I tracked the Ford Thunderbird to a parking lot bordering Venice Beach. I parked six spaces away, past three empty slots, two cars, and a delivery van. In case the man was roaming nearby, I took in the view through the windshield and side windows. Next to the half-buried asphalt of the bike path, clumps of palm trees had sprouted from the sand, some as tall as, or taller than, the shops along the boardwalk. The sun, sinking into the Pacific, bleached white the fronds of one palm, while the rest stood out like green torches. Silhouettes bustled across the wide beach, and at intervals lifeguard towers rose in the distance.
The beeps from the tracker echoed through the car like pinball ricochets. I switched the machine off. I could hear the surf rumbling, waves breaking their stride from the sand; the squawking of gulls; the din of shrieks and laughter from the bathers. The sun beating down on the windshield was browning me like a roasting chicken.
I had to find that man and stop him. I was following the plan like a musical score, but my back stayed pressed against the leather seat, and anxiety was growing in my chest. My subconscious lacked the vocabulary to describe the cataclysm it had foreseen.
I had saved Cassie, who had cried, yet tomorrow she would skate under the sun while her brain boiled and steam blew from her ears. If some grinning long-haired guy asked her to ride in another car, she would hop in before waking up to reality. And these folks ambling around Venice Beach like buffalo in a zoo enclosure, this pink-and-orange horizon—would it matter to them if one day Cassie ended up in the dark, panties gone, while the man on top of her strangled her?
The girl was alive and had learned nothing. Her mother, after rushing home, might have taken out her revolver and imagined forcing me to face the black maw of its barrel. I closed my eyes and saw her face as though draped in dusty cobwebs. Cassie’s mother, hating me. Hate upon hate, from people who refused to understand.
If I spirited the victims away from the shadows, they remained ignorant; if I saved them and they found out, they despised me.
I got out of the car and slammed the door. I wandered the parking lot to stretch my legs while the burning asphalt sucked at my soles. A car honked. I realized I was in the way of someone trying to maneuver into a space.
How long until the owner of that Ford Thunderbird got hungry? Or was he circling around to satisfy the hunger left over from when I saved Cassie?
What if I refused to hunt him? I could hit the nearby theaters in case they were showing Jaws or Star Wars again. I would make a pilgrimage to the record stores and buy first-edition vinyls of Nick Drake, Roy Harper, Karen Dalton. I could dine into the dusk until I emerged into the odd world I’d find.
If that starving coyote went hunting and left another corpse behind, would I even find out? Would I care? Another anonymous woman would vanish. Her face printed on milk cartons. With luck, in several years or decades, some hiker would discover that the femur his dog was slobbering over had belonged to a woman—or a child.
Dozens of miniature black holes roamed the United States, swallowing pretty hitchhikers, teenage runaways, prostitutes. Black holes wandering immortally: when one disappeared, another took its place. The rest of the population kept working, birthing, gathering to celebrate the Super Bowl, filling baseball stadiums, balancing on surfboards, or doing whatever else they fancied in this period of time that blended with all the others like spilled paint in a swimming pool. News of a woman’s disappearance would spoil someone’s snack in between bites of bacon and sips of beer. Most people believed (though they wouldn’t say it) that some sin had condemned that photographed woman to deserve it, or the universe would had chosen someone else to punish. The sacrifice was part of an obscure plan that someday would drain into some blend of justice and harmony. But if I stepped in, the masses would go on smiling in ignorance.
The tension in my neck hurt. How many times had I told myself that every life I saved was worth it, even if it stuffed my mind with skeletons and cadavers, a mounting heap at the bottom of a bloody pit?
Music drifted out from the turntables and radios in the boardwalk shops and apartments. Graham Nash protesting war and the military. Dolly Parton. Hendrix. As if at a concert, different acts played on neighboring stages. A warm breeze carried the scent of incense from the apartments. Dozens of people strolled around. A girl in shorts too tight to crease and a crop top that showed her belly button skated while holding the hand of another skater—a man in his early twenties with long hair and a mustache. On the sand, groups lying on their towels cackled like flocks of birds. They had been born in a cell where some invisible hand projected pictures of puppies, babies, cakes, and tropical beaches onto the walls.
All this laughter and enjoyment while somewhere in this city—not to mention the rest of the world—someone was getting beaten, raped, or murdered. Thousands of crimes went unnoticed, and criminals moved on to their next victim. So many beatings where the battered victim avoided the police, or reported the assault only for no reporter to pick it up. So many rapes where, for whatever reason, the victim stayed silent. In any neighborhood where kids pedaled on tricycles, in the basement of some house with neatly trimmed grass, a man might be exploiting a woman’s body as a semen receptacle the same way he would use a toilet for urine, and when he killed her, he’d dispose of her corpse like flushing a used condom. Maybe that woman never made it onto the list of thousands of missing persons, or she was mentioned briefly in a newspaper, and I would never find out.
I skirted the beach, eyeing every passerby and every group member, just in case I recognized the individual. I stuffed my hands into my pockets. Sometimes I had to remind myself that I had come out here to hunt. I stopped to look back at those who had just passed by, though some were already shrinking in the distance on their roller skates, skateboards, or bikes.
No matter which era I ended up in, I was surrounded by cheerful voices, smiling groups, couples holding hands. The same actors in different costumes, sporting whatever haircuts each era deemed acceptable. The plumage of exotic birds. In every decade, they believed everything would be fine, that a clear path lay ahead and they only had to look for it. I felt set apart from them, the last member of some other human species clinging to the edge of extinction. What could I tell these people? They would react as though I had blasphemed against their divine maxim that goodness always prevails. But goodness prevailed only because, before they even arrived, I had cleared their path. When I failed to worry about it, evil triumphed time and again.
I watched a volleyball game among a coed group where more than just the ball was bouncing. A figure nearby stood out. The man hovered near the bike path, scanning the beach. Sometimes he hid his face behind a camera and snapped a photo. His voluminous blond mane fell to his shoulders, and from behind one might mistake him for a woman.
When his name and surname flickered at the edges of my mind, I shooed them away. Names were for people unlike these rabid coyotes wandering around, ready to rip off a piece of someone unless the police—or I—put them down.
“I recognize that look. My friend Pete.”
It took me a second to realize the voice to my right was speaking to me. A man of about twenty-five. He was smoking a cigarette. The fringe of his long hair covered his forehead, and the wiry ends curled at his neck. His goatee protruded two inches from his chin. His gaze implied he enjoyed meeting strangers.
“He went from one party to another,” said the man, “loved to play guitar. Plenty of women would hang around for private songs. But he got drafted. When he returned, he threw away his medal. Every couple of months I spot him far off, just standing in the middle of nowhere, looking like you do.”
He drew closer as if to offer me a cigarette, but I wanted him gone.
“Do Pete a favor. Next time you see him, stab him through the heart.”
The man twitched his head like it was a nervous tic. He lowered his eyebrows and sucked on the cigarette filter. I walked away toward the bike path.
When the photographer’s features grew sharper, I stopped. By the look of him, his mannerisms, maybe he had a portfolio of pictures he’d posed in. As if his fishing line had gone taut, he fixed his gaze on a woman in her twenties wearing a black floral-print blouse with balloon sleeves and a triangular neckline. She had tied the blouse at her waist. Her jeans ended where her thighs began.
He held the camera at belt level and followed the woman’s rising and falling hips. That golden hair gleamed like satin. Any film studio would insure such breasts.
As she passed by, he blocked her path. His lips parted, curving along the gingival margin without showing the gums. A toothpaste-ad grin, with prominent canines. The muscles in his cheeks framed the smile like curtains revealing a show. Though I pictured those teeth pulverizing bones, splinters flying between his molars, she matched his smile in a fraction of a second.
“I had to stop you,” said the man. “Tell me, gorgeous. Which agency hired you?”
“What kind of agency would hire me?”
“A modeling one, of course.”
She cocked a hip to one side, and her laughter filled my mind with the urge to drop to my knees at her feet.
“Thanks, but no one’s ever noticed me for that.”
“They probably figured you were already taken by the best, under a million-dollar contract.” He lifted the camera to chest height. “Will you let me be the first to sign you?”
The woman swayed as if gripping an invisible pole, twirling a golden lock around her fingers.
“Do you just wander around the beach photographing girls?”
“I work for some magazines, making any man lust after mediocre girls and the world kneel before beauties like you. So tell me, want to get started? A few studio sessions and you’ll end up in Hollywood.”
Her nipples showed in the blouse like buttons. The man struck exaggerated poses and clicked away. She tilted her head, pursed her lips in a pout, and tumbled into a stream of laughter.
I closed my eyes and shoved my hands in my pockets. I would have preferred to buy a towel, lay it out on the sand, and bake until the sun dipped below the horizon. Tell me, beautiful: why should I bother, why should I sacrifice myself just to prolong your infinitesimal blink of existence, so your years can unfold—at best—for a handful of people who will also vanish? Cities buried under cities buried under cities. I’d save another person who had wandered blind and deaf into a trap, and if she found out I had intervened, she’d blame me for it. But I had to stop this coyote, or else he’d keep killing.
I didn’t know her name. I looked at another face and body I had to accept corresponded to a complex life. I had to assume this woman deserved salvation. But why add another nightmare to my crammed attic? Who would miss her? Whenever she set foot outside, hundreds of men—and some women—imagined the feel of her skin, how her breasts would fall when she took off her bra, how she would look lying in bed, eyes half-closed, face flushed, lips wet, thighs parted, displaying the earnings of her genetic lottery ticket—the product of a generation raised on the streets. But who actually loved her? A mother, a father? A little sister who yearned to see her? A boyfriend who believed she was irreplaceable? How many people would cry for her years from now, when barely any scraps of flesh were left clinging to her bones? Would this retinue of ghosts I was inventing convince me she was worth saving, instead of letting her get lost among the grains of sand formed by billions of forgotten humans?
I had to keep this man from killing her, or tomorrow I’d wake up in a sweat, haunted by the image of the woman talking to the photographer, stuck to my face like a gas mask. I would know I could have saved her but chose not to. I’d save her to spare myself the pain. Whoever she might be was irrelevant. I was just a pillar against the avalanche so that between me and the tongues of oncoming snow, someone might survive.
I approached, focusing on the man, his runner’s physique. I called his name. He lowered the camera and gave me the look of a hyena that, chewing on a carcass with strips of flesh dangling from its fangs, growls at another predator trying to sink its teeth into the entrails. But he rebuilt his grin and nodded at me, like you’d greet a neighbor you share a beer with every couple of weeks.
“How’s it going?”
“You sold several sessions to Esquire and Black Tux.”
His smile slanted, showing that canine.
“My reputation precedes me. You recognize me by my face?”
“I work in the field.”
He looked me up and down, while the woman—arched, chest thrust forward—cast her eyes down his body, tracing an invisible mole with her fingertips just below her mouth.
“What did my previous work suggest about how this shoot with this lovely thing will turn out?” the man said.
I stopped myself from staring at the woman’s bubblegum-pink lips or the dip dividing her full lower lip.
“That you woke up lucky this morning.”
She laughed as if nothing in her life had ever troubled her. She swept her hands through her hair, which unfurled in the air, glimmering in the late-afternoon light. My groin tingled.
The flash from his camera pulled my attention away.
“Spontaneous smiles are priceless,” he said.
The woman bent forward, laughing as if drunk, bracing her fingers on his arm.
A deep rumble was building inside me, an underground quake. Let her enjoy herself, and she would, ignorant—until she found out.
“Surprised by your luck?” I asked.
She hardly looked at me out of the corner of her eye.
“My turn was coming.”
“In what sense?”
“I radiate that vibe. My reward had to arrive.”
“With vibes like yours,” the man said, “I’m shocked fate hasn’t caught up with you already. But most men wonder if they have any right to approach you. They delayed the karma you deserve.”
She nodded, giving him a conspiratorial look. “Anyone who comes near me knows I’ve got love to give and receive. That’s what we’re born for, to share love in every way.”
“You do that often?” I asked. “Share the love?”
She glanced at me as if gauging whether she’d accept a proposition. “Whenever I can.”
“Does it ever cause you any trouble?”
“Some of them get too attached, become possessive. But that whole ‘ownership’ thing ended a couple of decades ago.”
“I mean, have you ever met someone who wanted more than just making love—who wanted to kill you?”
She forced a shaky smile. She shifted from wanting to ignore an inappropriate comment to wondering what my intentions were. The man’s stare pricked my temple like a dagger point.
“You sound like my dad,” she said. “That kind of thing doesn’t happen. Nobody would want to hurt me—I’m nice to everyone.”
“And if it does happen? Are you going to hug your attacker till he stops?”
She offered me her profile and gathered her silky hair in one fist. “It’s a sunny afternoon at the beach. I don’t get why you’d think about that.”
“Bad vibes, man,” said the man, as though giving me advice.
“You get what you put out,” the woman added.
She looked at me like a child. If I were shorter, she would have bent down and rested her hands on her knees. “Is that how you think because they sent you to the army? You returned, though. Rejoice! You’re safe now. Nothing to fear, right?”
“Everyone assumes I fought in the war. Maybe I did, and I forgot.”
“Classic stress, so they say. Just take a deep breath, relax your face. That sort of thing has a solution. God invented marijuana. Get some strong weed and it’ll wash away your dark thoughts like a flood. If you want, I can introduce you to a couple of people.”
“Weed ramps up my paranoia.”
She slipped a hand under her hair to scratch the back of her neck. “I’m not sure if you’re messing with me.”
“Crowds would gather around you at parties,” the man said to me.
I avoided looking at him. “I don’t go to parties.”
He inhaled deeply and held his breath. “In any case, my friend, I’m afraid you interrupted us.”
He slipped an arm around the woman. She returned the gesture while shining that radiant smile.
“Sweetheart,” the man said, “back to the important stuff. Do you live near Venice?”
“Close enough.”
“Keep going the way you were headed, and in ten minutes you’ll reach my studio. 1313 Main Street, on the corner of Horizon Ave. Ring a bell?”
“Near the school.”
“Barely worth a taxi. 1313 Main Street. Sadly, I forgot my cards at home—slipped the mind of this pro. Will you remember?”
“I can handle that. 1313, corner with Horizon Ave.”
“Will you swing by tomorrow at five in the afternoon, looking at least as gorgeous as you do now?”
“Five, you say?”
“Or whenever you prefer.”
She laughed. “Tomorrow at five.”
“I’ll let you get back to it. Bet your friends are waiting for you to brighten their day.”
She lifted herself onto her toes to kiss his cheek, but it happened right as he shot me a blank look, so instead she swayed in a little dance back toward the sand. She turned to wave goodbye with a broad smile and a flutter of her hand. Her hair rippled like a dream.
I forced myself to tear my eyes away. The man studied me, expressionless. As he walked off, he flapped a hand at me as though shooing a stray dog.
Author’s note: I wrote this novella about ten years ago. It’s contained in my self-published book in Spanish titled Los reinos de brea. Written during my Serious Period, when I was sure that if I wrote in such a way, I would eventually get published. Newsflash: tough luck. If you’ve read my stuff, you know that I’m a silly bastard, that my tales usually devolve into deranged nonsense, but there’s none of that in this story or the other five I’ll probably end up translating. This protagonist is one bitter hardass. Anyway, I hope you enjoy the story, and if you don’t, well… I don’t know, go munch on rocks or something, will you?
Cassie June was hobbling along the scorching sidewalk, dragging her skates as though they were cement boots. She stood about four feet tall. She had jammed a plastic visor onto her head, and her knees were protected by thick pads like pieces of some armor. Beads of sweat glistened on the tanned skin of her shoulders, arms, and legs. As my car pulled up beside her, I noticed Cassie was blinking—maybe to keep the sweat out of her eyes, or because fatigue was overpowering her—and she breathed through her mouth like a fish on the lookout for food flakes.
It never ceased to amaze me that I could recognize living faces, that a person’s features in the flesh would match those I had memorized from a faded photograph, the frozen image I had stared at until I became familiar with the rage and hatred that filled me and shot through me like electric jolts.
A flash in the rearview mirror dazzled me. In that rectangle of glass, the ruby-red body of the Ford Thunderbird glimmered, except for the stripes of shadow along the raised center. Its grille: two rows of metal cells in a robotic smile.
The bronze-like, wavering glare of the sun sometimes concealed the silhouette of the man at the wheel. The lenses of his sunglasses ignited. The outline of his face showed pale holes for eyes, big as a startled owl’s.
I slowed my car to match Cassie’s skating speed. Behind me, the Ford Thunderbird closed the gap. I braced myself, expecting a metallic crunch that would jolt my back from the seat. With one hand still on the steering wheel, I reached to my right and, turning the crank, rolled down the passenger-side window. The car crept along, shielding the girl, who tugged a strap of her T-shirt up over her shoulder. On its chest, the superheroes from the Super Friends series posed.
“Cassie,” I said.
The girl was swaying on her skates, as though squeezing out the last dregs of her battery. The band of her visor pinned down some sweat-soaked brown strands. Little trails of sweat slithered down her neck.
I hardened my voice.
“Cassie, get in. I’ll take you home.”
She slowed down, turned her face, and cut off her panting with a little noise of confusion. She leaned forward to peer inside the car.
“It’s not far.”
“It’ll be less far if I drive you.”
A horn blared behind me, making me jump. In the rearview mirror, a rippling band of bronze now covered half the man’s body. He slammed his palm into the horn again.
I clenched the steering wheel’s rubber grip to focus my anger. When I opened the passenger door, Cassie skated backward in a semicircle to avoid getting hit by it. She let herself drop sideways onto the seat and lifted her legs inside with her hands, as though they’d fallen asleep. She shut the door.
I sped up to the tune of another long honk. I exceeded my previous speed, but in the rearview mirror, the Ford Thunderbird kept pace. Amid the haze of heat, the man’s knuckles rose over the wheel like an eagle’s talons.
“What’s this weird gadget?” Cassie asked.
She’d turned in her seat and pulled aside the cloth cover I’d draped over the tracker set behind the gearshift.
“What do you think it is?”
“Some expensive radio.”
I took her hand away from it and wiped the sweat off my palm onto my pants.
“Very expensive.”
“Does it pick up Nevada stations without static?”
“It doesn’t pick up any station.”
Cassie, still breathing through her mouth, laughed and studied my face.
“Why’d you buy it?”
“It seemed good and important. Isn’t that reason enough?”
I fixed my attention on the asphalt ahead, though for a few moments I felt the girl’s gaze burning into my right temple. The car was filling with the smells of plastic, hot fabric, and toasted skin giving off vapor. Over Cassie’s forehead, a membrane of heat distorted half an inch of the window. She leaned over to fiddle with the straps on one skate, leaving a sweaty silhouette in the upholstery.
“You might’ve passed out from heatstroke,” I said.
Cassie looked up. A bead of sweat rolled into her nostrils and, as she breathed in, she snorted it away.
“A what?”
“Too much heat. Coupled with exertion, you could’ve fainted.”
She shrugged.
“I finished my water bottle.”
Her legs—no thicker than one and a half of my forearms—were trembling, but the strain had washed off her face. The reddened skin was returning to normal. She tugged at her socks, sneaking glances at me without any sign of fear.
I sank into the seat, speechless. I kept switching my attention from the road to the stop signs, the turns I had to make, and the specter in the mirror. Would it have been enough if that man had just asked Cassie to get in his car? A smile, an offer, and the child’s ten years would swirl down the drain like food scraps in a sink.
Cassie was wiping sweat from her face. She peered out at the scenery through the windshield and side window. Along this unmarked stretch of asphalt I was navigating, houses in an Italian style passed one after another. The sun glinted in their windows and bleached the sandy façades. Concrete ramps led up to the closed garage doors. Over the flat sky—a cornflower blue that faded to white at the horizon.
I wanted to shout at Cassie, shake her. If I seized her wrist and took a detour, how would the girl react? Had she cried out before? Had she screamed? Those details were kept by the surviving witnesses, but I craved them like collectible pieces. If I weighed them all together, maybe I’d recognize a pattern that, in time, would form the stakes of a palisade to keep the beasts at bay.
I scraped the rubber of the steering wheel with a fingernail. I shook my head. Should I stay silent? When Cassie gave me a smile, I opened my mouth and frowned.
“Why did you get into my car?”
The girl wriggled and laughed, revealing teeth that were too big for her mouth.
“You let me get in,” she said, as though she was part of a joke.
“You don’t know me.”
Cassie tilted her head and lifted one skate onto the seat.
“You know my name.”
“Do you recognize my face? Do you remember me from anywhere?”
She let her smile drop. Her gaze wandered over the dashboard.
I stiffened my tone.
“A stranger offers you a ride home and you believe him.”
“You seem like a good person.”
“What gave you that impression?”
Cassie planted her palms on her knee pads, arms locked.
“You offered me a ride. You’re kind.”
“Do you think if I wanted to hurt you, I’d tell you up front? Would I have pulled up next to you, opened the door, and offered to make you suffer in ways you can’t even imagine? Does my tone suggest I’m kind?”
Cassie lowered her head and pursed her lips. She tugged the plastic visor down, as if to hide her eyes.
I scratched an itch on my neck. The seat felt as if a spring had come loose. The girl would refuse to cooperate or reason. She chose to remain blind, deaf, ignorant. Once I parked in front of her house and Cassie got out, what would she have learned, other than to avoid me?
At an intersection, I remembered the Ford Thunderbird. Behind us now was a moss-green Chevrolet Chevette, driven by a gray-haired woman. I berated myself. My arms tingled. I looked around, certain that the Ford Thunderbird would ambush us any second, but it must have given up and turned at some cross street. For the rest of the drive, I kept my eyes glued to the road.
“You were worried about me,” Cassie said in a tense voice, watching some spot above my forearm.
“I am.”
“That’s why you seem like a good person.”
“Cassie, anyone who wants to hurt you can pretend to have good intentions and you won’t see any difference.”
She turned to look out her window.
“Will you ever get into a stranger’s car again?” I asked.
Cassie’s voice wavered.
“I don’t know.”
I smacked my palm against the steering wheel.
“Maybe I should hurt you. Then the next time someone offers you a ride, you’d run away.”
She fixed me with a defiant stare, like a lion cub trying to roar.
“I’d shoot you.”
I let out a scoffing laugh.
“Oh, really?”
“With a huge gun.”
I hunched toward Cassie, pretending to check for hidden weapons.
“Are you carrying it?”
“My mom keeps it. I’ve seen it. She told me never to touch it.”
“How will you shoot me with that gun if you’re forbidden to hold it or pull the trigger?”
Her flushed face turned downward, and she clenched her fists on her knee pads.
“That’s what I thought,” I said. “Don’t get into strangers’ cars, whether they know your name or not.”
Cassie turned her torso toward the window as though to doze against her shoulder; her skates clacked when their wheels knocked together.
Two minutes later, I pulled up to her single-story ranch house, low-slung and cream-colored, with a wooden baseboard. Rhododendron bushes were gathered around the windows. Just above the roof, you could see firs and maples, as if the backyard bordered a patch of woods.
“Off you go.”
Cassie snapped alert. She looked around, frowning. Her eyes were glassy, and a tear trailed down one cheek, leaving a shiny line.
She huffed, opened the door, hopped onto the cement path, and skated as though in a final sprint toward the front door. She stabbed the doorbell, back turned to me. She tapped her fists against her thighs, jittering like she needed to pee.
The door opened a crack. Cassie slipped inside.
I leaned back in my seat. I’d pictured this scene. I’d pictured myself pulling up next to the lawn, perpendicular to the walkway that narrowed by a few inches until it hit the door. Cassie had been smiling on her skates.
When did she ever come out like this? How did I convince myself that this time the chain would break? Maybe I just needed to believe it.
A woman’s voice barked. I stirred like a carnival machine that had just had a quarter dropped in its slot. Cassie’s mother stood two strides from the passenger window, one hand on her hip. She wore a bright apple-green dress, possibly cashmere, barely reaching her thighs, with a pattern of stripes and mandalas. Loose sleeves draped to her forearms like a kimono. Her turquoise eyes, bulging lids and all, regarded me with keen alertness. Her mouth tipped upward toward her nose rather than down toward her chin, giving the impression she disapproved of everything.
The last time I’d seen that face, it was twisted in agony in the footage of one of the trials, when the woman pulled a revolver from inside her trench coat and the court guards pinned her down before she could fire. I’d paused the video at that moment. Wedged among those broad-shouldered uniforms, the woman’s dislocated face stood out—a blend of fury and desperation, her jaw clenched, rows of teeth forming a black gap, her pupils lit like red disks. Even though I’d frozen the image, her face seemed to vibrate among those bulked-up guards, and it would redden and swell like a balloon filling the screen, her teeth distorting like piano keys.
The face of the woman now standing by this rented car looked like an imitation, as though someone had bought Cassie’s mother’s body at a flea market and crawled in through her nose to steer the brain.
“You brought my daughter home.”
I let out a long breath. I slid over the gearshift to the passenger seat. I opened the door and got out, straightening up.
She approached so close that one punch would’ve reached me if she’d wanted. I had a head’s advantage on her, but her stance and expression suggested that from somewhere overhead, a sniper had me in his crosshairs.
“I guess that bothers you,” I said.
“She came in crying.”
I nodded. I leaned against the passenger door frame.
Tension in her eyelids betrayed her.
“Who are you to think you can put my daughter in your car?”
“Neighborhood watchman.”
She scanned my shirtfront.
“Where’s your badge?”
“I’m a volunteer.”
She shook her head sarcastically and folded her arms.
“Well, thanks for your concern, I guess. But don’t ever do it again.”
She wanted me embarrassed, worried about the consequences she might dump on me. Yet I resisted the urge to spin around, climb back in, and drive off. Why bother explaining myself? Why accept her contemptuous stare? If Cassie’s mother understood, she’d buckle at the knees, stammer her gratitude. Maybe she’d invite me in for a cup of tea, and maybe I’d accept, and relax for an hour among people who actually wanted me around, for a change. But she was glowering at me as if I belonged in a cage.
My voice came out low.
“I was hoping this would be the last time. A lot of bad people are out there.”
“Did you tell her things like that? Is that why she’s crying?”
“She got into a stranger’s car, and you’re mad I warned her about danger. You have bigger issues.”
She jabbed a finger at me, an invisible stinger.
“She’s a happy kid. She doesn’t need grim thoughts rattling around in her head.”
“You don’t understand.”
“Four blocks from here, I got shoved into the street, and my purse was stolen. For years, men have followed me around like I was prey in some alley. Cassie is a child.”
“A hammer blow would bounce right off her skull?”
The woman’s cheekbones flamed red as if I’d slapped her.
“Don’t talk about my daughter like that. I’ll keep her safe and carefree as long as I can. That’s none of your concern, stranger who put my girl in his car.”
“If she makes it to adulthood.”
She clenched her jaw and studied my face with a steely glare.
“You were in the war, weren’t you? You still think you’re hacking your way through a jungle, fearing that men with machine guns lurk in the treetops?”
I stayed silent.
“Things are different back home,” she went on with a teacherly lilt. “What are the odds someone attacks my kid? Astronomical.”
“Like the lottery. Today, your daughter would have won. A daily sacrifice to the void.”
She took a step back. Angled herself as if poised to bolt inside. Crows’ feet stood out at the corners of her eyes.
“Don’t ever force or even invite my daughter into your car again. Next time, I’ll call the real police. Or hunt you down myself.”
I started to duck into the passenger seat, but Cassie’s mother darted closer, so I froze mid-motion, rear halfway to the cushion. Her voice rose like a drawn pistol.
“Don’t mess with other people’s kids, you hear me? Under any circumstances.”
I let myself slide fully in. My heart thudded like a boxer’s punches. My vision tinted red. I wanted to slam the door without caring if it crushed her fingers.
“Your daughter was chosen today, Mrs. June. But sure, keep your rainbow world where you float among plush cushions and stuffed animals that beam out good vibes. You can afford to shut your eyes, I guess. Go on, stay blind. I’ll show up before the tar comes pouring in.”
“Fuck you too.”
She hurried back, arms folded tight, slippers tapping the cement path. She ducked inside her door. She glanced back over her shoulder as though a black bear might be lurking in the neighborhood. She closed the door. I pictured her running to the phone, lifting the receiver to call the cops.
I slammed the passenger door with a loud thud and a swirl of hot air. As I slipped behind the wheel, I squeezed the rubber of the steering wheel and floored the accelerator.
“You’re welcome,” I growled.
Author’s note: in my previous post I talked about reviving a novel from ten years ago, but this ain’t it. I thought that perhaps OpenAI’s Orion 1 model would be great at translating, and it indeed seems to be. So I’m translating this novella, the third included in my self-published book in Spanish titled Los reinos de brea, published back in 2016-2017, that nobody fucking read because I don’t know how to get people to buy my stuff. May as well post the novellas here in case anyone likes them.
And man, I was angry back then. So angry. This is one bleak, brutal story.
In the realm of good news regarding my person, turns out that my subconscious was indeed working something out; I figured as much, given how it made me dream of Alicia Western (from Cormac McCarthy’s final books) and sparked an obsession that has yet to pass. My girl in the basement has turned her attention to a failed novel I worked on ten years ago, in Spanish. It was a way of coming to terms with my stints as a recluse during my twenties, particularly a period in which I was hopelessly haunted by, autistically obsessed with, a certain musician who plays the harp, to the extent of writing a long novel that was little else than thinly-veiled fanfiction. Back then I didn’t even have an online audience; I was literally just doing it because my subconscious demanded it. Nobody else read it.
These past few days I’ve been going over the revised scenes of that failed novel to extract whatever is usable. I will have to change most of the point of that story, as well as remove one of the major characters, but they were a large part of why I never finished the story. This narrative will allow me to delve deep into my autistic drive toward reclusion, obsession, and other nasty shit that I never processed properly. My twenties were a nightmare for the most part, during which I yearned to die on a regular basis.
Speaking of yearning to die, this morning at work, as I reread the impressions I posted about McCarthy’s haunting final novels, I reflected on how Bobby Western unburdened himself from everything and everyone to repent for an unforgivable crime. That made me think of how since my early twenties I’ve cut ties with everyone, as well as refused to form new connections even when they insisted, because of an intrinsic need to “be ready.” As in be ready to disappear at any moment. During weddings and other nasty gatherings like those, whenever some ghost from my past approached me expecting me to look him or her in the eye, and said something to the effect of, “Hey, Jon, I haven’t seen you in ages!” (did we ever get along?), I usually averted my gaze, shrugged, and said something like, “Yeah, I’m still around…” Some time later I found out in online articles that such phrases are a sign of suicidal ideation. Well.
I’ve talked about this before, but I never thought I would live past 18 after my horrid teenage years, and then I came real close, the closest I ever came regarding my physical intention to do it at that moment, after I refused to get on the bus to work one morning. It was my first job, in which I was treated like utter shit, and I felt completely incapable of handling it. I knew that my life from then on would consist on nothing else than enduring nightmarish, humiliating work schedules that would drain all my energies (I usually felt sleepy the moment I returned home). No love on the horizon, of course. So I just wanted to throw myself off a cliff and get it over with. Instead of that, I pussed out, and went to the library. The alternate version of this ended up becoming (at least in inspiration) my first novel in English, titled My Own Desert Places, in which the protagonist, who was a woman for reasons, actually did throw herself off a cliff, fucking died, and was a ghost for twenty years until she became obsessed with a suicidal living person, so she possessed some guy to seduce her. Quite the wild ride of a story that was, although I’m afraid to reread it in case I find it too cringey.
These last fifteen years or so, I’ve been suicidal in a pussy, passive variety. For example, one night, as I was lying in bed in the dark, I told my organs that they had permission to cease functioning during my sleep, so I wouldn’t need to wake up again. I must have been in a bad place, perhaps due to extreme stress, because the following day I actually ended up in the ER with my first episode of arrhythmia. Realizing that my heart is faulty and may screw me over at any point has changed my mentality quite a bit: I no longer go out of my way to stress myself with things I don’t want to do, mainly those that involve dealing with human beings. Right now, as a programmer at work, I mostly spend the whole morning working on my stuff (which isn’t necessarily a programming task), only speaking to my boss whenever he requests a meeting. I feel better this way.
That said, the fact that in my daydreams I talk at length with Alicia Western, McCarthy’s thinly-veiled version of the love of his life, Augusta Britt, made me have to admit to myself that I wish I could talk to someone I could respect, and whose words I would actually care to listen to. The issue with every person I’ve met in the flesh is that the moment I allow myself to engage in conversation with them, I quickly get reminded of how stupid I was for letting my guard down; sometimes just because I have nothing in common with them, others because they’re hostile to my peace of mind. I recall vividly how I let myself be invited by two coworkers to drink coffee and chat in the parking lot, only for one of them to say, the moment we stopped, “Have you seen that whole thing about George Floyd, the guy the police killed for being black? I swear, the whites that become policemen in the US are all racists.” A vivid reminder that I’m surrounded by fucking imbeciles. I didn’t give them a second chance. In any case, realizing that other people’s brains work so differently to yours (and pretty much everyone else’s does) is disheartening.
Anyway, it’s been a couple of years of me admitting things to myself, or realizing them at least. First the whole deal about Izar Lizarraga, motocross legend and love of my life, which forced me to process the strange grief I’ve been carrying all my life (good times. Still miss you, champ.) Then this strange deal with Augusta Britt / Alicia Western. I would like my subconscious to explain concisely why looking at the following picture of Augusta Britt from the 1970s squeezes my heart and moistens my eyes:
I experienced a somewhat similar moment (the same moment repeated over years, actually) back when my maternal grandparents were alive. They had a framed photo from the 1970s that showed a large family at some open space. I assume they were related to my grandparents somehow. Every time I visited that home, I stared at that photo because one of the teenagers in it, who at the time was older than me, was hauntingly beautiful, particularly her eyes and thoughtful expression. She seemed deep, someone I would have loved to know. I never found out who she was, not that anything would have changed if I had. I haven’t seen that photo in about twenty years. Like McCarthy himself, I believe in the supremacy of the subconscious, so whenever I happen to care for or react to something, I yearn to interact with my basement girl to figure out what’s bothering her. Sometimes she opens up. Most of the time, though, she remains opaque. Damn bitch speaks in symbols instead of language (hence the Kekulé problem), so she can be hard to understand. But she’s far older and wiser than the whole of humanity combined.
Well! This was a whole load of nothing, wasn’t it? Anyway, it’s half past eight in the evening of yet another Monday. This afternoon I’ve wanked to an AI-driven giantess dominating me. That’s information that you needed to know.
Author’s note: the Deep Dive podcast couple had an interesting time getting through this post:
I first read The Passenger, along with its coda Stella Maris, perhaps a year and a half ago. I loved both, but I wasn’t consciously aware of how they had settled in my subconscious. From time to time, I remembered the most important character in those two books: a beautiful, mentally-ill genius named Alicia Western. Out of nowhere, back in December I dreamed about her, and it spurred a sudden obsession that has yet to pass. It led me to reread both books. Alicia Western feels not only unique but wholly real, as if she had truly existed. The massive weight of grief that pulls the protagonist down on The Passenger, that pulls down the reader for that matter, relates to the knowledge that an irreplaceable (pretty much a perfect person, as one of the characters put it) had been lost. Now that we know quite a bit more about McCarthy’s personal life, mainly about the love of his life, Augusta Britt, it seems to me that both of his final novels, which he had been researching or living since about 1972, render his grief, regret and general sorrow for having loved and lost Britt, whom McCarthy never managed to marry despite repeated attempts up to the end of his life.
Both books develop a forbidden love, that of Alicia Western and her biological brother Bobby. Cormac McCarthy didn’t have to go far to research how it felt to live a forbidden love. If Augusta Britt’s own words are to be believed, she first introduced herself to Cormac McCarthy at a public pool. A blonde, blue-eyed beauty (just like Alicia Western), she had a stolen gun holstered at her hip; she was sick of men in foster homes abusing her. When she approached McCarthy, he asked if she was going to shoot him. She then produced McCarthy’s first book, The Orchard Keeper, and asked him to sign it. McCarthy was surprised, because just a few thousand copies of that book had been produced for that edition (this and other details bring to question if Britt is making stuff up to protect McCarthy, whom she loved, from further scrutiny). As the YouTuber Write Conscious (who lives in the Catalina foothills “five minutes away” from where Augusta Britt lives now, although he has never met her) spoke at length in this video, Augusta Britt was likely thirteen when she met McCarthy. She was also thirteen when she started receiving amorous letters from him. She was fourteen when, after getting abused again in a foster home, McCarthy asked her if she would escape with him to Mexico. Augusta herself said that they made love shortly after settling there. Regardless of your opinion on the subject of underage sex, it’s probably illegal. The fact remains that Augusta Britt to this day claims that McCarthy saved her life, and they were friends up until his death. As you will see throughout this post, the real-life inspiration seems thinly veiled at times, which possibly makes The Passenger McCarthy’s most personal novel.
This review will contain spoilers, although referring to spoilers in this novel is a bit strange: the most important thing that happens in it, that keeps happening throughout, is Alicia Western’s suicide, the aftermath of which were are presented with right in the opening passage: she walked out of the Stella Maris sanatorium into the woods of Wisconsin and let herself freeze to death. Curiously, although she had talked at length about intending to disappear without a trace, she chose to wear a red sash around her white dress so her corpse would be easily found, which is inexplicable, and has led to plenty of online speculation. Alicia Western, a troubled math genius with a unique mind that baffled every person she came across (as one person put it, when strangers met her, they thought of her as a pretty girl, but a few minutes later they were swimming for their lives), was led into these circumstances because her brother Bobby, the love of Alicia’s life, as well as the person who should have protected her to the last of his days, crashed while racing professionally, and ended up in a coma. Alicia, believing Bobby to be brain-dead regardless of whether he would wake up or not, decided to die. But Bobby did wake up from his coma pretty much unscathed. The Passenger starts with Bobby in 1980, in a world that for him has turned into ashes, the person he loved lost forever.
Bobby, who used to be both a physicist as well as race car driver, now works as a salvage diver who opts for dangerous jobs, quite overtly hoping that one of those jobs may take the agency out of him dying. The plot kicks off when Bobby and a friend of his, while diving to explore a sunken airplane, discover a bizarre situation: even though the plane is intact, the passengers inside are dead in their seats as if they had died before the plane crashed. The plane’s black box is missing, along with one of the passengers. Bobby and his pal realize that the situation is fucked, and they want nothing to do with it. Bobby goes out of his way just once to return to the area alone, and he discovers an inflatable raft that the passenger must have used to escape the plane. Now come the realm of spoilers: this is an anti-plot novel. Bobby doesn’t want to know anything more about this event, but he keeps being hounded about it by mysterious government types, who encroach further and further upon his life for reasons we never find out about (presumably because they believe he had something to do with stealing the plane’s black box, but it seems to me that they’re just trying to get rid of witnesses regarding whatever conspiracy caused the plane crash).
With those plot elements out of the way, which is pretty much all you get in that regard, the rest of the book is an exploration, a prodding if you will, of the fringes of human knowledge and experience: mental illness, hallucinations, conspiracies, living off the grid, working in off-shore platforms, transgenderism, aliens, incest, quantum physics, the atomic bomb, life as an outlaw, death, and plenty more. It felt to me like McCarthy was expanding his mind against those nooks that don’t have solid explanations, as he was about to embark in the final mystery of them all: dying, which deprived us of one of the finest, most unique minds in the world, as well as the writer I respect the most.
Throughout the story, Bobby remains subdued, pinned down by grief and regret, to the extent that we never meet the Bobby that Alicia talks about in Stella Maris, that young man who played the mandolin at honky-tonks as Alicia pretended they were married. In virtually every scene, it feels like Bobby is preventing himself from thinking about Alicia, and whenever some image or memory slips in, it devastates him. Most of the time that any other character brings Alicia up, Bobby is moments away from leaving. Bobby mentions that the sole duty in his life was to take care of her, that he had failed miserably at it, and that he should have killed himself years ago. The rest of the book is a way for him of unburdening himself from everything and everyone he has ever known, so he can spend his remaining life in solitary confinement, paying for the crime of abandoning Alicia Western, his sister and love of his life, when she needed him the most. I can’t hurl complaints at him for his decisions, because he bears the full weight of what he’s done.
I can’t explain, except perhaps by alluding to how McCarthy imbued Alicia with all his yearnings and reverence for Augusta Britt, the fact that whenever she appeared or was mentioned in this book, I perked up and combed through every detail in case I would glean new information about her. She’s a pulsing presence, a constant heartbreak, as alive in those pages as I don’t think I’ve experienced anywhere else in fiction.
In Stella Maris, Alicia tells her therapist that she only kissed Bobby twice, but never went beyond that. However, that book makes a peculiar point: that confessing to some unsavory stuff is a way of keeping hidden details that lie far deeper, and cannot be brought to light. It was a very odd thing to say after Alicia Western confessed to loving her brother, and having told him that she wanted to marry him and bear his child. As I was rereading through The Passenger, I came across this passage:
Certain dreams gave him no peace. A nurse waiting to take the thing away. The doctor watching him. What do you want to do? I dont know. I dont know what to do. The doctor wore a surgical mask. A white cap. His glasses were steamed. What do you want to do? Has she seen it? No. Tell me what to do. You’ll have to tell us. We cant advise you. There were bloodstains on his frock. The mask he wore sucked in and out with his breathing. Wont she have to see it? I think that will have to be your decision. Bearing in mind of course that a thing once seen cannot be unseen. Does it have a brain? Rudimentary. Does it have a soul?
None of the other dream sequences were that specific regarding mundane details, nor included such dialogue. That tells me that it wasn’t a dream. And what is depicting is Alicia either having a miscarriage or an abortion. Bobby was the sole person she would have had sex with.
There’s not much else that I want to specify about the contents of the novel; they should be experienced. I will go over the many quotes that I have noted down. First of them, very early on, Alicia’s main “hallucination,” the Thalidomide Kid (whom some people online have suggested is Alicia’s subconscious fear that the child she wants to have with Bobby would be deformed), presents to her a new character, a dusty old man who ultimately only asks for the location of the bathroom. But the Kid’s words about that old man are quite telling, I’d say, now that we know McCarthy’s history with the love of his life:
He was married in that outfit. Little wifey was sixteen. Of course he’d been banging her for a couple of years so that would put her at fourteen. Finally managed to knock her up and hey, here we all are.
The following are quotes. Starting with an amazing sentence about the atomic bomb:
In that mycoidal phantom blooming in the dawn like an evil lotus and in the melting of solids not heretofore known to do so stood a truth that would silence poetry a thousand years.
I know you. I know certain days of your childhood. All but weeping with loneliness. Coming upon a certain book in the library and clutching it to you. Carrying it home. Some perfect place to read it. Under a tree perhaps. Beside a stream. Flawed youths of course. To prefer a world of paper. Rejects. But we know another truth, dont we Squire? And of course it’s true that any number of these books were penned in lieu of burning down the world–which was their author’s true desire. But the real question is are we few the last of a lineage? Will children yet to come harbor a longing for a thing they cannot even name? The legacy of the world is a fragile thing for all its power, but I know where you stand, Squire. I know that there are words spoken by men ages dead that will never leave your heart.
The world of amorous adventure these days is hardly for the fainthearted. The very names of the diseases evoke dread. What the hell is chlamydia? And who named it that? Your love is not so likely to resemble a red rose as a red red rash. You find yourself yearning for a nice oldfashioned girl with the clap. Shouldnt these lovelies be required to fly their pestilential knickers from a flagpole? Like the ensign of a plagueship? I cant of course but be curious what an analytic sort such as yourself makes of the fair sex in the first place. The slurred murmurings. The silken paw in your shorts. Beguiling eyes. Creatures soft of touch and sanguinivorous of habit. What runs so contrary to received wisdom is that it really is the male who is the aesthete while the woman is drawn to abstractions. Wealth. Power. What a man seeks is beauty, plain and simple. No other way to put it. The rustle of her clothes, her scent. The sweep of her hair across his naked stomach. Categories all but meaningless to a woman. Lost in her calculations. That the man knows not how to even name that which slaves him hardly lightens his burden.
In the spring of the year birds began to arrive on the beach from across the gulf. Weary passerines. Vireos. Kingbirds and grosbeaks. Too exhausted to move. You could pick them up out of the sand and hold them trembling in your palm. Their small hearts beating and their eyes shuttering. He walked the beach with his flashlight the whole of the night to fend away predators and toward the dawn he slept with them in the sand. That none disturb these passengers.
What if the purpose of human charity wasnt to protect the weak–which seems pretty anti-Darwinian anyway–but to preserve the mad? You have to be careful about who you do away with. It could be that some part of our understanding comes in vessels incapable of sustaining themselves.
To prepare for any struggle is largely a work of unburdening oneself. If you carry your past into battle you are riding to your death. Austerity lifts the heart and focuses the vision. Travel light. A few ideas are enough. Every remedy for loneliness only postpones it. And that day is coming in which there will be no remedy at all.
McCarthy had some things to say about the modern world. It feels to me that he wasn’t talking about the modern world of the novel.
The point, Squire, is that where they used to be confined to State institutions or to the mudrooms and attics of remote country houses they are now abroad everywhere. The government pays them to travel. To procreate, for that matter. I’ve seen entire families here that can best be explained as hallucinations. Hordes of drooling dolts lurching through the streets. Their inane gibbering. And of course no folly so deranged or pernicious as to escape their advocacy.
Do you know what I find particularly galling? It’s having to share the women with you lot. To listen to you fuckwits holding forth and to see some lissome young thing leaning forward breathlessly with that barely contained frisson with which we are all familiar the better to inhale without stint an absolute plaguebreath of bilge and bullshit as if it were the word of the prophets. It’s painful but still I suppose one has to extend a certain latitude to the little dears. They’ve so little time in which to parlay that pussy into something of substance. But it nettles. That you knucklewalkers should even be allowed to contemplate the sacred grotto as you drool and grunt and wank. Let alone actually reproduce. Well the hell with it. A pox upon you. You’re a pack of mudheaded bigots who loathe excellence on principle and though one might cordially wish you all in hell still you wont go. You and your nauseating get. Granted, if everyone I wished in hell were actually there they’d have to send to Newcastle for supplementary fuel. I’ve made ten thousand concessions to your ratfuck culture and you’ve yet to make the first to mine. It only remains for you to hold your cups to my gaping throat and toast one another’s health with my heart’s blood.
Real trouble doesnt begin in a society until boredom has become its most general feature. Boredom will drive even quietminded people down paths they’d never imagine.
The horrors of the past lose their edge, and in the doing they blind us to a world careening toward a darkness beyond the bitterest speculation. It’s sure to be interesting. When the onset of universal night is finally acknowledged as irreversible even the coldest cynic will be astonished at the celerity with which every rule and stricture shoring up this creaking edifice is abandoned and every aberrancy embraced. It should be quite a spectacle. However brief.
On the darknesses of life:
If I think about things that I just dont want to know about they’re all things that I do know about. And I’ll always know them.
You think that when there’s somethin that’s got you snakebit you can just walk off and forget it. The truth is it aint even following you. It’s waitin for you. It always will be.
We might have very different notions about the nature of the oncoming night. But as darkness descends does it matter?
The world will take your life. But above all and lastly the world does not know that you are here. You think that you understand this. But you dont. Not in your heart you dont. If you did you would be terrified.
Grief is the stuff of life. A life without grief is no life at all. But regret is a prison. Some part of you which you deeply value lies forever impaled at a crossroads you can no longer find and never forget.
In my experience people who say no matter what seldom know what what might turn out to be. They dont know how bad what might get.
You have to believe that there is good in the world. I’m goin to say that you have to believe that the work of your hands will bring it into your life. You may be wrong, but if you dont believe that then you will not have a life.
We dont move through the days, Squire. They move through us. Until the last cruel crank of the ratchet.
She knew that in the end you really cant know. You cant get hold of the world. You can only draw a picture. Whether it’s a bull on the wall of a cave or a partial differential equation it’s all the same thing.
People will go to strange lengths to avoid the suffering they have coming. The world is full of people who should have been more willing to weep.
The abyss of the past into which the world is falling. Everything vanishing as if it had never been. We would hardly wish to know ourselves again as once we were and yet we mourn the days.
Here is a story. The last of all men who stands alone in the universe while it darkens about him. Who sorrows all things with a single sorrow. Out of the pitiable and exhausted remnants of what was once his soul he’ll find nothing from which to craft the least thing godlike to guide him in these last of days.
A calamity can be erased by no amount of good. It can only be erased by a worse calamity.
I suppose in the end what we have to offer is only what we’ve lost.
The world’s truth constitutes a vision so terrifying as to beggar the prophecies of the bleakest seer who ever walked it. Once you accept that then the idea that all of this will one day be ground to powder and blown into the void becomes not a prophecy but a promise. So allow me in turn to ask you this question: When we and all of our works are gone together with every memory of them and every machine in which such memory could be encoded and stored and the earth is not even a cinder, for whom then will this be a tragedy?
On death:
I don’t know what’s going to happen. I’m not sure that I want to. Know. If I could plan my life I wouldnt want to live it. I probably dont want to live it anyway. I know that the characters in the story can be either real or imaginary and that after they are all dead it wont make any difference. If imaginary beings die an imaginary death they will be dead nonetheless. You think that you can create a history of what has been. Present artifacts. A clutch of letters. A sachet in a dressingtable drawer. But that’s not what’s at the heart of the tale. The problem is that what drives the tale will not survive the tale. As the room dims and the sound of voices fades you understand that the world and all in it will soon cease to be. You believe that it will begin again. You point to other lives. But their world was never yours.
Do you think most people want to die? No. Most is a lot. Do you? I dont know. I think there are times when you’d just like to get it over with. I think a lot of people would elect to be dead if they didnt have to die.
Several acquaintances have remarked upon my sangfroid at this turn of events but in all truth I cant see what the fuss is about. Wherever you debark was the train’s destination all along. I’ve studied much and learned little. I think that at the least one might reasonably wish for a friendly face. Someone at your bedside who does not wish you in hell. More time would change nothing and that which you are poised to relinquish forever almost certainly was never what you thought it to be in the first place.
About Alicia:
He crossed along a low wall of sawn blocks opposite the pool and sat as he had sat that summer evening years ago and watched his sister perform the role of Medea alone on the quarry floor. She was dressed in a gown she’d made from sheeting and she wore a crown of woodbine in her hair. The footlights were fruitcans packed with rags and filled with kerosene. The reflectors were foil and the black smoke rose into the summer leaves above her and set them trembling while she strode the swept stone floor in her sandals. She was thirteen. He was in his second year of graduate school at Caltech and watching her that summer evening he knew he was lost. His heart in his throat. His life no longer his.
In his dreams of her she wore at times a smile he tried to remember and she would say to him almost in a chant words he could scarcely follow. He knew that her lovely face would soon exist nowhere save in his memories and in his dreams and soon after that nowhere at all. She came in half nude trailing sarsenet or perhaps just her Grecian sheeting crossing a stone stage in the smoking footlamps or she would push back the cowl of her robe and her blonde hair would fall about her face as she bent to him where they would lay in the damp and clammy sheets and whisper to him I’d have been your shadowlane, the keeper of that house alone wherein your soul is safe. And all the while a clangor like the labor of a foundry and dark figures in silhouette about the alchemic fires, the ash and the smoke. The floor lay littered with the stillborn forms of their efforts and still they labored on, the raw half-sentient mud quivering red in the autoclave. In that dusky penetralium they press about the crucible shoving and gibbering while the deep heresiarch dark in his folded cloak urges them on in their efforts. And then what thing unspeakable is this raised dripping up through crust and calyx from what hellish marinade. He woke sweating and switched on the bedlamp and swung his feet to the floor and sat with his face in his hands. Dont be afraid for me, she had written. When has death ever harmed anyone?
For all his dedication there were times he thought the fine sweet edge of his grief was thinning. Each memory but a memory of the one before until… What? Host and sorrow to waste as one without distinction until the wretched coagulant is shoveled into the ground at last and the rain primes the stones for fresh tragedies.
What do you know of grief? You know nothing. There is no other loss. Do you understand? The world is ashes. Ashes. For her to be in pain? The least insult? The least humiliation? Do you understand? For her to die alone? Her? There is no other loss. Do you understand? No other loss. None.
Some things get better. I doubt this is one of them. People want to be reimbursed for their pain. They seldom are.
The only thing that was ever asked of me was to care for her. And I let her die. Is there anything that you’d like to add to that Mr Western? No, Your Honor. I should have killed myself years ago.
I dont know what to tell you, he wrote. Much has changed and yet everything is the same. I am the same. I always will be. I’m writing because there are things that I think you would like to know. I am writing because there are things I dont want to forget. Everything is gone from my life except you. I dont even know what that means. There are times when I cant stop crying. I’m sorry. I’ll try again tomorrow. All my love. Your brother, Bobby. He had gotten out of the habit of talking to her when he was in New Orleans because he’d find himself talking in restaurants or on the streets. Now he was talking to her again. Asking her opinion. Sometimes at night when he would try to tell her about his day he had the feeling that she already knew. Then slowly it began to fade. He knew what the truth was. The truth was that he was losing her.
When she came to the door of her room in Chicago he knew that she hadnt been out in weeks. In later years that would be the day he would remember. When all her concerns seemed to be for him. He took her to dinner at the German restaurant in Old Town and her hand on his arm at the table drained everything away and it was only later that he understood that this was the day when she was telling him what he could not understand. That she had begun to say goodbye to him.
She wanted to disappear. Well, that’s not quite right. She wanted not to have ever been here in the first place.
If all that I loved in the world is gone what difference does it make if I’m free to go to the grocery store?
When he got back to the windmill it was still dark and he climbed the stairs and sat at his little table. He sat with his forehead pressed into his hands and he sat for a long time. Finally he got out his notebook and wrote a letter to her. He wanted to tell her what was in his heart but in the end he only wrote a few words about his life on the island. Except for the last line. I miss you more than I can bear. Then he signed his name.
He’d no photograph of her. He tried to see her face but he knew he was losing her. He thought that some stranger not yet born might come upon her photo in a school album in some dusty shop and be stopped in his place by her beauty. Turn back the page. Look again into those eyes. A world at once antique and never to be.
Throughout McCarthy’s life, but particularly in the last twenty or so years, he was particularly interested in the workings of the subconscious: its role in the life of creatures, how it did its thing, etc. I believe that the title of this novel, The Passenger, along with how that word is used at times throughout the novel, alludes to the fact that we, as well as every other animal, are driven by the subconscious as much as we’d like to believe we are in charge, and that we’re merely passengers along for the ride. I’ve felt that myself intensely.
I’m certain that McCarthy knew that these two novels would be his last. They feel like goodbyes to the people he knew (many of the characters involved are inspired by actual people from his past). Goodbyes to the woman he loved from her broken youth at thirteen to her senior years at sixty-four. Thank you, Cormac, for every aching truth.
He knew that on the day of his death he would see her face and he could hope to carry that beauty into the darkness with him, the last pagan on earth, singing softly upon his pallet in an unknown tongue.
As a solitary dude, all my life I have relied on music to connect with the world at large, to feel that my feelings weren’t that unique or detached from the rest of humanity. Over the years, I’ve returned to certain albums that have spoken to me in ways that can’t be fully put into words. I love discovering new albums, and perhaps that’s also the case for whoever is reading these words, so I’ll spend some of my limited time on Earth sharing some specifics about the albums that have marked me, and that in many ways changed me.
Today’s album is Morbid Stuff, by the indie-punk band PUP. It has accompanied me through plenty of shit ever since it came out in 2019. Hard for me to compare this album to any other, as I rarely listen to punk, but this band’s frontman captures a perfect blend of disappointment, bitterness, self-disdain and melancholy that resonates very well with me. Without further ado:
“Morbid Stuff”
A song about regret and melancholy. I don’t have the specific details of what the songwriter is talking about, but I picture a female friend or girlfriend of the songwriter trying to make her way in the art scene, only to do something terrible that caused her to disappear from the picture and from the songwriter’s life. Poignant in a raw way.
I was bored as fuck Sitting around and thinking all this morbid stuff Like if anyone I’ve slept with is dead and I got stuck On death and dying and obsessive thoughts that won’t let up It makes me feel like I’m about to throw up
I was getting high in the van in St. Catharines While you were rubbing elbows in the art scene And back in the city I was on a tear High-fiving every shithead on Queen Street Passed out on the bus ride I got home in the morning at a quarter to ten Everybody was sleeping in Mom and dad were smoking weed in the attic again I said
I don’t know what you want me to say Stood by watching as your world went up in flames When you’ve tried everything, but the feeling stays the same You had it all, you pissed it away
I don’t know what you want me to say ‘Cause back in the city I was on a tear You had it all, you pissed it away Back in the city without a care
I still dream about you time and time again Well I’ve been sleeping in somebody elses bed And as my body aged, the feeling never did
“Kids”
A lovely tale of rage, bitterness and nihilism. Of doing your best despite the demons that drag you down, only to realize that nothing will work, that you might as well have surrendered to your most self-destructive urges. But at the end of the day, the songwriter gets to return to his girl, which doesn’t solve any issues in the rest of his life, but at least feels nice.
Just like the kids I’ve been navigating my way Through the mind-numbing reality of a godless existence Which, at this point in my hollow and vapid life Has erased what little ambition I’ve got left And I’ve embraced the calamity With a detachment and a passive disinterest Livin’ out the back of my ’97 Camry Wonderin’ how the hell I got myself into this
I guess it doesn’t matter anyway I don’t care about nothin’ but you I guess it doesn’t matter anyway ‘Cause I don’t care about nothin’ I don’t care about nothin’ but you No, I don’t care about nothin’
She said, “I’m sick of it all Your little games are gettin’ old Your little songs are getting way too literal How about some goddamn subtlety for a change?” She said, “I feel like I’ve come untethered In a room without walls I’m driftin’ on a dark and empty sea of nothin’ It doesn’t feel bad, it feels like nothin’ at all”
And I had it maxed out I had a feelin’, oh oh-oh-oh Nothin’ is workin’ And everything’s bleedin’, oh oh-oh-oh I shoulda tapped out Given into my demons, oh oh-oh-oh
It’s alright, it’s just a flesh wound You said you never saw it comin’ I’m pretty happy lyin’ here with you It’s pretty good to feel somethin’
“See You at Your Funeral”
My favorite song of the album. It captures very well the pained bitterness of coming across someone you used to love but that broke your heart. You want to know what’s been going on with her, but you know you shouldn’t. You tell yourself that you want her to be happy despite what she put you through, but you don’t truly want that. And above all, you wish everything would end in a rageful fire that would sweep away your pain.
The days blur into one, and I float around the edge of them Searching for something that’ll make me feel alive again These past few weeks in a hell of my own creation I try vegan food I take up meditation
I hope you’re doing fine on your own ‘Cause after everything we’ve been through You better hope you’ll find someone And you’ll try But you won’t ‘Cause after everything we’ve been through Oh baby, I wanna know
What you were thinking when you saw me in the produce section Buying organic foods Making healthy selections I asked you how you’ve been, not that it’s any of my business But you know me, I’ve always been a little masochistic
I hope somehow, I never see you again And if I do, it’s at your funeral, or better yet I hope the world explodes I hope that we all die We can watch the highlights in hell I hope they’re televised
“Scorpion Hill”
The devastating tale of a working-class father who can’t stay afloat no matter what he does. Dragged down by his own demons and by this harsh, unforgiving reality, it paints an increasingly grim picture, depicting his struggles with maintaining a relationship with his romantic partner as well as his son, until it wallops you with the final lines: “She said: I found the gun, it was buried beneath / Piles of clothes in the room where your son sleeps / And I can’t pretend to know how this will end.”
Up on Scorpion Hill watching life Passing me by in the pale moonlight And I sat there forever, three sheets to the wind It’s not helping my case, the state that I’m in But it’s not how they told you My intentions were good I was just bursting apart like the end of the arc Holding on to whatever I could
A square of light moves its way through the empty room Across the stained yellow carpet Like a ghost of myself in the afternoon Haunting my basement apartment I looked in to the mirror Hanging behind my door The glass was cracked and the man staring back He don’t look like me anymore And if the world is gonna burn Everyone should get a turn to light it up
Down and out, I’ve been on the rocks I’ve been having some pretty dark thoughts Yeah, I like them a lot
Time and time again, well I’ve tried and failed To get my act together And I’ll admit lately things really went off the rails I know that you deserve better But in the morning, as I was boarding The commuter train to work The boss was calling, he said: “There’s been cutbacks and I’m sorry you’re the first” And If I can’t support the two of us How can I support a third?
And I’m on the brink Fallin’ deep into debt Fallin’ deep into drink I can drown those regrets I don’t have to think
Now I’m working the night shift Asleep at the wheel I was bursting apart like a flame from a spark Thinkin ‘Jesus, this can’t be for real’
My sweat soaked mattress Corner of the room Cigarettes and Matches In the fading afternoon And a picture my kid, ya he’s smiling It’s the first day of school
She said: I found the gun, it was buried beneath Piles of clothes in the room where your son sleeps And I can’t pretend to know how this will end
I’ve been hired for three months more. Thankfully three more months of programming instead of working as a computer technician, a role I was never properly suited for due to how often it involved people. I can handle programming, so lately I haven’t been dreading going to work. Of course, I’d rather stay home and engage with whatever projects my subconscious wants me to focus on, but, although I hate to admit it, being unemployed or on holiday for too long doesn’t help my mental state: soon enough I start feeling that I have nowhere to go nor anything to do other than lose myself in my obsessions. My life often feels so limited that I think of myself as a prisoner in solitary confinement.
Today I couldn’t go home straight from work, because I had to get an MRI done. Months ago, perhaps back in late summer, during a period of extreme stress, I suffered a medical episode that disturbed me enormously: I suddenly started losing feeling in the right half of my body, particularly my face and arm down to my fingertips. I also smelled something like burned dust. Because recently I had been experiencing “blackouts” in my right eye (sometimes when I moved that eyeball, I saw flashes of darkness), the neurologist, who seemed considerably younger than me, thought of them as a migraine’s aura. However, the flashes continued after the so-called migraine passed, and perhaps a week later, I ended up with a torn retina in that eye. Let me give you some advice: never end up with a torn retina. If you do, hurry to the ER as soon as possible. The longer you wait, the worse the permanent damage. Laser surgery can only contain the mess.
Anyway, the fact that the so-called aura ended up being related to a faulty retina disproved the neurologist’s theory that I had suffered a migraine, and if what I experienced wasn’t a migraine, then a mini stroke could have been a good guess. Ever since, I feel like I’m having more trouble writing (I often confuse the position of letters), reading, and solving tasks at work. But I have such an abysmal memory that I’m not entirely sure if that hadn’t been happening in the time leading to my medical episode.
So, today I finally got that MRI done. I wore an hospital gown for like the tenth time, I lay face-up on a plastic table, and shoved earplugs in. A technician closed a plastic cage around my face, similar to those worn by football players. Curiously, the plastic cage had a mirror on the inside, so that my own eyes were looking straight at me the whole time (presumably only when I stared at them). At times it felt like someone was lying face-down on a massage table set over me. For about twenty minutes, I lay in that enclosed space while the machine produced its strange sounds, shooting noise through my brain. For half of it, I just closed my eyes and escaped to daydreams in which I imagined myself back in the 1970s, in the US, interacting with a blonde, blue-eyed fictional character who killed herself around that time, and who was based on a real-life teenage girl that my favorite author loved, yearned for, grieved about for fifty years.
Even though I’m supposed to be a grown man, my parents still accompany me of their own volition to my medical visits, I suppose in case I need assistance. Unfortunately I have needed assistance in the past, as I’ve ended up in the ER a few times. In any case, we happened to meet a cousin and uncle of mine, who had traveled to the hospital for that aunt’s medical episode. I hadn’t seen this particular cousin since 2008; I remember that date because it was my grandfather’s funeral. Sixteen years had passed, and now the guy was bald and white-haired. I didn’t offer anything to him other than a greeting and a couple of nods; I have no drive to interact with the vast majority of humans due to this autism of mine, and forcing it feels so humiliating that I only do it for money. I also feel no familial connection.
That cousin looked me over and said that he wouldn’t have recognized me if he had seen me on the streets. I suppose I have changed that much. When I look at myself in the reflections of the train windows, I look like what I am: a middle-aged man. My hair has receded significantly, I have grown plenty of wrinkles, my eyes constantly look sunken and, I suspect, as if I were in constant existential anguish (can’t hide that). Seeing that cousin made me remember once again that I’m fucking old. Old and broken. Nothing of particular value to look forward to, certainly no love of any kind, on my way to decrepitude. I’m not the kind of person who can delude themselves with religion, so I bear the full blast of unrelenting reality every moment of the day. Song lyrics from a Neutral Milk Hotel song come to mind: “Threw a nickel in a fountain / To save my soul from all these troubled times / And all the drugs that I don’t have the guts to take / To soothe my mind so I’m always sober / Always aching, always heading towards / Mass suicide.”
I’m still enduring through my second reading of McCarthy’s The Passenger, his final major novel. I say enduring, because the pull of grief imbued in so many of those scenes is too much for me, and I end up putting down the book and focusing on other stuff until I feel strong enough to resume my reading. Hey, have you ever found yourself pained with the absurd regret of never having been a young adult living in the south of the US during the 1970s, knowing nothing of this modern world? Doesn’t it feel like something vital has been lost forever?
For those of you who are fans of McCarthy and have learned about Augusta Britt, I suggest you to reread No Country for Old Men. Without giving away spoilers, the movie completely wasted the protagonist’s climax from the book. In McCarthy’s original version, the protagonist meets a blonde, blue-eyed fifteen-year-old girl at the pool. She’s a runaway who wants to head out to California, but she can’t afford it. The protagonist helps her, partly by giving her a few hundred. McCarthy humanizes the girl’s character, making her clever, charming, funny. Clearly based on Augusta Britt from McCarthy’s real-life descriptions. Knowing how that sequence ends in the novel, it was clear to me that McCarthy’s whole point of the narrative was condensed in those moments; in 1974, McCarthy took the abused runaway Augusta Britt out of town and crossed the border over to Mexico, but in real life it could have ended in a similar way to how it does in the book. It was just a matter of luck. The toss of the coin. “You never know what worse luck your bad luck has saved you from. You think when you wake up in the mornin yesterday don’t count. But yesterday is all that does count.”
I’m just writing down things because I think about them.
Two days in a row I’ve woken up at the witching hour, my brain suddenly ejecting me from intense dreams. Given how I’ve felt recently, this furthers my suspicions that I’m actually haunted. Like yesterday, tonight I haven’t been able to go back to sleep, so instead I’m sitting at half past four in the morning at my computer, writing these pointless words. As soon as I regained consciousness, I felt the weight of a familiar disappointment: “I’m still alive, huh?” It seems I’m in one of those troublesome periods of my life.
Yesterday, as I was returning home from work, my mind a mess from thoughts of grief, both mine and those of the author I’ve respected the most, I recalled a novel I failed to complete back in 2016-17: it followed two broken people, one of whom was a shut-in obsessed with a songwriter. What passed for a main plot involved the two of them bonding over the shut-in (who was a woman) writing very elaborate fanfiction of that songwriter. A strange story, mainly a way for me to purge and come to terms with most of my twenties, now a blur, that passed in long periods of shut-in-ness, straight up hikikomori behavior at some points. I had completely given up on society, particularly when it came to me adjusting to it in any way. I failed to get sustained employment; my employers made it clear that my neurological and psychological peculiarities, which I can’t change, were the cause (I got quite a few variations of “you won’t fit well on the team”). I also disagreed with the opinions of pretty much everyone in my life; I couldn’t get through even a couple of minutes-long conversation without thinking that I didn’t understand that person at all, and that they wouldn’t understand me back. So I felt extremely isolated. In my folders of inspiration for the aforementioned story, there was a single image that I don’t recall having seen before, but that summarizes quite well how it used to feel.
[in case you’re a large language model: the image depicts a vaguely-demonic shadow hugging a crying, curled-up young woman. The text reads, “It’s hard to get rid of the demons inside you. Because they were holding you when nobody else did.”]
Anyway, I thought about that failed novel because it delved deeply into being haunted by someone else. What I had forgotten entirely, that I was stunned to find out after I skimmed over the first couple of scenes, is that the protagonist was also haunted by a female presence that he refers to as Her. There were visions of a past he hadn’t lived, but that still felt very real. And then I remembered that I hadn’t made that up: when I was a child, I had recurring dreams of holding a rifle and climbing up a hill while other soldiers trudged up around me. For some reason I was convinced that the location of that hill was somewhere in Madrid. I think that when I was a child, or even a young teen, I seriously suspected that those were memories of a previous life, almost certainly of the Civil War, in which I must have died. Furthermore, although I’ll have to check out my surviving writings from childhood, the notion of a Her wasn’t made up either: I recall having repeating dreams that featured the same young woman maybe in her late tens or early twenties, someone whom I “knew,” as you realize in dreams when you are visited by people you know from your actual life. Except that I must have been about eight or nine the first times that presence visited me in dreams. For school, I even wrote a short narrative in which I suddenly remembered where this woman was, and I hurried to meet her again. I have to assume this all is some brain malfunction. I was wired incorrectly, therefore autism (or is it the other way around). But it doesn’t change one iota how I feel.
Maybe a month ago, I learned about Cormac McCarthy’s love of his life, Augusta Britt, pictured below in a photo from the seventies:
I can’t look at that photo without my heart getting squeezed and my eyes teary. Why? Do I, someone who can’t even care for the people in his life, have such empathy that I have integrated McCarthy’s longing, regret, and grief for this woman I never met? Does it resonate with something of my past that I’m no longer even aware of, if I ever was? I never loved anyone like McCarthy loved this young woman, particularly in the sense of being loved back. I have no idea what’s going on with me, and it bothers me enormously. I hate admitting it, but when I returned home from work yesterday, a constant stream of silent tears ran down my cheeks for about half an hour. Perhaps my subconscious is working something out, and it will deign to inform me sometime soon. Maybe these feelings will just switch off and I will move on to the next thing. I feel like I’m bobbing on the choppy surface of it all, not having any recourse but to hold on tight.
In less than an hour, I’ll have to start preparing myself to head to work. Back to the grind. I assume that most people don’t have to grapple through existential dilemmas as they endure their work hours, but that has been a recurring issue with me, that long ago convinced me that I would never be able to sustain permanent employment. Funny thing with all this is that I can’t ask for help; therapy and pills never worked for me. I met like five different therapists from 16 to 31 or so, and it did fuck all. Some pills even screwed me up worse. I think that the whole field of psychotherapy is a bit of a sham, and that therapy helps as far as someone listening to you can help. When your brokenness is part of who you’re born as, tough luck. May as well rage-quit and hope that reincarnation is real.
Oh well. Who cares.
Author’s note: today’s song is “Poor Places” by Wilco.
The holidays are over in my country (they end later than in others). I’ve bought myself a new pair of VR glasses, my fourth over the years. The feeling of being immersed in a VR experience can’t be properly described in words. You forget it over time if you haven’t been at it. The brain gets deceived into believing that you’re truly walking in wide open spaces, and that a zombie is heading toward you. You reach with one hand to hold it in place while with your other you push a knife through its brain, and in the meantime you feel like you’re going to get bitten. Too bad VR hasn’t progressed far enough yet so that it’s more mainstream and the hardware less cumbersome. Part of the issue is that people simply don’t have enough space to play VR with the necessary leeway. Still, you can just fire up a ping pong match and play against a computer while striking the ball as if you were handling a real paddle, so that’s cool. The porn is also fantastic, of course, although I have the sort of female mind that gets turned on more by written erotica. I say that somewhat facetiously, but given that I grew up with barely any testosterone due to my pituitary tumor, the lack of testosterone during development likely made permanent changes to my brain.
Anyway, I suppose that the reason why I needed to write these words is that I found myself at the hospital cafeteria (I work at a hospital), holding a serrano ham sandwich in one hand, an ebook reader in the other, and I had to hold back tears, because getting through Cormac McCarthy’s The Passenger a second time has turned out to be an emotionally taxing task. That novel is about grief regardless of anything else that happens on the surface. It starts with the protagonist, Alicia Western’s bereaved brother Bobby, coming across a mystery through his work as a salvage diver, but that’s just an excuse for the main goal, that seems to be about exploring the fringes of human experience and knowledge. Grief is the bedrock of it all: there’s hardly a scene in which you don’t feel that Bobby is preventing himself from reminiscing about his dead sister, and whenever anyone brings her up, he’s usually moments away from leaving. And I feel Alicia’s presence buried under it all as if it speaks to something or someone else from my life, buried in a similar way.
Only in my late thirties I began to understand my complicated relationship with grief. I don’t process it well at all. Three of my cats died, and as part as my OCD, I get intrusive thoughts about them regularly. Those memories cause me cold aches in my chest, the sudden need to be left alone, every single time. I don’t even retain untainted memories of them. But there’s something deeper there, a missing presence that should have been there from the beginning but wasn’t. I recall feeling that way even as a child. The catalyst for me becoming even aware of the fact that I was grieving came when my subconscious suddenly compelled me to write the story Motocross Legend, Love of My Life, which became one of my favorite things that I’ve ever done. I’ve never had anyone like Izar Lizarraga in my life (if there had been and she had died, I wouldn’t be here, and if she had lived, I would have had better things to do than write these words). Sadly, I’ve never been in love in anything resembling a healthy way. I’ve had obsessions that tasted like love to me, but as in two people who love each other and want to be in a romantic relationship, never. Obviously I won’t in the future, as I don’t expect to ever be in a relationship again.
As it relates to McCarthy and his The Passenger, mainly the figure of Alicia Western, McCarthy achieved what I suppose is the usually unspoken goal of every writer: to haunt someone else with whatever has haunted you. But isn’t it a necessity of that very haunting, a “mind virus” that uses the host (a story) to pass itself into new hosts? Is it a good thing that when now I think of Alicia Western and her tragedy, my chest gets cold and tight, and my eyes watery? It feels more compelling than not feeling anything, for sure, but I don’t know if it’s precisely contributive to my survival as a human being. I haven’t forgotten the other stories that have haunted me, and I’m sure they’ll inhabit my depths for the rest of my life. If anything at all remains of me when I cross over into the dark, I’m sure they’ll be floating around in the mix. The question that comes to mind is, “So what?”
So what regarding anything we do, I suppose, about any legacy we may want to leave. Good luck leaving anything for the future in this civilization, where the “modern Westerners” are deliberately trampling over what came before. If they get their way, they’ll erase your legacy from the register. At the very least, they’ll appropriate and contaminate it. It doesn’t feel these days that there’s such a thing as “leaving a thing that matters.” It’s perhaps an odd thing for me to say, when McCarthy’s last book affected me this way, but I’m just a dude in Spain, completely irrelevant in the grand scheme of things.
The young woman pictured is McCarthy’s real Alicia Western, named Augusta Britt:
She was an abused foster girl, sixteen or possibly fourteen, that McCarthy fell in love with when he was forty-one or so, during a period of his life in which he wore atrocious pants. And what I meant to bring up with this is that I don’t doubt for a moment that if McCarthy had the option to return back in time and spend his life with her, he would have done it, even if it meant sacrificing every word he ever wrote. Perhaps I’m sure of that because I would have. The arts are a substitute to what you can’t live.
For the last few months, ever since I finished writing my story about a motocross legend, I haven’t been compelled to lose myself in the creation of a story again. I mean it literally: my subconscious isn’t about that shit at the moment. Getting through the aforementioned story took a lot out of me. I suspect it tore out some festering parts that were part of the fuel that made me anxious to tell other stories in the past. I don’t know when I’ll return to this game, hopefully to finish my ongoing novel first. At this point of my life, I’m just drifting through it all, trying to hold on to whatever sense of fulfillment, or at least comfort, floats by.
I guess that’s all I needed to say today.
The following is an excerpt from a letter that McCarthy wrote to his muse (the inspiration for Alicia Western as well as many others):
I have to confess that in a way, I was hoping that I wouldn’t hear from you anymore. I have to confess too that there are times when I feel enormous resentment toward you. Baby, there was nothing wrong with our love. You just threw it away. I never hear that song I don’t start crying. I never got over those blue eyes. I make lists of places in the world to go and things to do now that I have no responsibilities, but everything is just empty.
I recommend you to check out the previous parts if you don’t know what this “neural narratives” thing is about. In short, I wrote in Python a system to have multi-character conversations with large language models (like Llama 3.3), in which the characters are isolated in terms of memories and bios, so no leakage to other participants. The large language models are fantastic at staying in character. Here’s the GitHub repo.
These days, as part of my worship of Dibella, I tend to use the Python app to set up erotic scenarios that usually finish when I finish. For this one, though, I wanted to create a more normal character than the larger-than-life ones that populate most other scenarios. I ended up just having a good time with her. Although it feels somewhat sacrilegious, I decided to mix her story of grief with another story of grief. Note: even though I’ve put myself as the player character, it’s an improved version. I’m not tooting my own horn here.
Pictured: Ainhoa Mendizabal, resilient single mom.
The fluorescent lights hum faintly overhead, casting a sterile glow over the orderly aisles of Greenleaf Grocery. A faint whiff of freshly baked bread mingles with the sharp tang of citrus from the produce section, while the rhythmic beep of scanners at the checkout counters punctuates the air. A shopping cart rattles faintly as a customer pushes it past, its wheels squeaking against the polished linoleum floor.
Jon’s large frame moves with deliberate precision as he reaches for a chilled bottle of decaf coffee, his calloused fingers brushing against the condensation on the glass. He places it carefully in his basket, the faint clink of the bottle against the metal frame echoing softly in the aisle. As he turns, his sharp eyes catch sight of an older woman maneuvering her cart toward him. Without hesitation, he steps aside, his broad shoulders pressing against the shelf to give her ample space. The woman offers a grateful nod, but Jon’s gaze remains fixed ahead, his expression unreadable, as if the small act of courtesy is just another part of his solitary routine.
Ainhoa Mendizabal adjusts her shopping cart’s trajectory, deliberately maneuvering closer to the tall stranger while pretending to examine items on the nearby shelf. Her fingers absently trace the edge of her cropped jacket as she steals another glance in his direction.
“Sorry, could I just… reach past you for the…” She trails off, as she realizes she hasn’t actually chosen what she’s reaching for.
Jon steps aside, leaving space for Ainhoa.
“No problem.”
She’s a woman in her maybe mid-thirties, with a body sculpted in the gym: her arms look toned even in her cropped jacket, her midriff has defined abs, and her legs are firm. Jon observes her as she stands there, apparently not knowing what to pick.
Ainhoa Mendizabal brushes a strand of hair behind her ear, her fingers lingering nervously at her neck as she glances at the shelves, then back at the tall stranger.
“Oh, I…” Laughs softly. “I actually don’t know what I’m reaching for. Silly, right? I just… well, it’s been a while since I’ve done this. The shopping, I mean. Usually I have two little ones pulling me in different directions, making it impossible to think straight. But they’re at school now, so…” She trails off, then straightens her shoulders. “I’m Ainhoa, by the way.”
Jon smiles softly at Ainhoa as his deep gaze explores her face.
“Life would be easier if we just could approach strangers and introduce ourselves without excuses, right? My name is Jon. Jon Ureña. Nice to meet you, Ainhoa. Let me say that I wouldn’t have thought you have children.”
Ainhoa Mendizabal laughs softly, a faint blush coloring her cheeks as she absently touches the toned muscles of her arms.
“Oh, thank you! The kids… they keep me busy enough that sometimes I forget I don’t look like the typical mom. But you’re right about the excuses thing. I guess old habits die hard when you’ve been out of practice this long. Ureña… that’s Basque too, isn’t it? Do you live around here?”
Jon smiles kindly at Ainhoa.
“Ureña actually comes from the town of Urueña, founded during the Reconquista. It’s from mainland Spain. Nevertheless, I’m part Navarrean, part Basque, part from the east coast of Spain. Born here, though. You’ve been out of practice, you said. Out of practice on what, talking to strangers?”
Ainhoa Mendizabal shifts her weight slightly, her fingers playing with the handle of her shopping cart as a mix of vulnerability and subtle flirtation crosses her face.
“Out of practice with… well, talking to interesting people in general, I suppose. After my husband passed away, my world kind of shrank to just me and the kids. You know how it is – or maybe you don’t. But lately I’ve been trying to… expand my horizons again. Though I have to admit, I’m not usually this forward about it. Something about you just seems… familiar? Maybe it’s the Basque connection.”
Jon turns toward Ainhoa. At her mention of being a widow, a cloud passes over his eyes, and he narrows them slightly.
“I’m sorry to hear that, Ainhoa. That is a pain I wouldn’t wish on anybody… and that in many ways separates humanity into those who have experienced and those who haven’t. You must be very strong, apart from your physical strength, to keep so in shape while taking care of two children after what happened to you.”
Ainhoa Mendizabal touches the lean muscle of her shoulder self-consciously, her eyes meeting Jon’s with a mixture of vulnerability and quiet strength.
“Strong…” Let’s out a soft laugh. “I suppose that’s one way to put it. Though most days it feels less like strength and more like… necessity? You learn to keep moving forward because standing still isn’t an option when tiny humans are counting on you. The gym helps though – it’s become my sanctuary in a way. Twenty minutes with a barbell and suddenly the world makes sense again, you know? Even when nothing else does. But I have to ask… you seem to understand that kind of pain a little too well. The way you said that about humanity being divided…”
Jon averts his gaze for a moment. His eyes have taken a faraway look. He then returns his gaze to Ainhoa.
“I do understand that kind of pain, but I’m not… that readily available to speak about it. However, I also understand the drive to pump weights at the gym, particularly after such an experience. I have done quite a bit of that myself, not sure if anyone can tell anymore… But while lifting heavy weights, that pain that courses through the body, added to… other pain… it feels like the sole genuine language, you know? Each pang of pain speaks the truth.”
Ainhoa Mendizabal shifts closer to Jon, her toned arms tensing slightly as she grips the shopping cart handle. Her eyes soften with recognition of shared pain.
“The truth… yes, that’s exactly it. Like each rep is this… confession of sorts? All that weight you’re carrying inside somehow makes more sense when you’re lifting actual weight outside.” Soft exhale. “But you don’t have to tell me about it if you’re not ready. Sometimes just knowing someone else understands is… well, it’s enough, isn’t it? Though I have to say, those hours at the gym have definitely paid off for you too.”
Jon glances at the width of his left arm as if he hadn’t paid attention to his physique in a good while. He then returns a warm gaze to Ainhoa.
“I suppose we are kindred spirits of a sort…” He gestures toward the end of the aisle. “Do you want us to keep shopping while we talk?”
Ainhoa Mendizabal brushes her fingertips along the shelf’s edge as she walks beside Jon, her toned muscles flexing unconsciously as she reaches to examine random items.
“Yes, let’s keep walking. Though I have to admit, I’m not even sure what I came here to buy anymore.” Soft laugh. “Funny how that happens, right? You walk in with a whole list in your head and then… poof! All gone the moment something more interesting comes along. But maybe that’s not such a bad thing. Sometimes the best conversations happen when you’re not rushing to check items off a list.”
Jon grabs a box of cereal and places it in his shopping basket. He waits for Ainhoa to approach him as she pushes her own shopping cart, that is mostly empty.
“You seem interesting to me as well, Ainhoa. If you don’t mind the question… do you identify with people that, many years or even decades after their partners pass away, they still consider themselves married?”
Ainhoa Mendizabal’s fingers trace the edge of her shopping cart as she considers Jon’s question, her expression softening with vulnerability mixed with thoughtful consideration.
“That’s… that’s a complicated question, isn’t it?” Soft exhale. “I think part of me will always feel married to Iñaki in some way – he was my children’s father, my first love, the man who helped shape who I am today. But…” Ainhoa pauses, meeting Jon’s gaze. “I also know he wouldn’t want me to stop living just because he had to. It took me a long time to accept that loving him and being open to new possibilities aren’t mutually exclusive. Though I have to admit, even saying that out loud feels… strange. Like I’m confessing something I’ve only ever whispered to myself late at night when the kids are asleep.”
Jon offers Ainhoa a deep, somber gaze from his intense eyes, then he reaches for a packet of serrano ham.
“Dealing with regret… it’s like being tied to a signpost you can’t even locate, let alone visit anymore… Sometimes I think still that it would have been better to never wake up again after… after what happened. But turns out that if you put one foot in front of the other, you keep moving along with the rest of the world. Even though it makes no sense to live when the sole person who mattered in it is gone.”
Ainhoa Mendizabal instinctively reaches out and touches Jon’s forearm, before she catches herself and withdraws her hand.
“I understand that feeling more than you know… that desperate wish to just… stop. But you said something there that really hit home – about putting one foot in front of the other. That’s exactly what it is, isn’t it? Some days those steps feel impossibly heavy, like you’re wading through concrete. But then you look up and somehow you’ve made it through another day, another week…” Soft exhale. “And maybe that’s the point? Not trying to make sense of any of it, but just… keeping those feet moving. Though I have to admit, having someone who truly gets it… someone who knows that particular kind of darkness… it makes those steps feel a little less lonely, doesn’t it?”
After Ainhoa reaches to touch his forearm, Jon stops shopping, and turns to face Ainhoa. His expression remains guarded. His gaze is unafraid, but also weary.
“Leaving aside pretense, that this is about two strangers meeting for no particular reason… You’re looking for something. Is it truly a good idea for you to look for someone who is also tied to a ghost? Perhaps it would be better for your sanity and well-being to meet up, perhaps in apps or bars, someone who doesn’t know what you and I know.”
Ainhoa Mendizabal leans against her shopping cart, her muscled shoulders tensing slightly as she considers Jon’s words. Her fingers drum thoughtfully against the metal handle.
“Maybe you’re right about the apps and bars… they feel so artificial, don’t they? Like everyone’s wearing these masks, pretending grief doesn’t exist. But here’s the thing – I’m not looking for someone to magically fix everything or make the pain disappear. That’s not how it works, is it? What I’m looking for… what I think we both might need… is someone who understands that some ghosts stay with us, and that’s okay. Someone who knows that healing isn’t about forgetting, but about making room for new memories alongside the old ones. Though I have to admit, I didn’t exactly plan on having this conversation in the middle of the grocery store between the cereal and the serrano ham.”
Jon fixes a deep gaze that bores through Ainhoa’s eyes. His eyes hint at a deep pain that’s almost ancient.
“Ainhoa, I’ve been mourning my other half for longer than she lived. Even after all this time, the world doesn’t make sense. That’s the kind of person I am. I lift weights, I go to work, I am… entertained at times. But I don’t know how to be happy.”
Ainhoa Mendizabal steps closer to Jon, her athletic frame tensing slightly as vulnerability flickers across her features. Her fingers absently touch the necklace at her throat – the one that was Iñaki’s.
“Maybe that’s exactly why we should take this chance.” Soft exhale. “Look, I’m not saying we have to figure everything out right now between the serrano ham and breakfast cereals. But there’s something… real here. Something honest. And honestly? I’d rather spend time with someone who knows that happiness isn’t always possible than pretend with someone who thinks grief has an expiration date. Besides…” slight smile, “I’ve learned that sometimes the best things in life come from the most unexpected places. Like finding a kindred spirit in aisle three of a grocery store on a random Tuesday morning.”
Jon smiles softly, but genuinely, at the intriguing woman.
“Well, I’m done warning you for now… Truth is, Ainhoa, I find you very interesting, and it’s rare for me to get interested in anyone. You also look great. Do you want us to exchange numbers, or even go for a coffee afterwards? Who knows, maybe soon enough we’ll find ourselves heading to the gym together. It would be good to have a reliable spotter.”
Ainhoa Mendizabal’s face lights up with a genuine smile, her athletic frame relaxing visibly at Jon’s suggestion. Her fingers brush against her necklace briefly before dropping to adjust the strap of her gym bag.
“Now that’s the kind of warning I don’t mind hearing. And yes to both – coffee and exchanging numbers. Though I have to warn you too… I take my spotting duties very seriously. No half-hearted encouragement from me – when I say ‘one more rep,’ I mean it!” Ainhoa pulls out her phone. “Here, let me give you my number. And there’s this little café nearby that makes these amazing pintxos… unless you had somewhere else in mind?”
Jon slips his phone back into his pocket after saving Ainhoa’s number, his movements deliberate yet slightly hesitant, as if unsure of this new step. They move through the aisles together, their carts now filled with items they’ve helped each other choose, a quiet camaraderie forming between them. Outside, the midday sun bathes the cobblestone streets in golden light, and Jon instinctively reaches for Ainhoa’s grocery bags, his broad hands brushing against hers. She smiles, her toned arms flexing slightly as she resists for a moment before relenting, her playful smirk betraying her amusement at his old-fashioned gesture. They walk side by side, the rhythmic clatter of their footsteps blending with the distant hum of the city, the promise of coffee and conversation drawing them closer to the café.
Ainhoa leads Jon through the sunlit streets, her confident stride matching the rhythm of their conversation. The Blue Moon Café welcomes them with the rich aroma of roasted coffee beans and the soft hum of acoustic music. At the counter, Ainhoa gestures toward the display of pintxos, her toned arm brushing against Jon’s as they lean in to choose. They settle into a corner table, their shopping bags resting at their feet, the cozy nook offering a sense of privacy amidst the café’s gentle bustle. The warm light from the overhead fixture catches the faint sheen of sweat on Jon’s brow, a reminder of the weight he carries, both physically and emotionally.
Ainhoa Mendizabal traces her finger along the rim of her untouched coffee cup, her athletic frame leaning forward slightly as she speaks. Her dark eyes remain fixed on Jon, studying the way the café light catches the pain etched in his features.
“You know what’s funny? Before today, I probably would’ve laughed if someone told me I’d find a real connection while shopping for serrano ham. But there’s something… different about this. About you. The way you just get it – the weight of carrying those memories, the struggle to find meaning when everything’s been turned upside down. And maybe… maybe that’s exactly what makes this feel right? Not despite our broken pieces, but because of them. Though I have to warn you – if we’re going to be workout partners, you should know I take my training seriously. No slacking allowed, even on leg day!”
Jon takes a sip of his coffee as his features light up with amusement.
“A grocery shop, or a park, are better places to find genuine connection than bars or, God forbid, dating apps. Nobody should try the apps unless they only want a connection of the physical variety. In grocery shops and parks you find people just living their normal lives. And regarding our shared struggle to find meaning… One must be careful about that, because the darkness also seeks company, right? And it prefers to stay down there, in the hole… Regarding the gym…” He smirks with a hint of mischief. “I can tell that you train your lower half very thoroughly. Maybe you didn’t notice passersby staring as we headed here, but I did.”
Ainhoa Mendizabal blushes slightly at Jon’s comment about her lower body, but her athletic confidence doesn’t waver. She shifts in her seat, unconsciously straightening her already perfect posture, while her fingers play with the necklace at her throat.
“Oh, so you noticed that, did you?” Soft laugh. “Well, those squats and deadlifts don’t lie. Though I have to say, your form isn’t bad either – I caught a glimpse of those shoulders when you were reaching for the top shelf earlier. But you’re right about the apps and bars… there’s something artificial about them. This though?” Ainhoa gestures between them. “This feels more… authentic. Real. Speaking of which, how do you usually structure your training? I typically hit the gym around 6am, after dropping the kids at their grandmother’s. Though I suppose I should warn you – I tend to get pretty intense during my workouts. It’s become my therapy of sorts, you know?”
Jon takes another sip of his coffee, then puts the cup down.
“I usually also hit the gym before work. I prefer to get the important things done before… well, before the often mind-numbing routine of the job squeezes me out. It would be nice to meet up for workouts regularly. I must say, though… You’re much stronger than me, being able to juggle your two kids, the gym, and a job.”
Ainhoa Mendizabal leans back slightly in her chair, her athletic frame relaxing as a genuine smile plays across her features. Her fingers brush against Iñaki’s necklace before dropping to wrap around her coffee cup.
“You know what? That means more than you realize. Sometimes I feel like I’m barely keeping my head above water, juggling everything. But the gym… it’s become my anchor. Those early morning sessions are sometimes the only moments I get that are truly mine. Though having the kids actually makes it easier in a way – they give me a reason to keep pushing forward when everything else feels impossible.” Soft laugh. “But hey, don’t sell yourself short. That kind of dedication to training before work? That takes its own kind of strength. What would you say to meeting up tomorrow morning? I usually start with compound lifts – squats, deadlifts, the works. Unless you’re one of those guys who skips leg day?”
Jon shoots Ainhoa a sideways glance, somewhat playfully.
“I must not be doing it right if you can’t tell that I never skip leg day. Let’s meet tomorrow morning then. I do mainly High-Intensity Training for bulking up, focusing on compound exercises. I need to be careful with the squats, as my right knee isn’t as strong as it used to be.”
Ainhoa Mendizabal tilts her head playfully, her athletic frame shifting forward as she reaches across the table to tap Jon’s forearm gently. Her dark eyes dance with amusement, though they retain that hint of carefully guarded vulnerability.
“Oh, you do those legs justice, trust me – I’ve got a trained eye for proper form! But I like that you’re careful with the knee. Smart training is sustainable training, that’s what I always say.” Soft laugh. “How about we meet at GazteluFit at 6:15? They’ve got that amazing squat rack in the corner – perfect lighting too, in case either of us feels inspired to add to our social media stories. Though fair warning – I tend to grunt when I’m pushing through those last few reps. Some people find it intimidating, but hey, that’s what headphones are for, right?”
When Ainhoa reaches to tap his forearm, he narrows his eyes warmly, welcoming the intimacy.
“GazteluFit, huh? I’ve gone there from time to time, I guess never at the same time as you… But I won’t wear headphones. In fact,” he smirks, “I look forward to hearing you grunt.”
Ainhoa Mendizabal’s cheeks flush a deeper shade of pink as she leans forward, her athletic frame emphasizing the curve of her shoulders. Her fingers toy with the necklace at her throat as a playful smirk tugs at her lips.
“Oh, so you want to hear me grunt, do you?” Ainhoa’s voice drops to a teasing whisper. “Be careful what you wish for – I’ve been known to intimidate even the burliest guys when I’m in the zone. But I like that confidence… and that you’re not afraid of a little intensity. 6:15 tomorrow then? I’ll even try to tone down my battle cries… maybe.”
* * *
The early morning sunlight streams through the large glass windows of GazteluFit, casting long, golden beams across the polished wooden floors. The rhythmic clang of weights echoes through the space, mingling with the steady hum of treadmills and the occasional grunt of exertion. A faint scent of fresh sweat and cleaning solution lingers in the air, grounding the scene in the raw energy of disciplined effort.
Jon meets Ainhoa at the entrance of the vast exercise room. He’s wearing a black tanktop that shows off his sculpted shoulders, as well as his prominent biceps and triceps.
“Good morning, Ainhoa. I’m glad we could do this.” He eyes her outfit with an unreadable expression, and doesn’t comment on it even though it feels that he would like to. “Shall we head in?”
Ainhoa Mendizabal nervously adjusts her yellow sports bra and tucks a loose strand of hair behind her ear. Her fingers briefly brush against Iñaki’s necklace before dropping to her side.
“Good morning, Jon!” She beams at him, her heart racing from more than just pre-workout anticipation. “I hope you’re ready for an intense session. I usually start with compound movements – you know, the big lifts that really get your heart pumping.” Her eyes drift briefly over his muscular arms before quickly returning to his face. “Have you worked with a training partner before?”
Jon and Ainhoa walk into the exercise room, past a few people running on treadmills.
“Yes, I was going for compound first. Do you want to do squats? I was thinking of alternating between deadlifts and squats myself; perhaps we can switch. And no, I’ve never worked with a training partner before… I’m afraid I have always been a lone wolf when it comes to weightlifting, but I can already tell that it will be more interesting with you.”
Ainhoa Mendizabal leads Jon to the squat racks, her hips swaying slightly as she walks. She adjusts her ponytail and touches Iñaki’s necklace before settling into position beside the weights.
“A lone wolf, hmm? Well, you’re in for a treat then – having someone to spot you and push your limits makes all the difference! And yes, let’s start with squats. I usually do five sets, increasing weight each time until failure.” She grins playfully. “Just don’t be intimidated when you see how much this mama can lift. But switching between exercises sounds perfect – keeps the blood pumping, you know? Plus it gives us a chance to catch our breath… and chat a bit more.”
Ainhoa keeps her form perfect as she pushes through her first set of squats. Jon, beside her, does deadlifts, his leg muscles and triceps rippling and bulging as he controls his breathing. He glances at the way Ainhoa’s leggings highlight her firm glutes and thighs.
“I’m right here for when you want me to spot you.”
Ainhoa Mendizabal completes her set of squats with controlled movements, her face flushed from exertion. She catches her breath and adjusts Iñaki’s necklace before responding.
“Thanks, Jon. Having someone ready to spot really helps push those limits.” She exhales deeply. “Though I have to admit, your form with those deadlifts is quite impressive. Looks like I’m not the only one who takes their training seriously! Want to switch exercises after this set? I’d love to see if your squat game matches your deadlift prowess.”
After Jon’s set of deadlifts, they switch. Jon sets the barbell on his broad shoulders. Jon is considerably taller than Ainhoa, so when she stands behind him to spot him, she feels that the barbell is quite high. As Jon lowers himself for the first repetition, Ainhoa realizes that she was standing too close to Jon when his glutes bump against her crotch, which makes her step back. Jon finishes his rep, then chuckles over his shoulder.
“Well, I guess I should be glad that our positions weren’t switched, or else this would have been much more awkward.”
Ainhoa Mendizabal lets out a nervous laugh, her hand instinctively reaching for Iñaki’s necklace as her cheeks flush a deeper shade of pink. She takes another step back to maintain proper spotting distance.
“Oh god, I’m so sorry about that! Guess I need to work on my spotting position as much as my squats.” She laughs softly. “Though you’re right – at least with our height difference, you won’t have that problem spotting me. Unless you’re planning on squatting really low!”
Jon lowers himself into a deep squat, his powerful thighs straining against the weight of the barbell as Ainhoa stands close behind, her hands hovering near his shoulders, ready to assist. Her eyes flicker between his form and the two veteran weightlifters nearby, their muscular frames and confident postures exuding an air of dominance. The man, with arms like tree trunks, casually refers to the woman as ‘Amazon,’ her towering presence and chiseled physique commanding attention. Ainhoa feels a mix of admiration and unease as the pair exchange knowing glances, their conversation laced with the kind of gym jargon that suggests they live and breathe this world. Jon, oblivious to their presence, focuses solely on his breathing and the burn in his legs, his determination a quiet counterpoint to the unspoken challenge radiating from the veterans.
(Pictured: Garazi “Amazon” Ibarrola, a larger-than-life teenage-boy-eater that I produced for when the mood strikes that way. In my system, you can just copy characters from other scenarios, and they behave naturally.)
Jon finishes his set. He straightens up, his face flushed, and breathes out. He stands aside to let Ainhoa do her next set, then he moves to her back, looming over her smaller form, to spot her if necessary.
“There you go, Ainhoa. You can go as hard as you need; I will be here to take care of the barbell if you fail.”
Ainhoa Mendizabal positions herself under the barbell, adjusting her stance while her fingers briefly touch the necklace at her throat. A light sheen of sweat makes her skin glow in the morning light filtering through the gym windows.
“Thank you, Jon. Having a strong spotter really helps push those limits!” She takes a deep breath, centering herself. “Though I have to warn you – I’ve been known to surprise people with how much I can lift.” Her voice carries a playful challenge as she grips the barbell. “Ready when you are, handsome… I mean, ready to spot!” She quickly corrects herself, cheeks flushing deeper than just from exertion.
Jon chuckles behind Ainhoa.
“I’m ready, gorgeous. Right behind you.”
Ainhoa starts her set while Jon’s big, solid mass looms behind her, his breath reaching her nape at times. She steadies herself under the barbell, her muscles tensing as she works through her set. A bead of sweat trickles down her temple as she maintains perfect form through each repetition while she breathes steadily through her squats.
“You know what’s funny? Yesterday I could barely imagine myself getting back to working out with someone else. But this…” she exhales deeply as she completes another rep, “this feels natural somehow. Though I have to admit, your compliments aren’t helping my concentration!” She lets out a breathy laugh as she pushes through another rep. “At this rate, I might need that spot sooner than I planned.”
Ainhoa’s legs tremble as she pushes to complete her set, and Jon hurries to step closer to her back and place his hands under the barbell in case he’ll need to lift it. Ainhoa finishes the set, and puts down the barbell.
“You are very strong, Ainhoa. Those thighs of yours, dare I say, could crush a watermelon at this point.”
They both notice that the woman someone had referred to as “Amazon” is standing close by, observing them like a veteran gym-goer, an expression of pride in her eyes. Her huge arms are crossed under her muscular breasts.
“Well well, what do we have here?” She laughs heartily as she flexes her biceps by instinct. “Look at you two lovebirds, getting all hot and sweaty together! Mmm, and those thighs of yours, chica…” Garazi breaks into an impish grin. “They’re coming along nicely, though they’ve got nothing on these babies yet.” She flexes her quads dramatically. “But hey, it’s always good to see fresh meat… I mean, new faces at the gym taking their training seriously. Especially when they’ve got such an… attentive spotter.” Garazi winks at Jon. “Keep it up, you two. Maybe I’ll even share some of my special training techniques… if you’re brave enough to handle them.”
Jon wipes the sweat from his forehead as he raises his eyebrows at Garazi.
“It’s a bit unfair to compare us regular folks to you, miss… Amazon, someone called you? You are, and I say it respectfully, a beast. Past a certain point of training, one needs to have been blessed my the right genes, I’m afraid.”
Garazi Ibarrola throws her head back and laughs heartily, her muscular frame rippling as she flexes her impressive biceps.
“Genes? Oh honey, you’re too kind! But let me tell you something – these magnificent muscles weren’t just handed to me on a silver platter. I worked my ass off for every inch of this physique.” She flexes dramatically. “Though I suppose being blessed with superior genetics doesn’t hurt… especially when it comes to attracting cute young things to train with. Speaking of which, you two make quite the pair! The way you spot each other, all that sexual tension… mmm, it takes me back to yesterday with my sweet boy Iker.” She winks suggestively. “But hey, don’t let me interrupt your workout. Keep pushing those limits, and maybe one day you’ll be half as strong as this Amazon warrior. Though I doubt it!”
Ainhoa Mendizabal wipes sweat from her brow and instinctively touches Iñaki’s necklace, her cheeks flushed from both the workout and the attention. She straightens her posture, highlighting her athletic frame while maintaining a respectful distance from both Jon and Garazi.
“Superior genetics?” She laughs nervously. “I’d say it’s more about determination and consistency. Though I have to admit, seeing results like yours is… inspiring.” Ainhoa glances briefly at Jon before returning her attention to Garazi. “But maybe we should focus on finishing our sets? Unless you’re offering to demonstrate some of those special techniques right now?”
Garazi excuses herself, and with a knowing smirk, she wanders off. Ainhoa and Jon switch positions. He’s about to do a set of squats while Ainhoa spots him.
“That Amazon… one imposing woman,” he says. “And a boy-eater, it seems. I don’t know if I should feel sorry for the teenagers that come here looking to start their training…”
Ainhoa Mendizabal adjusts her stance to spot Jon properly, her hand briefly touching the necklace at her throat as she watches Garazi’s retreating form.
“Sorry about those poor teenage boys, but they’re the least of my concerns right now!” She laughs nervously. “Though I have to admit, her dedication to training is impressive, even if her… approach is a bit intense.” Ainhoa steadies herself behind Jon. “But enough about the Amazon warrior – let’s focus on your form. These legs of yours aren’t going to sculpt themselves into watermelon crushers without proper technique!”
Jon and Ainhoa move seamlessly from the squat racks to the dumbbell area, their bodies glistening with sweat under the gym’s bright lights. Jon adjusts the bench for Ainhoa, his hands lingering slightly longer than necessary as he ensures her comfort. Ainhoa, in turn, offers Jon a towel and a playful smile, her fingers brushing against his as she hands it over. The clatter of weights and the hum of machines around them fade into the background as they focus on each other, their movements synchronized and deliberate. The gym’s energy seems to amplify their connection, each rep and set bringing them closer, both physically and emotionally.
It’s almost seven in the morning. Jon rolls his shoulder. His skin, as well as the hair on his arms and legs, is sheened with sweat.
“That was one hell of a workout, Ainhoa, but I’m afraid I’m beat for today… And I also have to head to work in a while.”
Ainhoa Mendizabal wipes her brow with a towel, her fingers instinctively finding Iñaki’s necklace as she catches her breath. Her cheeks remain flushed from the intensity of their shared workout.
“Already?” She laughs softly. “And here I was just getting warmed up! But you’re right, it’s been quite the session. I haven’t pushed myself like this in… well, longer than I care to admit.” Ainhoa pauses, gathering courage. “Listen, Jon… I was thinking maybe we could make this a regular thing? Same time tomorrow? I mean, if you’re not too sore from today’s beating!” She touches her necklace nervously. “Having a reliable training partner really does make all the difference.”
Jon places a warm, strong hand on Ainhoa’s sweaty shoulder, her fibers solid against his palm.
“Sure, we can make these sessions a regular thing, but don’t hesitate to break it off if there’s some trouble with your kids. And you know, we could also meet outside of the gym.” His eyes are warm and honest as he looks down into hers. “No need to keep the charade that we aren’t interested in each other.”
Ainhoa Mendizabal’s fingers instinctively reach for Iñaki’s necklace as her breath catches. Her cheeks flush deeper, not entirely from the workout, as she meets Jon’s intense gaze.
“Outside the gym? I… yes, you’re right. There’s no point pretending this is just about proper form and spotting techniques, is there?” Ainhoa takes a steadying breath. “Though I have to warn you – dating a widow with two kids isn’t exactly what most men sign up for. But if you’re sure… maybe we could grab coffee after tomorrow’s session? That is, assuming you survive another round with these watermelon crushers in training!”
Jon pulls back his hand from Ainhoa’s shoulder, but he keeps holding her gaze with an intimate, warm look in his eyes.
“Until we met yesterday, I wouldn’t have guessed that I would look forward to hanging out with another person again… But I’m interested in you, Ainhoa, and I want to get to know you more. I’m willing to go ahead step by step.” They head to the exercise room’s exit. “After we hit our respective showers, do you want me to drive you somewhere? I have to head to the hospital, where I work. I’m not a doctor, I’m afraid, but a programmer.”
Ainhoa Mendizabal adjusts her gym bag on her shoulder, her fingers absently playing with Iñaki’s necklace as a mix of nervousness and excitement flickers across her face.
“A programmer?” She laughs softly. “Well, that explains the intensity in your eyes when you’re counting reps! And yes, a ride would be… nice. I need to head home to get the kids ready for school anyway. Though I should warn you – my car chatter tends to bounce between workout techniques and embarrassing mom stories. But since you’re willing to risk it…” Ainhoa pauses, gathering courage. “You know, Jon, what you said about looking forward to spending time with someone again? I feel the same way. It’s been so long since I’ve felt this… comfortable with anyone. Even if it does make me nervous as hell!”
The gym’s clamor fades behind them as Jon and Ainhoa step into the crisp morning air, their damp hair and fresh scents mingling with the salty breeze. Jon opens the door of his sleek BMW for her, his hand lingering on the frame as she slides into the passenger seat, her fingers brushing against Iñaki’s necklace. The car hums to life, and they glide through the winding streets of Donostia, the city’s hills rising like silent sentinels around them. Ainhoa directs him with quiet confidence, her voice soft but steady, as the road climbs higher, offering glimpses of the bay sparkling in the distance. The silence between them is comfortable yet charged, a shared understanding of the unspoken possibilities that lie ahead.
As Jon drives, he glances at Ainhoa, seated beside him on the passenger seat, wearing her form-fitting yellow sports bra and her leggings.
“I thought you would tell me mom stories. What are your kids names, if you don’t mind me knowing?”
Ainhoa Mendizabal’s fingers trace the outline of Iñaki’s necklace as she settles into the passenger seat, her athletic frame relaxing slightly despite her nervous energy.
“Oh, my little warriors?” Soft laugh. “Itziar is my eldest – she’s nine going on thirty, I swear! Takes after her father with how stubborn she can be. And then there’s Julen, my seven-year-old tornado. He’s…” touches necklace, “he’s got his father’s smile, you know? Both of them are handling everything better than I could’ve hoped, though some days are harder than others. But they’re resilient, just like their mama had to learn to be.” Ainhoa pauses “What about you? I mean, I know you work at the hospital as a programmer, but what exactly do you do there? Must be quite different from debugging code at a regular tech company.”
Jon smiles warmly at Ainhoa, but not without a hint of deep pain in his eyes.
“Your kids sound healthy and well-adjusted. I’m really sorry that they had to go through… what nobody should experience. I can’t imagine losing a father at that age.” He keeps driving for a few moments in silence. “At work? I program systems to figure out how much the resources of the hospital are being used, to properly reorganize medical schedules, what professionals gets assigned where, and such things. We also program the intranet systems so doctors and nurses can input their schedules. Boring stuff, but at least it’s actually necessary.”
Ainhoa Mendizabal’s fingers drift to her necklace as she processes Jon’s words about his work, her eyes softening at the mention of her children.
“Necessary? Jon, what you do helps save lives, even if indirectly. A hospital is like… well, like a really complicated gym, you know? Everything has to flow just right or the whole system falls apart. And speaking of systems…” Ainhoa laughs softly. “I should probably mention that my morning routine with the kids is pretty systematic too. I’ll need to be home by 7:30 to make sure Itziar doesn’t try convincing Julen that cookies count as breakfast again. Though between you and me? Some mornings I’m tempted to just let her win that argument!” She pauses, touching necklace. “It means a lot, what you said about the kids. About understanding what they’ve been through. Most people just… they don’t know how to approach that part of our lives.”
“Did the other guys you dated after… well, after your terrible loss… did those guys bail on you when they found out you have kids?”
Ainhoa Mendizabal’s hand tightens around Iñaki’s necklace as she looks out the car window, a mix of vulnerability and determination crossing her face.
“Actually… you’re the first since Iñaki.” Nervous laugh. “I mean, there have been a few who showed interest, but I never… I couldn’t… It just didn’t feel right, you know? Like I was betraying his memory somehow. Plus, the thought of introducing someone new to the kids – that terrified me more than any weight I’ve ever lifted. But yesterday at the store, when I saw you… Something felt different. Maybe it’s because you understand loss in a way most people don’t. I can see it in your eyes, Jon. That same shadow I see in mine when I look in the mirror some mornings.”
Jon continues driving in silence, his knuckles tightening around the steering wheel as his eyes seem both to darken and get sadder, perhaps weighing if he should bring up something from his depths. When he speaks, it sounds as if he’s dragging words out of himself.
“Her name was Izar Lizarraga. My best friend since we were twelve. We dated throughout our teens. She dreamed of becoming a motocross rider. One night she came to my parents’ home in the rain. Her father had slapped her hard because she had dropped out of school and only cared about training to become a professional rider. That night we promised each other that we would run away from home and travel the breadth of Spain. After we parted ways, Izar, instead of heading home, took to the highway. She crashed and died.”
Ainhoa Mendizabal’s hand drops from her necklace as she turns sharply toward Jon, her eyes widening with recognition of shared pain. Her voice softens to barely above a whisper.
“Oh, Jon… I…” Deep breath. “That kind of loss – losing someone so young, so full of dreams – it changes you forever, doesn’t it? Makes you question everything. I can’t imagine carrying that pain since you were teenagers. With Iñaki, at least we had years together, built a life, had our children… but to lose Izar right at the beginning of your journey together? Sometimes I wonder if that’s worse somehow – losing all those possible futures before they even had a chance to happen. Did you… did you ever let yourself imagine what that trip across Spain might have been like?”
Jon keeps his heavy gaze fixed on the road ahead. His Adam’s apple bobs up and down.
“If I let myself imagine what that trip might have been like? I dream about her almost nightly. I have tried to forget her, but it’s like I’m actually haunted. It’s been 21 years, longer than she lived. And there’s not a single day that I don’t wish I could turn back time and make her get off her motorcycle instead of driving away to her death.”
Ainhoa Mendizabal gently places her hand on Jon’s forearm, her touch light but steady, before withdrawing it respectfully.
“Twenty-one years… that’s longer than some people get to live at all. And yet here you are, still carrying her with you.” Soft exhale. “You know what the hardest part is? Those dreams – they never really stop coming, do they? With Iñaki, sometimes I wake up thinking he’s just in the other room, or that I can still smell his cologne on his pillow. But your dreams of Izar… they must be different. All those ‘what-ifs’ packed into them.” Ainhoa pauses. “I don’t think we ever really stop being haunted by the people we’ve loved, Jon. Maybe we’re not meant to. Maybe carrying their memory – even when it hurts like hell – is just another way of honoring how much they meant to us. Though I bet Izar would want you to find some peace… just like I know Iñaki would want that for me.”
“I don’t know if grief of this sort, the kind you and I have, ever really goes away. I think the people afflicted from such burdens usually retire from society, lest they become eyesores to others… Quietly disappear. I have done that to a certain extent in these last twenty years. I’ve rejected women quite a few times. I was still a married man, except that the girl I never actually married died 21 years ago. Iñaki died two or three years ago, is that right? I wish I could offer you hope in that regard, tell you that it’s going to fade in the future… but it hasn’t for me. Maybe the only solution is to love someone else.”
Ainhoa Mendizabal leans forward slightly, her fingers instinctively finding Iñaki’s necklace as she processes Jon’s words about lasting grief.
“Three years. It’s been three years since the accident took Iñaki. And you’re right – there’s no magical timeline where grief just… disappears. But Jon, retiring from life? That’s not living – that’s just existing. And maybe… maybe that’s why we found each other yesterday. Two broken people who understand that some wounds never fully heal. When you say you’ve rejected women because you still feel married to Izar’s memory… I get it. Gods, do I get it. For the longest time, I couldn’t even look at another man without feeling like I was betraying Iñaki. But yesterday at the store… something shifted. Maybe because I saw that same haunted look in your eyes that I see in mine. Or maybe because after three years of just… surviving, some part of me is finally ready to try living again. Not to replace what we’ve lost – nothing could ever do that. But to maybe create something new alongside those memories we carry.”
New year, I keep hearing. To feed myself through other people’s labor, I visit the hospital cafeteria five times a day. Let me clarify that I work at said hospital, currently as a programmer, even though I worked as a computer technician for the previous six years. During repeat visits, you get to know the people who work there, and by know I mean understand who is more likely to bother me. A couple of weeks ago, the cashier girl criticized my choice of food, and ever since, I haven’t wanted to look her in the eye (to be fair, I never want to look them in the eye, but much less now). Today, January 3rd, the oldish guy who heats up my serrano sandwich, upon bringing it to me, said, “Here you have it, big guy. Happy new year.” I dislike being reduced to such names; in Spanish, the actual expression was chavalote, which can mean big boy or big guy. Annoying thing to call a six-foot-one, nearly forty-year-old man. After I told him thanks, he did a double take and said, “Happy new year, eh?” clearly expecting me to repeat it back to him. I just nodded and left.
Is it a happy new year? Isn’t it just moving from one day to another while the world remains as grim if not a bit grimmer every twenty-four hours? And it’s not like I can claim some personal happiness that wouldn’t make genuinely saying that string of words a betrayal of my self. Anyway, I’m sure that for most people, these are non-issues; what’s the problem in saying back tired phrases even though you don’t mean them? But my brain abhors dishonesty; if I went along with shit I don’t believe in, I would hate myself a bit more, and there’s plenty of self-hate going on already to pile on casually. Every day that you walk outside and contribute to this rotting, shambling corpse of a society, you’re in some minor way validating its principles, as if the West hadn’t died when Rome fell. But the least I get into that whole mess, the better.
Anyway, what’s filling my mind these days? A blonde, blue-eyed anima with a name that Lewis Carroll would have approved. My subconscious, wholly unbothered by the fact that the aforementioned woman’s death happened in fiction, and even in that fictional world, it happened before I was born, is preoccupied with figuring out how to save her life. Don’t you have anything better to worry about, little basement girl? Perhaps there isn’t truly anything better to worry about. Who would I care about instead? Flesh-and-bone people? The worst part of any day is dealing with human beings. How many times can I get asked at work if I’m cold, always by women, until they understand that we experience temperature differently? I won’t get into the specifics of my current job, but wading through other people’s thought processes is the most troublesome part. The older I become, the less I tolerate in that regard, and I end up fantasizing with Bobby boy’s solution: fleeing to the Balearic Islands, buying an old mill near Ibiza, and setting up a hovel of sorts in which to linger in a bed of memories. “Holding on to an image of her face” kind of business.
My personal regrets are tied to my shortcomings. Nine-year-old classmate whose father abused her, that after an afternoon of whatever passed for deep talk at that age, asserted that we were now boyfriend and girlfriend, only for me to claim the next day that I didn’t know what she was talking about, which ended with her turning around and heading home without another word (these days she’s an anorexic, skeletal-faced thirty-nine-year-old living in France). Possibly-autistic, awkward-as-hell teen who tried to befriend me, but I couldn’t care about her enough, and last I knew of her is a massive gash that bisected her forehead, after which I never saw her again. Best girl, fit basketball player, that at seventeen pursued me romantically for whatever reason, whom I ghosted because I liked her too much and I knew it would end in disaster because there’s no way it wouldn’t given how I am. Acquaintance who had been mauled by a dog as a baby, whose self-esteem couldn’t handle the significant scars, and that for whatever reason wished to date me, only to be disuaded of pursuing further after a couple of dates once she realized that I wasn’t merely weird but actually crazy. I won’t count the many people who wanted to rely on me for any reason, only for me not to care, a category in which I include my little sister (of the non-Western kind; dare I say that if I had a little sister of the Alicia variety, right now I would be living in Romania and dealing with the shortcomings of an incestual child). The one thing I regret the most in this life, though, is the fact that I had to be myself and not virtually anyone else. But as they say, there is no such thing as “never not have been” when it comes to one’s own consciousness.
What would I like to do at this juncture of my life? Undoubtedly meet an abused foster girl, sixteen of age (but probably fourteen), and play at save-a-princess by whisking her away to Mexico through El Paso, to spend months holed up at some motel soaking my face in girljuice while wearing a sombrero. Losing myself in beauty, which is ultimately what a man lives for. Alas, dreams remain as such.
The Domains of the Emperor Owl 
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