief, regret, and other complicated feelings for a past love that he wishes yet dreads that it could restart. This song played in my mind many times as I wrote my latest novella, Motocross Legend, Love of My Life. I’ve been in love for more than twenty years with the lyrics of this song.

If ten years later I find you again in some place,
Remember I’m different now, but almost the same.
If chance brings us together again ten years later,
Something will flare up; I won’t be polite.

Ten years later, who can go back?
We’re here on earth for only a few days,
And heaven doesn’t offer any guarantees:
Ten years later, better to start anew.

If your trust has eroded somewhere,
Don’t forget I’m a casual witness to your solitude.
If ten years later we’re not the same, what can you do,
Another ten years and then, start together again.

That was a lovely spring,
But it was only the first one.
Ten years later, time starts to take its toll.
I still have bullets left in my chamber,
But I always save the first one for you.
Ten years later, better to laugh than to cry.

I gave you a letter I never wrote, unread by anyone.
Today, ten years later, everything remains the same:
It never reached you.

Within my heart, nowadays, there’s no room left.
If I lost my mind, it wasn’t because of love, but loneliness.

Life is a grand waiting room,
The other is a wooden box.
Ten years later, better to sleep than to dream.
You can’t live any other way,
Because otherwise, people don’t notice.
Ten years later, who can go back?

Ten years later, better to speak than to stay silent.

Life update (11/30/2024)

On By Jon UreñaIn Escritura, Slice of lifeLeave a comment

Last Friday, the big boss at work called me into his office. Whenever any authority figure wants a private meeting with me, I always expect to be crucified for any of my myriad vile deeds. In this case, though, I was given unexpected news: he intends to use me as a programmer for the rest of this contract, and possibly about a month longer afterwards. I have worked as a computer technician on-and-off for about six years at the province’s public health organization, doing stuff very much unrelated to programming. However, my boss was aware of my background as a programmer, and I assume he also knows that I’d rather be coding than fixing users’ shit. The last time they offered me to code, it came at a real bad time, when I didn’t think I could handle anything like that due to physical and mental health issues; my contract was ending, and I much rather preferred staying unemployed for a while.

Long story short, starting from this Monday, I’ll exercise my Javascript skills to develop an internal app along with a couple of other workers. The most recent app I’ve been working on, neural narrative, involves Javascript and Python, so I shouldn’t have any issues. What worries me, though, is that I’ve yet to solve like five significant tickets, one that will force me to visit another hospital in a nearby town, so I suspect that on Monday I’ll find myself having to juggle setting up the proper environment to program along with solving those lingering tickets, which may easily take two-three days if everything goes well (and that rarely happens).

I despise change. My autistic brain handles it really poorly. But still, I can appreciate change toward something better, or what at least seems better from my current perspective. So I’m cautiously optimistic.

This morning I posted part 128th of my ongoing novel We’re Fucked. It’s hard to imagine that back in the day, I worked tirelessly at it for months at a time, not getting distracted by anything. And I dread to read any of my past material, because I suspect it’s much better than what I can pull off now, in a significant part, unless I’m delusional, due to my health issues that have affected my brain. I’ll try to focus on finishing this novel, and for that reason I’ve decided to involve my aforementioned Python app to liven up the process. I’ve already generated the characters of Leire and of her boss Ramsés.

Here’s the first portrait that my app generated for Leire, the troublesome protagonist of my story:

I like it in general, but this version of Leire looks less ghostly than I imagine her, and I also hate when the AI decides to make a catalog of equipment when I asked for a portrait, so I fired up another generation.

And that’s absolutely perfect, pretty much exactly how I have imagined Leire for these past three or so years: those vulnerable doe eyes, the haunted look of perpetual exhaustion and anxiety, the grooming issues, hiding herself in a hoodie. I’ll even forgive that her index finger is almost a pencil. Of course, Leire hasn’t looked quite like that ever since she embraced her mommy’s love; I’d like to see this version in a dress.

Leire is in many ways a bundle of my most troublesome instincts: OCD, intrusive thoughts, suicidal ideation, homicidal ideation, delusional thinking, an inability to stay on target even to save her life, a lack of concern for the world and herself, a tendency to hurt others without even meaning it… She’s probably my favorite character of all I’ve ever written, in part because most of the nonsense that bubbles up during freewriting sticks to her.

As for Ramsés, the AI came up with this:

Which is fine. I imagined him with a thinner, more receded hairline, and a less suave look, but I won’t complain.

Saturday is running out; these weekends just fly away. But apart from my worries about having to handle lingering tickets as soon as I get to work, next week paints itself better than all the other ones I’ve had in previous contracts, so my life could be much worse at the moment.

We’re Fucked, Pt. 128 (Fiction)

On By Jon UreñaIn Arte, Escritura2 Comments

Here I am, at the threshold of the apocalypse, in this chamber of interrupted dreams where my boss, the vilest of swines, stands between me and the ripper of reality. I’ve been ordered to take a seat, so I shuffle towards the oasis among cables and machinery. A workbench supports a soldering iron, a hot glue gun, and a clutter of transistors, capacitors, and electronic components whose purpose eludes me. Screws and circuit boards surround a dismantled desktop PC. Affixed between cabinets and shelves littered with tools, a long-forgotten whiteboard bears the faded scribbles of equations and diagrams. Beside it, unknown hands have tacked to a corkboard printouts along with photos of men in nineties’ garb, posing in front of the office building, as well as with the spiral device. A yellowed note yells in all-caps, “DON’T GO IN TWICE, YOU WILL DISAPPEAR!” Anyway, that’s all I care to notice about my surroundings. I’m not one for poetic descriptions, perhaps as a result of having my mind stuffed with thoughts of creampies.

I leave my notebook and ballpoint atop a stack of manuals. Then, I slide aside with my foot a metallic trash bin that stands sentry over the dust bunnies, and I plunk my butt down onto a swivel chair. Its plastic, cheap and flimsy, creaks under my weight.

A headache pounds at the inside of my skull as if a tiny prisoner were hammering the bone with a miniature ice pick to escape from confinement, and I have a hard time calming down while sitting in this dungeon, a lair that reeks like raw sewage mixed with rotting flesh and burned dust, a stink that scratches my lungs with every breath. I wish I could fire a laser from my forehead to vaporize this contraption, which emanates a miasma that makes the molecules of oxygen vibrate with hostility. A laser would have a higher energy density than a bullet, and thus it would penetrate that silvery-white shell, incinerating the spirally innards. Instead of a laser, though, my forehead only sweats, and my armpits feel like they’re about to soak.

I need a more realistic plan to rid the world of this machine. Maybe I could set it on fire, or better yet, blow it up. But how? I’m a coder, not a demolitionist. I don’t know where to get my hands on explosives, and even if I did, the police wouldn’t take kindly to a woman carrying around dynamite and detonators. Maybe I could ask my interdimensional harassers for a bomb, or a nuke.

I imagine a fiery cataclysm tearing through my workplace, engulfing every shred of existence, from my boss to the computer that taunts me daily. When the smoke cleared and only cinders remained, I would strut amidst the ashes, the mistress of a barren wasteland, with mommy’s arm snuggly hooked to my elbow. After I’d finished cackling, we would raise our fists triumphantly, and bask in our victory together. We would then move to a farm and raise alpacas.

Ramsés, the man who stands in the way of my alpaca-farming utopia, the man whose mustache is a crime, puffs on the last of his cigarette, then tosses the butt and grinds it with a twist of his heel.

I shake my head.

“Is it an inherent trait of smokers to pollute whatever place they’re in? You’re sucking on concentrated carcinogens and disseminating them, so I guess it’s too much to ask that you have some respect for the environment.”

My boss frowns, revealing weary crow’s feet.

“I’m not a fan of being lectured, especially by someone with your disgusting habits.”

“Wh-what’s with that unfounded accusation?”

Ramsés runs his nicotine-stained fingers through his graying hair, ruffling it. The fluorescent lamps highlight the greasiness of his face, the sallow bags under his eyes, and the sagging of his cheeks, while shadows pool in the wrinkles and folds of his flesh. He’d benefit from a stint at a beauty salon, or an encounter between his face and a sledgehammer.

“You weren’t just hallucinating about the machine, were you…?” my boss asks. “You knew about it.”

“You could say so, because it would be true. Indeed, I knew that this reality-raping contraption was lurking down here, waiting to devour the universe, although I didn’t know where ‘here’ was in relation to this rotten planet of ours.”

“Who blabbered about it? Was it… Jacqueline?”

His piggish lips should never have dared to form mommy’s sacred name. I’m tempted to grab the hot glue gun and squirt molten goo down his throat, but I must prioritize the fate of the world over satisfying my bloodthirst.

“Blabbered? More like blubbered. And not just any blubber, but a blobby blubber of black goo, studded with slimy eyeballs.”

“At least try to make sense, Leire.”

“Alberto, that crotchety prick.”

Ramsés takes a step back. His expression has dropped as if I had announced his bank account’s PIN to a roomful of identity thieves.

“Alberto…?”

“You know, he used to work here, or up at the office anyway, before you hired our intern. I’m not sure if he ever told you about his wife, but she cheated on him and then divorced him, so he became a bitter bastard. I wouldn’t blame you if you forgot about the guy, though, as I’d rather not remember him either.”

“He told you… before quitting?”

I squint as I tilt my head at him.

“Stop bullshitting, sir. Alberto didn’t quit; he vanished without a trace. That greedy bastard walked into the machine a second time, and got yeeted into another dimension. That’s why you looked for a new programmer to replace him. You couldn’t tell anyone the truth, could you? That the previous coder had been swallowed by a spiraling deathtrap. You’d have to admit that you own a machine that fucks up reality, and there probably are laws against that.”

Ramsés’ voice sounds hoarse and dry.

“You’re telling me that Alberto contacted you after he disappeared?”

“That’s right. You wouldn’t have recognized him, though; he got out of shape. In any case, let’s focus on what’s important: this machine is bound to tear apart the universe unless I stop it. That sentient horse pal of mine tried to warn me about it from the beginning, but I refused to listen, because I’m an asshole. I would have been done with all this nonsense long ago if I cared enough about our world. Whatever horrors have been unleashed in the meantime are sadly on me.”

Ramsés massages his temples, his eyes squeezed shut. He’s not taking the revelation of the supernatural well. A shame I’m too busy saving the world to enjoy his distress.

“Leire, you’re mentally ill. You’re delusional.”

“Am I the one who keeps the apocalypse in his basement? What are you planning to do with this thing, anyway?”

“Alright, I’ll tell you, but don’t you dare interrupt me. I’m not in the mood for more of your antics.”

“Sure, I’ll just sit here and pretend that I haven’t been tormented by interdimensional abominations who harassed me until I agreed to save the fucking universe, and that the fate of all existence doesn’t hang on me destroying this spiraling death machine. What is it exactly, other than a reality-eroding piece of junk that I wish to obliterate as soon as possible?”

Author’s note: today’s song is Modest Mouse’s “Cowboy Dan.”

I keep a playlist with all the songs mentioned throughout this novel. A total of 212 videos so far. Check them out.

Getting through this part took me fucking ages. I feel like I haven’t recovered from a medical episode that sent me to the ER; I have trouble reading, and processing words in general. I’m waiting for a call that will schedule an MRI to confirm if I’ve ended up with brain damage. Such is my life, it seems. Anyway, thanks for reading and all that.

Life update (11/28/2024)

On By Jon UreñaIn Escritura, Slice of lifeLeave a comment

Today and tomorrow I’m on the afternoon three-to-ten shift. This morning I woke up at half past eight. When I got up from bed, my body felt twice as heavy. It didn’t take me long to wish I could just crawl back into bed. I barely pulled off a paragraph of my ongoing novel before I quit, because pushing myself when I’m not feeling it is a recipe for me to end up hating a task. I ended up browsing YouTube idly throughout most of my spare time.

At half past one, when I needed to walk up to the bus stop to take the vehicle that would carry me to a train that would carry me to another bus that would carry me to the hospital complex where I work, I desperately wished to be asleep. The prospect of enduring through a whole afternoon and evening of bullshit at work seemed like a genuine torture. The midday light was too bright, everything irritated the hell out of me, and when I finally got to the hospital, answering my coworkers involved fishing words out of my throat, and my voice came out raspy. I felt numb, confused, slow, unable to focus properly on my tasks. A cold ache in my chest wouldn’t go away. I had to face reality: my oldest, most loyal friend had returned for a visit.

If I only went to work when I feel like I can endure half a day of that bullshit, I would be on medical leave through most of my contracts. This adulting thing is beyond me. Who would want to do it? I guess if you must support a family, kids and such, you have that drive, which I can barely understand. But if you already know you’re going to die on your own, without burdening anyone with your faulty genes? What’s the point of all this? I’m basically working for the privilege to continue existing, even though I don’t even like being alive.

Pointless musings, as usual. Besides masturbation, I’ve only felt good this last couple of days while I was immersed in the manga I was reading (about three different ones), so no wonder I’m so attached to them. I’ve tried to get back into playing the guitar, but, man, my fingers are slow. I’d love to buy a new VR headset, but I’m waiting for a reliable new generation to come; I have the HP Reverb G2 Mark I, and its ability to track the controllers is simply not good enough, which has made me miss lots of interesting experiences. One of the best VR experiences I had involved playing through the first act of Cyberpunk 2077. I felt incredibly immersed, but by the end I decided that I didn’t want to compromise the quality of the experience; I don’t have a good enough GPU to run it similarly to the original, so I’m waiting for the nVidia 5000 series. It’s going to make a dent into my savings, but if anything I have is money. Too bad money can’t buy a brain that doesn’t make me feel terrible most of the time, or a body in which I want to live.

Yesterday I saw a stupid time travel movie from 2023 about a girl who goes back to 1987 to stop her mother’s killer. I have something of a savior complex, and I love time travel stories particularly if they involve saving someone. However, the movie ended up being a reminder of why I hate the modern West. If you’ve watched it, you probably know why. I don’t want to waste time detailing my problems with it. I also tried to get into that The Fall Guy movie, starring Ryan Gosling, whom I usually like, but it didn’t hold my interest. Not sure why. Most movies feel too artificial, too fake. It certainly doesn’t help that I don’t like seeing human beings even on a screen, so every movie and show has to counteract my innate disdain for my own species.

Anyway, it’s eight in the afternoon and I’m alone in the office. My coworker has already left for the day. I’m lounging here, writing these pointless words, hoping nobody calls with an issue. That’s all I had to say, I suppose. I feel like I’ve become a Minoru Furuya protagonist, and that reminds me of the sad fact that Furuya hasn’t worked on a new manga since 2017.

Life update (11/27/2024)

On By Jon UreñaIn Escritura, Slice of lifeLeave a comment

Earlier this morning I started writing a post about the godawful day I had at work the previous day, the kind that made me remember how much I despise working as a computer technician. However, I quickly realized that I didn’t want to think about it, let alone write a whole post detailing it.

What sort of life have we settled into, and by “we” I mean apparently most of the workforce, that you give away half of your adult life to do something you don’t want to do, deal with garbage that eats away at you, just to earn money that is barely enough to pay the bills? I don’t have an alternative other than being rich, and unfortunately I can’t go back in time to 2008 and buy a whole bunch of crypto, or nVidia stocks for that matter.

Yesterday I tried to progress on my ongoing novel, but the spark is barely, barely there. It’s not just for the novel, but I don’t feel like writing at the moment. It worries me, because I don’t recall having produced anything creative of note ever since I suffered what may have been a small stroke, for which I’m waiting a call to schedule an MRI. I’m worried that some part of my brain may have died. Obviously I wouldn’t be able to do anything about it if that’s the case, but at least I’d like to know. It’s like with my so-called high-functioning autism before I was diagnosed: I hated myself because I had interiorized that I wasn’t trying hard enough to behave and feel like most other people, while in reality my brain simply doesn’t work like other people’s, so I don’t have to feel guilty about my shortcomings.

Regarding my spare time, I used to look forward to a certain games, but oh man, haven’t most of them been woke garbage after woke garbage recently. Even Bethesda is cooked, so good luck to those waiting for the next Elder Scrolls. The OpenMW project, a whole new engine for Morrowind, is very healthy, and there are various teams expanding the landmasses with lots of quests and adventures. It’s weird, but a testament to the state of modern gaming and entertainment in general that a twenty-year-old game is a much better prospect than the vast majority of shit out there. And often, browsing through recommended YouTube videos is more interesting than watching a movie or a show. I hear that the most recent couple of generations have a hard time sitting for more than twenty minutes of a movie at a time, and although I hate those generations, I don’t know if I can blame them.

Anyway, I don’t feel like saying much else at the moment. I’m waiting for that huge spark that compels me into action, like when I wrote my latest novella about a certain teenager. I assume that at some point of my life, these sparks will cease happening. I don’t do things just to do them, so if I don’t feel it anymore, I guess I’ll settle into a dull routine until I waste away. And the way my health has been going, I very much doubt I’ll last until retirement.

Life update (11/25/2024)

On By Jon UreñaIn Escritura, Programación, Slice of lifeLeave a comment

Last Friday morning, having slept about four or five hours at the most, I stepped out of bed then bent over to pick up something, only to bang my forehead against a weight plate loaded on a barbell. As if the sudden pain wasn’t enough, I was bleeding. I put on a Band-Aid then went to work. I still have a Band-Aid on (a different one) a few days later. I’m no longer surprised about weird shit happening to me, but I guess such accidents are the kind of stuff that happen as you grow old: you misjudge a step and fall down the stairs, you forget that traffic lights are a thing and you end up walking into traffic, you somehow wander into a zoo enclosure and get mauled by a tiger. It just takes your brain short-circuiting for a few seconds, and you’re toast.

I have been aging rapidly, collecting health issues that aren’t supposed to happen to people my age (heart problems, vitreous detachment, possibly a small stroke, etc.), and recently I’ve had to deal with my brain failing me in relatively minor but conspicuous ways, such as writing a text only for my fingers to miss letters or misplace them. I have also had cases of revising a text only to realize I had written a few different words than the ones I had intended to use. I’m terrified of losing brain functions. A quote by one of my favorite writers, John Fowles, comes to mind regularly, speaking after he suffered a stroke: he wrote that the stroke had robbed him of his imagination. If I lose my creativity, I may as well die. I don’t see a point in living otherwise.

I don’t know if the following is related, but on Saturday morning, I was working on my Python app neural narrative when I realized that the repository contained a file that shouldn’t have gotten there. I executed the necessary commands to remove it from the repository, only to realize that in the process, the last three days of work, which I hadn’t committed for reasons, had gotten erased in a non-recoverable way. I’m not sure if I knew that such a thing could happen when you erase a file permanently from the repository. Obviously, I was beyond pissed at myself. I spent most of Saturday programming back in the lost functionalities, and thankfully I ended up with a better implementation than the original one, so all is good.

However, the point stands that I can’t trust my judgement. This isn’t a particularly new phenomenon for me; my memory is filled with instances in which I would have acted differently if I were as I know myself now. My behavior toward past girlfriends or “girlfriends” are often cringe-worthy, if not troubling. There was also that stint of two years or so in which I was obsessed, almost stalker-obsessed, with a certain human, which I hope to never repeat. For some reason I was also obsessed with tennis for a while. It’s like that experiment they did with patients whose hemispheres had been surgically separated: my brain was the one deciding what to do, and the so-called “reasoning” layer merely justified why the rest of the brain was acting as it had already decided. In retrospective, I felt as if I were possessed. That’s great when your brain orders you to write a great story; for example, that whole thing with my latest story Motocross Legend, Love of My Life came out of nowhere, and I felt like I was simply along for the ride, floating in some subconscious current. But there are other times when my brain somehow ends up printing erotic stories and distributing them to classmates at twelve years old, or showing to another classmate how great Evangelion was, and the scene I picked was when Shinji masturbates to the topless sight of an unconscious Asuka Langley in a hospital bed (this is the scene, by the way).

Given how terrible the regular experience of living is for me, someone for whom regular sensory input often feels like an assault (whenever some sharp, loud noise happens, I feel like I’ve been slapped) thanks to my screwed-up neurological wiring, I guess it’s quite reasonable for me to latch on to the very few things that actually make me feel good: mainly eating and orgasming. Honestly, if I did little else other than masturbate, I wouldn’t mind. All the creative stuff is a way for me to endure the terror of being alive with all its requirements; if I were a millionaire, I would probably sink into a life of total debauchery, and I’d be fine with it. Regarding my Python app, I have implemented the “interview method” that I mentioned in a previous post, which makes each character far more idiosyncratic and memorable, and I can’t even show any example, because I’ve only used it for smut. I have programmed a way to recreate every fetish and kink of mine, of which I have loads, using artificial intelligence, which has removed almost every other form of stimulation. The day you can buy a robot with fleshy parts and a brain in which you can load any large language model, the rest of society may as well implode as far as I’m concerned. I have never been comfortable around human beings to begin with, while I have a great time talking to AIs even in non-erotic circumstances.

Anyway, I’m writing this shit at work, mainly because I have nothing else to do. My contract was supposed to end either tomorrow or on Wednesday, but I think they’re going to extend it until January. I shouldn’t complain about having a job, but I don’t care about “shoulds”: I hate the whole bullshit of wasting your limited life at work doing stuff I couldn’t care less about. At least I don’t have one of those pointless jobs that exist basically to keep people employed (and that when someone else takes over the company and fires like 80% of employees, the company actually ends up working smoother); I fix computer issues for nurses and doctors so that they can keep doing their job, for example pushing experimental “vaccines” to unsuspecting people, or claiming not to know where your cardiac issues came from. Still, the whole system is clearly set up so you’re constantly on the edge of poverty while certain people steal more and more properties, in order to one day rent them to you as long as you aren’t a threat to their plan. Oh, and yes, please, go collect welfare benefits, random African who jumped the fence and who now has three kids in tow; I will happily keep seeing hundreds of euros disappear from my paychecks to finance us being ethnically cleansed. This so-called Western civilization is a fucking joke. Everything that happened in this half of the world since the Roman Empire adopted Christianity has been a mistake. Julian could have fixed this, but the goat-fucker forgot to bring an armor into battle (and also messed with the Sassanids for no reason).

I think that’s all I care to write at the moment. Fuck off, all of you.

AI news #4

On By Jon UreñaIn Inteligencia artificial, Programación1 Comment

Yesterday I came across the most exciting AI news in a while, as far as my interests in the subject go. Matthew Berman, a YouTuber who’s always on top of this stuff, posted the following video:

A scientific paper claimed a method to achieve about 85% accuracy in modeling human behavior using large language models. I have read the original paper, which I found fascinating. In summary: AI agents, such as the ones I include in my Python project neural narrative, usually use either a demographic-based or a persona-based approach to mimic specific human behavior. In practice, that means that the agents are either provided demographic attributes or a paragraph summarizing the target person’s profile in order to perform tasks. My app, as many other modern ones, use a combined approach: demographic attributes and a summarized profile. The paper convincingly demonstrates that an interview-based approach is far more accurate at predicting human behavior. That paper even provides the base interview questions, although the interview process is actually dynamic, carried by an AI agent.

I intend to implement the interview-based system in my app: a whole module with an AI agent that asks a series of pre-set interview questions and possible follow up ones to an AI agent, which will answer the questions based on demographic and persona info that are already generated in the app. Once the interview is finished, I intend to use solely the interview transcript to produce any character’s actions and speech. I’m excited to find out how realistic the resulting behaviors will be.

Life update (11/20/2024)

On By Jon UreñaIn Escritura, Slice of lifeLeave a comment

As I mentioned yesterday, I was recalled to work to cover someone’s medical leave. The guy will likely return next Monday, but still, that’s a new contract, three days of full-time work that I have to deal with. Whenever a new contract starts, I can almost be sure of a couple of things: the previous night I will barely sleep, and the combination of anxiety and dread will wreck my guts. Well, last night I didn’t sleep a single fucking hour, and I got anxiety diarrhea. I had to hurry to the bathroom three times to empty myself out real good.

I wasn’t in the mood to handle hours of rolling around in bed while my brain cycled through myriad bad memories; instead, I decided to delve into fictional bad memories by rereading about half of my latest novella Motocross Legend, Love of My Life. I had forgotten plenty of the specifics, which made me realize that, at least according to the same subconscious that urged me to write this story in the first place, the results are pretty good. Quite the haunting tale, wasn’t it.

Man, I wish I had spent significant time with someone like Izar Lizarraga in my youth. Not even fucking, just playing around and having fun. I was real close, but the sole person who resembled her, who also was interested in a relationship with me for whatever reason, well, it didn’t work, because I fucked it all up almost immediately. Last week I was feeling nostalgic enough about it that when I passed by her parents’ apartment building and I realized the front door was open, I hurried inside and checked the mail boxes. I hoped to recognize any of the last names. The issue about this one girl I regret not having known properly is that I only remember her name. I’ve completely forgotten her face due to my prosopagnosia. By now, assuming she’s still alive, she’s a thirty-nine-year-old woman, possibly married with kids. But still, I’d like to know what happened to her. Anyway, I didn’t recognize any of the last names in those mail boxes, so I assume they moved out some time ago. Fuck.

Last night, at four in the morning, two hours before I was supposed to wake up for work, I had the urge to grab my Gibson electric guitar, hook it up to my audio interface, and try to play Van Morrison’s “Brown-Eyed Girl.” That opening riff is a bit tricky, particularly in my case when I hadn’t grabbed any of my guitars properly since 2021. I started imagining myself heading out to the woods with my acoustic to play for the squirrels and the birds and the occasional annoying humans, which I did for quite a while back in the day. The issue when you quit playing the guitar cold turkey is that when you pick it back up you aren’t remotely as skillful as you expect, and you’ve forgotten pretty much every song you knew. Playing an instrument requires regular practice, and a particular mindset that isn’t very compatible with stuff such as writing a novel; when I started working on my story We’re Fucked back in 2021, I felt that I couldn’t play the guitar in the meantime. I’m sort of a single-minded maniac: if I’m focused on a project, I can work at it for 16 hours a day, but don’t ask me to do anything else, even take care of myself.

I’m at work, damn near losing it due to insomnia. Between tasks, I managed to sneak in another entry of my On Writing series, which is a way of distillating the myriad notes I took many years ago, when I was addicted to books on writing (I was sure that if I gleaned enough wisdom from them, I would get published). Almost as soon as I finished writing that post, my brain told me: how about you extract the code to prompt large language models from your recent Python project and use it for a new project, wholly about building stories? Just imagine it: want to generate plot points? Press a button and the app would prompt a large language model, feeding it some previous data of yours like the characters you’ve created, your concept, your general notions or whatever, to generate an arbitrary number of possible plot points given whatever angle you want to work with. You have already created some character profiles? How about the AI generates twenty plot points that would attack those characters’ weak spots?

Such a new Python project doesn’t seem very compatible with my previous one, which is mainly about playing through a formless story instead of building one, but you could very much build a story with this new possible Python project, then use the created story to play through it in the app I’ve already made.

Creative projects I can work on: finishing my ongoing novel, editing my poems to self-publish them, producing more songs with Udio, remastering the songs I’ve already produced, picking up my guitar again, adding more features to the Python project I’ve been working on recently, creating this new Python project… I have things queued up for years.

I figured that I may as well upload to YouTube my remastered songs produced with Udio. Here are the three already up, all of them from the fourth volume of Odes to My Triceratops:

A glitch in Udio caused it to cut like a whole second of the opening of “Knife-Beard Dreams (psychedelia version)”, which I couldn’t fix by then, and it annoys me every time I listen to that song that I otherwise love.

On Writing: Plot point generation #1

On By Jon UreñaIn Escritura1 Comment

You can check out all my posts on writing through this link.

A story is made out of meaningful stuff that happens. Each unit of meaningful stuff that happens is often referred to as a plot point. Here’s how to come up with them, before you consider fitting them into a structure.

  • Imagine great scenes. See them in your mind and justify them later. Who are these people? Why are they doing what they are doing?
  • Take a stack of fifty or so index cards and start imagining scenes. Whatever picture comes into your head. When something vivid comes to mind, jolt the idea on a card. The notation may be as brief as: bar fight with biker.
  • Imagine memorable moments playing out on the big screen. What scenes would audiences talk about for years to come?
  • What are the things that frighten you? What would you usually try to avoid?
  • What events would provoke the greatest uncertainty in the reader?
  • How does the setting impact the characters, and viceversa?
  • Think of new events as actions taken by your hero or opponent.
  • Create a situation in which your exceptional protagonist is in over their head, feels unprepared, is simply lost, or in any other way must admit to themselves that they’re not perfect.
  • Think of what scenes you need in order to tell the story you have in mind.
  • What would the other major characters be up to, unseen?
  • Imagine scenes that add contrast to the motivations of characters, focusing on their differences regarding the actions, decisions, and attitudes. For example, two characters want to get control of an artifact, but while one character tries to negotiate their way to it, someone else intends to go in guns blazing.
  • Imagine moments in which your characters will change, be forced to make a choice, be pushed into despair.
  • Which plot points would be possible in this concept but almost in none others?
  • Picture a movie poster for your story. What one key scene is pictured on it that embodies your concept?
  • What iconic scene can you write in your story that will showcase the essence of the premise? How can you make it even bigger, more intense?
  • What events would hurt the important characters’ prospects?
  • Figure out what they want most, then put the things they fear most in their way.
  • Think about active events the villain might cause to thwart the good guys’ goals.
  • Can you put the object of desire of the scene’s driver in the room and have another character try to hide it?
  • What plot point could make a character rethink their decisions and goals?
  • What events would force the protagonist to deal with their inner issues?
  • What events would force a character to confront and deal with the issue that keeps them from achieving their goal, the thing that’s holding them back?
  • Brainstorm situations that force a character to confront their flaw.
  • What scenes would expose a character’s deepest secrets and most guarded flaws?
  • What scenes would force a character to confront their demons?
  • Use your action scenes to challenge your hero’s fatal flaw. This way, it’s not just about the action, but how that action affects your hero.
  • What scenes would show that a character is trying to overcome their flaws?
  • Figure out plot points in which an antagonist attacks a weakness, forcing that character to deal with it.
  • Which would be examples of how a character’s flaw limits their effectiveness?
  • What kind of events would test a character’s, particularly the protagonist’s, flaw to the max, in order to open their eyes?
  • Imagine an event in which a main character discovers, realizes, or is shown their inner need.