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On Sunday, I awoke clinging to the image of the winding path through the pines, but the morning light dissolved the sway of branches and leaves. Before I could shake off the grogginess and reason clearly, I arrived at the station and boarded the train to Hitachi. When I exited the station, I mimicked the wandering that had led me to the passageway. An emotion magnitudes greater than any I had known guided me toward that spot, as birds recognize magnetic north.

I reached the point on the street where days earlier I had glanced up at the passageway on the opposite sidewalk. To my right stood the three white-and-red vending machines embedded into the cement building. I bought a water bottle. To calm myself, I sipped it while pressing my free hand against my side to keep it from trembling.

A delivery van passed. Two men in warehouse overalls overtook me. One stared ahead; the other’s gaze swept the pavement a hand’s breadth from his feet. An elderly man walked the opposite sidewalk, passing rusted sheds and an electronics store.

None of them had noticed the passageway. To me, the vision in the half-light—the path of trampled grass, the palm-like fronds of ferns flanking it, the clover field the path bisected—invited admiration, like a centuries-old fresco in a museum.

I crossed the sidewalk and entered the path’s curves. Beneath my soles crunched a layer of leaves and pine needles. An electric current heightened my fingertips and sharpened my awareness. Butterflies of light and shadow fluttered over pine trunks split by vertical grooves. Twisted branches, meters above the path, were cloaked in emerald-green moss hanging in fringes. Ferns and clover sprouted from the gaps of a stump, its structure barely protruding with splintered shards. Between two pines glistened the hammock of a spiderweb. Its owner, as large as my palm, swayed on the net as a breeze billowed it.

The grass thickened, a sign fewer feet had trodden here, and I pushed aside the fern fronds draping the path. In minutes, the lagoon would come into view. I hunched forward as if to arrive fractions of a second sooner, placing each heel down only to immediately lift it again.

Itches flared across my body, as if trapped in a room with an invisible mosquito. I had climbed to the peak of a snow-covered slope, fastened my skis, and now had to hurtle down at breakneck speed. What would I say to the woman, and how would she reply? What combination of words would seize her pale-blue gaze and draw out her voice?

I emerged into the clearing as rings of static constricted my vision. I exhaled. Beside the swampy lagoon waited the moss-upholstered rock, worn by decades of people sitting, where the woman had been the afternoon I met her. The clearing smelled of wet fur and stagnant water.

Of course, the woman was absent. I’d have needed luck for her to come on a Sunday morning. Perhaps I should be content just to have met her. This clearing remained, though her absence dominated it.

I sat on the rock, settling into the plush moss to occupy her ghost’s space. I filled my lungs with the air that might have filled hers. Leaves swayed in a mausoleum silence, where no sound muzzled the cacophony of inner voices passing judgment.

I hunched. My gaze fell to the pebbles around the lagoon, the scattered pine needles. A pain pierced my heart. Perhaps for years, perhaps for the rest of my life, I would return to this clearing in my daydreams and replay our conversation. I’d chastise myself for idiotic phrases, insert clever remarks that years later would occur to me. In my imagination, before saying goodbye, I’d ask for her phone number or propose another meeting.

The lagoon’s surface bulged into a green tumor, outlining a figure. The coat of algae and mud sloughed off, revealing the woman’s honey-blonde hair, and her face. Streams of water flowed over her eyelids, nose, and cheekbones, crossing the mottled patches of discoloration. She advanced toward the shore as if her legs cleaved air. Green foam stained her soaked dress, which clung to her shoulders and molded her breasts. With each step, the skirt, plastered to her thighs, wrinkled like a second skin, her bare feet imprinting wet marks on the shore’s pebbles. She noticed me as she brushed off lichen flakes stuck to her shin.

When I regained my senses, I flushed as if caught hiding in her closet to spy while she undressed. I stood and retreated a few steps toward the clearing’s exit. I forced myself to meet her gaze as my temples burned.

She eyed me like we’d bumped into each other in the living room of a shared home.

“You can sit there if you want.”

I didn’t know if I shook my head, though I’d meant to. I gestured toward the rock as if offering my train seat.

When she sat, her dress slapped wetly. Water trickled down the rock’s sides. She gathered her honey-blonde mane into a fist, wrung it, and water gushed from the darkened strands. Some slid from her scalp, circumvented her eyes, traced her jawline, and fell. Her skin, mottled with irregular patches, reminded me of a leopard trapped by a hunter for a zoo.

“Did you miss this forest?” she asked.

I straightened. My vision blurred as if recovering from a blow to the head.

“I needed to see you.”

I expected her face to show discomfort, even terror, but whatever raced through her mind halted before reaching her facial muscles.

“Why?”

“I had never met anyone like you.”

She nodded and rested one hand over the other in her lap.

I’d admitted it—the words had left my mouth without needing to unlock gates or lower a drawbridge.

“I had to see you again. You, whose name I don’t know, to whom I’m nobody. It should bother you. Does it?”

She shook her head. Contorting as if stretching, she adjusted the back of her dress.

“I enjoy talking to someone.”

My throat tightened. A pulse throbbed in my neck like a muscle tic as I fought the smile tugging my lips. I wanted to hear every word she’d share, uncover every detail of her life.

“How do you spend your time? Beyond swimming, I can’t picture you outside this park, this forest.”

“What do you think the answer is?”

“Do you wake early to trudge to an office and waste hours on nonsense?”

“I don’t need to do any of that. Whenever you come here, you’ll find me.”

Her lack of expression might have meant she’d forgotten, or never learned, that people use gestures to communicate. Beyond the mottling, she belonged to another race. A lifetime of rejection might have taught her to avoid others. She’d bond with the lagoon she dove in and the encircling pines. Perhaps she welcomed this conversation as if we were exotic creatures separated by zoo glass.

“Who do you live with?” I said. “I assume you don’t work. Does the state pay for your home?”

I cringed at my hunger for every scrap of information. I imagined her scowling, sharpening her tone, rebuking my impertinence.

“Before you came, I hadn’t spoken to anyone in a long time.”

I crouched on the shore’s pebbles, leveling my face with hers. Meeting her gaze—those pale-blue eyes flecked with white and green—sent electricity from my nape to my toes. No one else had interested me because no one else deserved it. Here sat a real person, not someone playing a role society had drilled into them.

“Do you want to know anything about me?” I asked.

“Tell me.”

“No, I’m asking. Are you interested?”

“In what?”

“Where I live, how I spend my time, what I like.”

She tilted her head, her gaze dancing across the trees as if weighing whether another human was worth knowing.

“Does it matter?”

My legs protested. I sat and leaned a forearm on my knees.

“I don’t know. There’s little to say. Little I care about.”

I searched for some nugget to share, but my past spread like a muddy expanse. I spoke before realizing it.

“My childhood was boring and miserable—the tedious kind. I went to university expecting the promised camaraderie. A week after graduating, I’d forgotten my professors’ and classmates’ faces. I’m on my second job. Since childhood, I’ve waited for some passion to seize me, something I’d crave to spend hours on unpaid. But for years, I’ve walked straight ahead down a gray hallway. When I paused, invisible hands shoved my back. I suspected that somewhere—behind walls, a door, an inaccessible wing—a luminous world existed. Meanwhile, I experienced a plastic, flavorless reality. I blamed myself. The world’s data filters through my distorting brain. I live like acting in a disjointed play during a fever dream. I followed instructions, excelled at them, but found only hollowness. I assumed someday I’d stumble upon why I bothered.”

I elongated a silence. Droplets slid down the woman’s forehead. She glanced away but soon locked eyes with me again, awaiting direction.

I inhaled as my cheeks burned.

“But let’s talk about you. What do you enjoy?”

“What?”

“What do you like to do?”

Her damp hair dripped onto her soaked dress. She laid her palms on her thighs, fingers relaxed. She stared unblinking, whick kept my eyes from wandering to the curves her dress hugged.

I shifted, thirsting to draw out her words.

“What satisfies you? What do you do whenever you can?”

“I come here. I swim.”

Her irises quivered within their orbits, pupils dilating and contracting. She studied my face like a beast’s cub encountering a human.

I listened to her breath mingle with the hiss of branches and occasional thud of fruit falling into rot.

“Give me your hand.”

She raised her left hand, palm down. Cloudy droplets swelled on her fingertips. I crawled forward and clasped her hand between mine. It was cold and wet, like something left overnight in a bucket of water. Chalk-white patches mapped her veins. The hairless arm, smooth as if waxed, showed no goosebumps, no tremors.

“Aren’t you dying of cold?” I asked.

“I’m not dying of anything.”

I squeezed her hand, warming it. She lifted her gaze to mine and curved her lips slightly. I brought our joined hands to her face, tracing with our fingers the mottled patch spanning half her cheekbone and jaw. I swallowed.

“Does it bother you?”

“It tickles.”

“Having these patches. Being different.”

She shook her head.

“I am who I should be.”

I glided my fingertips over her hand’s back, shifting pliant skin. I outlined a patch. Light carved white curves along her knuckles’ wrinkles. Her nails, segmented by microscopic ridges like pine bark, held mud under their edges. I turned her hand over. Water and cold had puckered her fingertips and creased her palm, aging it. I traced every line, imagining their formation from her birth to this moment, when I could touch them.

“I think I’ll return soon.”

“Tomorrow?”

Dizziness struck.

“I work.”

“In the evening?”

How could I focus at the office, counting hours until I returned? But my mouth dried, and the details of her face and the forest’s silence sharpened as if I’d shed nearsightedness and earplugs. I longed to transport myself to the moment tomorrow when I would descend the office stairs and realize that instead of spending the rest of the day resting in order to perform well at work the next day, I would meet the woman in this clearing where no one dared to venture. A smile surfaced unbidden. She lowered her gaze to my lips as if they were another pair of eyes.

“Will I find you,” I said, “like you promised?”

“Whenever you come.”

Reluctantly, I released her hand and stood. How did I know to leave? My wristwatch warned of dinnertime. The canopy of branches etched a granite-gray sky, and the same half-light that had greeted me upon entering the passage enveloped us.

I stepped forward, half-raising my arms to embrace her, but stopped even though my heart pounded like a radar nearing its target. I wanted to hold her, balance her warmth with mine, imprint the feel of her soaked dress and the body beneath until tomorrow. I’d just met her. What if she’d tolerated my touch only to avoid conflict?

I bid goodbye with a smile she returned. I promised we’d meet tomorrow. As I walked away, she raised a hand and waved. I left the clearing and quickened my pace to overcome the urge to run back to her side.

---

Author’s note: I wrote this novella in Spanish about ten years ago. It’s contained in the collection titled Los reinos de brea.

Today’s song is “Breezeblocks” by alt-J.

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The following morning, I repeatedly jolted awake at my office corner, my dead gaze drifting between the lines of a report as the monitor’s glow washed over me. Seconds earlier, I had inhabited another body. Standing before the passageway to the park, I stepped in. Every trace of cement, glass, and metal vanished behind trunks, branches, and leaves. Air swollen with oxygen refreshed me. I followed a path that flickered white along its sinuous turns. The voice of the woman echoed in my head, fragments of sentences she might have spoken to me. Her hair, gleaming with water, fell over one shoulder, soaking and darkening her embroidered dress. Even in memory, I refused to look away.

Seated at my computer, hours passed while I remained stuck on the report. The monitor’s glare dulled my mind. I lost track of what I was working on, and before I could focus enough to progress a few lines, my attention plummeted like someone trying to climb a cliff with numb arms.

My skin grew clammy; my armpits and hairline soaked. My vision blurred. I tore my eyes from the screen and swiveled my chair to clear my head. Rows of fluorescent lights striped the ceiling like luminous zebra crossings. The view: a dense mass of desks and workers with black hair and white shirts, the space compressed until every pocket of air was squeezed out.

The remaining hours to surrender to my tasks slipped away, the obligation to finish them pricking like a knife tip at my neck, but the images in my mind chained me. I wanted to belong among those pines, to sit by the lagoon and speak with that woman, while the office echoed with squawking voices and clattering keyboards. When I fought to concentrate, someone fidgeted in their creaking chair. Someone squeezed past desks and chairs. Phones rang insistently until their owners returned. Pairs of employees chatted about news or baseball games.

In my drowsy vigilance, I monitored who stood, who crossed the office to take a call or piss. I spied reflections in the glass partitions, in the framed artwork, in the monitors. The lenses of a pair of glasses burned two white holes into the blurry oval of a face. I recognized a colleague’s tank top and swinging ponytail. Another’s clacking heels to the printer and back. Another’s limping hunch. I had never looked any of them in the eye.

Sometimes, a supervisor’s specter slid across glass. In my mind, I sketched a map of the office, tracking the supervisor’s blip as it weaved between desks and pillars. If they approached, I’d feign fascination with the report filling my screen.

During two or three breaks, I splashed my face in the bathroom and breathed deeply. Back at my desk, my mind retreated into images of the forest, the lagoon, and the woman—spheres of light peeking through fog. A leaden tedium crushed me: day after day of absurd labor. My mind had found a crack and, like a caged animal, it strained to slip through.

At lunch, I devoured my sandwich and rushed back to my computer. I rubbed my eyelids. Exhaustion clung to me like glue. Resisting the next report, I searched online for the Hitachi map. From a bird’s-eye view, I pinpointed the station I’d stopped at, an inch from the coast. I traced the streets I’d wandered until I located the neighborhood with the passageway. The map showed an electronics shop to the right of the path and a cluster of homes and sheds to the left, but the buildings appeared glued together.

I blinked, absorbed. I felt like I was tossing in bed late at night, enduring hypnagogic hallucinations. The office crowd returned after a break, their laughs and shouts snapping me awake. Was the map outdated? To let the passageway open into the clearing, the buildings should’ve been spaced far enough for the forest to nestle in.

Thirty minutes after lunch, an urge seized me to scour the internet for traces of the woman. Without a name or leads, where would I start? I might as well have met her decades ago, when payphones dotted the streets.

Fifteen minutes before the workday ended, I burned them checking my watch every few moments. I fled the office with my head bowed. At the station, I paced the platform a dozen times, striding several meters forward, pivoting on my heels, and retracing my steps. The minutes monitored by my wristwatch seemed frozen.

I approached the ticket machine and hovered my index finger over the button to print my return ticket. What if I bought a ticket to Hitachi? I’d leap the tracks to the opposite platform and return to the forest. I had to go—as if bound by a second job, with a contract so sacred that refusing would summon a lawyer to my apartment by morning.

My heart raced. My mind cycled images: the sinuous path through pines, the woman on a rock in the clearing, wringing a soaked strand of hair. The white blotches on her skin shimmered like watery reflections.

That woman, her figure pulsing with light, breathed the air of this cardboard world. I felt her presence like a second heart grown inside me and forgotten in the clearing, still tethered to my chest by kilometers of vibrant tendon.

She hid from others; I’d trespass her peace. Yet I craved to go like a diabetic needing insulin. I wanted to see her face, speak to her, hear whatever she’d share. I fixated on my desire, but why would she care about me? My life shuttled between apartment and office, trapped in a job that unraveled me. I returned home only to rest and repeat.

I crumpled the handkerchief in my pocket. She’d know I returned for her. Would she call me a stalker, phone the police? That she’d spoken to me felt like betting on a rigged race. My brain deceived itself to survive in a bubble of fantasy, but tomorrow I’d have to blast through two days’ overdue tasks while images of the passageway and woman yanked me like a hook in my cheek. If I retraced my steps and found her, how would I focus? I’d pile up overdue work. The acid of anxiety would corrode my insides.

I pressed the button for a ticket back to my apartment. To quell the nausea rising in my gut, I slumped on a bench, palms pressed to my eyes. Minutes later, the loudspeaker announced my train. The platform trembled. As the train braked, I uncovered my eyes and boarded, head low. Once the train lurched forward, my anxiety spiked. I imagined pulling the emergency brake.

I had met a beautiful woman who intrigued me, who spoke like a person instead of one of the million clones populating this world. Was that enough to make me feel like I’d betray a sacred pact by refusing to run to her side? For today at least, the encounter had shattered my gray routine. A routine I’d drown in for years—yet my survival depended on finishing my tasks.

That evening, and into the night, my mind would recreate her and invent conversations, daydreams swelling my skull until no other thought would fit. No matter how many scenes I conjured, scripting every word, would my stubborn fantasies lead to a radiant present?

How wrong I’d been to linger in the clearing when I spotted that woman. I should’ve abandoned the forest before she finished lifting her hand.

---

Author’s note: I wrote this novella in Spanish about ten years ago. It’s contained in the collection titled Los reinos de brea.

Today’s song is “Runaway” by Aurora Aksnes (who apparently, confirmed by her, is a fellow autist).

This is the first story, I believe, in which I tackled autistic obsession, a subject I have struggled with all my life. During my first couple of internships, my brain kept tugging me away from my tasks to the stories I was supposed to be working on instead, or at least to learn more writing techniques (I gobbled up books on writing back then). I ached every time I tried to focus on my job. I won’t get into how insane it feels to me that people who can bring new “things” into life are shackled at menial jobs, which programming websites felt most of the time (these days they’re almost trivial due to artificial intelligence; I doubt many programmers are going to get hired in the future).

I’m going even deeper into autistic obsession in my ongoing novel The Scrap Colossus, whose protagonist Elena is autistic, although I doubt I’ll mention it explicitly.

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The woman intertwined her gaze with mine. She raised her right palm from the rock to greet me. I froze as if the slightest tremor might dislodge the camouflage my skin had conjured. She might have been addressing someone else whose line of sight I’d trespassed into, but her gaze held mine and waited. My words had jammed in the rusted gears of some ancient machine. I said hello in a voice like sawdust. When sensation returned to my legs, I turned and retraced my steps.

“You’ve only just arrived,” said the woman in a fluting voice.

I stopped and offered her my profile.

“I came to be alone. This park seems designed for that.”

“Do you want me to leave?”

“You must’ve come for the same reason. And you were here first—I’m the intruder.”

“Am I bothering you?”

I’d assumed so and readied a lie, but the tension in my muscles, the knots in my gut that usually urged me to flee, were absent. I stepped toward the pebbles fringing the lagoon. In the silence, they crunched like snapping bones. The water lay hidden beneath a pelt of algae, a mesh of lichen where insects glinted.

I’d trespassed into this secluded park, ventured to its core, and now, rooted at the lagoon’s edge, I blocked the woman’s view. I tainted the air passing through my lungs. Before my arrival, this clearing had endured as a sanctuary, a natural oasis she’d have cherished, its secret guarded. I’d ruined it.

“I stole your peace.”

“It’s good to speak sometimes.”

I scratched my nape.

“I suppose.”

Her gaze drifted to the grass at her bare feet as she finger-combed a damp strand crossing her collarbone. On her other arm, a droplet slid down to the blue veins of her wrist. An urge gripped me—like craving chocolate after a sugar crash—to unravel details about her, though most days I floated adrift, indifferent to whether life’s incomprehensible currents might stagnate.

She’d posed a silent question, granting me time to order my thoughts. I cleared my throat.

“You’re lucky the city preserved this park. They’re scarce where I live.”

“What replaces them?”

“Apartment blocks, shops. Fascinating varieties of concrete.”

She nodded, and isolated another wet strand.

“Do you come here often?” I asked.

“I never wander far.”

“I’d do the same.” I hurried to raise a palm. “But you found it first.”

“It belongs to whoever finds it.”

I chuckled, and the desperation to please her shamed me as if I had turned into a child stranded in a tree, needing an adult’s help to descend. The folder under my arm grew heavy. I set it on the pebbles. My eyes scanned the clearing for the woman’s belongings, maybe a purse, but she’d brought nothing beyond her meditative stillness. My gaze swung back to her, magnetized, as if she were a ruby glinting in dust. I needed to modulate my attention, or I’d scare her off.

“You can stare,” she said, “if you’re curious.”

My heart jolted. I felt like apologizing. How many people saw straight through me? I held her gaze in a silent vow of harmlessness.

Though a stranger had stumbled upon her in the park’s depths, the woman’s face stayed serene as if I were just another chirping bird. Honey-blond strands arched rebelliously over her forehead. Narrow brows melted into translucent pink skin above eyes whose irises, perhaps born green, had been conquered by pale blue, compressing the original hue against her pupils. The bluish shadows beneath her eyes resembled smudged makeup. Chapped lips, cracked by cold, had split into notches. Across her face, neck, and arms, plaster-white patches lay like peeled paint.

I observed the blotch spanning her brow to the right cheekbone. She’d hate others noticing. Hate herself. She’d anticipate questions she’d rather not hear. She had come on a weekday, and probably spent hours here. Unemployed. Alone, no book for distraction. Marooned with her thoughts amid trees and silence.

She smoothed a damp strand. Her gaze slid from my face to my shoes.

“Do you live nearby?” I asked. “Unless you mind me asking.”

“Close enough.”

“The locals must treasure this place like they’d planted it. Tourists would ruin it.”

She shook her head.

“No one comes.”

“I’m not surprised. They pass by, right? I came here to kill time, but most people would have headed to a bar. I needed some time alone.”

“I’m always alone.”

She’d said it flatly, like stating the time. Her patches exiled her; I at least warranted pretense before being sidelined. Every mirror stabbed her with flaws. Friends’ calls would have dwindled to monthly guilt offerings. Only the trees’ stillness remained, herself as sole company unable to abandon her.

I sat on the pebbles, my back protesting, and gripped my shins.

“What’s your name?”

“Depends who asks.”

“You must prefer one.”

“Call me what you need.”

I pressed my palms together, bowing slightly.

“I guard my privacy too. No offense meant.”

A branch rattled in the foliage. She tilted her head. The thicket seethed with shadows and cloud-filtered light. Her neck had stiffened, and for a moment I thought her ears, peeking through strands, would have pivoted toward the noise.

She lowered her gaze to the grass, and parted her lips.

“Over the years, I’ve had many names pinned on me. Names that flirted with meaning but never quite captured my whole. Language alone is too limited to understand one another; no word can encapsulate what I am—or what you are.”

I fell silent. She was accustomed to speaking only in soliloquies—her inner voice the sole interpreter of her untranslatable thoughts—yet now, she had opened a door for me.

“How do you refer to yourself?”

“The images in my head suffice.”

“What should I call you?”

“Who’d you speak of me to?”

I turned pale and grew cold, as if someone with a knife had accosted me in an alley. Eyes fixed on me, waiting for my response—just like when my office colleagues, discussing their weekend ski getaway, either trying to include me or to make fun of me, grilled me with questions: “Have you made plans with your friends?” In the few seconds they granted me to answer, I weighed the myriad lies I’d told for years to a blur of faces, and I was eager to concoct any story that might divert them from the truth: human beings—their customs, their impulses, their tastes—terrified me, and I longed to free myself from their presence like a rabbit crouched among the grass in a field where rabid dogs prowled.

But this woman sought solitude. I wanted to keep the forest, the clearing, and the woman a secret—a refuge that had survived among walls of concrete and metal closing in on every patch of green. I had been entrusted with that responsibility, and I would protect them.

“I won’t speak of you to anyone.”

“You see my face,” she said. “You hear my voice. No name holds the myriad details they contain.”

I waited, lips parted, eager to listen to any words that would flow out of her mouth. Today I’d steered our talk, but any other day, I may have heard her in the distance, woven into wind and birdsong.

“You mentioned killing time,” she said. “For what?”

I checked my watch.

“I took the wrong route—” A shiver struck. “Crap, I’ve missed my train, and I’ll have to run to catch the next one. Thank you for reminding me.”

She nodded. I grabbed my folder, stood up, and brushed the grit off my pants. My heart raced. I’d sprint sweat-soaked, praying to reach the platform in time. Otherwise, I’d be forced to wait another forty-five minutes.

“I’ve enjoyed this. Meeting you. Keep the silence.”

---

Author’s note: I wrote this novella in Spanish about ten years ago. It’s contained in the collection titled Los reinos de brea.

In case the dialogue seemed shoddy to you… yeah, I’d say the dialogue is the worst part of this story. The protagonist is an awkward loner and the woman is, well, something else. I don’t remember much of the story in that regard other than the fact that back then I wished I knew how to make the dialogue less awkward.

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Through the train window flowed a blurry stream of single-family homes, their walls topped by conifers pruned into cloud-like shapes. As I yawned and dug a fingertip into my tear duct, two toad statues splashed green across the cement-and-asphalt vista. They perched on pillars marking the gate of a villa. Seconds after the train had passed them, their green lingered.

The headphones poured a deluge into my ears, a barrage of thunder. The soundtrack accompanied the queue of white cars and vans waiting at a railroad crossing, a woman trudging down the parallel road’s center laden with bags, and utility poles stretching cables over rooftops every dozen meters. To the left glided the occasional two-story cubic building, its facade blackened in streaks where years of rain had trickled. The train descended into a cement-walled trench with a grid-like pattern.

I slumped into the seat and blinked. Was I witnessing unfamiliar landscapes, or did my exhaustion—cracking my mind like an old rubber band—prevent me linking these views to my memories? I could have swapped this procession of villas and gray buildings for any within kilometers, yet I’d never noticed those crouching toad statues, green as amusement park props, poised as if to leap.

The train stopped at a station. Doors hissed open. When I stood, the work folder resting on my thigh slid to the floor. I scrambled to grab it and slipped through the doors just before they closed.

Hitachi. A city I’d never visited. On the route map, Hitachi lay as many stops from the office as my apartment did, but in the opposite direction.

As I wandered the station, I raked my scalp with fingernails but stopped short of tugging. Images of leaving the office and boarding the train had dissolved into a lagoon of identical memories. All day my eyelids had weighed anchors; three coffees barely kept me conscious. Why be surprised if, half-somnambulant as I lived, I’d boarded the wrong platform?

The next return train would arrive in forty-five minutes. The journey home would take twice as long. I’d eat dinner perched on my bed, sleep, and rise early to squeeze into another train bound for work.

The PA system’s echoes pierced my headphones’ wall of rain and thunder. A buoyant, game-show-host voice announced departures, arrivals, and safety protocols.

I drifted to the station’s far end. Before a glass wall stood metallic benches mimicking geometric shapes. A woman in a fitted suit pressed her phone to her ear while staring through her reflection. Two middle-aged men with hiking backpacks sat slouched on a bench. Trudging past, I glimpsed a strip of gray-clouded sky and ocean rising beyond. As I circled the benches, I realized the people had vanished. I collapsed onto a backless metal block.

Serpentine foam coiled around pillars of an elevated highway; waves slid in white ripples before dissolving against a beach’s gray stones. Plastic debris littered the shore. Cars materialized at one edge of the glass and vanished at the other. Beyond the beach sprawled a puzzle of single-story villas and gardens. No movement betrayed inhabitants.

I rubbed my face, numbed by fatigue. My limbs hung heavy as a school backpack. I’d tripped myself again, for the umpteenth time. Some presence within me loathed me, waited for weakened defenses to sabotage me. How it benefited, I didn’t know. Maybe it thought I deserved it.

Sitting forty-five minutes only to sit another ninety disgusted me. Days limped by in cycles of sitting and battling tedium—that dreadful crawl of minutes—until I earned a pause.

I stood and stretched. Exiting the station, I aimed for the overpass stairs leading downtown, but above the station roof loomed office towers and elaborate mall complexes. I envisioned streams of shoppers hauling bags, and white-shirted office workers. I’d exceeded my daily tolerance for people.

Walking away, I sought any appealing route. To my left, walled gardens bristled with pruned shrubs and trees; to my right, the station’s gray metal blocks striped with sky-reflecting windows. Passing a house half-painted green and beige, I found a dirt parking lot and an ocean band leveled with the horizon. For dozens of meters I walked past clusters of cars awaiting commuters.

My headphones sustained a wall of rain and thunder—a window to some parallel dimension silencing this world’s incursions. These telephone and power poles with their catenary cables arcing over the sidewalks, the two-story buildings housing ground-floor shops—they belonged to an immersive film powerless to touch me. Restaurants, a dentist, a costume shop streamed by as poles and wires multiplied. Beyond a hotel, I hurried through an intersection clotted with white-and-gray cars and truck hulks.

Wherever I looked, I’d missed by hundredths of a second how someone filled voids with this scenery. Every raised wall, every cleared path herded me onward.

In gravel stretches between houses, veins of green clung to facades and cement walls. Some residents kept pruned trees in bathroom-sized gardens, planters bordering sidewalks. Faded paint on buildings’ bases had eroded to bare cement. Bricks and concrete blocks supported AC units. In one entryway, two spindly shrubs—trimmed into stepped shapes—huddled against walls like doormen clearing passage.

I stopped before a row of vending machines nestled in a cement wall’s alcove. Alongside soda and water, one sold canned coffee, another whisky bottles.

Why had I stopped? Did I want a drink?

A presence pressed my back like a giant eye focusing on me. Across the narrow road stood two beige homes with corroded metal sheds. To their right hung an electronics store sign on rain-darkened wooden planks. And between the buildings, a metal sheet roofed a passage. The sidewalk beyond yielded to a path of flattened grass. I hunched and glimpsed ferns crowding the shadowed trail.

I glanced for witnesses. In a nearby lot, a man unloaded packages from a van parked inside a warehouse.

I crossed the road and hurried into the passageway as if sheltering from rain, crunching pine needles and twigs underfoot. It smelled of damp vegetation. To either side, a clover field faded into gloom.

I removed my headphones and switched off the player. A breeze hissed. As I pressed on, the darkness lifted. Hangar-ceiling-like light fell. The pillars ahead resolved into striated, wine-red pines soaring three or four stories. Scraggly trees filled gaps between them with effervescent green.

I followed the path, gaze turned to a granite-gray sky. Its light blurred leaves that a breeze stirred. Birds with sky-blue bodies and navy heads trilled from treetops. I climbed grassy slopes between ferns and plants that spilled onto the path, grazing my pants and arms. Leaves fluttered down like glowing snowflakes.

The forest thickened. Trunk columns alternated with shifting green patches in the undergrowth. Overhead, layers of branches choked the remaining white gaps.

I emerged into a clearing: grass and fern clusters like paused explosions. A swampy pond spanned half the space, its scum-coated surface feeding the encircling pines’ roots. By the bank, a moss-patched boulder—lounger-sized—bore an ethnic European woman in a white dress embroidered like a tablecloth, with circle sleeves and a knee-length skirt. Her pale-pink skin suggested years of avoiding the sun. Blotches mottled her skin as if splashed by color-burning liquid. Wet golden locks darkened her dress’s shoulders to her chest. Her bare feet, soles creased, clung with grass blades.

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Author’s note: this novella was originally written in Spanish about ten years ago. It’s contained in the collection titled Los reinos de brea.

Today’s song is “Alison” by Slowdive.

This is the second of my Serious Six, the novellas I wrote back when I believed that if I did it well enough and insisted on sending them around, someone would want to publish them. It didn’t happen. Chronologically, the previously translated novellas Smile and Trash in a Ditch were the third and sixth respectively.

A few years before I wrote this novella, I exhausted my very limited energies as a programmer, working a 9-to-5 at a business park that demanded plenty of commute time. Back then, I hadn’t yet been diagnosed with autism nor had my pituitary gland tumor detected. I tried to pass as normal while constantly punishing myself because I couldn’t manage to do what seemingly came so easily to others. My hormones were out of whack due to the pituitary issues, and kept me in mental states similar to those of a woman during pregnancy and lactation (TMI: I also lactated). Anyway, I kept passing out on the train and the moment I returned home. I felt like I was sleepwalking everywhere. More often than not, when I stared at an approaching train, I fantasized about jumping onto the tracks.

One of those days, instead of getting on the right train, I ended up taking the one that led in the opposite direction. I fell asleep, and when I woke up, for a good while I stared at the views in an oniric state that prevented me from figuring out if I didn’t recognize those vistas or if my brain was out of whack. Once I realized the mess I had gotten myself in, I sat alone at an isolated train station about forty kilometers into the depths of my province, a town I had never visited. I remember a middle-aged woman approaching me and asking me a question in Basque; I’m from a border town where you’re extremely unlikely to be asked anything in Basque. Hell, these days you can’t even understand what a third of the population are saying.

Eventually my subconscious urged me to write this strange story, in which a perpetually tired salaryman found a sanctuary of nature, along with a strange woman, amidst cement and decay. This whole thing was like a fever dream. Because I hadn’t chosen most of the details, it took me years to come to grips with what that whole story was about, as well as the identity of the woman.

Anyway, I hope you enjoy this one. It’s very different from Smile and Trash in a Ditch.