Song “Go Away, Stay Away” from Odes to My Triceratops, Vol. 3

In case you don’t know, I recently released an album (of actual songs) named Odes to My Triceratops, Vol. 1, based on the nowhere-town adventures of amateur songwriter William Griffin, his blind love interest Claire Javernick, and his best friend the sentient triceratops Lorenzo (no last name), back when they were 12-14 years old. You can download that album here.

I’m slowly “remastering” the songs belonging to the second album in order to release it, but I came up with another song for the third volume. It’s titled “Go Away, Stay Away.” Young-adult William no longer sees magic even in what seemed to be full of it.

Lyrics below:

I’ve lived in this town since I was born.
There are lots of trees, but only three parks:
The Park of the Statue of a Woman,
Where there’s a statue of a woman;
The Park of the Broken Glass,
Where you’re likely to step on broken glass;
And the Park of the Dead Dog,
Which is just a very nice park.

Claire’s house was always a mess:
Plates in the sink, clothes on the floor.
I doubt she ever washed her sheets.
It all smelled like mold and musk,
But I took it as her natural scent,
And I never complained.

There’s a sign on my door,
That says, “Go away.”
I don’t want to have a heart;
I’d rather be a rock,
And thump people’s domes
With myself.

Go away, stay away from me.

Song “Vicious Creatures” from Odes to My Triceratops, Vol. 3

In case you don’t know, I recently released an album (of actual songs) named Odes to My Triceratops, Vol. 1, based on the nowhere-town adventures of amateur songwriter William Griffin, his blind love interest Claire Javernick, and his best friend the sentient triceratops Lorenzo (no last name), back when they were 12-14 years old. You can download that album here.

I’m slowly “remastering” the songs belonging to the second album in order to release it, but I came up with another song for the third volume. It’s titled “Vicious Creatures,” and goes on about William’s intentions to reconcile with his troublesome nature.

Lyrics below:

We are vicious creatures,
All of us violent and wild.
You taught me that lesson:
I’m not an exception.

Hi! My name is William Griffin.
I’m an eighteen-year-old monster.
I made my best friend go beddy-bye
For like a long, long time,
And chewed on his heart.
(Fucking delicious, by the way.)

Alcohol in the bloodstream,
Sombrero on my head.
My dick’s a machine gun.

Here’s to you, Lorenzo,
The dino with a throat full of hell.
And here’s to Claire,
A hot blind girl
Who’s got her own portal to hell
Right between her legs.

Let’s drink to ourselves,
To the monsters we are,
To this weird fucking world.
It’s all one and the same.

Song “Burying the Beast” from Odes to My Triceratops, Vol. 3

In case you don’t know, I recently released an album (of actual songs) named Odes to My Triceratops, Vol. 1, based on the nowhere-town adventures of amateur songwriter William Griffin, his blind love interest Claire Javernick, and his best friend the sentient triceratops Lorenzo (no last name), back when they were 12-14 years old. You can download that album here.

I’m slowly “remastering” the songs belonging to the second album in order to release it, but I came up with another song for the third volume. It’s titled “Burying the Beast.” A garage rock song about William moving on from pitying himself to hatred toward others.

Lyrics below:

Lorenzo was a big ol’ triceratops,
A sort of prehistoric water buffalo,
A devil’s spawn with hatred in his heart
And a God-awful nightmare in his throat.

He smelled of piss and old garbage.
He had a penis as long as a man’s leg.
When he walked the town’s streets,
People got out of the fucking way.

Lorenzo ripped away my innocence:
He stole my girlfriend,
And contaminated my heart.

So I shanked the son-of-a-bitch in the neck.
Blood squirted all over like a sprinkler.
As I buried that damned beast,
I thought about Claire, but…

Why should I worry about that bitch
Who cheated on me and took away my life?
She knew what she was doing
When she spread her legs for a fiend.

Lorenzo fell in love with her too.
Claire smiled at him so beautifully.
She was a looker. Caused a war.
I had dreamed she’d be my wife.

Anyway, Claire’s gone:
Lorenzo killed her, poor girl,
Or at least I imagined he did
To forget how she stared at me then.

Forget the girl, forget the snake.
I put Lorenzo in his grave,
And if the pressure gets too great,
I’ll drive up there with a shovel,
And let the big bastard out again.

See you in hell.

Song “Behind the Door” from Odes to My Triceratops, Vol. 3

In case you don’t know, I recently released an album (of actual songs) named Odes to My Triceratops, Vol. 1, based on the nowhere-town adventures of amateur songwriter William Griffin, his blind love interest Claire Javernick, and his best friend the sentient triceratops Lorenzo (no last name), back when they were 12-14 years old. You can download that album here.

I’m slowly “remastering” the songs belonging to the second album in order to release it, but I came up with another song for the third volume. It’s titled “Behind the Door.” It depicts William being unable to handle the memories. This song is, dare I say, one of my best.

Lyrics below:

Lorenzo died in the night.
When he passed away, I was sleeping,
And nowhere near that place, I swear,
Where they said he died.

No, don’t open the door.
You don’t want to see what’s behind.

“I love you, Claire,
With all I’ve ever been.
No one else but you.”
“I love you too, William.
How about we meet in the park later?
We’ll bring our blankets,
And you can tell me how the sun sets.”

I’d love to sing a song
About the first time I kissed Claire.
Like a cool breeze on a summer day,
It would keep on going.

Instead, I sit alone under a tree,
And think that the world has ended.

Never stare at the door.
Never stare at the door
When it opens.

No one else but you.

Motocross Legend, Love of My Life, Pt. 16 (Poetry)

You can read this novella from the beginning through this link.


For days, I slipped in and out of lucidity.
I recall flashes of the waste collection center,
Of standing in the nearby landfills I had located,
Immersed in the stench of rotting organic matter.
I pleaded with employees wearing hard hats
And bright, reflective vests,
Begging them to let me access the collected trash.
I struggled to understand their replies;
My fogged mind registered their words as noise
Mingled with the caws of scavenging birds
And the sporadic rumble and beeps
Of lumbering trucks as they unloaded debris.

I wanted to collapse at the sight of endless trash:
Humanity unmasked as a blight upon nature.
I was tainted, a corrupting force spreading rot
To everything I needed to protect.

Workers denied my requests, citing policy,
But an employee in her fifties must have pitied me,
Because she allowed me to realize for myself
In the volume of compacted refuse
That my mementos of you no longer existed.

I dreamt you were calling me on a psychic link,
Begging me to find you
As a hill of trash slowly crushed you,
Suffocated you.
I heard your ribcage creaking, ready to collapse.

I dreamt of a colossal trash truck
Whose jagged teeth, like a predator’s jaws,
Closed around your body, pulverizing you
In a deafening cacophony of screeching metal
And the dull pop of bones breaking.
As you struggled against the mechanical jaws,
Leaking tears, mucus, and blood,
Your wide, terrified eyes met mine.
I heard your anguished voice, accusing,
“You knew how this would end.
Why didn’t you save me?”

On the couch where I slept, I awoke in a cold sweat,
Heart hammering, tears streaming down my face.
I thought I had survived the worst of my grief,
But it hadn’t immunized me against its return.

I took a medical leave from work that nearly got me fired,
And I spent those days encased in lead.
Among my family, I roamed like a black, silent fire,
So unhinged that my wife didn’t dare to chastise me.

At night, as my family slept, I stared into the darkness.
I listened to the whoosh of blood in my veins,
Life churning onward like the filthy waves
Of a sewer canal clogged with decaying memories.

Izar, two decades had passed since you died,
So why did your absence pulsate in my brain
Like the pain of a needle embedded deep?
Why did every hour still remind me
That you were no longer here to hold my hand?
I would never again talk with you,
Lean into you, breathe you in.
A crash against a guardrail had killed you,
The consequence of your choice to live dangerously.
I would never know if you’d have grown bored of me,
If our love would have faded or endured.

Once I clawed my way out of the black pit
And I recognized my wife as a human being again,
Every glance at her made me grimace.
I lived with a criminal that had escaped punishment
On account of our children’s well-being,
And we interacted like snakes
Forced to share a cramped vivarium.

I yearned to listen to your voice damn near daily,
And when I thought of those treasured tapes
That had contained our mock radio shows,
I couldn’t trust myself to stay in my wife’s presence.
But the loss of those recordings, I could have prevented it;
I knew that magnetic tapes degrade,
That oxygen was eating away at our young voices.
Although I had planned to digitize them,
I had kept postponing the task,
Thinking there would be another day.

Whenever I could, for sanity’s sake,
I escaped my home
And took long walks along the wooded lane
Where your memorial stone stands.
That narrow, mossy path ran parallel to the road,
Bordered by yellow-green grasses and leaves.
The sunlight streamed through skeletal branches
Stark against the background of rolling hills.
The breeze tickled my nose with the scents
Of moist soil, decaying vegetation, and pastures,
And the silence was interrupted only
By birdsong,
The breeze rustling leaves,
The bleating of grazing sheep,
And the sporadic whoosh of a passing vehicle.
In my mind, I spoke to you,
Recounting everyday moments from my kids’ lives,
Seeking your opinion on how to parent them
So they wouldn’t grow up bitter and miserable.

I had gone to check on our toddler,
And found my wife kneeling in the living room
In front of the coffee table and a cup,
As she wrote on a pocket notebook.
Beside her, our daughter babbled to a doll.
Standing still, I observed them
As if through an exhibit glass.
Our daughter approached the table
To mess around with the cup of coffee.
By the time my wife noticed,
The drink had already spilled.
“Look what you did!” she snapped.
Once our toddler returned her attention to the doll,
My wife hunched over, her shoulders shaking,
And she covered her face with both hands.

The thought of consoling her crossed my mind.
I should at least have taken our daughter away.
But I didn’t want to deal with human beings,
With their demands and expectations I couldn’t meet,
With their vindictiveness and their calculated cruelty.
Instead, I crept to the bathroom as quietly as possible,
Where I let the roar of water from the shower drown out
The world’s meaningless noise.

During my solitary walks,
I replayed our pretend radio shows in my head,
Recalling our repartee as if it were song lyrics,
But with age and the limitations of my brain,
I encountered gaps in my memory
Where I questioned if I was inventing your lines.

I adopted the habit of sitting on a bench
Opposite a slope tangled with brambles
To transcribe the echoes of our teenage voices,
Haunted by the need to immortalize you
In this universe that insisted on erasing you.

Once I ran out of the words we had shared,
I wrote letters to you,
Elaborating on my impressions and pains.
From those days onward,
My notebooks became like dumpsters
In the grimy alleyway behind a busy restaurant,
Waiting to receive the daily effluvia of my mind.

We took the kids on a family outing
To a destination my wife had picked:
Mount Arburu.
The cool air carried the scent of pine trees.
I found myself staring at a view
That you and I had relished:
The rising, rounded peaks of Aiako Harria,
Rugged and patched with dense forest.
Gray clouds tended a titanic shadow
Over my sprawling hometown of Irún,
Extending to Hondarribia and the Txingudi Bay.

Two decades ago, I sat pillion on your Suzuki RM125,
My arms wrapped tightly around your waist,
The bike rumbling through my bones,
As you slalomed between the thorny shrubs
Scattered across this slope,
And flung joyful laughs to the wind.
Unhindered, nature cares little for two decades;
Here, only the unbreachable wall of time
Separated me from riding with you again.

I dreamt you and I held a funeral
For your wrecked Aprilia Red Rose.
We laid the mechanical beast to rest
Wrapped in bandages and duct tape,
On a bed of dead grass and dried leaves.
With our hands clutched in grief,
You wearing your motorcycle helmet,
We knelt and prayed before the bike,
Murmuring the kind of heartfelt goodbye
Reserved for lost loved ones.

At the front door of our apartment,
I was shrugging into my coat
When I felt a gaze on my face.
My wife, seated on the sofa, was leaning forward,
Wearing a loose blouse that exposed her breasts
To the hungry tug of gravity.
From the cigarette pinched between two fingers,
A thin ribbon of smoke swirled upward.

How many times had I envisioned confrontations
In which my wife’s mouth would spill venom,
Recriminating every aspect of our marriage?
I imagined her calling me a selfish asshole,
And I shot back, labeling her a heartless psychopath
That had enjoyed destroying my mementos of you
While knowing how much they meant to me.

But my wife’s gaze was tender,
Her eyebrows raised in the middle.
“The dead, they no longer love us,
And they certainly don’t suffer.
They don’t regret the lost opportunity
To spend more time together.
From what you shared about her,
She would have been horrified
By how much she ruined your life.”

I fumbled for words to refute her,
But my throat had constricted.
My eyes welled up.
In a daze, I swung open the door
And hurried down the stairs.


Author’s note: the songs for today are “Should Have Known Better” and “The Only Thing,” both by Sufjan Stevens, and “Like a Stone” by Audioslave.

Song “The Girl From This Town” from Odes to My Triceratops, Vol. 3

In case you don’t know, I recently released an album (of actual songs) named Odes to My Triceratops, Vol. 1, based on the nowhere-town adventures of amateur songwriter William Griffin, his blind love interest Claire Javernick, and his best friend the sentient triceratops Lorenzo (no last name), back when they were 12-14 years old. You can download that album here.

I’m slowly “remastering” the songs belonging to the second album in order to release it, but I came up with another song for the third volume. It’s titled “The Girl From This Town.” An Appalachian folk song about nostalgia creeping into the grieving William.

Lyrics below:

Lorenzo was the dino from out of town
That everybody knew.
Lorenzo was the dino from out of town,
And he was gonna stay a while.

Claire and him, well, they made a deal
To see what they were made of.
They ate, they drank, and they screwed
In good times and in bad.

When Lorenzo was a child,
He dreamed of finding a girl as stupid as him,
And having three kids together.
Lorenzo didn’t even have a last name.
He would have taken Claire’s.

I’m not talking.
I’m not being a person.
I’m barely breathing.

I wanna wake up at the ass of dawn
Next to the girl of my dreams,
To the sound of chirping birds,
To the sight of a blinding sun.

Claire was the girl from this town,
The girl from this town,
The girl from this town.
She was supposed to stay.

Song “Meat Man” from Odes to My Triceratops, Vol. 3

In case you don’t know, I recently released an album (of actual songs) named Odes to My Triceratops, Vol. 1, based on the nowhere-town adventures of amateur songwriter William Griffin, his blind love interest Claire Javernick, and his best friend the sentient triceratops Lorenzo (no last name), back when they were 12-14 years old. You can download that album here.

I’m slowly “remastering” the songs belonging to the second album in order to release it, but I came up with another song for the third volume. It’s titled “Meat Man.” The considerably more reflective sequel to the first volume’s “I’m Cactus.”

Lyrics below:

My cactus died weeks ago,
But I’m trying hard
To wake it up with words,
Wake it up with songs,
Wake it up with violence,
Wake it up with raw meat.

There’s no waking a dead cactus.

The silence is almost ominous.
I should get myself a pet bird.
I’ll sing it the words I couldn’t speak,
And all the songs I never wrote.

Look at me, birdie,
And tell me what you see.
Am I a human being,
Or a pile of shit?

Song “Sadtown Train” from Odes to My Triceratops, Vol. 3

In case you don’t know, I recently released an album (of actual songs) named Odes to My Triceratops, Vol. 1, based on the nowhere-town adventures of amateur songwriter William Griffin, his blind love interest Claire Javernick, and his best friend the sentient triceratops Lorenzo (no last name), back when they were 12-14 years old. You can download that album here.

I’m slowly “remastering” the songs belonging to the second album in order to release it, but I came up with this new song, titled “Sadtown Train.” An ode to my oldest friend.

Lyrics below:

Sadtown Train’s coming down the track.
(All aboard! All aboard!)

Have you ever ridden the Sadtown Train?
Oh, you haven’t? Lucky bastard!
One day you’ll board that train,
But for now, consider yourself blessed.

The seats are wooden, the windows dirty,
The lamps dim and flickering.
A magic train so wide and so long,
It seems to take up the whole world.

You can hear its massive engine
Growling in the dark and cold,
Pumping all its power to drag along
The endless cargo of souls.

If you want to find me,
I’m on the Sadtown Train,
Just watching the countryside go by,
Not knowing where it ends.

Song “A Blind Girl’s Curse” from Odes to My Triceratops, Vol. 3

In case you don’t know, I recently released an album (of actual songs) named Odes to My Triceratops, Vol. 1, based on the nowhere-town adventures of amateur songwriter William Griffin, his blind love interest Claire Javernick, and his best friend the sentient triceratops Lorenzo (no last name), back when they were 12-14 years old. You can download that album here.

I’m slowly “remastering” the songs belonging to the second album in order to release it, but I came up with this new song, titled “A Blind Girl’s Curse.” It’s the current opener for the third (and last) volume of Odes to My Triceratops. I quite like it.

Lyrics below:

I met Lorenzo a long, long time ago.
Now he must be engulfed in flames.

Last week, Claire faced me again.
She’s blind, but she could see.
The way she stared at me,
I was sent straight to hell.

Claire’s home is empty.
She took my warmth with her.

She’s a seventeen-year-old slut
With no clue how to read or write.
One day, she claims to love you.
The next, she goes and kills you.

I like boys, I like boys,
I like boys, I like boys,
I like boys, I like boys,
I like boys, I like boys,
I like boys, I like boys,
I like boys, I like boys,
I like boys, I like boys,
I like boys, I like boys!

Motocross Legend, Love of My Life, Pt. 15 (Poetry)

You can read this novella from the beginning through this link.


In the chiaroscuro of the ultrasound image,
The thick, dark uterine wall encircled life within:
An oval head attached to a bean-shaped torso.
The fetus rocked softly, suspended in space-time,
Untouched by the chaos of the outside world.

In the shadowed profile of its face,
Gentle rises hinted at the forming eyes,
A nose, a budding mouth.
Trailing from the head, a line of vertebrae
Resembled a delicate string of pearls.
Under the insistent thump-thumping
That pulsed through the amniotic fluid,
A certainty branded itself on my mind:
This is my daughter.

I hovered near the ceiling of a delivery room,
Watching like a detached stranger
My wife’s sweat-sheened face,
Hair plastered to her clammy forehead,
Her chapped lips bared in a grimace.
From between the former lawyer’s thighs,
A midwife coaxed out our bloody offspring,
The seed that had germinated
From a lump of cells into a human
Destined one day to venture beyond my reach.

I paced our postnatal room
While I supported my daughter’s head.
A pink blanket swaddled her snugly.
Her skin, fresh off the factory,
Blazed with a rosy tint.
She smelled powdery and pure.
This baby resembled you, Izar:
She inherited your caramel-colored hair,
Your chocolate eyes, your carefree smile
That lightened the weight of the world.
Life still contained wondrous surprises.

In the master bedroom, while our baby slumbered,
I was drinking the sight of her flawless skin
When my aging brain craved the drug of pain.
I needed to stray out of this mundane refuge
Into the infinite darkness,
So I could resume speaking with the dead.
I slid the wardrobe door open,
Its rollers grinding against the track,
But the garments whose hems once draped
Over the moving box holding your remains
Now hung unimpeded.

I shifted aside T-shirts, shirts, and sweaters,
And found myself staring at an empty corner.

Could I have heaved the box out
Only to forget to put it back?
No, not once in all these years.
Frantically, I rummaged through the items
That could hide a moving box:
Unused bags, backpacks, travel suitcases.
I emptied the upper shelves,
Tossing aside old blankets and extra pillows.

I found my wife on the balcony,
Seated on a bistro-style chair,
Scrolling through her smartphone,
And taking a drag from her cigarette.
“Where is she?” I demanded to know.
Instead of chewing me out for my tone,
She kept her gaze glued to the screen.
The dying sun tinted her smoke blood-orange.
“Where’s who?” she asked dryly.
“You know well what I mean.”
“I don’t.”
My heartbeat rammed my ribcage.
“The box.”
“Box, what box.”
“The box containing what’s left of Izar.
The box you kept complaining about,
Arguing that it took up too much space.
The box you clearly hated.
Where the fuck is it?”

After my wife confessed,
The Earth halted its spin.
The distorted echoes of her voice
Resonated through my mind’s cavern:
“I dumped it all in the trash.”

Panic burrowed into my brain and bones.
I rushed out of the apartment,
Down the stairs onto the street,
And straight to the array of recycling bins.
No traces of you among the discarded:
A worn-out stool, a broken microwave,
And disassembled furniture.
The stench of rotting organic waste mingled
With the scents of hot dust and cardboard,
And the bins’ heavy lids clanked loud,
As I peered again and again into the gloom,
Desperatedly searching for a tape or a photograph.

“It’s useless,” my wife said.
She stood with her arms crossed,
But when our gazes met, hers flinched.
She spoke again, her voice wavering.
“I did it two days ago.”

Sharp pangs struck my racing heart,
And spread along my veins and arteries.
I staggered away from the recycling bins
As I struggled to breathe.

My wife’s caustic tone poured on my wounds.
“You’re not bringing that girl back to life.
You should have gotten rid of her stuff years ago
And allowed yourself to move on,
But it seems you derive sick pleasure
From self-flagellation.
It’s time to stop living in the past.
Focus on what truly matters, what’s real:
Your wife, your son, and your baby daughter.
I won’t stand by and watch you neglect us.”

My last vestiges of you, my Izar,
Still carrying the scent of a fallen star:
Figurines, comic strips I drew for you,
Handwritten letters, your motorcycle gloves,
Photographs, cassette tapes with our shows,
A T-shirt stained dark with your blood,
Teeth, bone shards, scraps of flesh,
Your foot severed at the ankle.

I would never hear your laughter again.

A silent bomb had exploded inside me,
Hollowing out a vast space in my core.
My knees hit the grimy pavement.
I clawed at my scalp as spasms rocked me.
“You’re gone,” my mind repeated again and again,
An alarm blaring against the bruised gray matter
Of a broken brain.

I don’t know how long it took
For me to hoist myself up,
Soaked through with cold sweat,
But now, a riot raged in my skull,
A cacophony of furious voices.
At the doorway of the nearby estate agent,
Next to its window flaunting dreams of elsewhere,
A young woman’s brow furrowed with concern.
Other stares pierced the back of my head;
In front of the mechanic shop,
Beside a car with its hood raised,
Two grease-stained men gawked at me,
The stranger unraveling in public.

If I abandoned my wife like she deserved,
I wouldn’t just break my son’s heart,
But also rob my baby daughter of a father.

Tears traced paths down my wife’s cheeks,
Leaving shimmering trails.
She controlled her outburst of genuine emotion
Behind the taut muscles of her face.
That glare alone was a silent rebuke
For managing to wring tears from her,
But I didn’t give a shit;
Whatever goodwill I had accumulated
Over years of a weary coexistence
Had switched off in an instant.
I wished I had never met her.

Despite my wife’s cracking voice,
Her words tore through the air like daggers.
“You’ve grieved for her longer than she even lived.
From the moment you first told me about that girl,
I knew I wasn’t the one you truly loved,
But I stupidly hoped I would be enough.
After all, I’m the one who stuck around,
Who gave birth to your children.
No matter how hard I tried to make you happy,
Nothing ever pleased you.
It’s always been about Izar, Izar, Izar,
That immature, reckless brat
With no care for the future,
Driven only by selfish whims.
You know it was the bitch’s own fault,
Speeding through the rain.
If she hadn’t gotten on that bike,
She’d still be alive,
Bumming off some poor sap,
And you’d have forgotten her by now.”

My body had flash-cooled
As if dunked in a tank of liquid nitrogen.
I struggled to process my wife’s words,
To believe she had uttered them.
I saw myself grabbing the abandoned stool,
And swinging it down on her forehead.
I pictured the shock in her eyes,
But before she could defend herself,
Before any onlooker could intervene,
Her skull would have cracked open,
Spraying splatters of blood and cerebral tissue.
Then I would have run, run, run away,
Fleeing from this rotten city to the nearest highway,
Where some truck wouldn’t slow down in time.

But no remnant of you existed anymore
Except in the molecules of my brain.


Author’s note: today’s song is “Shine a Light” by Spiritualized.