April 27th comes around once again.

Drawing by Prima R. Bardin
Check out the tale of Izar Lizarraga.
April 27th comes around once again.

Drawing by Prima R. Bardin
Check out the tale of Izar Lizarraga.
On April 14th, I released my first album of AI-generated songs based on a peculiar story I wrote in 2021. It told the tale, primarily through song lyrics, of amateur songwriter William Griffin from his tween years to his untimely departure, as he experienced his youth in a nowhere town alongside his best friend Lorenzo, who’s a sentient triceratops, and his blind next-door neighbor slash love interest, Claire Javernick. William is obsessed with dinosaurs, is significantly unhinged, and lacks conventional talent, but compensates with passion. Witness his fumbling attempts at meaning, his mixed metaphors, and his contradictory statements, on this 22-song wild ride of an album.
I wouldn’t have been able to produce these songs if it weren’t for the magnificent AI service Udio.
Songs contained in Odes to My Triceratops, Vol. 1:
Changes from the first release:
Perhaps I will rerelease this album in the future, but for now, I can’t figure out what new songs to write for it, and I’m already deep into volume two.
Here you can listen to some of the songs contained in this album, in case you think that AI-generated songs must sound like garbage.
“Tricera Girl”:
“I’m Cactus”:
“Ponopodon Blues”:
If you haven’t read all the previous parts or you don’t remember them well, I urge you to read this novella from the beginning (link here).
My wife unclasped her bra and peeled it off.
Her twin globes of fatty tissue
Draped, swayed, and settled.
My mouth watered and my crotch tingled
With the beastly urge to grab that flesh,
Making it spill through my parted fingers.
I needed to feel those nipples hardening
Under the swirling tip of my tongue.
My intense gaze met my wife’s,
That narrowed in anticipation
Of another verbal brawl.
Her guarded posture loosened.
“See, you can still lust.
You’re not a zombie after all.”
As she tugged down her panties,
Her silken curls flashed a glimpse
Of her slit’s pink promise.
Although we resented each other,
We both needed to escape
From our exhausting existence.
Naked save for our wedding rings,
We immersed ourselves in carnal delights
To drown our frustrations,
Exploiting the mechanisms crafted by nature
To convince its slaves wordlessly,
From humans to the most cretinous creatures,
That their lives should revolve around sex,
Sex, and more sex, lest the species perish.
Instead of making love,
We tangled, grappled, and clawed
Like starved dogs devouring a meal,
Both reduced to incoherent strings
Of grunts, gasps, and cusswords.
Flesh smacking against flesh,
Neck biting, hair pulling,
Nails raking across my back,
A hand tightening around her throat.
Once we achieved our release,
We lay on fevered, rumpled sheets
Coated in the sour smell of sweat.
My mind was bleached blank.
As my wife drew deeply on a cigarette,
I surrendered to the afterglow,
Letting it slide me into sleep.
My wife suggested a family outing
To a self-serve Chinese buffet in Oiartzun,
On a whim, I thought, without ulterior motives.
The chilled air around the food counters
Smelled of herbs and spices from meat marinades,
Complemented by the briny scent of fresh seafood.
Amidst the din of hungry patrons’ conversations
And a pop tune piping through speakers,
I fished my meal out of gastronorm containers:
Skewered meats coated with a paprika marinade,
Slices of pink chicken, fatty cuts of beef,
Squid with their tentacles entwined.
Life itself dished out pain like a relentless rain,
So we drugged ourselves with our bodies’ rewards
For stuffing nutrients into our gullets,
And yielding to the innate urge to procreate.
As my son poured soy sauce over his sushi,
My wife rested her elbows on the table.
“Haven’t you two wondered why we’re here?”
My son and I, both chewing, glanced at each other.
She smiled, and pointed at him with chopsticks.
“Little man, you’re gonna become a big brother.”
I choked on a bolus of beef,
And gulped water until I stopped coughing.
While my eyes had teared up,
Hers, hard chunks of obsidian,
Drilled into me expectantly.
I always made sure to wrap it up,
Leaving the slim chance of an accident,
Or the prick of a needle.
Regardless, my wife’s aging womb held within
A new life destined for this ruined world.
“I-Is it a boy or a girl?” my son asked.
“Too early to tell.”
“So, like, I’ll have to share my room?”
“We’ll see. Dad, any thoughts?
Are you going to congratulate us?”
I stared back in stunned disbelief
As cold panic bubbled in my bowels.
She pinched a rice ball with her chopsticks.
“I’m keeping the baby.
You can either stick around or leave.”
Author’s note: today’s song is “Angel” by Massive Attack.
In case you have missed this story (although I doubt many are reading it), you may have noticed that I’ve been busy making songs. As an obsessive, single-minded maniac, once I sink my claws into something, it’s very hard for me to focus on anything else, even my own survival. However, I’ve made sure to progress daily on the story, and I fully intend to finish it. Besides, the AI service that allows me to produce studio-quality songs has a monthly limit that I’m about to hit, so I’ll have no choice but to return to writing fulltime something other than silly songs.
In case you don’t know, I recently released an album (of actual songs) named Odes to My Triceratops, Vol. 1, based on the nowhere-town adventures of amateur songwriter William Griffin, his blind love interest Claire Javernick, and his best friend the sentient triceratops Lorenzo (no last name), back when they were 12-14 years old. You can download that album here.
I’m strengthening methodically the first volume for the rerelease (one of a few) by removing some songs, redoing one, and writing entirely new songs. The following song, one of the last in the album, renders the way William takes rejection.
In case you don’t know, I recently released an album (of actual songs) named Odes to My Triceratops, Vol. 1, based on the nowhere-town adventures of amateur songwriter William Griffin, his blind love interest Claire Javernick, and his best friend the sentient triceratops Lorenzo (no last name), back when they were 12-14 years old. You can download that album here.
I’m strengthening methodically the first volume for the rerelease (one of a few) by removing some songs, redoing one, and writing entirely new songs. The following one, titled “Tricera Troubadour,” renders William’s and Lorenzo’s childhood antics before a girl came into the picture.
I’m burning through Udio‘s monthly output, so I may only have two or three songs more to create before I find myself helpless.
In case you don’t know, I recently released an album (of actual songs) named Odes to My Triceratops, Vol. 1, based on the nowhere-town adventures of amateur songwriter William Griffin, his blind love interest Claire Javernick, and his best friend the sentient triceratops Lorenzo (no last name), back when they were 12-14 years old. You can download that album here.
The following song, that will be included in the next release of the first album, delves into young William’s private struggles.
In case you don’t know, I recently released an album (of actual songs) named Odes to My Triceratops, Vol. 1, based on the nowhere-town adventures of amateur songwriter William Griffin, his blind love interest Claire Javernick, and his best friend the sentient triceratops Lorenzo (no last name), back when they were 12-14 years old. You can download that album here.
These last few days, I’ve been relistening to my AI-generated songs almost exclusively, in the album’s order (both the first and the unreleased second one). In the first album, I noticed myself skipping certain songs. No reason to include in an album songs that I’d want to skip over, so I’m considering redoing some songs and moving others to a B-sides album thingy. In addition, I’ve written a couple of new songs for the first album, that I will include in a future re-release (one of a few, I’m guessing).
Anyway, here’s the sole song I’ve managed to produce today, titled “Tricera Girl.” It renders William’s infatuation with his next-door neighbor shortly after meeting her. I think it came out very well.
If someone had told me in summer of 2021, when I started my bizarre story Odes to My Triceratops, that I would end up producing a fifteen songs-long album of studio-quality music out of its silly lyrics, I would have vomited out of happiness. I have become a jaded old man, I guess. Anyway, you can download the album right here:
Please tell me if you have any trouble downloading it. It would be quite sad if I intended to make it available only to screw up the delivery.
Anyway, this album features the fifteen songs included in the first part of that story (out of three). It’s a sort of a concept album that follows the troubles, particularly romantic ones, of amateur songwriter William Griffin from the years twelve to fourteen or so, as he enjoyed his youth with his blind next-door neighbor Claire Javernick and his best friend, the sentient triceratops named Lorenzo (featured in the banner of this site). William isn’t all that bright, nor all that talented, but that won’t stop him from producing as many songs as humanly possible in the hopes of processing his turbulent feelings.
I wouldn’t have been able to produce these songs if it weren’t for the magnificent AI service Udio.
Songs contained in this first album Odes to My Triceratops, Vol. 1:
Quite a few hits in this album. Check out the song “Fairy Tale Too Real to Be” right here, for your listening convenience:
Give me some feedback, will you?
I hope you are enjoying my forays into Udio‘s AI services so it will generate songs according to my absurd specifications. You better have been enjoying them, because I’m about to clobber you with five new songs, a few of them excellent.
They are based on the song lyrics included in my bizarre free-verse narrative titled “Odes to My Triceratops.”
First one is a grunge track called “Lorenzo.” Possibly my favorite of the bunch.
Next up, a soothing traditional folk song titled “Lemonade and Willies.”
Now check out this lovely lullaby titled “My Friendo Lorenzo”.
Listen to this uplifting song about three friends having fun, titled “Claire With a C”:
Finally, an energetic garage rock song titled “Fairy Tale Too Real to Be.”
As I was trying to figure out what free-verse poem of mine to use as lyrics for the magnificent AI-music generator Udio, I realized I had completely forgotten about my “Odes to My Triceratops,” even though Lorenzo the triceratops is featured conspicuously on the banner of my site. That bizarre narrative includes the lyrics of about three-dozen fake songs created by an amateur songwriter named William Griffin, as well as some written by his blind next-door neighbor called Claire Javernick. Why not just turn them all into actual songs?
Here’s the first one, titled “Better Dead Than Blind”:
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