Minoru Furuya: my favorite manga author

I have barely been able to connect with novels these past ten or so years, and the last living writer I respected, Cormac McCarthy, has been not alive for a while. Most of this half of the world seems to have lost their collective (and collectivist) minds, so when I want to experience a good story, I have to look to the Orient, past the reds. I’ve enjoyed plenty of South Korean stuff, but I’m mostly into Japanese. I’m always on the lookout for the next mind-blowing, perhaps even life-changing manga, but I seem to have run through the vast majority of the quality ones.

A couple of days ago, I thought again about Minoru Furuya, who earned the rare merit of being my favorite manga author. From time to time I look him up hoping that he has finally begun working on a new series, but unfortunately, the guy seems to have retired; his last work was the bizarre Gereksiz, from back in 2015-2016.

I suspect that most manga fans don’t know about Furuya. I’ve yet to talk to anyone who has read any of his works. But I get Furuya’s mind, to the extent that I’m fairly certain he also has OCD: his characters regularly fall into patterns of obsessiveness, and deal with intrusive thoughts and images that they sometimes act upon. The protagonist of his Ciguatera comes to mind, with his spirals of preoccupations in his bedroom, trying to bury his face in a pillow to keep himself from falling further. The protagonist of Himizu, perhaps his overall darkest story, feared being assailed by demons lurking at the corners of his mind, eager to break in. Both very common experiences for OCD sufferers.

Sadly, I’ve read virtually everything of value that Furuya put out. He started with an extremely amateurish series about a high-school ping-pong club (or something like that), a comedy that reminded me of the kind of material I created in middle school. I’ll probably revisit it at some point, but it’s early-nineties carefreeness. He followed up with Boku to Issho (link for my review), another comedy about a bunch of fellows living in poverty who hope to survive while keeping their sanity and dignity intact.

In the 2000s, he went straight from a slapstick comedy to his darkest tale: Himizu. With this one, he introduced the pattern for all the protagonists to come: outcasts with very little going for them, usually burdened by mental issues, who seem mostly pushed around by life. Good stuff sometimes happens to them (regularly, this involves dating someone above their league), but they usually pay for it with chaos and occasional brutality. His are the kinds of stories that go from mundane relationship issues to someone having his ears cut off while tied up in a shack. There’s the sense that life is extremely perilous, and that at any point it will force you to struggle through horror whether or not you’re ready for it, and if you survive it, you may not get any lessons out of it other than “life goes on.”

After Himizu came Ciguatera, generally considered his best. I came across that one plenty of times over the years in lists of best manga ever, but I ignored it because I thought it was a sports manga of sorts, centered on biking. But the bikes ended up being a symbol of a better, brighter future that could carry the protagonists away from their shitty circumstances. Ciguatera is a sort of a Bildunsroman in which the protagonist, a below-average dude with no talents to speak of, intends to figure out how to measure up to the girl he loves, hoping to become a dude worthy of respect. This one had likely the most realistic of Furuya’s endings, to which I have returned repeatedly in my mind.

Then came Wanitokagegisu and Himeanole. Both feature working-class protagonists stuck in dead-end jobs, who feel that life is passing them by, who can’t figure out how to improve their circumstances or even become interested by anything, and who are sure they’ll die alone. From that perspective, these last four series are very masculine stories. In both tales, the protagonists get involved in other people’s troubles, which lead them further and further into chaos and brutality. Both also feature the protagonists getting girlfriends way out of their league, which brings joy but also the sense of constantly having to measure up lest they look elsewhere. Both series feature horrific violence. Himeanole wasn’t even licensed in English, and fans have only translated up to chapter eight of about sixty-five. I only know of the full contents of that series, to the extent that an adaptation allows, because they made a movie out of it, which I watched last night.

His last serious story, and my favorite of his, was Saltiness (first review, second review), about a clearly autistic dude who realizes that his beloved sister will remain unmarried because she has to take care of his crazy ass, so he leaves for Tokyo to become independent, even though he’s thoroughly incapable of dealing with life. Saltiness is very hard for me to explain, but it feels like Furuya managed to create a parable with it for dealing with the nonsense of life, and finding one’s place in it despite being ill-suited.

Sadly, Saltiness seemed to have been his main send-off. His final work was the extremely bizarre Gereksiz, which starts with the bizarre premise of a solitary middle-aged man dragging his female coworker to show her the woman that he’s infatuated with, only for them to realize that he’s the only one who can see the woman. The story gets far stranger from there. It’s a great read, although it felt anticlimactic compared with Furuya’s previous works.

Given that these days I consider Furuya to be my favorite manga author, one would suppose that my favorite manga would be one of his, but that’s not the case. My favorite manga, which is among my five favorite fictional experiences in no particular order, is Inio Asano’s Oyasumi Punpun. That one has never stopped haunting me. It feels like Asano was trying to exorcise something out of himself through making that story. Unfortunately, after it ended in 2013 or so, Asano never even came close to achieving those heights again. An idealist, as evidenced by his earlier works, he seems to have expected it to change the world as well as himself, only for Asano to wake up ten years older having resolved fuck all. He wrote a semi-autobiographical series afterwards, titled Downfall, that showed how despondent and bitter he ended up after finishing his masterpiece.

Anyway, I suppose that’s all I wanted to say. Not sure why I even wrote this, but I did, so there.

Guitar practice in the woods (2025-08-11)

If you enjoy a deranged Spaniard playing guitar in the woods, I’ve got premium content for you.

That spot in the woods is quite isolated and rather unknown even for people who live around, so at the most I get three or four people a session passing by. They’re usually in a hurry. This time only a single person passed by: a woman wearing a pink sports bra, who grinned at me as I played. She was hot, too. The previous day, when I set up shop next to the spot where in a certain novella of mine I installed the memorial stone for the love of my life, I lifted my gaze and briefly connected with a woman who was passing by on a bicycle. She was also grinning at the fact that I was playing the guitar. It’s strange: people, particularly women, are usually wary of me, but put a guitar in my hands, and suddenly they look glad that I’m there. If only they knew.

Also, I recently went to my favorite guitar shop to ask why the thinnest nylon string always broke whenever I tried to tune it on my Alhambra dreadnought, only for the shop guy to tell me that I absolutely shouldn’t use nylon strings on my dreadnought. Apparently I should only use bronze strings, which is what you can hear in the video.

Anyway, that’s an hour of me playing other people’s songs. Enjoy, if you enjoy these sorts of things.

Anime/Manga #1

Whenever I feel like it, I’ll bring attention to videos or other media about two of my lifelong loves: manga and anime. Katsuhiro Otomo’s Akira is one of the main legends of anime, perhaps the number one. What many don’t know is that the original manga is also a must-read, and in many ways improves and deviates from the movie (more accurately, Otomo himself changed many aspects of the plot to fit the movie).

The following video is a great overview on how special the process of getting Akira made was.

Guitar practice in the woods (2025-07-05)

Another entry in the series nobody asked for. I went to my usual spot by the Roman foundry on the outskirts of town, so I figured I may as well record my usual guitar-playing routine.

Today left me particularly contented. But as I was walking back home, my mind became a stream of lost pets and other miseries. At least while I play there’s no thinking about anything.

Guitar practice in the woods (2025-06-28)

Were you waiting for another nearly-hour-long video of me playing the guitar? No? Well, this is awkward. Anyway, I suppose one of these days I should learn new songs, but it’s not like I’m a musician or anything. I do this because it feels good. These days I don’t even go to coffee shops anymore; it’s either holed up at home or playing the guitar in the woods. And I’m fine with that.

Guitar practice in the woods (2025-05-31)

I returned to the woods with my beloved guitar, and recorded a whole new hour of music and “singing.” Hooray! This time I brought my newly bought deadcat, which isn’t a dead cat, but a muffler that you stick as carefully as you can on the top of your mic. This deadcat thing prevents the wind from ruining your audio. And it has worked great in that respect, although there barely was any wind today.

Anyway, if you’re in the market for listening to me playing the guitar (I don’t know who would be, but I mostly upload these for my own sake), here’s the video:

Guitar practice in the woods (2025-05-23)

This morning my new field recorder, a Tascam DR-40X, arrived. On the afternoon, I hurried to the nearby woods, where I usually go to play in relative quiet, to test the Tascam. Which works great for my purposes, except for the goddamn wind sensitivity. I’ll have to buy one of those deadcat muffs.

Anyway, here’s about an hour of me playing the guitar and “singing.”

Guitar recording test

I bought a Tascam DR-40X to record myself playing the guitar in the woods. I’ve recorded myself at home playing a couple of songs. Unfortunately the Barcelona jungle left me with a disease of some kind, and I’ve been expelling mucus, coughing, and shitting near liquid for this last week. So don’t expect anything resembling proper singing in this video.

Anyway, the Tascam works wonders at home. I suspect the wind will screw with the quality, but that’ll be a matter of buying one of those fluffy cap things. Without further ado, the video below features me playing my Alhambra guitar and “singing.”

Neural Pulse, Pt. 11 (Fiction)

In an electric flash and crackle, my muscles seized, and my vision flared white. As I crumpled backward like a dead weight, my left arm and the side of my head slammed into the control panel. My brain thrummed with electricity. It reeked of burning.

In the whiteness, the silhouette of a spacesuit materialized, looming over me. Several shadows clamped onto my arms with claws. One shadow dug its knees into my abdomen and crushed my face between its palms. I tried to scream, but only a ragged whimper escaped my throat. The tangle of shadows obscured my sight, swallowing me. A shadow snatched my hair and pulled; hundreds of points on my scalp prickled tight. Another shadow smothered my nose and mouth.

When I could feel my arms again, I lashed out at the shadows, thrashing as I braced myself against the control panel and the seat. I lunged for a silhouette—Mara’s spacesuit—but she sidestepped, and I plummeted onto the cockpit floor. A blow to the crown of my head plunged me into a murky confusion.

My wrists were bound behind my back—duct tape, I glimpsed, as Mara, crouched by my knees, finished wrapping my ankles. She straightened and hobbled backward. She stepped on the electroshock lance lying discarded on the floor and slipped, but the oxygen recycler clipped to the back of her suit arrested her fall as it struck the hatch.

Gauges of different shapes bulged on her belt like ammunition magazines. The suit’s chest inflated and deflated rhythmically. Mara unlatched her helmet and pulled it off, revealing her ashen face: mouth agape with baby-pink lips; livid, doubled bags under her eyes; strands of black hair plastered to her forehead with sweat. She leaned back against the hatch, gasping through her mouth, the corners glistening with saliva as she scrutinized me with intense, glazed eyes.

The cockpit reeked of sweat and burnt fuses. The shadows had congealed into a mass of human-shaped silhouettes, their hatred addling my brains, boiling me in a cauldron. Mara’s outline, as if traced with a thick black marker, pulsed and expanded.

No more anticipating how to defend myself, because I have you trapped. Thanks to you, the station doesn’t know we came down to the planet. With the tools of the xenobiologist you murdered, I will rip out your tongue, gouge out your eyes, bore into your face.

Mara crouched, setting her helmet on the floor. Exhaustion contorted her actress-like features, as if some illness burdened her with insomnia and pain.

“I thought I was marooned on this planet. I could have just called the station for rescue, but they’d fire me for nothing, and my pride would rather I suffocated than admit I needed help. Now I know—when we found the artifact, I should have tied you up then. Because you, being you, would just stick your nose right up to an alien machine that, for all you knew, could have detonated the outpost. And to understand what drove you to kill that xenobiologist, I imitated you. I stuck my nose up to that thing, and I saw my reflection. Now I know. Unfortunately, I know.” She regarded me like a comatose patient and waved a gloved palm. “Can you hear me? Did I scramble your brain?”

“I hear.”

My voice emerged as a rasp. I coughed. My mouth tasted of metal.

“And you understand?”

I nodded.

The black veil obscuring the cockpit stirred, rippling. Concentrated energy, like the air crackling before a storm. With Mara’s every gesture, the shadows shifted. Their bony claws crushed my thighs, cinching around my spine through suit, skin, and flesh.

A bead of sweat trickled down Mara’s forehead. She rubbed her face, swallowed. Her pupils constricted.

“Is that what you think? That I’ve convinced myself I’ve subdued you? That you’ll fool me until I let you go? That then you’ll finally strangle me? And even if the station calls it murder, no one will bother investigating, because most people who knew me would thank you for killing me.”

“I’m not thinking. When I try, my brain protests.”

Mara hunched down opposite me, reaching out to study the blow on my head, but halfway there her features pinched. She drew herself up, crossing her arms.

“I heard you telling me to come closer. Because you’ll break free, dig your nails into my corneas, and rip my jaw apart.”

My guts roiled; acid surged up my throat.

“You think I think things like that?”

“I feel this second consciousness… it betrays your thoughts as clearly as if you spoke them aloud. Maybe I’ll never understand how the artifact interfered with our minds, not just our language, but it’s a trick.”

I pushed my torso off the floor, sliding my back up the side of a seat inch by inch, trying not to provoke her, until my stomach settled. My head ached where she’d struck me. The throbbing in my skull clouded and inflamed my thoughts.

“You saw him. Jing. What I did.”

“I saw someone down there. I’d need dental records or DNA to be sure, but I trust elimination. I thought you’d claim it was an accident.”

“It was. I attacked the shadows. You feel them, don’t you?”

Mara took a deep breath.

“They’re pawing at me, trying to suffocate me. Products of my own besieged brain, I know, but I can hardly call them pleasant.”

“I wanted to keep it from affecting you. But at least now you understand.”

“Make no mistake. That xenobiologist is lying with his face beaten to a pulp in the second sublevel of an alien outpost because you are you.”

I pressed my lips together, erecting a wall against escaping words. I looked away from Mara’s eyes, concentrating on deepening my breaths. The muscles in my forearms were taut. Pain flared in my constricted wrists. This woman had fired an electroshock lance at me, beaten me, bound me, and now she was assaulting my character.

With her boot-tip, Mara nudged her helmet; it wobbled like a small boat.

“Although the jolts in my neurons, the shadows, and this other consciousness intruding in my mind unnerve me, the effect isn’t so different from how I’ve always felt around people. The two consciousnesses will learn to get along.”

“If you’re not exaggerating,” I said gravely, “I am truly sorry, Mara.”

She pushed damp strands of hair from her forehead and scrubbed it with the back of her glove, smudging it with dust. The corners of her lips sagged as if weights hung from them.

“Thanks for the sympathy.”

“Were you afraid I planned to do the same thing to you as I did to Jing?”

“Can you blame me for removing the opportunity?”

She limped heavily over to my seat and sat down sideways. As she leaned an elbow on the control panel, a shadow shoved my torso against the seat I leaned on; my lungs emptied. I shuddered, sinking into black water.

Mara had said we imagined the shadows, even if they affected us. I writhed onto my back, pushing with my heels until my head touched the cockpit hatch. My wrists throbbed, crushed tight. A shadow pressed down on my chest like someone sitting there, yet no physical presence had stopped me from moving. The artifact had hijacked my senses.

Mara regarded me from above, pale and cold like a queen enthroned.

“I wouldn’t have killed you,” I said. “You’re my friend.”

“Am I?”

Between the pulses of my headache, I tried to decipher her expression.

“To me, you are.”

“I like you. I tolerate you. But often, being around you feels like rolling in nettles, Kirochka.”

“Almost everything irritates you.”

“You’re incapable of seeing people as anything other than reflections of yourself. What you instinctively feel is right, you impose as right for everyone.” She shook her head, then leaned forward, her tone hardening as if she were tired of holding back. “You insist you have to drag me away from my interests, my studies, as if imitating your actions and hobbies would somehow make me impulsive and reckless too. Admit it or not, you think the rest of humanity are just primitive creatures evolving towards becoming you.” She jabbed a finger at her chest. “I need time to myself, Kirochka. Solitude. Reading. Designing one of my machines, or building it. You think people need to be prevented from thinking.”

Exhaustion was crushing me. I imagined another version of myself laughing, suggesting a drink or a movie, assuming Mara’s mood could be cured by a few laps in the pool. But my vision blurred. I blinked, swallowed to make my vocal cords obey.

“We’ve had good times.”

“The best were when I was enduring idiots and tolerating awful music.”

“You showed them you’re smart. Got half the tracking team to stop calling you ‘black dwarf’.”

“Yes, because those morons’ gossip was costing me sleep. You think I need to prove anything to them? They can believe whatever they want.”

Shadows crouched nearby, focusing their hatred on me, clawing at my skin, crushing my flesh with bony grips. They tormented me like chronic pain, but while Mara and I talked, I kept the torture submerged.

“Things went well for you, for a while, with that man you met. I don’t take credit, but would you have met him dining alone?”

The woman, deflated, blinked her glazed eye, rubbing it as if removing grit.

“You’re right. I miss things by focusing on research instead of acting like a savage. But I assure you, Kirochka, we’re too different for me ever to consider you a friend. Sooner or later, we’d stop tolerating each other.”

“We can bridge the differences.”

“You talk to fill silences. You pressure people for attention. You live for interaction. I could never sustain a friendship with someone like that.”

“Do you use me to get things?”

“Everyone uses everyone, if only to feel better about themselves. I just refrain from feeding illusions.” She drew herself up, as if recalling an injustice, and rebuked me with her eyes. “Besides, I didn’t stop running because I was lazy. I barely eat, and nobody’s chasing me in my apartment. Running bores me to death.”

“I wanted the company.”

Mara shook her head. Her tired gaze roamed the cockpit, as if seeing through the walls.

“When you called a few hours ago, I thought you wanted to drag me out drinking with you and the other pilots. I considered pretending I’d fallen asleep with the sound nullifier on. I should have.”

I contorted like a snake, sliding my back up the hatch. I leaned the oxygen recycler back, resting my head against the cool metal. Judging by the ache, when I undressed, my arms would be covered in lurid bruises.

“I consider you a friend. You listen when I need it. My professional peers, the ones who think they’re my friends, even my boyfriend—they’d tell me to shut up for ruining the mood.”

“When have you ever listened to me?”

“I want to. But I have to pry the words out of you.”

“Maybe that should have told you something, Kirochka.”

“That you hate me.”

She sighed, the effort seeming immense, like lifting a great weight.

“I don’t like human beings. I would have chosen to be anything else.”

Flashes on the communications monitor distracted me. Though Mara was still speaking, her words faded to a murmur beneath my notice. The headache pulsed, reddening my vision. Why did the monitor alert snag my attention? I snapped fully alert. It meant an incoming call.


Author’s note: I wrote this novella in Spanish about ten years ago. It’s contained in the collection titled Los dominios del emperador búho.

Today’s song is “Body Betrays Itself” by Pharmakon.