I’ve woken up at three in the morning. Although I tried to fall asleep again, my brain started doing the rounds with sequences of intrusive thoughts which would have had me rolling around for hours, tangled with painful stuff, so I figured I could get to the computer and write some words about things that have crossed my mind recently.
It’s December, and temperatures have naturally gone down to the extent that most days I can’t sit outside to play the guitar, which I need to do for emotional regulation. I’m not comfortable doing it at home because it feels like I’m bothering the neighbors. Whenever we get a good enough day weather-wise, I take advantage of it to head to some nearby wooded area to play for about an hour and a half. I did that yesterday: went to one of the most deserted wooded paths I know and that I can be bothered to head to on foot, then sat down to play through my usual songs. A few people passed by, mostly folks with their dogs or running.
As I was playing, an old couple passed by, and the old man went out of his way to talk to me. He gestured to the surroundings and to the sky and said something like “We’re in nature.” I didn’t have much time to think about what this fool was on about as I played, so I just nodded at him so he would leave me alone. There’s something inherently wrong with people who interrupt someone while they’re playing an instrument. He must have taken the hint that I didn’t want to engage, but as he left, he said something like “Cheer up.” His quiet wife followed him.
What the fuck? I was objectively playing a sad song (Iron & Wine’s “Passing Afternoon”), but still. Do I look so sad that some random old idiot would go out of his way to comment on it? Perhaps I do look like that. I have lived with what feels like low-level depression ever since I was a child, which cyclically spikes into full-blown depression. It seems obvious from basic observation of other people that they don’t seem as down as I do on a daily basis. They must get some enjoyment out of being alive that completely escapes me. Most of my drive behind the complicated endeavors I engage with on a daily basis involves distracting myself from the feeling that life is an unbearable burden.
The objectively most positive reaction I’ve had to my playing the guitar (even though it bothered me) happened perhaps a couple of months ago, when I was playing at a park. I don’t play in the middle of it, but off the path, seated on my portable stool in front of a tree. Some woman in maybe her late twenties, maybe Central or South American (can’t tell easily these days), carrying a book, went out of her way to figure out where the guitar music was coming from, then she walked off the path and sat with her back against the nearest tree to read. That tree was at a distance of about what you would naturally place a bench from the next one. People don’t do this on this park.
She was clearly listening to my playing, which she did for the next full hour or so. Because I’m a maniac, I kept playing even though it was so dark I could no longer see the strings properly, but she was still sitting there. Once I finished, she also stood up and walked up to the path. I thought she was gone, but after I gathered my things and took to the path again, she was sitting on a bench. As I passed, she turned toward me smiling, and said “Thank you for your music.”
As usual, my instinctive reactions to people talking to me aren’t the kinds I can use; my instinct is either to stay quiet or to say something that wouldn’t be appropriate. In this case, what came to my mind was saying “It’s not my music.” Instead, I scrambled to figure out something fitting to say to someone who had gone out of their way to listen to me play. I said “Thank you… for liking it.” She laughed softly and said, “Yes, yes.” I turned around and followed the path heading out of the park, while I contained the creepy-crawly feeling I get on my skin half of the time that I interact with a member of this species.
I don’t know if the following is related, but it’s what my mind pivoted to: as I was lying in bed forty minutes ago, a vivid scene that years ago I used to play through regularly reappeared. It always started with sitting at the waiting room of a driving school only to find out that beside you sat the love of your life, the sole person in the world who understood how it felt to be born cursed by both your circumstances and your impulses. I’m talking about Oyasumi Punpun, which may be my favorite work of fiction in any medium. I daydream daily to survive psychologically, and years ago I used to revisit that connection over and over, giving it a more deserving outcome. Well, I don’t know if “more deserving,” but a better outcome.
That got me thinking that it feels like I’ve read through every single affecting manga that exists. Inio Asano, the author of Punpun, is clearly done: he’s only created jaded, bitter, and cynical shit for the last few years. It’s as if he no longer believes in honest meaning. While the aforementioned series is my favorite, my overall favorite author is Minoru Furuya (I wrote about his works on here). I immediately connected with the peculiar way his mind works in a manner that suggests to me that he’s also autistic and has OCD. Sadly, he seems to have retired back in 2016. Beyond manga, I can’t bring myself to read novels these days; the sole author I respected was Cormac McCarthy, but he’s dead. And it somewhat disheartened me to find out that McCarthy himself barely did anything new in the last twenty to thirty years of his life; his extremely-affecting last two novels, The Passenger and Stella Maris, were conceived back in the seventies and eighties, when he actually lived through some of the experiences those narratives refer to.
I find myself, as a forty year old, feeling that I have nothing to do with this culture and this world in general, which seems achingly obvious the moment I leave my apartment. It feels like I’ve already experienced all the works that could affect me meaningfully. All the artists whose works I genuinely loved have lost it, retired, or died. Talking to actual human beings does close to nothing for me (I’m lucky if it does anything positive for me, even temporarily), so I can’t rely on that either. I wonder if this is what happens to people in the last stage of their lives: they feel so completely detached from the world that there’s no point engaging with it in any way. I recall the last image I had of my maternal grandfather, being pushed around on a wheelchair after his wife’s funeral, his head down, not having said a word the entire day that I recall. Never saw him again.
I do get those regularly, too: sudden images of people from my past I’ll never see again. That girl from middle school whom I’ve talked about a few times, who received a nasty scar that bisected her forehead. That basketball player with whom I was involved very briefly when I was seventeen or so; I’ve never liked someone I knew personally more than I liked her. A different teenage girl I met while I was hanging out with people I shouldn’t have been involved with; she was extremely self-conscious about scars on her face she got as a baby because the family dog attacked her. I dated her for merely a week before my craziness convinced her to stay away. Curiously, I have to go out of my way to remember the woman I dated for the longest time. The regret I feel for that relationship isn’t the “I wish I could have done better for her” that I get for those other people. I’m glad I haven’t seen that last one in about twenty years.
I guess that’s enough. Half past five in the morning. I’m going back to bed, back to the daydreams that will hopefully slide me back to sleep and therefore save me temporarily from this absurd nightmare of being conscious.



You must be logged in to post a comment.