Canon bible for my fantasy cycle #1

With this cycle of fantasy stories, of which I’ve just finished the first arc (named “The Extraction at 12 Kiln Lane”), I intend to expand what’s allowed in its world one story at a time. That means I need to keep a reliable bible of what’s canon. I’ll post on my site the updates to the bible, both because they’ll be easier for me to access as well as because it may be interesting to others.

You shouldn’t be reading this, though, unless you’ve read “The Extraction at 12 Kiln Lane,” which is the first arc of my fantasy cycle. Links here.


CANON BIBLE

0) CHANGE LOG (this story’s impact)

  • Added:
    • Craft-based occult mishaps can originate an “entity/contamination” via a purchased grimoire fragment ritual, with catastrophic kiln failure and death as the pivot event. (Evidence: “ritual from a grimoire fragment I’d bought… firing went catastrophically wrong”; source: Perfect in the Ashes)
    • Burial is an attempted containment method for tainted ceramics, but it can fail over long time horizons as the shard “strengthens” and reaches living hosts. (Evidence: “I thought burial would contain it. I was wrong.”; source: Perfect in the Ashes)
    • “Living bodies anchor entities better than ceramic” is asserted as a key working rule for why corruption transfers into animals/humans and persists. (Evidence: “Living bodies anchor entities better than ceramic.”; source: Perfect in the Ashes)
    • On-page first-aid protocol is explicit: rinse/clean first, then disinfect with vinegar; linen strips are used for closure/binding. (Evidence: “need to rinse first… before disinfectant touches it” / “reaches for linen strips”; source: Perfect in the Ashes)
  • Expanded/Clarified:
    • Ceramic containment vessels may first appear as emergent outcomes of failed occult craft events, not only as planned tools. (Evidence: “my first functional containment vessel, sitting perfect in the ashes”; source: Perfect in the Ashes)
    • Salt practice extends beyond outdoor boundary lines: Aldous embeds salt into interior floor cracks as a persistent, domestic-scale measure (purpose not proven). (Evidence: “stone floor with salt worked into the cracks”; source: Perfect in the Ashes)
  • Flagged as conflict/ambiguous:
    • None newly introduced by this story (existing “primary-anchor cascade” conflict remains; see §11).

1) CORE PREMISES (high leverage)

  • [Proven] Mudbrook-on-the-Bend runs a centralized, written contract system for local needs, administered on-site. (Evidence: “our humble gathering spot, the Municipal Aid Registry”; source: The Municipal Aid Registry)
    Implications: Records and paperwork can drive plot turns; leverage lives in what’s written, not just what’s said.
  • [Proven] The Registry’s administrator (“Copperplate”) is nonhuman and operates with visibly slow, ritualized record-keeping. (Evidence: “the tortoise-person behind the counter. Copperplate.”; source: The Municipal Aid Registry)
    Implications: Bureaucratic tempo is a real obstacle; urgency can clash with process.
  • [Proven] Work and compensation are denominated in copper and silver, with meaningful spreads between petty tasks and higher-risk work. (Evidence: “2 copper”; source: The Municipal Aid Registry)
    Implications: Stakes can be signaled economically without exposition.
  • [Implied] The same hazard label (“possessed”) can encode different realities: folklore, euphemism, or technical breach language—depending on who’s speaking and why. (Evidence: “don’t know what ‘possessed’ means out here yet”; source: Fine Print & Featherbones)
    Implications: Mispricing risk is plausible; “translation” between local codewords becomes power.
  • [Proven] A Registry-linked job can have a socially recognized contract-holder while others participate as “backup.” (Evidence: “Vespera’s contract. I’m backup.”; source: The Girl From the North Road)
    Implications: Credit/blame attaches to the named holder; abandonment/betrayal stakes sharpen.
  • [Proven] Contract-holder status can control who gets briefed first by the client on sensitive procedures. (Evidence: “You took the contract, so you get the explanation first.”; source: Salt Lines)
    Implications: Information can be tiered inside a team; secrecy can be procedural, not just personal.

2) METAPHYSICS & SUPERNATURAL

  • [Implied] “Wards” exist as a practical concept (“ward breach”), and discussing them publicly can carry social risk (gossip). (Evidence: “without advertising a ward breach at the Registry”; source: Salt Lines)
    Limits/Costs: The story proves the term and the secrecy norm, not the ward’s objective mechanics.
    Implications: Occult work can be constrained by reputation management; “where you talk about it” matters.
  • [Proven] Salt is used in deliberate geometric layouts as a containment boundary around a worksite. (Evidence: “marked with geometric patterns in thick salt lines”; source: Salt Lines)
    Limits/Costs: The layout’s effectiveness is asserted by Aldous, not demonstrated on-page.
    Implications: Scenes can hinge on line integrity; wind, footsteps, animals, or sabotage become real stakes.
  • [Implied] Salt practice can be embedded into domestic architecture as a persistent measure (not just temporary perimeter lines). (Evidence: “stone floor with salt worked into the cracks”; source: Perfect in the Ashes)
    Limits/Costs: Purpose/effect is not proven; could be habit, superstition, or functional warding.
    Implications: Houses/workshops can carry “built-in” ritual infrastructure; old buildings can encode past incidents.
  • [Implied] Corruption/anchoring can produce “bleed-through” environmental symptoms (gloom/dim light/objects seeming wrong) that practitioners treat as diagnostic. (Evidence: “The gloom’s not aesthetic… It’s symptomatic.”; source: That Feathered Bastard)
    Limits/Costs: This is practitioner testimony; causality isn’t proven.
    Implications: Set pieces can telegraph occult presence via lighting/perception shifts without new creatures appearing.
  • [Proven] A ceramic containment vessel can receive extracted “wrongness/corruption” from a host, leaving the animal behaviorally normal again. (Evidence: “it’s in the vessel now.”; source: That Feathered Bastard)
    Limits/Costs: The procedure is physically brutal to the host during engagement. (Evidence: “The hen convulses…”; source: That Feathered Bastard)
    Implications: Craft-magic is an actionable option with choreography costs.
  • [Expanded/Clarified] Containment vessels may originate as emergent results of catastrophic craft-ritual events, not only as planned artifacts. (Evidence: “my first functional containment vessel… perfect in the ashes”; source: Perfect in the Ashes)
    Limits/Costs: This describes Aldous’s first case; generality beyond him is unproven.
    Implications: “Accident-born” artifacts can become coveted/feared; provenance matters as much as function.
  • [Implied] Extraction is geometry-driven (“gradient forms along geometric lines”), consistent with Aldous’s “etched geometry” framing. (Evidence: “The gradient forms along geometric lines”; source: That Feathered Bastard)
    Limits/Costs: Mechanism remains partially model-based.
    Implications: Magic stays materially legible (geometry, positioning) rather than incantation-based.
  • [Proven] Extraction has operational constraints: proximity is fixed to a “handspan,” restraint must not shift, and “eyes away” from the vessel opening is required. (Evidence: “exactly one handspan… any movement breaks the pattern” / “Eyes away from the opening.”; source: That Feathered Bastard)
    Limits/Costs: The reason for eye-aversion is not specified.
    Implications: Role specialization (restrainers, callers, vessel-handler) becomes necessary.
  • [Proven] Corruption can exert a direct “spiritual pressure” on targets; resistance is possible. (Evidence: “Pressure blooms behind my eyes—cold, invasive… it slides off”; source: That Feathered Bastard)
    Limits/Costs: The pressure can manifest as sensory assault. (Evidence: “scrapes against the inside of my skull”; source: That Feathered Bastard)
    Implications: Composure/resolve is diegetic defense; threats aren’t only physical.
  • [Expanded/Clarified] “Corruption” has a burnt-clay sensory signature, but odor can persist even after active pressure collapses post-extraction. (Evidence: “burnt-clay smell doesn’t fade but… pressure… collapses”; source: That Feathered Bastard)
    Limits/Costs: Smell alone can create false positives after cleanup.
    Implications: Investigations need multi-signal confirmation.
  • [Implied] Terminology alias: Aldous uses “primary vector,” overlapping earlier “primary anchor” talk. (Evidence: “this is the primary vector.”; source: That Feathered Bastard)
    Implications: Practitioner vocab can fork (vector/anchor/host), enabling misunderstandings.
  • [Proven] Tainted ceramics can act as long-term sources that “strengthen” and reach into nearby life, transferring corruption into living hosts. (Evidence: “The shard must have strengthened over time, reached out”; source: Perfect in the Ashes)
    Limits/Costs: This is Aldous’s account; broader ecology is not demonstrated beyond this incident.
    Implications: “Old mistakes” can become delayed hazards; excavation and renovation can trigger plots.
  • [Proven] Burial is an attempted containment method for a tainted shard, but it can fail. (Evidence: “I thought burial would contain it. I was wrong.”; source: Perfect in the Ashes)
    Limits/Costs: The story does not specify why burial failed (depth, site, time, ritual error).
    Implications: Disposal protocols become a high-stakes choice; “bury it” is not a safe default.
  • [Implied] Living bodies are treated as better anchors for entities than ceramics, explaining why corruption transfers into animals/humans and persists. (Evidence: “Living bodies anchor entities better than ceramic.”; source: Perfect in the Ashes)
    Limits/Costs: This is a practitioner rule-claim, not experimentally proven on-page.
    Implications: Triage shifts toward protecting living beings from exposure; quarantine logic becomes biological.
  • [Proven] Occult practice can be learned/applied via purchasable text fragments (“grimoire fragment”), and misuse can cause lethal kiln disasters. (Evidence: “ritual from a grimoire fragment I’d bought… she died in the kiln fire”; source: Perfect in the Ashes)
    Limits/Costs: The market, legality, and prevalence of such fragments are unknown.
    Implications: Black-market scholarship becomes a plot engine; “book access” is power and danger.

3) SPECIES & PEOPLES

  • [Proven] Cat folk exist and are recognized as a distinct people; in Mudbrook they are rare enough to draw attention. (Evidence: “a member of the cat folk”; source: The Municipal Aid Registry)
    Implications: Outsider presence can destabilize local routines; public scrutiny is constant.
  • [Proven] Cat-folk physiology differs in readable ways (fur/whiskers/tail) and facial expressiveness is harder for humans to interpret. (Evidence: “Cat-folk’s faces aren’t that easy to read”; source: The Municipal Aid Registry)
    Implications: Misreads are plausible in negotiation and conflict.
  • [Proven] Heterochromia occurs among cat folk and is explicitly described as uncommon (but not unheard of). (Evidence: “heterochromia’s not super common among cat folk”; source: The Municipal Aid Registry)
    Implications: Visible traits can be social hooks without implying destiny.
  • [Implied] Tortoise-people can hold civic authority and present as long-established community fixtures. (Evidence: “Been here before any of us showed up.”; source: The Municipal Aid Registry)
    Implications: Institutional continuity may be nonhuman-driven.

4) GEOGRAPHY & PLACES

4.1 Settlements

  • [Proven] Mudbrook-on-the-Bend is a compact canal-side rural town with clustered housing and workday emptiness. (Evidence: “Tightly packed houses along a blue-green canal.”; source: The Municipal Aid Registry)
    Implications: Encounters are conspicuous; anonymity is hard.

4.2 Notable Sites

  • [Proven] The Municipal Aid Registry operates out of a repurposed grain/warehouse structure that doubles as a social drinking space. (Evidence: “converted grain barn”; source: The Municipal Aid Registry)
    Implications: Civic business happens in public; eavesdropping and performance are always in play.
  • [Proven] Aldous’s site at 12 Kiln Lane is reachable by mid-morning travel and includes an exterior work yard used for controlled procedure. (Evidence: “We reach 12 Kiln Lane after mid-morning.”; source: Salt Lines)
    Implications: Travel pacing within town environs is narratively usable.
  • [Proven] The 12 Kiln Lane yard can be actively configured as a containment space (salt geometry; quarantine coop). (Evidence: “geometric patterns… salt lines” / “quarantined in the coop. Locked.”; source: Salt Lines)
    Implications: Locations can be “rigged” for supernatural procedure.
  • [Expanded/Clarified] Containment sites are vulnerable to mundane enclosure failure, allowing animals to escape mid-incident. (Evidence: “the latch doesn’t catch… finger-width gap of light.”; source: That Feathered Bastard)
    Implications: Carpentry/hardware reliability becomes part of containment doctrine.
  • [Proven] The chicken contract target location is Aldous’s workshop at a specific indexed address, tied to districting and legacy infrastructure. (Evidence: “twelve Kiln Lane… eastern district… near the old millrace.”; source: The Municipal Aid Registry)
    Implications: Addresses/districts exist; old infrastructure can anchor hazards and navigation.
  • [Implied] Aldous’s kitchen functions as a workshop-adjacent recovery/triage space with stored stoppered bottles and a basin for rinsing wounds. (Evidence: “pull down a stoppered bottle” / “approaches the wash basin”; source: Perfect in the Ashes)
    Implications: After-action scenes can credibly happen on-site; supplies/fixtures become tactical resources.

5) INSTITUTIONS, LAW, & POWER

  • [Proven] Registry participation involves documented postings and a ledger process that requires identity capture. (Evidence: “I require the contractor’s… full name… for the permanent record.”; source: The Municipal Aid Registry)
    Implications: Pseudonyms become legally meaningful; reputation can be tracked.
  • [Proven] Registry-recorded contract terms can be explicitly legally binding, including payment options. (Evidence: “Both options… are legally binding.”; source: The Municipal Aid Registry)
    Implications: Enforcement/expectation can drive consequences; “in-kind pay” can be a trap.
  • [Proven] The Registry appears to charge a posting fee (at least sometimes) and serves as a stabilization mechanism for disputes. (Evidence: “when I can spare the fee.”; source: The Municipal Aid Registry)
    Implications: Poverty pushes informal deals; fees create inequity and motive.
  • [Proven] Registry notices can circulate as portable paper outside the building, enabling third parties to audit terms. (Evidence: “I pull the posted notice… and extend it toward her”; source: Fine Print & Featherbones)
    Implications: “Who has the paper” matters; disputes can hinge on documents.
  • [Implied] Contractors/clients may strategically misframe a dangerous job in Registry language to control who learns sensitive details. (Evidence: “posting said ‘mother-in-law’ because I needed help fast”; source: Salt Lines)
    Implications: The Registry can incentivize euphemism; “official” postings may understate hazard.
  • [Implied] Copperplate’s record-keeping burden can be leveraged as social pressure (“an afternoon with his quill”). (Evidence: “spend a whole afternoon with his quill”; source: Salt Lines)
    Implications: Bureaucratic scrutiny can function as deterrence without arrests.
  • [Implied] A “local guard” exists as an institution distinct enough to be named, and it is expected to provide martial training. (Evidence: “Local guard’ll give you training.”; source: The Girl From the North Road)
    Implications: Mudbrook isn’t purely civilian; sanctioned force can shape arcs.

6) ECONOMY, CRAFT, & MATERIAL CULTURE

  • [Proven] Currency includes copper and silver; petty services can be priced in copper. (Evidence: “3 copper”; source: The Municipal Aid Registry)
    Implications: Denomination signals stakes.
  • [Proven] Compensation can be coin or in-kind property transfer (livestock) as a contractual option. (Evidence: “1 silver, or take the chickens.”; source: The Municipal Aid Registry)
    Implications: Payment can impose logistical burdens (transport, housing, resale).
  • [Proven] Skilled trades (e.g., tanning) are stable livelihoods; craft identity is socially legible. (Evidence: “I’m a simple tanner, alright”; source: The Municipal Aid Registry)
    Implications: Craft networks can carry authority without guild exposition.
  • [Proven] Tobacco smoking exists as a routine adult practice; matches enable quick ignition. (Evidence: “He lights it with a match”; source: Fine Print & Featherbones)
    Implications: Portable fire is commonplace.
  • [Proven] Taverns are a known income stream for traveling performers. (Evidence: “get money off taverns”; source: Fine Print & Featherbones)
    Implications: Bard circuits can be an economic engine.
  • [Proven] Lock-and-key hardware is in common use for animal containment/quarantine. (Evidence: “He fits the key into the padlock.”; source: Salt Lines)
    Implications: Physical security is practical; keys become plot objects.
  • [Implied] Advanced pottery knowledge exists as spoken technical literacy, at least among master artisans. (Evidence: “cobalt oxide… salt-fired stoneware… fired at cone ten”; source: Salt Lines)
    Implications: “Magic by materials” can feel grounded through real craft talk.
  • [Proven] Common household alcohol types include cider and mead stored in clay jugs. (Evidence: “There’s cider here” / “the other jug—the mead”; source: Perfect in the Ashes)
    Implications: In-home hospitality scenes can be materially specific; intoxication/sterilization myths can be leveraged.
  • [Proven] Stoppered glass bottles are used for stored liquids (e.g., vinegar) and kept in household cabinetry. (Evidence: “pull down a stoppered bottle from the shelf”; source: Perfect in the Ashes)
    Implications: Reagents can be kept ready-to-hand; theft/sabotage of bottles becomes plausible.
  • [Proven] Field-expedient first-aid uses vinegar as disinfectant and linen strips for wrapping/closure. (Evidence: “let the vinegar soak into the wound” / “reaches for linen strips”; source: Perfect in the Ashes)
    Implications: Wound-care resources are part of kit/household stock; scarcity of clean linen can matter.
  • [Implied] “Medicine skill” is a named competency that characters self-assess and can be “trained for.” (Evidence: “My medicine skill isn’t excellent” / “That’s what I’m trained for.”; source: Perfect in the Ashes)
    Implications: Expertise hierarchies can drive who leads triage; competence disputes become social conflict.

7) SOCIAL NORMS, STATUS, & TABOOS

  • [Proven] Explicit sexual services can be publicly posted and framed as pragmatic barter (by some locals). (Evidence: “I request a handjob, and offer one in return.”; source: The Municipal Aid Registry)
    Implications: Adult barter can be mundane; scandal is character-dependent.
  • [Proven] The Registry’s written system replaced (or reduced) ale-mediated bargaining because informal deals escalated into fights. (Evidence: “offer deals over ale… there’d be fights.”; source: The Municipal Aid Registry)
    Implications: Bureaucracy is peacekeeping tech.
  • [Proven] Nonlocal “exotic” bodies draw attention and commentary in public spaces. (Evidence: “eyes tracking the exotic cat-woman.”; source: The Municipal Aid Registry)
    Implications: Anonymity is harder for visibly nonhuman travelers.
  • [Proven] Gossip is treated as a real operational hazard in Mudbrook (information control matters). (Evidence: “You know how gossip travels in Mudbrook.”; source: Salt Lines)
    Implications: Secrecy can be logistical (where/when you speak).
  • [Implied] Within “weird” work, restraint over cruelty can be treated as a professional criterion, not just morality. (Evidence: “without improvising cruelty… killing is ‘simpler.’”; source: Salt Lines)
    Implications: Teams can fracture over method; “procedure ethics” can be a pressure point.

8) THREATS, HAZARDS, & VIOLENCE (world-level)

  • [Proven] Disease (“winter fevers”) can kill and is part of lived memory. (Evidence: “until the winter fevers took her.”; source: The Municipal Aid Registry)
    Implications: Seasonality can be lethal; grief and demographic shifts are plausible.
  • [Proven] Violent capability exists locally (scarred veteran with a longsword) and is treated as a resource for risky jobs. (Evidence: “always carrying around that longsword of hers.”; source: The Municipal Aid Registry)
    Implications: The town can field combatants; danger is credible.
  • [Implied] The region recognizes a class of rural anomalies (“pastoral weird”) that experienced contractors handle. (Evidence: “cleared pastoral weird before”; source: Fine Print & Featherbones)
    Implications: “Weirdness” can be an occupation; protocols and reputations matter.
  • [Proven] Occult incidents can weaponize small livestock into credible attackers, causing puncture wounds and head injuries; armor can mitigate but not remove risk. (Evidence: “beak straight into Rill’s torso. Right over her heart.”; source: That Feathered Bastard)
    Implications: “Harmless animals” can become lethal vectors; protective gear matters.
  • [Proven] Protective leather/quilting can blunt peck strikes, but exposed flesh remains vulnerable. (Evidence: “dull thud against her leather cuirass”; source: That Feathered Bastard)
    Implications: Partial armor creates tactical target selection (arms/face) and injury patterns.
  • [Proven] Occult extraction procedures can trigger extreme resistance from small hosts, creating injury risk without lethal intent. (Evidence: “she’s going to thrash when the extraction engages”; source: That Feathered Bastard)
    Implications: Violence can occur inside “nonviolent” plans; restraint competence matters.
  • [Implied] Infection risk is treated as a serious secondary threat after anomaly violence, shaping triage order and procedure. (Evidence: “before infection sets in” / “Need to clean these wounds.”; source: Perfect in the Ashes)
    Implications: After-action scenes stay tense; supplies/time pressure persist after the “fight.”
  • [Implied] Wolves are part of the threat vocabulary near town outskirts as mundane danger. (Evidence: “whacked a wolf’s head.”; source: The Girl From the North Road)
    Implications: Not all danger must be supernatural; travel carries predation risk.

9) WORLD RULES SUMMARY (1-page compression)

  • Nonhuman peoples exist and can hold civic roles. (Evidence: “the tortoise-person behind the counter.”; source: The Municipal Aid Registry)
  • The Municipal Aid Registry is a central, public contract institution with written records and identity capture. (Evidence: “full name… for the permanent record.”; source: The Municipal Aid Registry)
  • Registry terms can be legally binding, including payment in coin or in-kind property. (Evidence: “Both options… are legally binding.”; source: The Municipal Aid Registry)
  • Contract execution can be group-based even when one person is the named holder. (Evidence: “Vespera’s contract. I’m backup.”; source: The Girl From the North Road)
  • Hazard labels (“possessed,” euphemisms) can be strategic and misleading. (Evidence: “posting said ‘mother-in-law’… needed help fast”; source: Salt Lines)
  • “Ward breach” is a meaningful (and socially sensitive) concept; gossip shapes operational secrecy. (Evidence: “advertising a ward breach… gossip travels”; source: Salt Lines)
  • Salt is used in deliberate geometric containment layouts; it may also be embedded into buildings as a persistent measure (effect not proven). (Evidence: “geometric patterns… salt lines” / “salt worked into the cracks”; source: Salt Lines / Perfect in the Ashes)
  • Ceramic-vessel extraction can move “wrongness/corruption” out of a host. (Evidence: “it’s in the vessel now.”; source: That Feathered Bastard)
  • Extraction requires precise “handspan” positioning, stable restraint, and “eyes away” from the vessel opening. (Evidence: “exactly one handspan” / “any movement breaks the pattern” / “Eyes away”; source: That Feathered Bastard)
  • Corruption can exert “spiritual pressure” (sensory/mental assault), and some targets can resist. (Evidence: “Pressure blooms behind my eyes… it slides off”; source: That Feathered Bastard)
  • Burnt-clay odor is associated with corruption but can linger after extraction; smell alone is not proof. (Evidence: “burnt-clay smell doesn’t fade but… pressure… collapses”; source: That Feathered Bastard)
  • Tainted ceramics can “strengthen” over time and transfer corruption into living hosts; burial is not a safe containment default. (Evidence: “strengthened over time, reached out” / “burial would contain it. I was wrong.”; source: Perfect in the Ashes)
  • Living bodies are treated as better anchors than ceramic (asserted rule), shaping quarantine/triage logic. (Evidence: “Living bodies anchor entities better than ceramic.”; source: Perfect in the Ashes)
  • Occult practice can be triggered by purchasable grimoire fragments; misuse can cause lethal kiln catastrophes. (Evidence: “grimoire fragment I’d bought… she died in the kiln fire”; source: Perfect in the Ashes)
  • After anomaly violence, wound care follows rinse-first then vinegar disinfection; linen strips are used for closure/wrapping. (Evidence: “rinse first… before disinfectant touches it” / “linen strips”; source: Perfect in the Ashes)

10) OPEN QUESTIONS (canon-relevant unknowns)

  • What does “destroyed it properly” mean in Aldous’s practice (method, materials, risks), and who else knows it? (Evidence: “I dug it up and destroyed it properly”; source: Perfect in the Ashes) Why it matters: Determines whether tainted objects can be safely neutralized and who controls that capability.
  • How common/accessible are “grimoire fragments,” and what institutions (legal, illicit, academic) circulate them? (Evidence: “grimoire fragment I’d bought”; source: Perfect in the Ashes) Why it matters: Sets the baseline prevalence of ritual accidents and occult literacy.
  • Are containment vessels reproducible by craft once “learned,” or was Aldous’s first vessel a unique catastrophe-product? (Evidence: “my first functional containment vessel”; source: Perfect in the Ashes) Why it matters: Controls the scalability of extraction crews and the economy of containment.
  • Why is “eyes away from the opening” mandatory: safety, interference prevention, or geometry stability? (Evidence: “Eyes away from the opening.”; source: That Feathered Bastard) Why it matters: Determines training, PPE, spectator risk, and sabotage vectors.
  • Can a single containment vessel safely hold multiple extractions, or does it require swapping/renewal? (Evidence: “vessel cradled carefully”; source: That Feathered Bastard) Why it matters: Sets operational capacity and supply constraints.
  • Are “bleed-through” symptoms objective environmental changes or perception effects? (Evidence: “the way the roosting bars look wrong”; source: That Feathered Bastard) Why it matters: Affects reliability of atmospheric cues and witness testimony.
  • Does removing corruption from the “primary” host weaken secondary hosts quickly, or is the network model conditional/incorrect? (Evidence: “Rooster’s still active.”; source: That Feathered Bastard) Why it matters: Determines triage strategy during multi-host events.
  • What personal quality enables resistance to “spiritual pressure” (training, temperament, warding knowledge, prior exposure)? (Evidence: “hits resistance. Shatters”; source: That Feathered Bastard) Why it matters: Defines who can safely participate in close-range anomaly work.

11) CONFLICTS & AMBIGUITIES (only if needed)

  • Primary-anchor cascade model vs. observed persistence of corruption
    Side A: Aldous claims a primary host tethers secondaries; severing it should stabilize the rest rapidly.
    Evidence: “speckled hen is the primary anchor” / “other four… secondary hosts” (source: Salt Lines)
    Side B: After the speckled hen is extracted, other birds remain corrupted/active and continue attacks/pressure.
    Evidence: “Rooster’s still active.” / “black pullet locks eyes… Click, click, click.” (source: That Feathered Bastard)
    Hypotheses (NON-CANON):
    • “Secondary hosts” may require their own extractions even if the primary is cleared; the “rapid stabilization” claim was optimistic.
    • Multiple fragments/vectors were present; the “primary” was only one anchor among several.
    • A short “aftershock window” exists where secondaries remain dangerous before settling.
    • The working’s intended cascade can be disrupted by chaos (escape, micro-movement, injury), preventing clean stabilization.

12) DESIGN SPACE (NON-CANON) — future expansions that fit

  • Idea (NON-CANON): A black-market “fragment trade” with grades (copy, excerpt, true leaf), each with different failure signatures.
    Built-from-canon: §2 “grimoire fragment I’d bought”; §2 kiln catastrophe risk.
    Why it complements/contrasts: Turns one purchasable fragment into an ecosystem of access, fraud, and escalating disasters.
  • Idea (NON-CANON): “Proper destruction” as a three-step doctrine (isolation → re-firing → salted quench), with rare specialists who certify it.
    Built-from-canon: §2 “destroyed it properly”; §2 salt as embedded practice.
    Why it complements/contrasts: Makes disposal a procedural bottleneck that can be contested, outsourced, or sabotaged.
  • Idea (NON-CANON): Artifact provenance taboo: catastrophe-born vessels are powerful but socially/ritually “dirty,” affecting who will handle them.
    Built-from-canon: §2 “first functional containment vessel… perfect in the ashes”; §7 gossip as hazard.
    Why it complements/contrasts: Keeps power available while attaching social and moral costs.
  • Idea (NON-CANON): “Delayed-strengthening” contamination timeline models (weeks/years) used by practitioners to assess buried risks near old sites.
    Built-from-canon: §2 “strengthened over time, reached out”; §4 old infrastructure as anchors.
    Why it complements/contrasts: Enables long-fuse mysteries and makes archaeology/renovation inherently tense.
  • Idea (NON-CANON): Post-incident medical doctrine for anomaly crews (rinse tiers, vinegar alternatives, linen scarcity triage) with failure cases (infection, scarring, reinfestation).
    Built-from-canon: §6 vinegar + linen; §8 infection fear.
    Why it complements/contrasts: Extends grounded material culture into lasting consequences without adding new magic.

Neural Pulse, Pt. 11 (Fiction)

In an electric flash and crackle, my muscles seized, and my vision flared white. As I crumpled backward like a dead weight, my left arm and the side of my head slammed into the control panel. My brain thrummed with electricity. It reeked of burning.

In the whiteness, the silhouette of a spacesuit materialized, looming over me. Several shadows clamped onto my arms with claws. One shadow dug its knees into my abdomen and crushed my face between its palms. I tried to scream, but only a ragged whimper escaped my throat. The tangle of shadows obscured my sight, swallowing me. A shadow snatched my hair and pulled; hundreds of points on my scalp prickled tight. Another shadow smothered my nose and mouth.

When I could feel my arms again, I lashed out at the shadows, thrashing as I braced myself against the control panel and the seat. I lunged for a silhouette—Mara’s spacesuit—but she sidestepped, and I plummeted onto the cockpit floor. A blow to the crown of my head plunged me into a murky confusion.

My wrists were bound behind my back—duct tape, I glimpsed, as Mara, crouched by my knees, finished wrapping my ankles. She straightened and hobbled backward. She stepped on the electroshock lance lying discarded on the floor and slipped, but the oxygen recycler clipped to the back of her suit arrested her fall as it struck the hatch.

Gauges of different shapes bulged on her belt like ammunition magazines. The suit’s chest inflated and deflated rhythmically. Mara unlatched her helmet and pulled it off, revealing her ashen face: mouth agape with baby-pink lips; livid, doubled bags under her eyes; strands of black hair plastered to her forehead with sweat. She leaned back against the hatch, gasping through her mouth, the corners glistening with saliva as she scrutinized me with intense, glazed eyes.

The cockpit reeked of sweat and burnt fuses. The shadows had congealed into a mass of human-shaped silhouettes, their hatred addling my brains, boiling me in a cauldron. Mara’s outline, as if traced with a thick black marker, pulsed and expanded.

No more anticipating how to defend myself, because I have you trapped. Thanks to you, the station doesn’t know we came down to the planet. With the tools of the xenobiologist you murdered, I will rip out your tongue, gouge out your eyes, bore into your face.

Mara crouched, setting her helmet on the floor. Exhaustion contorted her actress-like features, as if some illness burdened her with insomnia and pain.

“I thought I was marooned on this planet. I could have just called the station for rescue, but they’d fire me for nothing, and my pride would rather I suffocated than admit I needed help. Now I know—when we found the artifact, I should have tied you up then. Because you, being you, would just stick your nose right up to an alien machine that, for all you knew, could have detonated the outpost. And to understand what drove you to kill that xenobiologist, I imitated you. I stuck my nose up to that thing, and I saw my reflection. Now I know. Unfortunately, I know.” She regarded me like a comatose patient and waved a gloved palm. “Can you hear me? Did I scramble your brain?”

“I hear.”

My voice emerged as a rasp. I coughed. My mouth tasted of metal.

“And you understand?”

I nodded.

The black veil obscuring the cockpit stirred, rippling. Concentrated energy, like the air crackling before a storm. With Mara’s every gesture, the shadows shifted. Their bony claws crushed my thighs, cinching around my spine through suit, skin, and flesh.

A bead of sweat trickled down Mara’s forehead. She rubbed her face, swallowed. Her pupils constricted.

“Is that what you think? That I’ve convinced myself I’ve subdued you? That you’ll fool me until I let you go? That then you’ll finally strangle me? And even if the station calls it murder, no one will bother investigating, because most people who knew me would thank you for killing me.”

“I’m not thinking. When I try, my brain protests.”

Mara hunched down opposite me, reaching out to study the blow on my head, but halfway there her features pinched. She drew herself up, crossing her arms.

“I heard you telling me to come closer. Because you’ll break free, dig your nails into my corneas, and rip my jaw apart.”

My guts roiled; acid surged up my throat.

“You think I think things like that?”

“I feel this second consciousness… it betrays your thoughts as clearly as if you spoke them aloud. Maybe I’ll never understand how the artifact interfered with our minds, not just our language, but it’s a trick.”

I pushed my torso off the floor, sliding my back up the side of a seat inch by inch, trying not to provoke her, until my stomach settled. My head ached where she’d struck me. The throbbing in my skull clouded and inflamed my thoughts.

“You saw him. Jing. What I did.”

“I saw someone down there. I’d need dental records or DNA to be sure, but I trust elimination. I thought you’d claim it was an accident.”

“It was. I attacked the shadows. You feel them, don’t you?”

Mara took a deep breath.

“They’re pawing at me, trying to suffocate me. Products of my own besieged brain, I know, but I can hardly call them pleasant.”

“I wanted to keep it from affecting you. But at least now you understand.”

“Make no mistake. That xenobiologist is lying with his face beaten to a pulp in the second sublevel of an alien outpost because you are you.”

I pressed my lips together, erecting a wall against escaping words. I looked away from Mara’s eyes, concentrating on deepening my breaths. The muscles in my forearms were taut. Pain flared in my constricted wrists. This woman had fired an electroshock lance at me, beaten me, bound me, and now she was assaulting my character.

With her boot-tip, Mara nudged her helmet; it wobbled like a small boat.

“Although the jolts in my neurons, the shadows, and this other consciousness intruding in my mind unnerve me, the effect isn’t so different from how I’ve always felt around people. The two consciousnesses will learn to get along.”

“If you’re not exaggerating,” I said gravely, “I am truly sorry, Mara.”

She pushed damp strands of hair from her forehead and scrubbed it with the back of her glove, smudging it with dust. The corners of her lips sagged as if weights hung from them.

“Thanks for the sympathy.”

“Were you afraid I planned to do the same thing to you as I did to Jing?”

“Can you blame me for removing the opportunity?”

She limped heavily over to my seat and sat down sideways. As she leaned an elbow on the control panel, a shadow shoved my torso against the seat I leaned on; my lungs emptied. I shuddered, sinking into black water.

Mara had said we imagined the shadows, even if they affected us. I writhed onto my back, pushing with my heels until my head touched the cockpit hatch. My wrists throbbed, crushed tight. A shadow pressed down on my chest like someone sitting there, yet no physical presence had stopped me from moving. The artifact had hijacked my senses.

Mara regarded me from above, pale and cold like a queen enthroned.

“I wouldn’t have killed you,” I said. “You’re my friend.”

“Am I?”

Between the pulses of my headache, I tried to decipher her expression.

“To me, you are.”

“I like you. I tolerate you. But often, being around you feels like rolling in nettles, Kirochka.”

“Almost everything irritates you.”

“You’re incapable of seeing people as anything other than reflections of yourself. What you instinctively feel is right, you impose as right for everyone.” She shook her head, then leaned forward, her tone hardening as if she were tired of holding back. “You insist you have to drag me away from my interests, my studies, as if imitating your actions and hobbies would somehow make me impulsive and reckless too. Admit it or not, you think the rest of humanity are just primitive creatures evolving towards becoming you.” She jabbed a finger at her chest. “I need time to myself, Kirochka. Solitude. Reading. Designing one of my machines, or building it. You think people need to be prevented from thinking.”

Exhaustion was crushing me. I imagined another version of myself laughing, suggesting a drink or a movie, assuming Mara’s mood could be cured by a few laps in the pool. But my vision blurred. I blinked, swallowed to make my vocal cords obey.

“We’ve had good times.”

“The best were when I was enduring idiots and tolerating awful music.”

“You showed them you’re smart. Got half the tracking team to stop calling you ‘black dwarf’.”

“Yes, because those morons’ gossip was costing me sleep. You think I need to prove anything to them? They can believe whatever they want.”

Shadows crouched nearby, focusing their hatred on me, clawing at my skin, crushing my flesh with bony grips. They tormented me like chronic pain, but while Mara and I talked, I kept the torture submerged.

“Things went well for you, for a while, with that man you met. I don’t take credit, but would you have met him dining alone?”

The woman, deflated, blinked her glazed eye, rubbing it as if removing grit.

“You’re right. I miss things by focusing on research instead of acting like a savage. But I assure you, Kirochka, we’re too different for me ever to consider you a friend. Sooner or later, we’d stop tolerating each other.”

“We can bridge the differences.”

“You talk to fill silences. You pressure people for attention. You live for interaction. I could never sustain a friendship with someone like that.”

“Do you use me to get things?”

“Everyone uses everyone, if only to feel better about themselves. I just refrain from feeding illusions.” She drew herself up, as if recalling an injustice, and rebuked me with her eyes. “Besides, I didn’t stop running because I was lazy. I barely eat, and nobody’s chasing me in my apartment. Running bores me to death.”

“I wanted the company.”

Mara shook her head. Her tired gaze roamed the cockpit, as if seeing through the walls.

“When you called a few hours ago, I thought you wanted to drag me out drinking with you and the other pilots. I considered pretending I’d fallen asleep with the sound nullifier on. I should have.”

I contorted like a snake, sliding my back up the hatch. I leaned the oxygen recycler back, resting my head against the cool metal. Judging by the ache, when I undressed, my arms would be covered in lurid bruises.

“I consider you a friend. You listen when I need it. My professional peers, the ones who think they’re my friends, even my boyfriend—they’d tell me to shut up for ruining the mood.”

“When have you ever listened to me?”

“I want to. But I have to pry the words out of you.”

“Maybe that should have told you something, Kirochka.”

“That you hate me.”

She sighed, the effort seeming immense, like lifting a great weight.

“I don’t like human beings. I would have chosen to be anything else.”

Flashes on the communications monitor distracted me. Though Mara was still speaking, her words faded to a murmur beneath my notice. The headache pulsed, reddening my vision. Why did the monitor alert snag my attention? I snapped fully alert. It meant an incoming call.


Author’s note: I wrote this novella in Spanish about ten years ago. It’s contained in the collection titled Los dominios del emperador búho.

Today’s song is “Body Betrays Itself” by Pharmakon.

Neural Pulse, Pt. 10 (Fiction)

Paralyzed, I choked. I sucked in a lungful of hot air and collapsed to my knees before the xenobiologist. I pressed my hands against his suit’s chest. I pounded on him. No one would recognize Jing from what was left of his blood-drenched face. I stammered, repeating, “no, no, no,” while my fingers traced the helmet’s dents, the jagged shards of the broken visor jutting from the frame.

Pooling blood submerged the ruin of bone and flesh that was his face. When I tilted Jing’s body, the helmet spilled a tongue of blood onto the stone floor, slick with sliding globules of brain matter.

I staggered back, fists clenched, shuddering violently as if seized by frost.

Jing’s right hand was clamped around the handle of an automatic core drill. Perhaps the xenobiologist had approached to help me.

I shut my eyes, covered my visor with a palm. I pictured Jing standing beside me, an echo asking if I needed help. No, I hadn’t killed him. When I opened my eyes, the corpse lay sprawled on its side, the dented helmet cradling the ruin of his head.

Jing hadn’t known he was dealing with a live nuclear device. The flood of that feeling had swept over me. Had I seen the xenobiologist stop beside me? Had I decided to smash his face in with the crowbar?

I stumbled about, gasping for breath. My brain felt like it was on fire, seizing with electric spasms. Red webs pulsed at the edges of my vision, flaring brightly before fading. Before I knew it, I’d crossed the room that contained the construction robots, and was sprinting up the ramp. The oval beam of my flashlight jerked and warped, sliding over the protrusions and crevices of the rock face. My arms felt like spent rubber bands, especially the right, aching from fingertips to shoulder blades. Every balancing lurch, every push against the rock to keep climbing, intensified the ache.

I passed the first sublevel. My breath fogged the visor; I saw the flashlight beam dimly, as through a mist. My hair, pulled back at my nape, was soaked through, plastered to my skin.

I burst onto the surface, into the emptiness of the dome. I staggered, kicking through the sandy earth. I gasped for air and ran. I pictured myself training on a circuit—something that relaxed me at the academy after piloting, just as going to the gym with Mara relaxed me on the station—but now I was running from the consequences, from an earthquake tearing the earth apart like cloth. If I slowed, the fissure would overtake and swallow me.

I vaulted over the embankment to the left of the esplanade, where I’d hidden before, landing on my knees and one forearm. I scrambled backward, kicking up dirt, and pressed myself flat against the embankment’s exposed rock face.

The radio. I navigated the visor options until I muted my comm signal. When the notification confirmed I was off-frequency, I jammed my fists against my knees, my mouth stretched wide in a scream.

I drew a ragged breath. Beads of sweat dripped from my forehead onto the visor; the material wicked them away, like water hitting hot pavement. Mara would have reached the cockpit by now, found me missing. Nothing could make Jing’s death look like an accident. How would my friend look at me? What would she think when she found out? She’d think… because I killed the xenobiologist… I might kill her too.

I buried my helmeted head in my forearms. I welcomed the dimness. How had I let this happen? I knew I should have destroyed the artifact—just as I knew I had to fight back when those shadows grabbed me, tried to rip me open with their claws. I’d struck the shadows with the crowbar before I’d even consciously decided to. On other expeditions, while waiting for scientists and soldiers to emerge from some dense alien jungle, I’d monitor their radio chatter, trusting my instincts to warn me if I should suggest aborting the mission. Just as piloting was like flowing in a dance of thrust and gravity, the way dancing came naturally to others, I imagined. Now my instincts screamed at me to flee, to run from this embankment away from the ship, to strike out across the planet, heedless of survival. My instinct had been supplanted by another. And I knew the difference.

I peeked around the side of the embankment. The scarred esplanade remained deserted. The crystalline dome watched the minutes pass like some ancient ruin.

If Mara found out the artifact made me kill Jing, maybe she’d understand the danger, agree to destroy it. I was counting on her reasoning, on that cold logic that had so often irritated me. But if I waited too long to face her, she’d suspect my motives.

As I straightened up and stepped, dizzy, onto the esplanade, an electric spike lanced through my neurons, blurring my vision. I stumbled around until it subsided. I stopped before the central crater, hunching over to examine its charcoal-gray cracks and ridges. Crushed bones.

I activated the radio. The visor display indicated it was locking onto Mara’s signal. She’d see mine pop up, too, unless she was distracted. In the center of my darkened visor, the arctic-blue star shone through the thin atmosphere like a quivering ball of fluff.

“Where are you, Mara?”

“Cockpit.”

The shadows intercepted the transmission, projecting their hatred at me. It distracted me from Mara’s tone—was there suspicion coloring her voice? I waited a few seconds. Would she demand an explanation? Why was she silent?

“Good,” I said. “Stay there. I need to talk to you.”

As I climbed the slope skirting the hill towards the ship, the reality of my decision hit me. I was about to lock myself in the cockpit’s confined space with Mara. Her shadows would envelop me, sink their claws into my skin, force themselves down my throat to suffocate me. I wanted desperately to rip off my helmet, wipe the sweat from my face. I needed a shower, a moment to think.

I located the ship’s tower. Several meters ahead lay three cargo containers and scattered tools. Inside the cargo hold, chunks of the robots and the materializer were heaped like scrap in a landfill.

I scrambled up the boarding ladder to the airlock hatch. Opened it, scrambled inside, sealed it shut. The chamber pressurized with a series of hisses and puffs. I unsealed my helmet. Holding it upside down, steam poured out as if from a pot of fresh soup. I gulped the ship’s cool, filtered air and opened the inner door to the cockpit.

“Mara.”

Empty. Indicators blinked. On the monitors, ship status displays and sector topographical maps cycled. Lines of text scrolled.

My seat held a roll of electrical tape. As I turned it over in my fingers, an electric jolt made me clench my teeth, squeeze my eyes shut. My neurons hummed.

The door to the airlock chamber clicked shut with a heavy mechanical thud. The thick metal muffled the hissing. Leaning back against my seat’s headrest, still clutching the tape, I froze. The air grew heavy. The cockpit lights seemed to dim, the edges of my perception closing in. A dozen shadows waited in the airlock chamber, their concentrated beams of hatred probing the metal door, seeking to burn me.

The door slid open.

I tensed, lips parting. What could I possibly say?

Mara emerged sideways through the gap, head bowed. As she stepped through, she shouldered the door shut behind her. The glowing diodes and bright screens of the control panel glinted on her helmet’s visor. She whipped around to face me. Her right arm shot out, leveling an electroshock lance. The two silver prongs at its tip lunged like viper fangs.


Author’s note: I originally wrote this novella in Spanish about ten years ago. It’s contained in the collection titled Los dominios del emperador búho.

Neural Pulse, Pt. 9 (Fiction)

I edged a handspan of my helmet over the side of the embankment, to keep watch on the entrance of the shell of hexagonal panels. With the planet’s rotation, the star’s descending angle had lightened the blackness of the opening to a steel gray. I waited, lying prone, sunk a few centimeters into the sandy earth. From the gloom within the dome, I sensed the hollow vastness, the floor furrowed with the scars of ruts where maintenance robots had engraved circular tracks.

My helmet’s indicator notified me it had located Mara’s signal. I took a deep breath and waited for the woman to emerge. As if an army were cresting a hill, I sensed the shadows approaching. My heart hammered, and blood roared in my ears. I would stay out of sight.

From the gloom at the dome’s opening, a spacesuit frayed into view, venturing onto the esplanade, the containers following. I scooted sideways so the embankment hid me, and avoided breathing heavily lest the radio transmit it.

I peeked out. The woman and the containers had disappeared. And Jing? I had lost his signal.

Mara’s measured voice burst into my helmet.

“How goes it, Kirochka?”

I flinched, stirring the sandy earth, feeling the urge to leap up and sprint. Shadows were approaching from the opposite side of the embankment. They would surround me, press in on me, crush me against the earth until I suffocated.

“Something like that,” my voice trembled. “I’m in the cabin.”

“See you in a moment.”

What was keeping Jing? How could I wait for him to show himself? I had to seize the chance to break the artifact before Mara could stop me.

I scrambled up, slipping, spraying spadefuls of earth. I crossed the esplanade and plunged into the dome’s gloom. After descending the ramp about ten meters, I remembered to switch on my flashlight. I sprinted in a descending spiral, bracing a gloved palm when needed against the central pillar or the uneven rock wall. I filled my burning lungs with fresh, recycled air. My leg muscles throbbed.

A honey-colored light bathed me the instant I tripped. The maintenance robot tumbled through the air and bounced off the wall. I cartwheeled down the spiral, slamming against the excavated rock as my flashlight beam flared white off every surface my helmet struck. I slid prone down the ramp, bracing myself against the central pillar with my hands to stop.

I coughed. Sat up. My body’s tremors made the flashlight beam quiver. I shook the dust and sandy earth from my gloves. They were scuffed. Bristling fibers poked through the padding.

A chill ran through me from head to toe. I checked the oxygen levels on my lens. No leaks. On my vital signs display, my pulse fluctuated in the triple digits.

When I got up, I descended the ramp carefully, but within seconds, I was running. We had stolen the other robot, so I wouldn’t trip over that one.

The lens indicator alerted that it had locked onto Jing’s signal, and I slowed my pace. I breathed through my nose, but sweating as if in a jungle, I had to flare my nostrils to their limit to draw in enough air. I felt my way down the spiraling ramp.

I reached the entrance to a basement and peered in, exposing only a handspan of my helmet. I had expected to find the first sublevel, with the exposed mineral vein and the materializer, but I must have rolled past it tumbling downhill. Two of the construction robots lay gutted, and the third was missing an arm.

I hastened, walking just short of a run, to the back of the basement, where my flashlight beam mingled with the artifact’s tangle of levitating energy. I leaned against the curved, ribbed metal of a strut and scanned the entrance ramp. Perhaps Jing was dismantling the materializer on the first sublevel. Mara would have discovered I had deceived her.

I hunched before the undulating membranes of purple and pink energy. I probed the invisible shell containing the energy, as if hoping to find some crack through which to pry it open like a pistachio nut. I threw a punch, but the shell held. My hand ached as if I had struck a wall. When I gritted my teeth and struck again, a jolt shuddered up from my hand to my back.

I backed away. Bit my lower lip, refraining from growling. Jing would hear.

I took a running start and kicked the shell. It held. I kicked and kicked it until I slipped and fell flat on my ass. The radio would transmit my panting.

I swept the floor with my flashlight beam, searching for something that could help. I peered through the doorway to the adjacent basement area. Deserted. I ran to the dismembered ruins of the robots with their viscera of cables and circuits. Jing had left behind his crowbar and a meter. I gripped the crowbar.

I positioned myself in the middle of the basement and aimed my flashlight at the artifact. I brandished the crowbar, sprinted, and delivered a heavy blow against the shell, but the impact jarred the crowbar from my hand; it struck my shoulder and clattered to the floor. I trembled, seething. I hunched over, drew myself in, clenched my fists, and a growl escaped my lips, exploding into a guttural scream. My eardrums ached.

“Kirochka,” Jing said over the radio, startled. “Do you need help?”

I picked the crowbar up off the floor. I struck the artifact again and again, gasping for breath between each blow. The shell resisted as if, instead of being made of some penetrable material, I faced a repelling energy field. It would prevent me from breaking through, just as on a microscopic scale, atoms would never truly touch.

I leaned a forearm against the artifact, suppressing a gasp. Behind me, several shadows burst into the basement like an invading army through breaches in a rampart. I scrambled around the strut to my right, putting the artifact between myself and the spacesuited silhouette blocking the exit. My flashlight beam dazzled Jing, while his forced me to squint. The shadows coalesced into a wall, blocking my escape.

Here you are, of course. Acting on your own, against the majority decision. When I met you, I sensed you were unbalanced. That thing has damaged you because you’re too stupid to realize you should keep your distance from an unknown object, and now you intend to deprive humanity of a discovery that could lead to unimaginable technologies. You’re a miserable egoist, whatever your name is. An idiot who can barely pilot, clinging to that frigid scientist because no one else would bother paying you any attention.

I lashed the artifact with the crowbar. The phalanges of my hand screamed as if the blows had opened some fissure, yet I struck and struck again.

Out of the corner of my eye, I glimpsed Jing circling the artifact. I was dizzy, short of breath. The shadows flowed together shoulder to shoulder, hemming me in between them and the infinite volume of rock at my back.

A jolt shook my neurons, bleached my vision white. I shook my head. I pressed the tip of the crowbar against the invisible shell and, trembling down to my toes, leaned my weight onto the artifact as if I could force open a crack through which that tangle of energy would spill.

“You’ll break it, despite what your colleague decided,” Jing said.

“No, I’m just hitting it with the crowbar to see if it sounds like a gong.”

“You were right. Taking the artifact to the station would be madness. It should stay here, studied only by a small group of scientists, in quarantine. Never mind who gets the credit. But if you break it… maybe you’ll prevent a disaster.”

I coughed, spraying the inside of my visor with saliva. The air inside my helmet had grown sauna-hot, and my body was slick with sweat. I gripped the crowbar with both hands, spread my legs to brace myself, and lashed the shell. Each blow resonated through the fibers of my arms, making them vibrate like taut strings.

Deafened by a torrent of noise from which screams and roars emerged, the shadows surged against me. They climbed onto my back, pressed me down against the artifact. Through the suit, their bony claws seized my thighs, dug into my breasts, clamped against my head like a vise, probed my mouth, clawed at my uvula. I roared and lashed at the shadows again and again. With each impact, my arm muscles caught fire.

The shadows flew away from me at tens of kilometers per hour, as if ejected into space during a decompression. I stood on two trembling legs. My vision had clouded red. The crowbar hung from the end of my limp right arm, and when I let it fall, it bounced with a muffled thud.

The red haze was evaporating. I blinked, panting. Sweat dripped onto the smoked lens as the material struggled to defog. I leaned against the artifact’s invisible shell, which supported me solid as no object humans could ever build.

My vision cleared. Jing lay supine on the floor, his visor shattered. Behind the breach in the dented helmet, an eyeball had sunk into a gory mass of black hair strands, pulped flesh, cartilage, and bone. Chocolate-brown blood had spattered the rock and welled from the pulp of his face as if from a sponge, filling the helmet’s bucket.


Author’s note: I wrote this novella in Spanish about ten years ago. It’s contained in the collection titled Los dominios del emperador búho.

Today’s song is “Gyroscope” by Boards of Canada.

The Scrap Colossus, Pt. 19 (Fiction)

Hunger and sex tingling at the base of my skull, I set the excerpt beside me on the eroded, lichen-stained stone blocks. The roar of a passing car from the abutting road faded, allowing the chorus of birds to swell in a contest of chirps and warbles. Through the gap between two dilapidated walls, the nearest apartment building emerged, its bricks a medley of rust red, chocolate brown, and burnt orange. The windows reflected the sun’s warm glow. Over a balcony’s parapet, a woman’s bust, wearing a blue robe, watered a row of potted plants, her wet, dark hair gleaming as if lacquered. Overhead, puffy clouds stretched across an azure canvas, drifting slowly by like towering snowdrifts. A wash of sunlight bathed the world, but the undersides of some clouds had darkened from a ghostly white to a charcoal gray.

“Gorgeous, isn’t it?” Elena said in a measured tone. “Gigantic cotton balls in creative and unique shapes, suspended who knows how many kilometers above our heads. A painting ready to be rendered. Our lives look so tiny and lackluster compared to nature. Have we really improved much from the days when we lay in a field and stared at the sky? And at night? We’ve never seen those stars our ancestors took for granted. We never learned the stories they read in those constellations. Besides, imagine the amount of UFOs they must’ve witnessed zipping around up there, without comprehending what the fuck they were looking at.”

“As if we understand. By the way, iron age life expectancy hovered around twenty years. Half of children didn’t make it to puberty. Trepanning was used as a cure for migraines. People died from a mild infection, or from shitting. There were no books, no movies, no computers, and you were lucky if you had a wooden horse, and a piece of hard bread to gnaw at.”

Elena had crossed her alabaster ankles, smooth skin revealed beneath the hems of her black joggers, that had slipped up the shins as she reclined in the lawn chair. The pack of cookies rested on her lap. Her pallid face bloomed in the sunlight like an unfurled moonflower. I beheld a quasi-mythical creature, rare as the sight of a narwhal’s tooth cleaving the surface of the Arctic Ocean.

“Well, aren’t you full of facts? You’ll explode like a piñata. But you’re right. Most people’s lives throughout the ages were wasted in perpetual crises. And here we are, wasting our lives in the midst of supposed plenty, and still suffering.” She shifted in the chair, the plastic strips creaking as she brushed cookie crumbs off her hoodie. Her pale blues searched my face anxiously. “Come on, blurt it out. You know I’m waiting for the verdict.”

“I’m still coming to my senses. Let’s recap: a man and a woman locked in a relationship without the slightest interference. He refuses to leave that secluded clearing because the outside world is… meaningless and hostile. Worse than the risk of starvation. Their relationship is as co-dependent as that of a parasite and host, and maybe I should be disturbed by the cannibalism, but… reverting to a primal state, losing yourself in intimacy with the sole existence that matters in the universe, feels holy to me.”

Elena’s gaze slid down to her fingers clutching the pack of chocolate cookies. The inner corners of her blonde eyebrows slanted upwards. As if she had won a struggle with herself, her pale blues snapped up and locked with my eyes. Her mouth curved into an impish smile.

“What deeper connection could exist, what greater intimacy and trust, than allowing your beloved to tear out and devour pieces of your body?”

“Yeah. Remind me to never stick my dick in your mouth.”

After an explosive “pfft,” Elena erupted into a hearty laugh—a wild blend of a crow’s cawing and a hyena’s yapping—that rattled her shoulders. Doubled over, she let her head slump between her arms while her almond-blonde hair shimmered like spun gold in the sunlight. She raised her head, revealing her cheeks flushed pink. I couldn’t help but grin. As her laughter dwindled into a chuckle, she leaned to the side and plunged a hand into her open backpack. With a crisp crinkle of plastic, Elena fished out the bag of salted peanuts and lobbed it at me. I caught it by pressing the bag against my chest.

“Is this your way of telling me to stuff my own mouth?”

“You need to eat. You were starving yourself while you read about a guy feasting on his girl. At least nibble on some nuts, you big, bearded weirdo.”

I shrugged, then tore the bag open, unleashing the scent of salty, roasted peanuts. I poured a handful and shoved them into my mouth. My taste buds tingled with salt as I crunched down the nuts. Elena picked up a cookie from the pack on her lap and bit it in half, her head tilted back slightly, exposing her throat as she studied me.

“Allow me to ruin the moment,” I said, “by bringing up that being eaten alive must be one of the most horrifying ways to die. I read about a teenager, I think in Russia, who texted her mother as a family of bears were gorging themselves on her flesh, and I wish I could scrub that shit out of my brain.”

Elena swallowed. A shadow passed over her face despite the sunlight streaming down.

“I read that too. Funny how we cling to such horrific stories. Like picking at scabs. We can’t wait for the apocalypse, huh? Maybe we’ll get to chew on each other. Yeah, I doubt I meant the cannibalism literally. It’s more of… what would you call it? A metaphor?”

“Or a symbol.”

“Well, who the fuck cares about the labels academicians slap on things. What matters is the experience. I didn’t come up with that particular element of the story, though. My monster presented it to me, as in, ‘Oh, you should have the narrator feed from that lagoon woman for nourishment,’ and I went along. Felt right.”

Elena wedged the rest of the cookie into her mouth. I tossed another handful of peanuts into mine.

“At a middle level of meaning,” Elena continued, her voice distorted by cookie chunks, “I suppose it relates to how I imagine complete intimacy: letting someone peel away all the layers of yourself, exposing what you try to conceal, the parts that disgust and shame you, and learning they can accept those too. Most people can’t handle seeing what’s beneath someone else’s skin, let alone consuming it. They want sanitized relationships that don’t make them question their own humanity. No dirt, no grime, no stink. But in that clearing… that’s what love might look like if we stripped away the social conditioning that turns us into dishonest creatures, instead of the wild animals we really are. Neither of them is trying to change the other. The narrator accepts that she needs to submerge in stagnant water for dozens of minutes at a time, and return to his embrace soaking wet and covered in pond scum. And she accepted him from the moment he stepped into that clearing. Two people finding comfort in their shared fucked-up-ness. Cannibalism as communion. Total surrender. She’d rather be devoured piece by piece than let him leave. And he’d rather starve than return to a world that doesn’t contain her.”

Elena’s features twisted in tension—brows knotted and lips pursed as if battling an internal pressure. She had hunched slightly, shoulders drawn inward. Her expression melted, and she pressed a hand against her stomach.

“Almost burped. I don’t know why I eat these cookies. They always make me feel bloated.”

“Is that what you want?”

“Is what what I want?”

“To live in isolation with someone who loves you.”

She whipped her head to stare at me with wide, naked eyes, her lips parted. I had never witnessed her speechless, as if she had short-circuited. When the power flickered back to those pale blues, Elena averted her gaze and fiddled with the zipper of her hoodie.

“Straight to the point, huh? Bold motherfucker.”

“And I expect a bold answer.”

Elena reached down for the carton of orange juice, unscrewed the cap, and guzzled, her throat contracting as she swallowed. After setting the carton on the ground, she fixated on the eroded stones beside me rather than meeting my eyes. Her upper lip glistened from moisture.

“I guess you expect me to say that I want to be with someone who sees the real me, who shows me how it feels to be loved and accepted. Who makes me feel less alone in the world. Sadly, I was tempted to pretend I haven’t fantasized about that, but the ghosts in my daydreams aren’t flesh and blood, which means I can spend eternity in their company.”

“And shape them to your liking.”

“Sure. They can’t leave. They can’t disappoint me.”

“Or hurt you.”

Elena’s pale blues flicked up to my face, then away, as her shoulders stiffened.

“Listen, Jon. When real humans are involved, my body, my brain, they react in predictable ways. As if those people and I belonged to separate species. A relationship that works in my imagination would turn unbearable in person. I’d grow to hate their voice, their breath, their smell, the sound of them breathing. To the extent that I’d want to strangle them. I’d unconsciously push them away until they gave up on me. And I’m not sure I’m capable of loving someone. I can’t even stand myself.” Elena exhaled, then rubbed her eyelids as if to hide in that darkness. “To survive, we tell ourselves stories about how we’d love to spend our limited lives, but it all boils down to how you’re wired, how your neurological makeup processes reality. And to me, it feels like a nonsensical succession of bristly, abrasive stimuli. Add in the horror of inhabiting a mortal body. Your skin itches, your guts twist, your head aches. In constant conflict with the sack of flesh and bones you’re forced to nourish and maintain. Pissing and shitting and horking snot and vomiting, bleeding out every month if you’ve got a cunt, then menopause and wrinkles and everything sagging to shit. I’d rather free my consciousness from this monkey suit and install it in a robotic body that would allow me to modulate sensory input, or even turn it off. Instead, I’m trapped in a puppet of decaying meat colonized by trillions of microbes. And it will fail on you one day, you know. Despite everything you’ve sacrificed, it will betray you. At the very least, your neurons will fry and you’ll lose track of where and who you are. And in the end, the Earth, the sun, the universe itself will succumb to entropy, so none of it matters. What a nightmare. If my brain hadn’t been shaped so strangely, maybe I wouldn’t feel trapped in this miserable hellhole of a world. All I see in the mirror is a broken, twisted, parasitic organism doomed to an eternity of solitude. Might be the least she deserves for being defective and bringing misery to others.”

“You have a right to be happy, Elena. Try to extract as much joy from this nonsense as you can.”

Elena dropped the cookie pack into her backpack before curling into herself, hugging her knees to her chest. The parallel white stripes rippled along the creased fabric of her joggers, evoking a flag fluttering in the breeze. Her tired eyes, stark against the dark shadows beneath them, locked onto me with an unblinking intensity.

“Let me get to the point, Johnny. That story was inspired by something stronger than love. Something that has kept me alive despite my longing for death.”

“Stronger than love, huh?”

“Oh, yes. Like a black hole to a star. A force of nature that warps the fabric of reality. A gravitational pull that can’t be resisted or escaped, that bends the light of the stars and the flow of time. Want to hear the details?”

“I want to hear everything about you. Lay it on me.”

“What a gracious gentleman. Well, let me bring you back to the days when I worked as bookstore clerk, or whatever the fuck they call that. In Gros. That daily sacrifice to the gods of the rat race for the sole purpose of amassing money, a purpose to which we’re born enslaved. Anyway, I include the hour-long commute each way in crowded buses and trains. How many times did some motherfucker rip a fart, forcing everyone in the vicinity to inhale his putrid gases? A wafting shit mist that clung to the inside of your nostrils.” Elena rubbed her face with her palms. “Let’s move on. Whenever I stocked the shelves, or dealt with my coworkers and customers, or just sat in the back room with my face in my hands, I yearned to hide from this world that grinds us into dust, that demands we participate in its meaningless rituals until we’re hollowed out. I longed to escape to a secluded place where I could be my true self, where no one would find me and drag me back. Once you know that such a sanctuary exists, even in your imagination, the tiny, sterile reality you’ve been confined to from birth asphyxiates you. I’ve been there, Jon. In that secluded clearing. Not literally eating people, obviously—although my intrusive thoughts love to provide detailed instructions from time to time. Inside that sanctuary, the mere thought of returning to the cold machinery of society made my blood curdle.” She rested her chin on her knees, her pale blues vacant as if gazing into another dimension. “I’ll open up about something hard for me to articulate. I’ve never before attempted to put it into words. But that’s the point of these meetings, right?” Elena’s fingers dug into her kneecaps. She closed her eyes, her features strained. “In that sanctuary, I was rarely alone. You could say I retreated to the clearing to meet someone. A presence that had become more real than my own body. Whose words mattered more than food, or air, or sunlight. Whose existence justified mine. Whose essence, freely shared, I consumed, trying to transform myself into someone deserving of her gifts. She was the reason I kept going, the reason I woke up every morning. Because I knew she’d be there.”

Elena’s breath hitched. We had stepped past her writing onto the jagged brink of an unhealed wound. Her furrowed brows and the tension around her mouth betrayed her struggle to remain in control.

“You were in love, then,” I said. “Who’s the lucky woman?”

Her chest heaved as she inhaled deeply. After opening her eyes, she locked a piercing gaze on me as if punishing herself. Those pale blues, haunted by a beast’s sorrow, gleamed with a liquid sheen that pooled at the waterline. A glistening crystal bead spilled over and clung to the lashes.

“I… I can’t, Jon,” she said in a ragged voice. “Now, I cannot.”

“No pressure. You don’t owe me anything, Elena. Least of all your pain.”

“I would never call it love. You have to understand. She made my existence bearable. I yearned to take her inside me so utterly that the boundaries of our selves would dissolve, and she would flow through my veins and seep into my bones. I knew that returning daily to her presence would… But what was the alternative? Streetlights and vending machines? The rest of the world is noise. I’d rather be consumed by something meaningful. Even if it destroys me. No, especially if it does.”

From the shadows under Elena’s brows, her eyes still reflected the sunlight as she averted her gaze. Her lashes swallowed the solitary tear.

“I hate slapping labels on things. Words are crude trade-offs in which to cram whole universes of meaning. In some cases, people cage those meanings into words precisely to lock them away. But human beings can’t pour the contents of their minds into other skulls, hence the insufficient, clumsy tool of language. Let me use the dreaded O-word to sum it up.”

“Which one? Oblivion? Onanism?”

Elena’s eyes snapped back to me. Her lips stretched into a wry smile.

“Obsession, you dickhead. It lacks the dignity and respectability of love, but it’s got teeth. And claws. Sharp ones that sink into your brain and won’t let go. When you’re obsessed, you don’t need to be loved in return. You’re content to feed off scraps. Back to the lagoon woman, I needed her identity to stay a mystery. I thought of her as a black hole, an unknowable singularity. Anyone approaching her would get sucked in and distorted beyond recognition. A mind warping around a mind warping around a mind.”

After rubbing her hands on her joggers, Elena lowered her feet to the ground and leaned forward to seize the carton of Don Simón. She unscrewed the cap, then drained the container dry as it dented in her grip. She screwed the cap back on and stuffed the empty carton into her backpack.

“You know, years ago, a therapist told me I couldn’t possibly feel soothed by my obsessions. Their bible—the DSM—didn’t allow it, at least as it came to the OCD label she intended to staple onto my poor, troubled head. I wish I had told her to fuck off. Don’t get me wrong… My obsessions have contaminated me. But worse, I feared that my fondling and drooling might taint their purity.” She sighed and shook her head. “There’s no way to sugarcoat this, Johnny: I’m the most obsessive person I’ve ever known. Outside of those you only find out about because…” Her voice grew brittle, on the brink of cracking. “Because they walk up to their idol and stab them in the heart.”


Author’s note: today’s song is “Hotel California” by Eagles.

Neural Pulse, Pt. 8 (Fiction)

Mara covered the lens of her helmet with one palm, and slumped her shoulders. Jing backed away from the artifact, his fingers tightening around the pry bar. The woman took a breath. She made sure our eyes met.

“Perhaps it would help you to rest until we fly back. In the cockpit. Listen. When you loaded the material onto the ship, did you go aboard to check the radio?”

Was she asking me about communications now? What did it matter? Was she trying to annoy me?

“No, I didn’t check it,” I said dryly.

“Who knows how much time we have left. We’ll haul the remaining material as fast as we can, and figure out how to free this artifact.”

“Wait. You intend for us to take it?”

Mara confronted me with the cold anger that hardened her features whenever she spoke of her superiors.

“You promised me this outpost would contain unknown artifacts that would launch my career. I didn’t believe you, because you were basing it on fantasies, but you stumbled upon the truth by chance. This artifact will secure my career for the rest of my life. It will justify to everyone who meddles why we risked so much coming down to this planet.”

I leaned on the wall to push myself up, but the effort sent a jolt flashing through my brain. I stopped and clutched the side of my helmet. My heart was pounding. If I overloaded my limbs with commands, I risked my neurons short-circuiting.

I swallowed hard. Catching my breath, I faced Mara.

“Whatever that thing triggered feels like malice. You want to bring it up to the station and endanger thousands of people?”

“Kirochka, think. When we get back, you’ll need to file your report on the survey of this sector. Even if you avoid mentioning the artifact, another science team will explore this outpost and take the credit. Someone will get the artifact off this planet, and it’s going to be us.”

I felt dizzy, slick with cold sweat, as if I were incubating some disease. The shadows focused streams of insults and threats on me. I needed to flee, to get away from Jing and Mara drilling me with their stares.

“Fine.”

I took two steps toward the exit, but they were blocking it. I lowered my gaze to the polished rock floor, to my boot prints, and wanted to close my eyes, sink into blackness.

“Move aside, please.”

I glimpsed out of the corner of my eye Jing and Mara moving around a support strut, putting the artifact between themselves and me. I edged toward the doorway and stopped. The xenobiologist’s mouth hung slightly open, and the woman watched my movements disapprovingly, as if I had insulted her.

“Don’t repeat what I did,” I said. “Don’t press your face against the shell of that thing, don’t look inside.”

“I wouldn’t have done that in the first place,” Mara retorted.

“Once you’ve loaded the rest of the material onto the ship, we’ll figure out how to deal with this thing.”

Her voice took on a cold, professional calm.

“I understand you need to rest, but there’s barely any of the outdated tech left to dismantle.”

“Before you try to move the artifact, talk to me first. Please, Mara.”

She pursed her lips. Was there any emotion behind her icy eyes? Did my anguish matter to her?

And why should I care? You’re stupid, Kirochka. You live for risks, a genetic flaw that threatens everyone around you, one I’ve exploited to launch my career. I need you because you can pilot. Once I’ve got the artifact onto the station and they know I discovered it, I’ll forget you exist. You’ll go on getting drunk with your stupid friends, or tangling yourself in the sheets with that boyfriend of yours, and I’ll refuse to answer your calls. I’ll get this artifact off this planet whether you like it or not.

I blinked, trying to clear the sweat stinging my eyes. My legs were trembling. The shadows crept inch by inch along the sides of the room, flanking me, and when they reached me, they would crush the breath out of me in their embrace.

Jing placed a hand on Mara’s arm. She shot him an annoyed look. The xenobiologist gave me the kind of smile one might offer a terminally ill patient.

“Kirochka. That’s your name, isn’t it? If you need help, please, just ask. Anything. We’re in this together.”

I nodded and turned away. I needed to get away from them. I crossed the basement, where the construction robots stood idle, following the oval beam of my flashlight as it slid across the floor. I ran up the ramp. As I moved away from the artifact, from Mara and Jing, the shadows receded, hanging level with me, trapped in the rock. If I stopped running and looked back, in the distance, the invisible eyes of a wall of silhouettes would watch me go. Seconds later, the shadows vanished as if I’d never felt them.

My leg muscles burned. Jing and Mara’s transmission, arguing about how to dismantle a construction robot, became choppy, then cut out as the indicator in my helmet lens showed I’d lost their signals.

I emerged outside and sprinted across the empty dome. Halfway across, I switched off my flashlight. When I exited onto the open ground outside, I bent over with my hands on my knees. Sweat spattered the inside of my helmet lens. I looked around, at the ring of slopes enclosing the crater, and the crags of the distant, looming mountains. How could I stand being cooped up in the ship’s cockpit waiting for Jing and Mara? I’d lie down on this sandy ground, out of sight, and give myself a few minutes to figure things out.

I hurried away from the landing site. A break in the terrain formed a small embankment. I jumped down into it. When I landed, my boots kicked up dust. I lay down on my side, careful not to put pressure on my oxygen recycler in case it came loose. Before me stretched nearly a kilometer and a half of wasteland ending in an upward slope.

Even though I was away from Jing, Mara, and the artifact, I was consumed by the anxiety that I’d made an irreparable mistake—an anxiety related to the moment when, taking a curve too tight, I’d crashed Bee, my racing ship, into an asteroid, and thought the collapsing cockpit had crushed my legs. That other consciousness crouched in my mind like a tarantula in its underground lair.

How could I have just left Mara and Jing down there? That woman needed to understand, to unravel mysteries. What if she copied me, thinking she could avoid my mistakes? If we took the artifact to the station, how long before someone else looked inside and discovered their reflection? Scientist after scientist would poke around, only to snap awake with their minds under siege.

But Mara was right. I would be forced to file the survey report for this sector. They’d collect the photos and topographical data in their databases. Even if the station found out about our illicit sortie, my friend would board the ship only once the artifact—the winning lottery ticket needed to stop her superiors stealing opportunity after opportunity from her—was waiting in the cargo hold.

What if I acted first, stopped this before we had to argue about it? I could destroy the artifact. Mara would hate me, maybe forever. She’d treat me with the same disdain she showed most people. But if I let that thing end up on the station, sooner or later the woman would convince herself she could study the undulating membranes without being affected.

I scraped my fingers through the sandy earth. Would I really destroy it? Yes. No matter how advanced the technology was, what good could come from something that materialized shadows projecting such hatred? I would smash that artifact, and it would spill onto the ground in a puddle of translucent, purple and pink matter, like a stranded jellyfish.


Author’s note: I wrote this novella in Spanish about ten years ago. It’s contained in the collection titled Los dominios del emperador búho.

Neural Pulse, Pt. 7 (Fiction)

Jing appeared to my left. His profile regarded the object with the expression of someone wishing they were ten kilometers away.

I placed a hand on the shoulder of his suit.

“Some kind of exotic creature?”

The xenobiologist closed his mouth and shook his head.

We waited for a while, in case the artifact reacted to our presence, before settling. Mara scanned the struts with the multimeter. Jing circled a strut and approached her.

“A power source? A generator?”

“No. These struts are fed by the external wiring.”

“So they do more than just support the artifact?”

“Support the artifact? It floats between them. And the outpost has more than enough power from stellar energy. Batteries are full.”

Mara crossed her arms. The artifact’s undulating veils were mirrored in her helmet’s lens.

“Let’s see. The aliens built the outpost at the base of this crater because they detected a vein of that mineral, which they used to build the robots and, I imagine, repair damage.”

“You think they dug this thing up?” Jing said.

“That the algorithm the robots follow to maintain this installation stumbled upon the artifact while drilling the vein, dozens of meters below the surface? I think they found the artifact on another planet, or adrift in space. Maybe they were programmed so that if they found a strange artifact, they should settle on a nearby planet, call home, and wait for their owners to arrive.”

How would we take the artifact? I imagined prying it from the struts with the crowbar, but were they even holding it? The veils of purple and pink energy floated like some weather phenomenon forming between fronts of cold and hot air.

I crouched down to the artifact’s level, and when I leaned in to make out the details, my lens bumped against something. I startled as if a lamp had fallen on my head while I slept. I had felt an invisible shell. I slid my gloved palms over the curved surface. Solid and uniform like a crystal ball. The struts were holding it.

I pressed my helmet’s lens against that invisible shell, which held firm. Inside, the undulating energy membranes crisscrossed like ghosts. If they represented some pattern, it surpassed my ability to recognize it. When I focused on a point on the membranes, some overlapped, but when I shifted my gaze, those same membranes receded into the background of the image.

My eyes ached. My mind complained with an animal alertness, unable to reconcile the tangle of energy with the dimensional combinations under which it had evolved. I was contemplating vastnesses of space, miniature universes.

At one point on the undulating membranes, I glimpsed microscopic seams between which an image was forming. My face, just as the bathroom mirror would show me. Skin bronzed by several stars. In those eyes staring back unblinking, irises the color of clear water speckled with navy blue. The curves of those lips, chapped by temperature changes mission after mission, had parted into a slit. My wheat-colored hair tucked behind my ears except for one loose lock.

The face receded into a black background. My ears bothered me as if air were pressing on the eardrums from inside. The undulating membranes distanced themselves from my full-body reflection, that floated in the blackness. The reflection wore my threadbare flight academy t-shirt, the one I slept in, and my pajama shorts. Beneath my shapely calves, bare feet stood on a void.

The reflection tilted its head. It turned and looked around. It ventured into the darkness, growing dimmer with each step, while groping as if searching for a wall, until, reduced to a miniature, the reflection merged with a black vastness.

A whiteness dazzled me. I glimpsed above me two people in gold and white spacesuits. Their lenses reflected the beam of my flashlight. I had sat down on the floor and leaned my back against a wall.

An avalanche of anguish overwhelmed me. I felt lost in catacombs, stalked by shadows looming a few steps away, silently promising to tear me apart.

I slid the heels of my boots on the floor until I stood up. I stumbled to the opposite side of the basement, away from the figures in their spacesuits. As I distanced myself like a frightened horse, the wave of hatred those shadows focused on me eased. Behind the lenses, I made out the faces of Jing and Mara. What were they doing here?

In the center of the basement, the struts held an invisible shell, and the energy membranes it contained mutated in watery undulations.

“Kirochka, what’s wrong with you?” Mara asked.

“I don’t know.”

The woman approached, and a tumult of shadows closed in around me. I screamed in a sharp tone that had never left my mouth before.

“Get away!”

Mara and Jing looked at each other as if to ascertain if the other thought I was joking. The woman faced me, frowning.

We find an unknown artifact and you decide to stick yourself right up against it. What else could I expect from an imbecile like you?

A presence orbiting my consciousness had spoken to me, sounding at times from the left, from the right, from ahead, from behind. I shuddered as if frozen. My heart anticipated a bombardment.

“Who said that?”

As Mara and Jing approached, the ring of shadows stretched their hands towards me, wanting to snag my skin with their bony claws.

I raised a palm and warned them, shouting an interjection. Why were they approaching? Did they want to distress me?

You wander through life assuming everything will turn out fine, that whatever happens you’ll know how to save yourself and land ready to repeat the adventure. But you reveal yourself for what you are. An incapable idiot.

Mara took two steps back. She scanned me as if shrapnel from an explosion had riddled me and she were assessing the damage.

“There’s a before and after you touched the artifact, Kirochka. Specify what’s wrong with you.”

Her voice, filling my helmet via the radio and pouring into my ears, irritated me like a scratching fingernail. I wanted to demand she lower her tone or shut up. I gripped the sides of my helmet. I longed to take it off, cover my face with my palms, and breathe deeply.

“How did I end up against the wall?”

“You leaned in to look inside the artifact. Half a minute later, you backed away hunched over until you hit the wall and slid to the floor. I thought you were playing one of your jokes on us. For a while, you just looked around absently.”

I remembered wandering through a growing blackness until I had disappeared. After a cut, Jing and Mara had loomed before me. The blackness had spilled from the artifact and embodied itself in shadows.

The woman fumbled with the instruments clipped to her belt as if they hid an answer.

“Have you really forgotten?”

“That thing affected me, Mara,” I said gravely.

She crouched beside me and rested a forearm on her knee. She squinted against the wash of my flashlight beam.

“Who told you to play around with an unknown artifact?”

I endured the anguish, an acid corroding my chest, but the shadows pushed me against the wall, grabbed my undershirt through the suit, clenched my hair into a fist, covered my mouth. I jumped sideways, away from Mara.

“I told you to get away. Why are you approaching again? Didn’t you understand me?”

The woman, still, lost the color in her face. She glanced towards the energy membranes the artifact contained.

You enjoyed walking along the edge. Your races. You volunteered for risky missions because you live for that excitement, and the more you consume it, the more you need to risk. But you slipped on the precipice and plunged off.

A presence crept through my brains, slid down its slopes, separated the folds, and nested in the sticky warmth.

“Shut the fuck up,” I said. “Nobody asked for your comments.”

Mara stood up and backed away, holding me with her gaze. She unclipped the multimeter, along with another meter I didn’t recognize. Jing watched as if waiting for a doctor to revive someone. The woman distanced herself from the artifact as far as her arm could reach, and analyzed the invisible shell.

“It’s not emitting anything.”

“That you know of,” I said. “Maybe it emitted something and stopped.”

In the stretching pause, instead of silence, I found those shadows silently repeating how much they hated me, that they would torture me to death. Wherever I looked, I glimpsed shadows.

My spine shuddered in chains of tremors. I slipped away to the corner farthest from Jing and Mara, and the shadows diminished.

The woman wrung her gloved fingers as her gaze pierced the artifact’s energy membranes.

“Can you explain? What changed?”

I took a deep breath and relaxed my voice.

“When you get close, I feel several shadows swollen with hatred draw near as if to suffocate me. From this corner, they wait at a certain distance. And someone is talking to me. Someone in my head.”

“In what voice?”

“None. Like another consciousness stuck to mine.”

“Do you understand what it’s saying?”

I nodded.

“Nothing good.”


Author’s note: I wrote this novella in Spanish about ten years ago. It’s contained in the collection titled Los dominios del emperador búho.

Today’s song is “Climbing up the Walls” by Radiohead.

The Scrap Colossus, Pt. 18 (Fiction)

Elena held out the excerpt, and I took it. I perched on the coarse, waist-high wall, legs outstretched. I would surrender to her woven spell, a meticulously crafted incantation designed to bottle up a experience that would revive its magic upon consumption.

The narrator wondered how long they had spent in the clearing as if the outer world had gone dark. From dawn to dusk, a granite sky peered through the canopy, and night blackened to tar in minutes. The narrator forgot which weekday dawned, but they wanted to forget such concepts existed.

The narrator sat on the pebbled shore of a lagoon when hunger twisted their guts. Their belly was sunken. They needed to leave the clearing for provisions. The narrator waited for a woman to surface from the stagnant water, but fifteen minutes passed without any ripple stirring the green scum and mud. That woman submerged in the lagoon as casually as if retreating to the bathroom, and whenever she returned, soaked and dripping cold water, she curled against the narrator as they peeled lichen patches from her skin.

I looked up and found Elena’s pale blues fixed on me, as if scrutinizing every subtle twitch of my expression while I absorbed her writing. She lounged on the lawn chair, her hands folded over the kangaroo pocket of her hoodie.

“May I rely on your external input to learn the gender of the narrator?” I asked.

“Sure. I’m cheating you out of the full experience; a regular reader would already know. As you might imagine, I can’t start any random scene reminding them that the narrator has a penis. So does the protagonist of today’s other excerpt.”

“That makes three out of four male narrators so far. Does it mean anything?”

“That’s how the stories came out. As the conduit, I don’t question these things. If the story demands a male narrator, who am I to argue? Besides, I have no issues with my narrators’ gender. I only care if they interest me. Now, read on.”

The narrator left the clearing in darkness. Distant streetlights invaded through the passageway’s rectangle. Emerging onto the deserted street, he hurried to the opposite sidewalk’s vending machines like a thief stealing food from sleepers’ homes. Next time hunger speared him, he was kissing that woman, her legs entwined with his. The narrator’s dizziness spiked, and he rolled onto his back, gasping. He imagined himself leaving the forest again, but against the nakedness of skulking amidst cement, metal and glass, that ache for food didn’t matter.

Memories of the outside world faded like yellowing photographs. Minutes after twilight yielded to a granite dawn and birdsong, hunger cramps woke the narrator. His guts clung like an old balloon. He pictured the effort to dress, go down the trail through the trees, and hurry to the vending machines hunched and disheveled. He resolved to stay in the clearing. Sheltering there had stripped society’s makeup. He refused to breathe in its stink again even if his starved stomach devoured its own lining and spilled the acid into his core.

The woman looped her arms around the narrator’s neck and urged him to eat. He claimed he would last until hunger stopped his thoughts. She insisted he needn’t endure it. The narrator refused to leave the clearing again, and considered hunting for critters. But she brought up a better option: to feed from her. Then, she leaned back in the grass, tilting sideways. She clenched her side at kidney level and yanked until she tore a handful of white flesh out. In the gash, grooves scarred where her fingers had dug in. Blood pooled. The narrator froze as she folded his fingers around the proffered chunk of meat.

Saliva drowned his tongue. He yearned to savor that flesh as much as he longed to hold the woman against him, joining their warmth like two coals in a bonfire. As he brought the piece to his mouth, he could tell apart the white threads of fiber in the meat. Its surface had grown slick with juice from the pressure of his fingers. His teeth grazed the soft flesh. Saliva spilled from the corners of his mouth, trickling down his chin. He clenched his jaw millimeter by millimeter, the fibers taut against the tip of his tongue. Before he could refuse to feast on the woman, a hot, sap-like juice flooded his mouth. He tore off a morsel and swallowed. It left an aftertaste of turkey. The rest, he devoured, then he licked the juice off his fingers.

A crisp rip startled me from the fictive dream. Elena had torn open the pack of Príncipe chocolate cookies. She plucked one, bit into it, then chewed as crumbs clung to her lips. I imagined myself as that cookie: crushed by her teeth, then ground to fine particles that mingled with hot saliva, coalescing into a doughy pulp. It would slide down the tight, pulsing cylinder of her esophagus and into her stomach, where the pulp would dissolve in gastric acid and become her flesh and blood. A warm vibration welled within my loins.

Her white throat contracted as she swallowed. She leaned forward to pick up the carton of Don Simón from the grass, lifted it, and sipped. A droplet of orange juice escaped her mouth, but she caught it with her thumb.

“Sorry for the noise. You’ve yet to touch your peanuts. Want me to toss them?”

“Don’t worry,” I said, my voice dry. “I can survive for weeks on my fat reserves. And I’d rather not distract myself from your writing.”

Elena shrugged, then set the carton back on the ground.

“Alright. I’ll just keep munching on my cookies.”

She stuffed the remainder of the cookie into her mouth. Crumbs sprinkled her hoodie.

I returned to the excerpt. When the narrator looked up, shame flooded him. The gash in the woman’s side dripped blood down her hip, splattering the grass and pooling on the dirt. He rushed to cover the hole with his hands, but warm blood seeped between his fingers like soup. The woman calmed him, assuring him that her flesh would regrow. He wanted to laugh, but a whimper escaped. He couldn’t live off eating her. She doubted he would eat so much that he’d swallow her whole. Besides, he argued, he needed to ingest proper liquids. The woman lay on her back, then cupped one breast and squeezed the nipple. Thick milk oozed like honey.

From then on, the narrator avoided glancing at the clearing’s exit. He felt that a monstrous hunter stalked that pine-guarded trail, and if he wandered its bends and hollows, the creature would ambush him, tear his limbs from his torso, slurp the marrow off his splintered bones. He wondered how he had dared to enter and leave this clearing without realizing it. Beyond the forest, the machinery of society would grind on, its gears, lubricated with the sweat of nine-to-five drones, screeching as they pulverized bones caught in their teeth. Whenever such images and memories assailed him, patches of his brain crackled with electricity. He wanted to pinpoint those patches and scour them with bleach.

They rolled in the grass, rubbing sweat and soil onto each other’s skin as her tongue probed his mouth, and the part of his brain that believed itself in charge checked out. Sometimes his consciousness resurfaced and found him biting and tearing at her breasts, digging deeper until he should have chewed through her ribs and burst a lung, but instead, just a handspan beneath her skin lay white meat free of veins, arteries, tendons, organs, cartilage, or bones. Kissing along her nape and spine, he sank his teeth into her back and gnawed off a chunk. His mouth flooded with blood that flowed hot and coppery down his throat.

Lying beside her, his belly full, the narrator traced the contours of her ribs and pelvis with his fingertips. Her skeleton held. But whenever he bit, he found white flesh. Even so, a moment after tearing off a piece, the wound oozed blood, and minutes later, when he looked back, her body had stiched itself together. The missing bite was outlined in sticky, half-clotted threads of blood.

Once, the narrator devoured her neck to the extent that he nearly decapitated her. Another time, prying apart her labia with his tongue, as she bucked her hips to his mouth, he chewed into her womb and beyond, splitting her abdomen open to the ribs. He ate an entire thigh and ended up clutching her detached calf, foot dangling from the end. He shoved himself backward on his ass, driving his heels into the earth, and screamed. But when the narrator dared to glance back at the woman, she stood on both legs, and his hand gripped air.


Author’s note: Today’s song is “Velvet Waltz” by Built to Spill.

And why not, here’s a 90s anime version of that concept:

The Scrap Colossus, Pt. 17 (Fiction)

At the end of César Figuerido Street, we turned right and ascended a stretch of pavement winding along a towering wall of trees and wild undergrowth. Ferns draped their fronds over moss-covered gutters. Elena trailed close behind, gripping her backpack’s strap as she shifted the load. Her nostrils flared, her lips tightened, and sweat glimmered at her hairline. Her pale blues were fixed ahead with the determination of someone resigned to enduring torture with dignity.

“You doing alright, Elena?”

“Mm-hmm.”

“The path will level out soon.”

We crossed the road to the side closest to civilization. A middle-aged couple, the man sporting a yellow-and-white knitted earflap beanie, talked loudly in a Slavic language as they exited a parking lot and strode past us. A distant whistle blew, accompanied by a burst of cheering. Between the trunks of the trees, I glimpsed a deep-green field of artificial turf marked for football and flanked by two silvery lightning towers. Color-coded middle-schoolers pursued a ball, intending to kick it toward the opposite goal, while their relatives watched from concrete stands.

The hill flattened. Across a roundabout, dozens of headstones topped by crosses jutted out over a three-meter-tall stone wall.

“Oh, is that the cemetery?” Elena asked, her voice strained.

“It better be.”

“Are you taking me there?”

I shook my head.

“You sure? I could lie down on a slab of marble and catch my breath.”

“You’ll recover soon enough.”

“Or we could find a nice grave for you to bury me in. Save you the trouble of digging a pit in the forest. You could toss some dirt in my face and then just pretend that you never met me.”

“I’m not letting you die yet. We have a lot to talk about.”

“I guess we could bring up some topics.”

“Should I have taken you to another coffee shop instead?”

“No, I’m glad you’re showing me around. It’s a good kind of pain. I’d rather suffer than feel nothing. Besides, I think my heart rate’s approaching normal human levels. Tell me, Jon. Are any of your relatives buried there?”

“Yeah, my grandparents. Never bothered to locate their graves, though. They’re a bunch of bones now.”

We followed the path as it veered left, away from the cemetery. To our right, beyond a fenced garden, the landscape unfurled: Mount San Marcial, carpeted in rolling waves of pine and rising to a pitiful 220 meters. A titanic cloudbank, billowing over the mountain’s crest, eclipsed the chapel at its peak, that struggled to emerge from the treeline. The bluish-gray core of the cloudbank promised rain.

“The mountain looks different from here,” Elena said. “More alive.”

“We’re drawn to higher ground, where the world appears richer in meaning, where we feel safer. From a defensive standpoint, at least.”

“Is that so? Must be the Basque genes. But I get it. I wouldn’t want to be caught at the bottom of a valley when the floods come.”

Further along the sidewalk stood a three-story rectangular building composed of pale-cream bricks, its windows shuttered. Mortar lines across the facade formed a tight grid. Toki-Alai School. Rust had ravaged its fence; you could snag your clothes or scrape off your skin on the jagged edge of a post.

I looked back for Elena. She had crossed the road and stepped onto a grassy patch overgrown with weeds and tiny blossoms of yellow. Crisp white stripes ran down the side of her black joggers. Her pale neck curved elegantly, her almond-blonde ponytail dangling from the back of her head. Elena’s gaze had caught on the panorama: a sprawling array of trucks, some bright blue or red, lined in rows at a transportation yard as large as a stadium, in a stark contrast to the undulating green hills beyond.

When I approached Elena, I wished I had brought a camera, or could stop time. Sunlight cascaded down her face, sculpting her forehead, the bridge of her nose, her high cheekbones, her slightly-parted lips. From beneath the skin of her eyelids, those glacial blues glowed with an ethereal intensity. She evoked a wanderer from some bygone epic, standing before a war-torn vista. She could have been a bardic song, a lament, an ode to a fallen kingdom.

“I guess it isn’t a complete hellscape,” Elena murmured. “I have no idea where I am. This place, the fact that you exist and also have a weird mind… The more I interact with reality, the less familiar it becomes.”

A cool breeze wafted the scent of hillside grass and earth and pine, mingling with the tang of truck exhaust.

“In the spirit of sharing awkward stuff,” I said, “I regret that I will never drive a truck for a living.”

Elena whipped her head toward me, a mischievous smile tugging at the corners of her mouth, drawing dimples on her cheeks.

“What? Why?”

“Well, think of the solitude. All those hours to yourself on the open road, discovering new sights. They say the brain mainly reacts to novelty, so it can fend off predators. If you head away from home regularly, you’ll always feel alive. And imagine the conversations you could have with yourself in the driver’s seat. You could write, too, between naps, in motels or rest areas.”

“That’s a romantic and likely inaccurate portrayal of a trucker’s life. You’d have to deal with the hassle of loading and unloading cargo, navigating roundabouts in a hulk, driving at night. I picture them snagging their trailers on posts, falling asleep behind the wheel, slamming into cars, flattening old people. You’d have to sleep in rest areas, where any shithead could try to break into your cab.”

“You’d also command a multi-ton killing machine that can obliterate anything in its path, up to and including the laws of physics.”

Elena chuckled.

“Figures. You’re aching for some truckmageddon. Maybe with a side of strangling prostitutes.”

“Only a small percentage of truckers are serial killers, you know.”

“Oh, but I see it now: a trucker poet, crushed in the cab of his rig, his unpublished masterpiece scattered across the highway, pages soaked in blood. A crow would land on the rim of the shattered windshield and peck out his eyes.”

“Damn it, woman. Let’s just get to our destination.”

Past the school, a lawn caught the sunlight, forming a shimmering carpet of green. Across, set against the blue sky, loomed a pockmarked ruin, its rugged stones darkened by centuries of moss and grime. Small plants burst like wild hair from fractures and shadowed crevices.

“The hell’s this?” Elena asked. “A ruin out of nowhere?”

“Gazteluzar. Built in the sixteenth century, I believe.”

“So it was here. Gazteluzar, meaning ‘old castle.’ Quite the hyperbolic name, don’t you think? Barely qualified as a fortress.”

We crossed the lawn, our shoes treading over soft grass, and slipped under a rough archway into a courtyard. The sunlit walls rose in a jumble of irregular stones and smaller filler pieces, as if built hurriedly from nearby rocks. Bushes hugged the crumbling corners. I guided Elena toward a circular clearing enclosed by low, lichen-encrusted walls hinting at the foundations of a turret. At the circle’s center, decades of foot traffic had stripped away the grass, exposing bare stone.

Standing against a curved section of wall, a folding lawn chair faced us, its seat and backrest composed of red and navy interwoven strips of plastic webbing. In this dilapidated fortress, the chair looked like it had materialized from another dimension.

“You’ve brought a lawn chair up here?” Elena asked, amusement creeping into her voice. “Just for me to rest? What a gentleman.”

“I’ll gladly take the credit for the work of some anonymous benefactor.”

“It doesn’t even smell of stale beer or piss. The kind of neighborhood where nobody steals an abandoned chair, huh? I better take advantage of it before the owner comes along and shoos me away.”

Elena unslung her backpack and dropped it onto the ground. With a groan of relief, she sank into the creaking chair, its plastic strips sagging under her weight. Reclining with her eyes closed, she draped her arms over the armrests and stretched out her legs. After a couple of deep breaths, she turned her head and threw me a languid, heavy-lidded glance.

“You took one hell of a gamble, Johnny boy.”

“How so?”

“Bringing a woman you barely know to a secluded ruin. Most would think, ‘Does this big, bearded fellow believe I aspire to become an archaeologist?’ Nevermind that reaching this place requires an Olympic fitness level.”

“No gamble at all. You’re not most women. I brought you here because this is what you’re like.”

Elena lifted her head from the backrest. Her ivory skin accentuated those pale blues as they locked with my eyes, granting me passage through the darkness of her pupils into her abyssal void, a space preceding language, filled with black stars and white blood. Her lips curved faintly into a placid smile.

“You do understand me, don’t you? Better than anyone ever has. I should run away while I can.” She sighed, then lifted her backpack onto her lap. “But I’m fairly easy. I appreciate most places as long as they aren’t packed with people. Better than staying at home with my parents and their endless disappointment.”

Elena unzipped her backpack. Amid a crinkling of plastic, she pulled out the carton of Don Simón orange juice, unscrewed the cap, tilted her head back, and chugged. She then rested the carton on the ground between her canvas shoes. As she licked her lips, she reached into her backpack again and brought out her blue folder. She opened it and retrieved a stapled stack of papers.

“You may enjoy this one. Also takes place in a secluded clearing.”


Author’s note: today’s song is “Dear Sons and Daughters of Hungry Ghosts” by Wolf Parade.