The Scrap Colossus, Pt. 13 (Fiction)

A group of six twenty-somethings swept in through the gate of Bar Palace’s fenced patio. At the forefront of that posse, two young men sported fitted T-shirts and jeans, while the leading lady wore a cream blouse layered under a fuzzy, warm-toned coat paired with ankle boots. The group sauntered between the tables and the low stone borders enclosing boxwoods and sago palms. Each face bore a pristine smile as if etched permanently. Had Elena continued talking, their booming voices would have swamped hers, and judging by their tone, she should have thanked them. They headed towards the back of the patio, where an open-sided marquee shaded a dozen tables.

Elena crossed her arms. She turned one ear toward the intruders’ youthful cackling, which caused curved locks of almond-blonde hair to slide from the collar of her jacket. Along with her wary gaze, she evoked a stray cat that had come across a human while prowling the streets at night.

She had been speaking so earnestly, but now she risked clamming up. I should hurry to cocoon her within a web of words.

“Are these novellas finished?”

Elena uncrossed her arms and let out a weary sigh.

“I wrote six stories back-to-back. Didn’t I tell you?”

“Damn. Have you sent them somewhere?”

Her pale blues softened with regret, eyebrows furrowed. She drew her shoulders in and lifted her slender index finger to her mouth. Her lips pursed around its tip, then the muscles at the corners of her mouth contorted as she nibbled on the nail. Her gaze drifted down. When she pulled her finger, its tip glistened with saliva.

“I wish I hadn’t. It would have been better to retain in the back of my mind the delusion that once I sent the manuscripts, these stories I worked so hard on, that meant so much to me, that I bled for, I’d get the call, some editor at a big house saying: ‘Oh, what a gem this is! Here’s your prize, your publishing deal, and your movie adaptation!’ If my stories were truly great, surely the world would notice them no matter what, right? Someone would care. So I divided the novellas into two collections, then went through the mind-numbing process of figuring out to what contests I could send them. Do you know that the terms and conditions of some contests specify that they’ll reject any submission that features profanity or violence? I mean, are you fucking kidding me? What world do they live in? Anyway, I sent my collections to a couple of the less stupid contests. They didn’t even reach the elimination rounds. What a bummer, huh? Afterwards I figured, well, I’ll send them directly to the publishers, those that accepted unsolicited submissions. Only a couple bothered to respond, a few months later. ‘We regret to inform you that your book does not meet our current needs.’ You know, much worse writers than me are getting published, so I had figured I could squeeze in. Fucking moron. I got my hopes up for nothing.” She tilted her head and stared at the leaden sky. “And I did it for money. I was trying to figure out how to make a living doing something that didn’t make me want to strangle myself with an extension cord. But realistically, if a professional of the industry recognized my work, I’d have to deal with editors, publishers, and other strangers. They’d try to fix in my stories whatever offended their sensibilities. And I’d have to care about marketing. How would you sell these stories, which are symptoms of the radioactive darkness that’s been growing in me since before I took my first breath? I would have to go on book tours, and attend conventions. I’d be expected to sit in front of a room full of people staring at me as if I were a human being instead of a monster afraid of the light.” Elena’s shoulders heaved. She shivered like shaking off a gruesome vision. “But I don’t have to worry about those horrors ever becoming reality, do I? My work has no professional future. The gatekeepers would react to my stories the same way Isabel did. Lacks empathy, they’d say. Too dark, cynical, depraved. And I don’t write about the Civil War, which vastly reduces your chances of being published around these parts. Besides, do I really want to give my stories to the world? I just need to get the words out, to stop them from eating me alive. It’s like vomiting. You don’t serve it on a plate and invite everyone over for dinner, do you?”

“I find your puke delicious.”

“Well, you’re a weirdo. Which I like. But they’ll just see it as another mess to clean up.”

Two women in their thirties, a blonde and a brunette, seized the vacant table at our left as they bantered in a torrent of Basque. The blonde’s laughter erupted, her jaw gaping like a shark snapping at prey. Even after they sat, she flailed her arm, clutching a smoldering cigarette that set curls of smoke pirouetting. Their voices carried the confidence of those who knew their place in the world and were making the most of it. As a waiter in a stark black uniform swept over to take their orders, Elena glanced sideways at the pair like they were aliens.

“Anyway, Elena, I’d love to read the full novellas.”

Her lips twitched. She tensed her shoulders and held her hands on her lap as if steeling herself. Then she lowered her head, brows knit.

“Not yet. These are… appetizers.”

“For what main dish?”

Elena bit her lower lip and shot me a hesitant look.

“Something I’ve never shown to anybody.”

Was she trying to prove whether I was worthy of reading her secret work? On her lap, the fingers of her left hand had retracted and curled into a claw, metacarpals jutting from her pale skin. That hand trembled. I lifted my gaze to her eyes, but her fallen lashes obscured the irises.

“I’m not used to being seen,” Elena said in a voice like a rusty gate opening. “It’s a lot to deal with.”

“Hey, whatever your secret story is, I’ll devour it. Can I ask for some details?”

“I don’t know if I’m still working on it, to be honest. It’s sort of… frozen. I just need to keep moving. Keep my mind from sinking back to where it left me.”

“Where was that?”

“Somewhere dark and cold and very far from here.”

Those pale blues, that seemed to have seen it all and wanted to see no more, teetered on the verge of thinning out and revealing some hidden passage. As if catching herself, Elena raised her palms to rub her face. A thick lock of shimmering almond-blonde hair tumbled from her ear and swayed. When she tilted her head back to rearrange her cascading hair, the overcast light of late afternoon sculpted her jawline, highlighted her cheekbones, and caressed the dusty-rose curve of her lower lip. In the span of her neck, the twin cords of her sternocleidomastoids, running down diagonally to her collarbones, flexed like silk ropes beneath her skin.

“Whenever you feel ready, Elena, I’ll be waiting. I’m not going anywhere.”

“Yeah. A week ago I was sure I’d never show that story to anybody. But now, I don’t know. Maybe you could handle it. What were we on about? Ah, right.” She massaged her temple with her index and middle fingers. “I had been trying to find a way to make money that wouldn’t force me to interact daily with human beings. Otherwise I’m doomed to live at my parents’ until they kick the bucket. I could sell my body, I guess.”

“If you monetized it well, you’d make a killing.”

“And lose a part of myself with every transaction. So, Jon. Do you have a job, or do you live on an inheritance? Or in a cardboard box under a bridge?”

“Is this the part where you determine my value to see if you should stick around?”

“You’re the only person in the world who’s willing to listen to me babble. And you even wait patiently at the end of a sentence to see if I’m done talking. But if you turned out to be a murderer, then I’d have to weigh the pros and cons, the enjoyment of our conversations versus the risk of ending up as a severed head in your freezer. Does that defensiveness mean you’re also a failure?”

“I’m an IT technician at Donostia’s main hospital, fixing network issues, granting users access, etcetera.”

“Sounds like a nightmare.”

“It’s a shit job, but it keeps me afloat. And as you suspected, I’m indeed a failure. I never dreamed of ending up tied to such a job.”

“At least you have access to the medical records of most people in the province. That should give you an advantage over the common murderer, and it might be fun to look up people from the past and see if they’re now riddled with STDs.”

“If you pry into someone else’s medical record when not authorized to do so, you’ll receive a call from HQ, and if you can’t justify yourself, you may end up in jail.”

“They take the fun out of everything, huh?”

“What about you? Want to share your work history?”

Her head dipped in a timid bow, brow creased. Her pale blues tried to hold my gaze, but her lids flickered, then her eyes darted down. A slight grimace pulled at her lips as she clutched the moth pendant.

“I’m not proud of my job experience, Jon.”

“I hadn’t assumed otherwise.”

“Well, as I’ve established, I’m a leech that lives off her parents. They aren’t pleased with the situation, so they’ve pushed me to find work, even part-time. The issue is, when you’re born with radiation for blood and chaos for bones, you’re not exactly employable. After high school, I didn’t continue my studies, not even a vocational program. I couldn’t bear the thought of wasting more time in a classroom, pretending to be interested in whatever the teachers had to say, surrounded by people I had nothing in common with. For the next couple of years, I did little more than lie in bed and masturbate. I had my first taste of employment during my twentieth summer, as a waitress. Can you imagine? I don’t know how I lasted more than a day. The goons I had to consider my coworkers were a bunch of loud, obnoxious idiots who kept inviting me to hang out after work. Soon enough they started calling me a bitch behind my back. I also had no clue how to talk to customers, and of course I didn’t want to. I discovered that my troubles with basic math may indicate a mental retardation. Anyway, the manager fired me before I could quit. He said he couldn’t understand how someone could be so incompetent at serving drinks. He also called me a bitch, but to my face. Then, I worked at a bookstore. Seemed like a fitting job for an aspiring writer. Back then I still believed I could fake being human enough to fool everyone. I watched and mimicked until I mastered certain norms, although it exhausted me and made me hate people even more. I lasted three months, my longest stint, before the fluorescent lights and the noise and the forced small talk drove me to have a nervous breakdown in the poetry section. My boss sent me home early, told me to take a couple of days. But I never went back. Finally, the call center gig. Apparently I thought torturing myself with constant human interaction was a penance I needed to endure. I should have swallowed a bottleful of bleach instead. That job ended with me telling a particularly nasty client exactly how many ways the human body can fail before death takes pity on you. So yeah, I’m unemployed. Have been for a while. And those humiliating examples of my failure as a member of the species were interspersed with periods in which I did little more than lie in bed and masturbate.”

“Living the dream. Too bad I couldn’t join in.”

She smiled with the vacant, distant stare of a prophetess gazing into the embers.

“Jon, how do you compete in a world where everybody is expected to be whole and perform their role perfectly? It’s like trying to participate in a sprint while missing a leg. Five days a week, if not more, waking up at seven and forcing yourself to head into a workplace where you’ll be surrounded by people and ordered to carry out tasks. The clock felt like a guillotine blade dropping again and again onto my neck, chopping off pieces of my life I would never get back. For a paycheck that wouldn’t even allow me to buy my own place unless I paired up with another wage slave. The thought of enduring it for decades filled me with absolute horror. I’d wake up in a panic, thinking, ‘It’s morning. I have to do it again.'” Elena shut her eyes, then took a deep breath. “I would expect the majority of the population to be unemployed, or else quit or be fired after a week. That they go about their business without breaking down or having to drown themselves in meds emphasizes that I don’t belong among them.”

“You’re too sensitive, Elena, but that’s alright. The problem is that society favors psychopaths.”

“My parents… they try to understand in their own way, even though they must be sick of supporting a grown-ass woman. They send me job listings like maybe this time it’ll work out, like maybe this time the monster inside won’t rear its horned head and destroy everything. But we know how the story ends, don’t we? I guess that’s how normies became the blueprint. They get pissed on over and over, but they think, ‘Well, next time it may be water.’ A lack of pattern recognition, don’t you think? But that allowed them to out-reproduce the competition, and that’s how you end up with fiat currency. Meanwhile, I have trouble buying a toothbrush.” Her voice had dwindled to a hoarse whisper, as if her throat were clenching her vocal cords. She hunched over, elbows on the table, and clutched at her head with trembling fingers, tousling her almond-blonde hair. “I can’t. I can’t go through that again. I can’t spend the rest of my days trapped in an office or store, or any place that requires me to interact constantly with the human race. I can’t do that to myself. I’ll end up hanging from a ceiling beam.”

“We’ll find a better solution for you.”

Elena jerked her eyes upwards, suddenly realizing she had a witness. Loose locks framed her parted lips, her crinkled brow, her helpless blues that cast an apologetic glance. Then she lowered her head, spread her elbows, and pressed her hands onto the table. The wrinkled sleeves of her jacket clung to her arms, slender as birch branches. Through the cascade of her almond-blonde hair, only the soft triangle of her nose emerged from her pale face.

I spoke calmly.

“Those whose brains urge them to create new things shouldn’t have to compete in a rat race. Imagine if Michelangelo Buonarroti had been forced to work at bank, or if Beethoven had worked as an accountant and could only compose in his free time. How much beauty has been lost to the world because creative minds had to spend their lives chasing money, or simply surviving?”

“I’m neither Michelangelo nor Beethoven,” she said to the table, her voice creaky. “There’s no demand for what I do. And who would foot the bill for me to indulge myself, huh? Just because I’m broken doesn’t mean I deserve handouts.” She straightened her spine, then combed her locks back while avoiding my eyes. “Writing full-time would mean staying holed up in the cave that is my room, coming out only to eat and drink and piss and shit and bathe, if I could be bothered to bathe, and then back into the cave. Nurturing this darkness until it consumed everything. Until there was no Elena left, just a monster that feeds on the world’s misery and shits out words that no one will read.”

“Haven’t you been doing that already?”

“I wrote the six novellas in a frenzy, under pressure. I produced them longhand in the study room at the library, because if I did it at home I’d be dreading the next knock at my door, then either my mother or father would enter with a fake smile, sit beside me, and bring up some fucking course or job offer, while pretending not to notice how I shrank further and further into myself. If I had the license to write full-time and nobody hounded me to become a functional member of society, that’d be a different matter.”

“Either you refuse to write, which would cause you to fall apart, or you submit and create your stories, feeding the monster.”

“Fucked either way, you mean? The monster demands its tribute, whether it’s in words or pieces of my sanity.”

“You’ve envisioned your end a myriad times. You’re responsible for most of those demises, through pills, blades, nooses, or leaps into the void. We’re doomed to exit this world in an undignified manner, so you may as well produce as much beauty as you can along the way.”

“A tragic artist painting with her own blood before the inevitable end, huh? Something terrifies me, Jon… What if this pain, this darkness I’ve been carrying around like a tumor since I was a kid… what if it could actually mean something? Help me create a work of art worth remembering? That’s almost worse than believing it’s all meaningless.”

“How come?”

“Then I’d have a responsibility, right? To what? To whom? To… well, the artists I look up to, who don’t even know I exist, although they make me feel less alone? To some hypothetical future reader who might find solace in knowing they’re not the only monster trying to pass as human? I’d feel obligated to carry that weight as it crushed me.”

“You have a responsibility to your own uniqueness. You’re the only person in the entire world who can write your stories. They might not save you, but they may help someone else. And you will have contributed something unique to the world, which is more than most can claim.”

Elena stared off into the distance, lips pressed together. Her right hand twitched. Then, after dipping her head, the fingers of that hand spasmed as if typing in fast motion. She stayed silent, so I spoke again.

“Haven’t you ever come across a song or story and thought, ‘Shit, if this artist hadn’t wasted half of their life drunk, or if they hadn’t overdosed at twenty-seven, think about the amount of amazing art we could’ve gotten.'”

“Well, I’m past twenty-seven, thankfully or not.”

“You have a gift, Elena, even if it’s also a curse. So you must do your very best with it.”

“Maybe I do. How many times have I listened to her music and wondered what other masterpieces she could have created if life hadn’t beaten her down so hard? And here I am, letting this darkness eat away at me day after day, telling myself it’s inevitable. No one else has quite my flavor of fucked up. But this hope you’re trying to inject into me… It’s dangerous when you’re made of radioactive waste. It may make you think you’re worth something. In the end, though, I know what I was born to do: carve the world a wound in my shape.”

Laughter erupted from the open-sided marquee at the rear of the patio, and youthful voices tangled in a frenzied medley as if competing to be heard the loudest. Elena flinched—her shoulders shot up and her jaw clenched. She glared warily over her shoulder like a soldier scouting for snipers. Then she dropped her gaze and sprang to her feet, pushing the rattan chair back. Her jacket fluttered and her moth-shaped pendant, suspended from its chain, glinted in the late-afternoon light and patted against her breasts as she collected the printouts and inserted them into her folder.

“Let’s go. I’m getting real antsy.”


Author’s note: today’s song is “In the End” by Linkin Park.

The Deep Dive pair had a lot of interesting things to say regarding this part.

The Emperor Owl, Pt. 5 (Fiction)

Bleats wafted through the fog. On the facade of the house at the meadow’s edge, the white paint had peeled like rotten skin on a corpse’s forehead, exposing walls built of mismatched rocks in precarious balance. Above six crooked windows, walnut-brown tiles crowned the structure like a sun-scorched straw hat.

I hastened through the overgrown grass, searching for a sheep’s four-legged silhouette. Beside me, a garment snapped in the wind with a crack of cloth. I kept moving until Mother clicked her tongue at me.

“Follow me.”

In her mane, ash-gray strands twisted like storm warnings. I trailed her, arms crossed over the portfolio I clung to. Shivers ran through me. I should’ve brought a scarf.

From the shed at the meadow’s corner came bleats like a tortured soul’s wails. Mother stopped by a fence where a lamb hung skewered by barbed wire, its neck and chest hooked. From its gaping mouth dangled threads of saliva. Eyes bulged grotesquely. With each twitch, its wounds spilled tongues of brass-scented blood that stained the wire and steamed. A dark pool grew at its hooves.

“Don’t bother claiming you’d penned all the sheep and this lamb slipped out,” Mother said. “You rushed your chores to vanish into whatever hole you like to hide in.”

She spoke as if forcing air through her larynx exhausted her energy, and at each word she questioned if the effort was worth it.

I uncovered my mouth and crouched near the lamb. Stroked the coarse fur along its back while its warm body shuddered under my palm.

As if the sun had eclipsed, darkening the world, I envisioned Father surging from the horizon and rushing across the meadow toward me, footsteps quaking the earth.

When I stood, a dizzy spell blurred my sight. I scanned the meadow, skin prickling. Mother’s bony fingers grazed the portfolio’s edge I clutched. I braced for her to snatch it, but she bent instead to grab a handle hidden in the grass.

“I’ll keep to myself what you’ve done.”

She pried open my right hand and placed an axe’s smooth wooden grip into my palm. The heavy metal head dragged my arm down.

“For what?”

“Kill it.”

Fire seared my gut. I gulped.

The lamb probed the air with its crimson, glistening tongue as if parched. Each spasm rattled the wire in metallic shrieks while blood oozed from the beast’s wounds thick as honey; surely its body held less than it had spilled. A bleat rippled from the shed in a cold current as if a ghost were weeping.

“I can’t.”

“You prolong its agony. And it’s suffering because of you. Do your duty.”

I knelt, pressing my brow to the lamb’s feverish chest, inches from wire barbs gouging flesh. My fingers tangled in its matted fur. Underneath, muscle fibers quivered.

I swallowed to steady my voice.

“Maybe it’ll heal. Give it time.”

Studying its neck wounds, I wondered how I could lift the lamb without slicing deeper, but Mother yanked my sweater’s collar, making me stumble back. As she snatched the axe, the momentum flung me onto slick grass, sprawling sideways. She glanced away through her ashen hair, as if seeing me pained her.

“You learn nothing. Your head always in the clouds. Nothing good’s going to happen to you.”


Author’s note: I wrote this novella in Spanish about ten years ago. It’s contained in the collection titled Los dominios del emperador búho.

This may be the worst conceived scene of all I’ve translated so far from my work ten years ago. I had trouble even envisioning what I meant in some of the original text.

The Emperor Owl, Pt. 4 (Fiction)

I detailed the face of the man standing upright over the circle of withered grass, flanked by twin beech trees guarding him like sentinels. With a gray crayon, I shaded the segmented plates of his armor. I perfected the goose-feather quill jutting from his silver helmet. I erased the outline of his jaw and redrew it square, rock-hewn, to match that cavernous voice.

I stretched, then reviewed the drawing. Perfect. No detail to add, no stroke to erase.

I smiled, stifling a chain of laughter. I set the drawing atop my portfolio. When I uncrossed my numb legs, blood surged back in a torrent of prickling needles. I snatched the sketch, turned it toward the ring of blackened grass, and held it aloft.

“Do you like it?”

The man coughed. The circle and the beeches rippled as though I were peering at a painting submerged in churning water. My face and hands burned, but the sting would fade before blooming into rashes.

“You wear armor granted to honorable warriors,” I said, “those who’ve proven their valor defending the king and slaying scores of monsters. You’ve come on a secret quest to purge this land of darkness.”

“Did the helmet need a feather?”

Leaning over the page, I stole a glance at my drawing, hunting for errors I might’ve missed.

“I could erase the feather, but I’d have to redraw the helmet and part of that beech.”

“It’s a fine portrait of someone else.”

“I didn’t mean to insult you.”

“It isn’t me.”

I studied the scene. What other details could offend him? The man in the drawing would helm adventures where he’d always prevail, though bloodied and scarred. He’d slaughter beasts threatening those he loved.

“Maybe I’ve imagined it better than reality, but isn’t it lovelier this way?”

I slid the drawing between the portfolio’s pages, careful not to crease the edges. I lay on my side in the grass, dewdrops glittering like scattered glass.

“But it isn’t real,” said the man, as if he’d weighed the words for fifteen seconds.

“You can tell me. Truly.”

“Tell you what?”

“Why you’re here. What you seek. Do you think I’d hinder you? I want to help.”

He snorted, air whistling through a rusted pipe.

“You’re imagining that your knight has galloped here from distant lands, plunged into this forest, and awaits the stars’ alignment to fulfill his mission. Yet I appeared among these trees—this arbitrary speck in the cosmos—as I could have materialized on another planet, in the depths of a hydrocarbon sea. I linger because no corners remain worth moving out to.”

“Hydrocarbon?”

“Why are you here?”

“When I met you? To sketch this landscape. Today? Because I’ve met you.”

“On this planet, I mean.”

“I didn’t choose that.”

“Nor did I.”

I knelt. A beetle trudged past, legs ticking like a cuckoo-clock figurine. It wove through twigs and scaled dry leaves toward the border of blackened grass, but a meter away, its antennae groped the air like a blind man tracing a wall. The beetle pivoted and marched in perpendicular, bulldozing debris with its shell.

“How do you do that?” I asked.

“Do what?”

I hunched, palms sinking into the underbrush—crunching leaves, flattening grass. I stretched an arm toward the circle and crawled. A meter from the blackened grass, needles stabbed my fingertips. I jerked back. Though my fingertips tingled, no blood welled, and the pain ebbed.

“That.”

“Girl, I couldn’t explain it if I tried. Curious, though. Other creatures flee. Had another stumbled upon me—a disembodied voice in these woods—and heard me command for them to leave, they’d have bolted. Yet you persist. You lack instinct.”

“I’ve won.”

“Were we competing?”

“We’re talking. You’ve stopped ordering me away.”

The man sighed, his breath a stale gust.

“What I touch withers. All I near rots. What do you suppose that means for you?”


Author’s note: I wrote this novella in Spanish about ten years ago. It’s contained in the collection titled Los dominios del emperador búho.

Today’s song is “Sawdust & Diamonds” by God herself.

The Emperor Owl, Pt. 3 (Fiction)

When I went down for breakfast, I sat in the chair opposite my usual spot. Father barged into the kitchen. A scent of wet grass and manure, like a beast sprawled in the mist, flooded my nostrils, trampling the stench of the garlic and onion braids hanging from the ceiling. Father’s fiery snorts heated the air.

My ears had stiffened. I ducked my head over the bowl of milk, baring my nape.

Father’s hulk prowled behind me while hissing through his teeth. He yanked the chair next to mine and dropped onto it as if to splinter the wood, which creaked. He planted a fist beside my bowl.

I gulped the milk as my throat clenched, risking a choke.

His fist bulged like a club, his fingers like swollen sacks of soil. Hundreds of iron spikes bristled across its back, climbing up a forearm thick as an oak branch. As Father breathed, the spikes converged and parted.

“Today, you’ll milk the cows and shear the sheep that were your mother’s duty. Understood?”

I nodded. Crossed my ankles under the table.

Father thrust his face toward me; it felt like a cannonball sinking into the opposite end of a mattress, causing my side to cave in. His breath grazed my skin like a flame.

“Understood?”

“Yes, sir.”

“If you bolt your door again tonight, tomorrow you’ll work double.”

My muscles tensed, steely. The milk bowl doubled and quivered. I would vomit.

By the counter, Mother faced away from me—a mannequin rigged from wooden slats, draped in a sweater and an ankle-length skirt. A thin, ash-gray mane covered her head. The mannequin, hunched over the sink, trembled as she scrubbed a glass with a scouring pad. If I glimpsed her gaunt silhouette from certain angles, Mother would vanish.

“Don’t bother her,” Father said. “She agrees.”

Mother spoke in a brittle whisper.

“Obey your father.”


Author’s note: I wrote this novella in Spanish about ten years ago. It’s contained in the collection titled Los dominios del emperador búho.

The Emperor Owl, Pt. 2 (Fiction)

My bedroom window framed the cork oak, beyond whose cracked stone bark, the color of capers, stretched the broad sash of the Milky Way. Its clusters of azure light, its masses of rosy nebulae. Through the bare branches slid the glimmering of hundreds of thick luminous orbs and flickering points—blue, white, and red—studding the night. Millions of glowing spiders dangling from the ceiling of a cavern.

I shrank beneath the blankets, clutching the coverlet as though I were sliding into an abyss. I’d woken in the dead of night. Why?

Everything that had inflamed my brain now hung like paintings: the two beech trees flanking the circle of blackish grass, the reverberating voice of the invisible stranger. I pressed my eyelids shut. I gasped into the pillow, dizzy. I counted from one to four, inhaling deeply with each number, but my heart raced, pounding against my left lung. How would I fall asleep again?

I curled into a ball and poked my head from the blankets into the cool air. The wind whistled. A cow’s chain jingled as the beast grazed.

When Father arrived, he’d find me awake.

I whimpered. Hugging myself, I wished to vanish. How could I let Father enter if I remained awake?

I sat on the bed’s edge, springs squeaking. My vision wavered. Standing might make me vomit. I pressed the soles of my feet to the cold floorboards and hunched toward the door.

Footsteps prowled the house—an earthquake whose tremors would reach me. They’d crescendo like palms slapping wood, then the door would creak open. He’d find me standing on the opposite side of the threshold.

I knelt. Clamped my palms over my ears, squeezed my eyes shut. My breath thickened. Maybe hyperventilating would make me faint, but it’d take minutes. The dresser, the wardrobe, the desk. Would they suffice? Could I shove them?

My forehead and neck dripped with cold sweat. I crouched beside the dresser flanking the door. Shuddering, I inched it forward, legs trembling as its feet screeched like chalk on slate. I barricaded the door. Circled the dresser, then shoved it from the side of the drawers toward the door until wood jammed against wood.

Footsteps merged with the drumroll of my heart.

My legs quaked. I gripped the desk’s edge and jerked it toward the dresser. A stubborn pain clawed my throat, as if I’d swallowed a nail.

The footsteps advanced along the hallway toward my bedroom. Drumbeats.

I crouched behind the desk, bracing it firmly against the dresser as the wood groaned.

In the gloom, the doorknob turned. The door nudged inward a few millimeters and struck the dresser.

I slumped at the foot of the desk and leaned back against its drawers, their handles stabbing my spine. I’d fallen into a pit I’d never climb out of.

The door thrust against the dresser, crushing it into the desk, the desk into my back.

A shudder coursed through me refusing to break. The sight of my bed and the still-life paintings blurred with black spots. My heart would burst like a peach hurled at a wall.

In the hallway, a voice like a flaming furnace snarled and cursed as its owner stomped back and forth.

Had I heard him leave? I inhaled sharply.

The door slammed into the dresser with a crack of wood that jolted my spine, embedding drawer handles beside my vertebrae. The knob squealed as it twisted. The door shoved the furniture as though the next thrust would hurl the dresser, the desk, and me onto the bed, burying me beneath a blast of splinters.

Cobwebs swayed on the blackened ceiling beams. Books trembled on the shelf, and crashed down. Damp stains on the walls shed flakes of paint. The bedroom had grown hot while in the hallway flames from a stove roared.

I clenched my thighs to hold my bladder, tears spattering my cheeks like scalding drops.

Growls reverberated, curses in extinct languages. Footsteps retreated down the hallway, vibrating the floorboards and rattling my bones.


Author’s note: I wrote this novella in Spanish about ten years ago. It’s contained in the collection titled Los dominios del emperador búho.

Today’s song is “The Killing Moon” by Echo & the Bunnymen.

I’m fully aware that you can only see the center of the Milky Way from the southern hemisphere except in some conditions near the equator. This story is set somewhere in the Basque Country, but it felt like that bit of irreality was fitting.

The Emperor Owl, Pt. 1 (Fiction)

Where the grass and ferns grow, twenty-one years ago I stumbled upon a circle of broken branches and blackened grass, as though a boulder had crushed them, sealing them from the sun until they rotted. Two beech trees guarded the circle. Their branches sprouted at ground level, as if they had grown several meters underground before rupturing into the air. Along their trunks swelled knotted protrusions—wooden shoulders—stretching horizontal, splintered limbs. A pelt of damp moss cloaked the bark, and between those green tufts peeked fungal scabs and the leaves of creeping vines.

In the forest’s stillness, someone watched.

I halted and held my breath. Crossing my arms, I clutched the portfolio to my chest like a shield.

An owl hooted. A squirrel scampered through dry leaves. The undergrowth crackled from some collision. A man’s lament seeped through the air echolike, as if rising from a cavern.

In every knot of the trees, faces etched themselves into the wood, but when I focused, they vanished. Through the foliage stirred by the breeze drifted a procession of shadows, encircling me.

I stepped closer to the ring of ashen grass, but an impulse repelled me—a silent thunder’s thrum, a force that might sweep me away. The man had fallen silent. I rose onto my toes, straining to glimpse who watched me, who had hidden when my sneakers crunched the underbrush. Behind the beeches, blurring the forest, the branches of their kin intertwined and overlapped above the green of leaves and moss, forming a bone-white latticework.

“Come out. It’s alright.”

A beetle scuttled through the leaf litter. The gaze of two invisible eyes lanced into me.

I raised my voice.

“I know you’re here.”

“Leave.”

It reverberated like an echo ricocheting through corridors before striking me. A voice unlike mine—clear and brittle—or my Father’s and Mother’s. I’d assumed I’d never hear another. But I straightened up. The man had ordered me gone.

“You’ve found my refuge. One of them.”

“Yours? Did you build it? Buy it?”

The voice seeped from the air two meters above the circle of withered grass, sheltered by the beeches. I sidestepped, hoping a new angle might reveal the speaker.

“I’ve come dozens of times. No one else ever occupied it.”

“And that makes it yours? As I said, leave, girl.”

“I meant to spend time here. My presence doesn’t mean you must go. Or hide. I won’t harm you.”

When the man snorted, an invisible bubble swelled from the dead grass, warping the sight of the beeches before sweeping through me. It stung my face and hands like lying in nettles. The distorted haze settled, but my skin prickled. I scrubbed my face with a sleeve.

“You won’t harm me,” the voice said. “How reassuring.”

I gnawed my cheek. When I opened my mouth, my lips smacked.

“What do you want?”

“Why would I want anything?”

“No one comes here. Three days ago, that black circle didn’t exist. You’re here for a reason.”

“I want you gone. To leave me in peace.”

“Why?”

“Because I don’t want you here.”

“Tough luck. I came to draw. I’ll use the time I have left, even if you’ve decided to steal my spot.”

“Draw? What is there to draw?”

Scrambling to justify my sketches, I flipped open the portfolio and shuffled papers. What scenes might appease this stranger? Which would shame me?

The portfolio slid from my grip onto the grass, papers fanning out. I crouched, then brushed twigs and bark from the drawings. As I restacked them, I chose a scene I’d sketched here: the stream behind the beeches, no wider than a forearm, transformed into a river fit for ships. Along its banks gushed millwheels. A village crowded both shores. Spiral staircases scaled the beech trunks, now kilometers tall. Walkways and lookout posts sprouted from every branch, watchtowers mounted on their elbows. Silhouettes in armor scanned the horizon from their security posts.

In the foggy distance smudged in pencil loomed a creature spanning hundreds of meters, its face black, limbs thick as cannons. Iron spikes bristled like fur. Fire snorted from its nostrils. The composition hinted that even if the sentries sounded alarms, the monster would trample roofs and wooden walls.

I lifted the sketch and turned it toward the dead grass.

“I like how this one turned out.”

I held the page for seconds. Shifting my weight, I felt awkward, as if coerced to hold a heavy bag until its owner returned, and I’d waited half an hour. Though the man’s gaze probed my face, the angle likely hid the drawing’s details. I waved the sheet in an arc.

When the man murmured, his voice rumbled like a landslide.

I bowed my head, then slipped the drawing back into the portfolio. Why had I bothered showing it?

“You’d see it better if you showed yourself.”

“I’m not hiding.”

“You call this not hiding? Speaking from cover while you watch me?”

“I’m facing you.”

“I don’t see you.”

“Then look.”

Pressure swelled in my chest, the same warning that tightened each afternoon. I’d strayed too far from home for the minutes left before dusk. Even if I conjured another scene, I’d barely start sketching. If I lingered, Father would rage. Yet this floating voice had invaded my territory. Had he hidden inside a hollow trunk? Was the intruder peering from behind a beech?

When I stepped forward, a voice’s rumble halted me like a wall, scraping my skin with nettles.

“Keep your distance.”

I retreated.

“Why?”

“I’ll harm you.”

“What kind of person shows up in someone else’s forest and threatens whoever finds them?”

“This forest isn’t yours. But I’m not threatening you, girl. I’m stating a fact: come closer, and you’ll suffer. Whether I will it or not.”

The thicket had darkened, leaching greens to gray. I squeezed the portfolio to my side. I needed to sprint back as if I’d left a pan on the fire.

“Listen, I want to speak again. Will you be here tomorrow?”

“One place is as good as another.”

“But you insisted on staying here.”

“You claimed it was yours. Gave me reason to claim it too.”

I opened and shut my mouth. What could I reply to that?

Behind me, the path wound through undulating slopes dense with beeches. Their branches, draped in climbing vines like garlands, would arch overhead as I retreated.

The circle of parched grass blurred into gloom.

“Will I find you when I return?”

“You can count on it.”


Author’s note: I wrote this novella in Spanish about ten years ago. It’s contained in the collection titled Los dominios del emperador búho.

Today’s song is “Seven Devils” by Florence + The Machine.

Honestly, I didn’t want to revisit this story, but I’m translating all of them, mainly for Elena’s sake.

Unless I hallucinated the whole thing, this tale allegedly caused the stroke of an elderly writing instructor that a year or so later died due to his health complications. That has to be an endorsement of some kind.

The Drowned City, Pt. 10 (Fiction)

A barrage of light assaulted my eyes. I blinked like a newborn. The center of my vision filled with humming fluorescent lamps. I tilted my head. Behind a desk sat a man in his fifties, mustached and jowled, clad in a police uniform.

I lay sprawled on a metal bench, the armrest bruising into my cheekbone as a makeshift pillow. A scratchy blanket covered my nakedness.

The policeman stood, circled the desk, and bent over me. His lips carved syllables, words shattering against my face. He waited for speech, but my brain had severed its wires to my vocal cords. I clawed back the names of objects and sounds, slow as a toddler fitting blocks into holes.

The officer arched his brows, then teetered on his tiptoes.

“Were you born half-brained?” He cocked his head right. “Sure no one cracked his skull?”

“No visible injury,” said another voice. “Maybe an old trauma.”

“Or he’s a psych ward runner.”

I pushed aside the hair veiling one eye. My hand trembled. A young cop, chin wounded by two razor nicks, materialized at my left and offered a T-shirt and trousers—faded donations moth-rotted in storage. I clutched them like alien artifacts.

The young cop snapped his fingers before my glazed eyes.

“Know where you are?”

I unfolded the shirt. Its chest logo had frayed into orange shreds.

“Motomiyacho Police Station,” the junior said.

The mustached cop rolled his eyes. “He read the badges.”

“Hitachi. Ibaraki Prefecture. Understand?”

I studied his pupils, hairline, nose, uniform collar, the metallic badge. My eye muscles buckled and dropped my gaze.

They led me to a bathroom. Locked inside, I dressed at the pace my stiffened joints allowed. My ligaments ached as if stretched gumlike on a rack. I avoided the gaunt stranger in the mirror.

Five minutes later, the police officers marched me to the station doors. Midmorning light slanted through dust-streaked windows.

“Got somewhere to go?” said the mustached cop.

“I’ll figure it out.”

He shook his head, and snorted.

“So you can talk.”

As he walked off, the junior cop appraised me with resignation. From his wallet, he slipped a 5000-yen note into my shirt pocket.

“Take care.”

* * *

For months, I swallowed hypnotics to smother the reasoning part of my brain. Sounds and voices slowed down, and the links between events frayed. On nights when the pill case emptied, I writhed in sweat-soaked sheets for hours. Chiseled memories—the forest clearing, the lagoon, the illuminated ocean, the woman—besieged me. Her sentences swarmed around my ears like gnats. The ghost of her mottled pink-and-white skin grazed mine, and those parts of my body stung like a rash. I choked.

After hours of rolling on the mattress, in the tar-pit of my mind floated—like the afterimage of the sun—the woman’s face, frozen in the expression I had provoked by betraying her. Even as I stretched out my arms, she floated far away.

She was talking to me.

Why didn’t you follow me to the city?

I had wanted to.

Then why am I alone down here?

Because I am weak. I am nobody. I was born to endure the decades of my life as the hollow shell of what a person ought to be, and those I encounter, I infect with gray. You chose the wrong man. I never found the strength to obtain what I needed.

I sat up in bed and panted as if I’d fallen from a rooftop.

In the mornings, the echo lingered. That flute-like voice, the intermittent current of a brook, sounded in the distance. The flow carried words I had to fish out, and I longed to roam the streets until I recognized each syllable. In my apartment, on the street, in the workshop, the moment when I would hear the woman speaking from afar hovered on the verge of arrival. Whenever I strained my ears and scanned the surroundings for the crevice through which the voice poured, the current would cease, though in my mind the fading echo reverberated.

On the morning of the first anniversary of the day I met the woman, feverish surges overwhelmed me. My body screamed that a cancer was multiplying inside. Dizzy to the point of nausea, I knelt over the toilet bowl.

On the second anniversary, I anticipated the surges and stuffed myself with anxiolytics. They blocked my capacity to care about anything. I drifted in a void.

At the dawn of the third anniversary, clinging to the edge of my bed, I sensed the woman’s presence like a silhouette on the horizon. She called to me. While I dressed for work, chills raced down my spine. I planned to ignore them until they subsided, so I could plunge into the tar sea in which I dove every day. But I called the workshop and reported that I had awoken with a fever—something I had eaten.

Sitting in a train seat, I stared at my trembling knees. Every glance at the landscape sliding past the window tempted one of the plates of my mind to slip over another, and from the ensuing crack burst forth creatures belonging to savannas—creatures that would race through tall grass and scramble up trees. That forced to live in the world allotted to me, would perish. Yet I looked on.

The landscape evoked an absence. Some symphony that had once played without pause was now missing. Reality had lost its fundamental piece, and trembled like pillars on the verge of cracking and collapsing. The world—the obese beast that they upheld—gobbled and gobbled.

The image of toads perched atop the pillars at the entrance of a villa flickered. In the folds of the statues, grime had accumulated, and the paint had begun to flake off. Was I merely imagining those imperfections, or would I have discerned them years ago had I known how to truly look?

When I stepped off at Hitachi station, I followed the path while battling chills and dizziness. Dust-stained buildings unfolded before me, where decades of rain had darkened cascading streaks. Everywhere I looked, the colors had lost their vibrancy, merging into shades of gray. A man in his sixties, standing at the corner of a dwelling, surveyed the landscape as if he had lost his bearings. Passersby drifted like puppets and spoke as if following a script. Their organic masks confronted the vistas while in their minds they navigated through a gleaming technicolor scenery.

I arrived at the street where, on the opposite sidewalk, the passage to the woods would open. I straightened up on the familiar patch of pavement. To my right, three red-and-white vending machines were embedded in a concrete recess.

I lifted my head toward the opposite sidewalk and blinked until my vision cleared. Both buildings that had guarded the passage now appeared conjoined—the electronics store, with its facade of wooden planks, nestled against the rusted shed of the beige house. Not a single fissure betrayed that they had been built separately.

Three warehouse boys surged past me from both front and rear. Out of the corner of my eye, I noticed one casting a look of bewilderment my way, then extending his gaze toward the wooden plank on which I was fixed, unblinking.

I inched up to the facade until the tips of my sneakers brushed against the walnut-hued wood, which reeked of mold, and I could discern its grain and cracks. I closed my eyes. In the dim half-light of my mind, the passageway unfurled into a grassy path winding its way among the pines, flanked by ferns and a sea of clovers. I held my breath. I listened to the chirping of birds, the breeze rustling through the branches, and the fruits crashing against the leaf litter. In the background, in the chasm between sound and silence, her voice emerged.

I shuddered and my vision blurred. I dragged my legs to the electronics store. I pushed the door, triggering a digital chime. Inside, the air smelled of metallic casings and plastic cables. I hobbled between shelves, amid outlets, lamps, bulbs, and electronic devices whose purpose was a mystery to me. I trod on linoleum grimy with footprints, yet with every step, my feet expected to flatten grass. I beheld smoked glass and cardboard boxes where I should have seen wine-red tree trunks and a serpentine path.

The scent of pine invaded my nostrils, and the earth warped under the weight of the lagoon. Beyond the backdrop of this electronics store, beyond this rotting gray world, somewhere lay that ocean of crystalline water illuminated by a different sun. The abyss of that ocean, beneath tons upon tons of water, harbored another architecture, other creatures.

She had never told me her name. Didn’t need to. Her face and blotched-white skin had plastered the walls of my mind. Instead of blood, her voice flowed through my veins. She had offered me the only chance, and I had ruined it.

The shopkeeper approached as if a vagabond had wandered into his shop. The years had contorted the man into a wrinkled, gaunt parody. His back was hunched, his hair had turned gray.

He scrutinized me from head to toe.

“May I help you?”

Before I could even craft a response, the nucleus in the depths of my being, kilometers beneath the navigating consciousness, revealed to me that no bridge could ever convey the images and sounds trapped within me, that no effort would succeed in making others understand what truly mattered.

I had nothing to say. Not to him, not to anyone.

THE END


Author’s note: I wrote this novella in Spanish about ten years ago. It’s contained in the collection titled Los reinos de brea.

Today’s song is “Since K Got Over Me” by The Clientele.

With this, three of my six novellas written and self-published ten years ago have been translated. The two others so far are Smile and Trash in a Ditch. You can check them out here.

The Scrap Colossus, Pt. 12 (Fiction)

After finishing the excerpt, I placed those printouts on top of the first stack and aligned them absentmindedly as my mind returned from deep space, from that station overrun with a surging tide of shadows. I felt as if I were standing on the edge of a dark well, peering into its murky depths, and wondering just how far the bottom lay.

Elena, sitting across from me in the rattan chair, leaned forward, shoulders rolled in, her hands planted on the table next to the empty glass. Engaged like an executive at a serious meeting. Her almond-blonde hair bunched up against the collar of her dark-brown jacket, that fit snugly against her figure and looked more like a cyberpunk gambeson than a piece of outdoor clothing. The edges of her metallic moth’s wings, which rested atop her gray sweatshirt, caught a faint sheen in the overcast light. In Elena’s face, above the high cheekbones and those reddened bags from tiredness and the nightmare of living, her pale blues focused on me with the intensity of a mountain lion. She was negotiating with a member of another species.

“Elena, did you pick these excerpts because they would allow us to discuss your innermost thoughts in a less direct way?”

“Maybe. You’ve read a lot into them. And you’ve been very patient. I appreciate that.”

“Intrusive thoughts are a symptom of a psychological condition.”

“Not necessarily. But if we’re still playing therapist and patient, do you want to know how bad mine get?”

I leaned back in my chair, which creaked; it had taken a battering from many a weary ass.

“Please.”

“Let’s start with the common ones. Knives and scissors? I avoid glancing at them, as I often get these vivid images of jamming their blades into my eyeballs. I see a bottle of bleach in the supermarket, and my mind whispers: ‘Buy this and drink it.’ When I see condoms lying in the street, I get the urge to lick them. Or else I picture myself bloated like a pregnant sow, full of diseased seed. I’ve gotten images of me slicing off my breasts and eating them. One time that my parents had dragged me to a relative’s house, this woman I was told to consider a cousin waltzed over all proud of the tiny human she had pushed out, and proffered that squishy, gurgling thing, expecting me to hold it in my arms. I thought her so reckless that I considered calling the authorities. I knew that if I held that baby, I’d be assaulted with images of me dropping it onto its malleable skull, that would cave in. I told her I didn’t like babies. Which is true. She got all flustered, said that I should change my mind, and scurried away. My parents were so embarrassed that they didn’t talk to me on the ride home. But that was a relief, given that I don’t know how to talk to them.”

Elena paused to give me time to formulate an adequate response to this barrage of graphic terrors. I stared at my empty glass. The last bits of coffee had hardened at the bottom in a clumpy film.

“Well.”

“Yeah, I would be at a loss too. I’ve always felt I couldn’t do anything about such thoughts. That I’ll have to endure these flashes of depravity and degradation until my heart stops or my brain melts. I never told my therapists about them, because I suspected I would have ended up in a psych ward, or heavily drugged. In case you’re wondering, I haven’t acted on the worst of those urges. Never so much hurt a fly. Well, I’ve killed mosquitoes. A couple of spiders as well, which I regret. I quite appreciate spiders.”

“You mean you acted on lesser of such intrusive urges?”

She sighed.

“You could say it’s all in my head, but my ability to restrain such impulses depends on my energy level and how attuned to reality I’m feeling at the moment. I still have enough control to keep the monster leashed. Usually. But once, I was holding a hard disk when my brain sent me a visual command to drop it. Next thing I knew, the hard disk was on the floor, broken. Another time, I had been struggling with insomnia for weeks, and existed in a surreal haze. Every few days, I forced myself to leave the house and sit at a nearby coffee shop. The barista placed my coffee on top of the pastry display counter, and when I went to pick it up by the saucer, a sequence flashed in my mind: my thumb flipping the cup over and the hot coffee splashing against the lap of the guy seated at the counter. An instant later, my thumb did exactly that. The guy, in his honor, was incredibly gracious. He smiled at me while patting the stains with a napkin. No harm no foul, he said. After he left, I stood there petrified. I hadn’t been able to prevent one of my intrusive impulses from taking over and puncturing the membrane that separates them from the world. Although I was out of it, exhausted from the moment I woke up, I couldn’t even pretend it had been an accident, because in the span between my thumb starting to move and it tilting the cup over, I felt as if I were watching a movie, aware of what would happen but powerless to stop it. I should have stayed at home; instead, I ruined an innocent man’s afternoon. Soon enough I stopped going to that coffee shop. I couldn’t stand how the barista looked at me.”

“I can’t deny you’re a bit of a public menace, but you have a heart. That guy should have asked for your number.”

Elena’s lips curved into a faint smile, but her drained eyes belonged to a soldier at the end of a day-long skirmish.

“Jon, I’m a danger to others, and to myself. I don’t have a driver’s license and will never drive mainly because I’d have to fight off the urge to veer into oncoming traffic, or accelerate and burst into a wall. I have to live in the world knowing I’m capable of doing things no sane, decent person would even imagine. The darkness inside me can burst out and hurt anyone at any time. As it relates to my Kirochka, while she might have some control over herself, she has none over the parasite. It’s wild and hungry, and it will feed when it needs to, using her body as a vessel to manifest itself in the world. You could say Kirochka’s biggest struggle isn’t against her parasite. It’s in resisting the urge to release the monster within and let it feast.”

“Are these your two sides? Elena the human, Elena the monster. Trying to coexist.”

“The disgust I feel at such intrusive thoughts could suggest that underneath the cancer there’s some healthy tissue. But how do I know if what I’m thinking comes from me or from another entity lurking in some recess of my brain? Does an uncontaminated me exist? Am I lying to myself, trying to avoid responsibility for parts of myself I dislike and can’t control? Should you be responsible for what you do while sleepwalking?” Her pale blues darted around. She shrugged. “The worst part is that I was born like this. With a broken nature. While other kids learned how to be around their peers, to share and take turns, to make friends and bond with people, I struggled to understand a nonsensical world. People were talking, laughing, crying, and I couldn’t tell why. The more the gap widened between me and everyone else, the less I wanted to try bridging it. Too much frustration, too little reward. So I retreated inside my head. I lived in a parallel universe that overlapped with this one. I could hear their words, I could see their actions, but I couldn’t connect to them. As I got older and my isolation deepened, my perception of people shifted from something that baffled me to something that disgusted me. Dangerous, unpredictable beasts that could turn on you in a heartbeat. And now here we are. I’m almost thirty and I’ve never had a friend.”

Elena’s words hung in the air like the reverberations of a funeral bell. I considered reaching for her hand, but I suspected she would have leaped from the chair and hightailed it out of Bar Palace.

“Do you think of your stories as vehicles to process the different facets of your darkness? Maybe ways of exorcising it?”

Her slim hand returned to her moth pendant, tracing its metallic edges.

“Are you asking if I consciously design my stories for therapeutic purposes? No.” Elena paused with her eyes unfocused and her lips parted, as if searching for the proper words. She shook her head, then snapped her gaze at me. “There’s a fundamental problem in discussing the artistic process. If you earned a degree for it and ended up working at a magazine writing articles on music, paintings, novels or whatever, well, you have to come up with bullshit that sounds good to justify the time, energy, and money spent learning about how to discuss things you didn’t create. While getting brainwashed. A valid approach to life if your goal is to win some friends and influence people, I suppose. Imagine all those professors perorating, day after day, year after year, in a language that would make the creator go: ‘What the fuck are these loons smoking?’ It makes me shudder. I swear, whole university departments could disappear overnight, and society would be better for it. You’re supposed to feel art. The texture, the tone, the rhythm. It should awaken the millions of years of beast inside you. It should remind you that you’re alive, and that you will die. That’s how you connect with the creator, not by dissecting their child, naming the parts, and then putting them on the scales to weigh them. If the artists had wanted to make a point, they’d have written a fucking essay. The conscious mind shouldn’t dare befoul art with its machinations; it should prostrate itself in awe, and be silent.”

“You’re not letting me off the hook.”

“No, I am. I don’t want to bury the conscious mind entirely, even though it should learn to rest away from the light. You need rationality during the editing phase. But if you tasked that part with producing the raw material, it would sit at the keyboard agonizing over every word, judging the pros and cons of a myriad options, quickly going insane. All the fun replaced by paralysis from self-judgment. It would produce a soulless, sterile pile of garbage. You don’t task a fish with flying, and you shouldn’t burden the conscious mind with anything other than classifying and criticizing. You have to venture into the dark places where that part fears to tread. Into the depths where monsters dwell. Only there will you find something that matters. But the deeper you descend, the more you will be tempted to give up. And what is the only tool at your disposal to endure that abyssal dark?”

“Madness.”

Elena’s pale blues glimmered as if a ray of sunlight had pierced through the clouds.

“Yeah, you need to be a little insane. Too much, and it will control you. But I’ve digressed. You wanted to know if my stories are meant to process and exorcise the darkness inside me. Writing is a compulsion. A form of psychological masturbation. If you want to be generous, you can consider it a dialogue with a sacred, hidden part of yourself. I don’t know why I write certain things or why they have to be that way. I don’t care either. You don’t choose the stories, they choose you. They demand to be told, clawing their way out through your fingertips until you’re left bleeding on the keyboard. I’m just honored that they chose me, someone so insignificant, someone with nothing to offer but devotion and the willingness to bleed, as their conduit to the world. And no, I’m not exorcising the monster by writing. If anything, I’m feeding it, and in return, the monster keeps me from spiraling. I was born with a hole in the bottom of my soul where my happiness and fulfillment drains. I can’t hold onto them no matter what I do. But words, they plug that hole, for as long as the tale lasts.”


Author’s note: today’s song is “Paint It, Black” by The Rolling Stones.

The Drowned City, Pt. 9 (Fiction)

We rolled in the grass, rubbing sweat and soil onto each other’s skin as her tongue probed my mouth, and the part of my brain that believed itself in charge checked out. But sometimes my consciousness resurfaced and noted that while I kissed the woman’s breasts, I bit and tore at her flesh, digging deeper until I should have chewed through her ribs and burst a lung. Instead, just a handspan beneath her skin lay white meat free of veins, arteries, tendons, organs, cartilage, or bones. Kissing along her nape and spine, I sank my teeth into her back and gnawed off a chunk. I shredded skin like ripping a hangnail. My mouth flooded with blood that flowed hot and coppery down my throat. I craved the next mouthful of meat.

Lying beside the woman, my belly full, I traced the contours of her ribs and pelvis with my fingertips. Her skeleton held. But whenever I bit, I found white flesh. Even so, seconds after tearing off a piece, the wound oozed blood, and minutes later, when I looked back, her body had stitched itself together. The missing bite was outlined in sticky, half-clotted threads of blood.

Once, I devoured her neck to the extent that I nearly decapitated her. Another time, prying apart her labia with my tongue, as she bucked her hips to my mouth, I chewed into her womb and beyond, splitting her abdomen open to the ribs. I ate an entire thigh and ended up clutching her detached calf, foot dangling from the end. I shoved myself backward on my ass, driving my heels into the earth, and screamed. But when I dared to glance back at the woman, she stood on both legs, and my hand gripped air.

With her lower lip caught between mine and her nails gouging my back, memories flashed: a past where I’d never known this grass, this clearing, the lagoon, or the woman. A jailer hunting me to drag me back. It clawed me awake, forcing me to confront the grimy, stinking body I inhabited, to question the future that awaited me.

I pressed my eyelids into the woman’s mane. I wanted to whimper like an animal. That afternoon long ago, boarding the wrong train, daring to venture into the passage—I considered these my only strokes of luck, my wisest choices. But if I lost her, I’d spend my life haunted by memories of us sprawled on this grass, lips fused, skin pressed to molecular closeness.

Her face absorbed my anguish as if following a rehearsed script. The pale blond of her brows bled into her pink skin, and her hairline glistened with sweat. Saliva dampened the corners of her parted lips as she breathed like recovering from a marathon. Under her patchy-white skin sprawled a web of capillaries, circuitry proving life pulsed within.

I wanted to bite off her nose. To scoop out her eyes with my tongue and chew them. I’d hollow her face chunk by chunk until a crater of white meat gaped, framed by her hairline, ears, and jaw.

The woman fixed me with an animal gaze, stripped of the stratagems and counterattacks other people hid. I loved a creature who held her breath for dozens of minutes, who never ate or drank, who regenerated any body part in a blink. How had I deserved the privilege of knowing her?

I brushed the white blotch on her cheekbone.

“Why me?”

“Why you what?”

“Why did I find this clearing and get to love you? Why did you appear for me, someone this mediocre?”

The woman glanced away. She raised her hands between our faces, picking mud from under a nail.

“I was here. You chose to come.”

I remembered wandering Hitachi. The passage to the grassy path had lured me before I even looked up.

“When I found the passage, I knew I needed to lose myself alone in nature. For those minutes, I’d reclaim my freedom. Meeting you, talking to you, I realized I’d found what deserved my focus and energy. A real person in this hollow world where everyone’s guided by lies.”

The woman slid her nose along the bridge of mine. The question hovering, the one I daily forced underwater, overrode my preference for silence.

“Where did you come from?”

She flinched. Clamped a hand over my mouth, but I took her wrist and eased it away. Her flute-like voice trembled.

“Does it matter?”

“It matters to me.”

“Out of curiosity?”

“In case one day… you need to return.”

It struck her like a fist to the face. Her smile died, her features twisted. Tears welled. Her Adam’s apple bobbed.

A knife slit my heart.

The woman kissed me, and I wanted to forget I’d asked, but I pulled back until my vision framed her face. Tears from her right eye streaked that temple, dripping into grass; tears from the left rode her nose’s bridge.

I wanted to scream.

“How long is left?”

“Not long.”

“Months? Weeks?”

“I leave tonight.”

I clamped my arms around her as if to wring air from her lungs. She dug her nails into my shoulder blades.

“I asked because I needed to know,” I said. “Stay.”

“It doesn’t matter. You know I belong elsewhere.”

“Don’t say that. Who’s forcing you?”

“Who forces the moon to orbit? Who forces atoms into molecules? Now that you require explanations… I must go.”

Clutching her, I rolled onto my back and back again.

“You won’t leave. I won’t let go.”

Her tears speckled my corneas.

“You’ll blink and find yourself hugging air.”

“How could I return to that world? You’ve never seen its tarnished colors, its counterfeit emotions. What good would come of enduring there? I need to forget. I want no face and no voice but yours, here among these trees and water. The exit should seal. Why should we accept that happiness always slips away? As long as we stay in this clearing, no one will find us. No one will bother us again.”

The woman sat up, stretching her legs beside mine, and pulled me to face her. The tear-streaked glaze of her eyes slammed into my gut. She laid palms on my shoulders and opened her mouth, but I trampled her words.

“Would you rather stay?”

“You doubt it?”

“I don’t know how you think. I’m not sure you wanted me to get close.”

“I don’t want it to end either. But you can choose. Come with me. I’ll show you reality as it should’ve been. I’ll engulf you. You’ll never yearn for anything else again.”

When I stood, she mirrored me. Her bare feet stepped onto mine. I pressed my brow to hers, stroked her cheek. In my mind, a lighthouse beam sliced fog.

“Will you come?” she asked.

“I’ll follow.”

“Anywhere it leads? No matter what you have to leave behind?”

I mashed my lips to hers. Breaking away cost me.

“What choice remains? Breathing that rotten world’s air, surrounded by organic robots? I’ll follow. With luck, I’ll forget every minute wasted outside.”

She gripped my nape and kissed me like she’d devour me, suck out my guts. My mind dissolved. When I surfaced, she was leading me hand-in-hand toward the lagoon. Pebbles stuck to my soles. A white blotch spreading from her lower back covered half her right ass cheek. She advanced naked, holding my hand with her arm stretched behind her, as if the dress she’d worn when we met had been someone else’s shame to conceal. She waded into the fur of algae and mud, that snarled around her legs and waist, sealing every glimpse of the water it covered.

The winter-ocean chill numbed my legs and crotch, prickling my skin with gooseflesh. My muscles clenched, my lungs fought to hold air. Fleshy eel-like shapes brushed my legs under the algae.

The woman stopped and turned. She glowed like a child on Christmas morning, though wet trails crossed her cheeks. The algae fur grazed the curves of her breasts. She bear-hugged me. Compared to the water, her skin scalded.

I swallowed, jaw trembling.

“We’ll dive into darkness.”

Her laughter leaked.

“Feels that way.”

She pressed her forehead to mine. Each streak and fleck of blue, white, and green in her irises swelled like under a microscope. I could map every vein stamped in her sclerae.

She lowered her voice.

“Are you sure?”

“It’s the only certainty I’ve had.”

She smiled. Dove backwards, yanking me under. Sound died. I expected an explosion of cold to overwhelm me, but I had plunged into water warm as if bathing in the woman’s liquefied remains. I opened my eyes to crystalline water. We sank spinning headfirst. Above our feet, a horizon of water bloomed, lit by a coin of light—a sun choked by clouds.

Liters of water fought to flood my nostrils. Our bodies should’ve floated, but we accelerated downwards. Amid bubbles spewing from our noses, the woman grinned, mouth wide. She locked her legs around my lower back and squeezed.

Crushing pressure was flattening me like a collapsed wall. My throat spasmed, urging me to inhale even though I’d drown my empty lungs.

I tried to slide my cheek over hers to catch her gaze, in case it convinced me to override my survival instinct, but she hid her face. She clung like a monkey to its mother. Did she understand she would kill me? Maybe she thought I, too, could hold my breath for minutes. Or had she planned to drown, dragging me down with her?

I stifled a convulsion. I wanted decades with her. If she’d chosen to drown, why would I live? We’d vanish into the depths, our entwined corpses rotting in the dark.

When I opened my mouth, liters flooded my stomach. As coughs wracked me, I breathed salty liquid that inflated my lungs. My vision blurred with red static. Needles stabbed behind my nose.

I kicked, thrashed. The woman slackened her leg-lock, slipped her grip. Her chest peeled from mine. As I flailed, her hands scrambled for purchase. I shoved her collarbones. We were drifting apart, but her hand, sliding down my left arm, snagged my watch, its buckle biting my wrist like it’d sever tendons.

My lungs threatened to rupture. My consciousness was snuffing out like a dying flame. I fumbled the watch clasp until it unlatched, then shoved her chest. We floated in opposite directions.

Her hand, at arm’s length, released my watch. Her face warped into the agony of someone shot by a loved one.

Below, as if an abyssal sun glowed, a bare mountain rose. Rockfaces were carved into steps; walls featured clusters of cubed buildings and towers. Stairways vanished into the mountain through inky black voids. Pacing the steps, roaming past the buildings, smeared figures of people milled about.

I kicked and paddled upward through crushing pressure. My shredded lungs irrigated my guts, bloating me.

My arms breached into air. Vision blackened like peering up from a well’s depths. I gagged and spewed water. Choking, convulsing, I staggered toward the shore while peeling algae from my skin. The water tugged my legs like a drain’s pull.

At the shore, I tripped and collapsed onto clattering pebbles. The ground shook. A rock-splitting quake boomed.

I rolled, muscles locking as I tried to rise. I sneezed, I spat water.

The lagoon clenched like a sphincter. It shrank to a sewer-mouth’s width. As I stood, the land contracted like a rug yanked taut.

The lagoon vanished, leaving a dwindling circle of trembling pebbles.

I ran into dusk, following the snaking path through pines that slid toward me. I stumbled through waving ferns, crashed into trunks, lurched at others. Canopies showered pine needles; low branches lashed my face. Trunks erupted, firing bark shapnel. Gusts whipped my soaked body as if the clearing inhaled. As I fought toward the exit, a force was sucking me, even my thoughts, toward the center, in a mute command to surrender.

The edges separating pines from grass blurred. The colors bled from the trees, plants and grass, shuddering towards my back into a myriad of frayed ends. My body stretched.

I sprinted toward the passage’s metal-plated mouth wedged between buildings, just meters ahead.


Author’s note: I wrote this novella in Spanish about ten years ago. It’s contained in the collection titled Los reinos de brea.

Today’s song is “Pagan Poetry” by Björk.

These days, I eagerly drown.

The Drowned City, Pt. 8 (Fiction)

I disembarked at Hitachi Station and retraced the pilgrimage. In yards fenced by cement walls or concrete blocks, whenever branches and leaves spoiled the silhouettes of trees, invisible humans would prune them into cones, into tiered clouds. On facades, years of rain had streaked grime into darkened veins. The distant murmur of traffic mingled with waves crashing against shore rocks. In a parking lot, dozens of workers’ cars crammed together, their owners pouring money into insurance and gasoline to maintain vehicles bought for commuting. Telephone and power lines etched straight and curved seams against the overcast sky, converging into a tangled loom at the street’s end. Each rusted shutter and iron gate bore rectangles of faded brightness where posters had been peeled away. Landscapes of a distant country I was visiting for the last time.

Goodbye to those strolling, returning from work, emerging from school in uniforms. Actors in a mediocre play repeating generation after generation. The residents had toiled lifetimes to end up owning one of these narrow two-story homes. As I walked the sidewalk, I glimpsed a man’s silhouette passing behind wooden planks fencing his garden patch, stepping one foot after another between his house’s facade and a row of potted plants. Any citizen accepted society’s humiliations—the acid of anxiety corroding their chest, bowing in reverence to those wielding power—only to grow old among gray walls. They pushed carts full of bills into a carnival prize machine, which spat back keychains.

What could I want from this charade? What did they want? They desired promotions to command underlings. They hoarded junk. Craving immortality, they birthed heirs, hoping to snare eyes on their fleeting lives. Instead, they wrenched fresh players onto a packed stage for a ceaseless drama of misery. We had sprouted by accident, our constructs scarcely holding. More disasters and wars loomed. But the faces passing by ignored it, or hid it. They clung to living by accident, just as life tasted of rot to me by accident.

Why waste my existence pretending, only to crumble into dust? Let them keep their costumes, their roles to obey, their ingrained lies propping up societies as if built on crystal toothpicks. Some accident would slice me down, or sickness gnaw me. If I outlived statistics, I’d earn care from someone who’d prefer me dead—feeding me, bathing me, wiping my ass. Let them rot in their charade. I had the forest and my woman. I’d rot as I pleased.

I paused under the metal awning of the passageway and turned, suspecting the world had melted to black. If only the inevitable future would crash today. Beyond the opposite sidewalk’s walls, beyond the warehouse and the cement facade with its vending machines, beyond office towers and malls, dawns would flare. Thick columns of black smoke would swell until luminous mushrooms erupted. Shockwaves would surge, disintegrating buildings into breaker tides of cement, brick, metal, and glass pulverized back to stardust. As fire-clouds bloomed on the horizon like blazing brains, dust tsunamis would roar toward the warehouse across the street—but I’d have retreated into the forest like a turtle tucking into its shell. Even if bombs burned this world to ash, the shockwaves would skid over the cloudy vault above the clearing. When the last ash settled, this world where we’d wasted energy, tears, arguments, and brawls would fade to gray waste. No intelligent species visiting these ruins, nor successors emerging from ash in eons, would grasp who we were.

How many days did I weave in the clearing as if the outer world had gone dark? From dawn to dusk, a granite sky peered through the canopy. Night blackened to tar in minutes. I forgot which weekday dawned. I wanted to forget such concepts existed.

The woman had plunged into the lagoon to dive, and I sat on the pebbled shore when hunger twisted my guts. Outside this forest, I’d eaten by rote—breakfast, lunch, dinner—but now an evolutionary alarm installed eons ago in some aquatic ancestor shook me: eat or be consumed. I touched my sunken belly, once padded by fat folds. I had to leave.

I waited for the woman to surface, but fifteen minutes passed without any ripple stirring the green scum and mud. She submerged as casually as retreating to the bathroom. When she returned, soaked and dripping cold water, she curled against me as I peeled lichen patches from her skin.

I left the clearing in darkness, fingers grazing the promised pines, their bark’s roughness a brand that I knew. Distant streetlights invaded through the passageway’s rectangle. Civilization neared. I crept, stifling breath. Emerging onto the deserted street, I blinked at the glare. I hurried past a lamppost’s island of light to the opposite sidewalk’s vending machines, watchful of every shifting silhouette like a thief stealing food from sleepers’ homes.

Next time hunger speared me, I was kissing the woman, her legs entwined with mine. Hours of mounting dizziness spiked. I rolled onto my back, gasping. She nestled on my chest and stared as if waiting for me to dress my impressions in words. If I left this forest, I’d skulk amidst cement, metal, and glass—a raccoon tipping trash bins before darting back to the trees. Against such nakedness, what did this ache for food matter?

Memories of the outside resembled yellowed photos of another country, another era. Half the album’s pages were lost; luckily, I had forgotten what they used to contain.

Minutes after twilight yielded to a granite dawn and birdsong, hunger cramps woke me. My guts clung like an old balloon. I sat up, hugged my knees. I felt faint. My body was imploding, a growing vacuum in my guts sucking the organs.

I glanced over my shoulder at the clearing’s exit. The path curved between pine pillars; in the distance, trunks and foliage narrowed the path, dissolving it in a green phosphorescence. I had to dress, go down the trail through the trees, and hurry to the vending machine hunched and disheveled like a fugitive.

Sheltering here had stripped society’s makeup. Due to the lack of contrast, I had tolerated its piercing thorns and scorching fire. How could I dare to go outside? I refused to breathe that air even if my starved stomach devoured its own lining and spilled the acid into my core.

The woman looped her arms around my neck, forehead against my cheek.

“You need to eat.”

“I can last.”

“How long?”

“Until hunger stops my thoughts.”

“You don’t need to endure, dummy.”

Her face suggested ignorance of pain. I meant to say her name, but struck a void. I had her face, her eyes, the certainty that she knew whom I addressed.

“I don’t want to leave.”

“I didn’t say you should.”

“I could hunt squirrels, birds. Some cultures eat spiders.”

“Feed from me.”

Her lips curved upward, as usually since I’d moved here. Would I recognize when she joked around?

“That’s… generous of you.”

The woman leaned back in the grass, tilting sideways. She clenched her side at kidney level and yanked until she tore out a handful of white flesh. In the gash, grooves scarred where her fingers had ripped the fibers. Blood pooled.

I froze.

She offered the chunk. Her parted teeth glistened wet. Numb, I let her fold my limp fingers around the meat, that resembled a block of ham. She arched expectant brows.

Saliva drowned my tongue. I yearned to savor that flesh as much as I longed to hold the woman against me, joining our warmth like two coals in a bonfire. I brought the piece to my mouth. I could tell apart the white threads of fiber in the meat. Its surface had grown slick with juice from the pressure of my fingers gripping the chunk.

I pressed my lips to the soft flesh and grazed it with my teeth. Saliva spilled from the corners of my mouth, trickling down my chin. I clenched my jaw millimeter by millimeter, the fibers taut against the tip of my tongue, but when my teeth split the meat, a shudder ripped through me. Before I could refuse to feast on the woman, a hot, sap-like juice flooded my mouth. I tore off a morsel and swallowed. It left an aftertaste of turkey. I devoured the rest, then I licked the juice off my fingers.

When I looked up, shame flooded me like someone caught chewing open-mouthed. The gash in the woman’s side dripped blood down her hip, spattering the grass and pooling on the dirt. I covered the hole with one hand, but warm blood seeped between my fingers like soup.

The woman stroked my cheek.

“It’ll grow back.”

I tried to laugh, but a whimper escaped.

“I can’t live off eating you.”

“Do you eat so much you’ll swallow me whole?”

“Plus, I’d need to buy water bottles from the machine.”

The woman twisted in my arms until she lay on her back. She cupped one breast, and squeezed the nipple between thumb and forefinger. Thick milk oozed like honey.

If turning or shifting my posture made me face the clearing’s exit, I jerked my gaze away until the path blurred at the edge of my vision. A monstrous hunter stalked that pine-guarded trail, and if I wandered its bends and hollows, the creature would ambush me, tear my limbs from my torso, slurp the marrow off my splintered bones. How had I entered and left this clearing without realizing it? Like exploring an abandoned asylum on a starless night.

Beyond this forest, the machinery of society would grind on, its gears, lubricated with the sweat of nine-to-five drones, screeching as they pulverized bones caught in their teeth. Whenever these images and memories assailed me, patches of my brain crackled with electricity. I wanted to pinpoint those patches and scour them with bleach until they whitened.

I lost track of time. My beard scratched the woman’s skin like a rake. I pushed greasy strands from my eyes. My breath reeked like a cat’s. When the woman dozed, or dove underwater, I’d slink into the trees to squat over a hole. I scrubbed my teeth with leaves that smelled fresh, but the stench of my breath lingered, as if rot had wedged between my molars. I avoided breathing near her face. When I kissed her, she never flinched.

I dreamed my teeth crumbled. Awake, I sank them into the woman’s juicy flesh, but feared that a tooth might splinter, exposing the nerves.

My sweat dried to a film that fresh sweat soaked anew. I stank like a mange-riddled stray sleeping in a landfill. I envied the woman diving into frigid, muck-thick waters. I washed in the lagoon as if at a sink, but each handful of water teemed with algae, sludge, and wriggling microbes. I scrubbed my skin while suspecting that my pores filtered civilizations of bacteria. Even after washing myself, the stench of decay seared my nostrils—a reek that clung to me like leeches, that the woman maybe smelled all the time as if I sprayed it into her face.

Lying beside me, her chest rose and fell. Beneath her lids, her eyes darted. I’d spend my life watching her, but a bolt of pain struck. I dragged the anchor of years wasted in a world sliding into ruin. I wanted to believe we’d lie together forever, but I deceived myself by pretending that the rules spared this clearing. Like how on my first visits I’d known when to go home, another border neared. A matter of when. Knowing this rotted me like poison, and pain drowned my eyes. How would I exist elsewhere, without the woman? If I ever had the chance and it found me strong enough, I’d prune my past and every foray outside, so all I’d ever know included her.

I was kissing the inside of her thigh when my stench dizzyied me. I lifted my head, ashamed. Her eyes peered between the curves of her breasts—whether agreeing or staring because I’d stared, I didn’t know.

I rested my temple against her thigh.

“I wish I didn’t stink.”

“You could always bathe.”

“In stagnant water? I’d turn into a Petri dish of disease.”

“Am I one?”

“No filth sticks to you. Not even my stench. But if I plunged in that water for a second, I’d emerge a lichen-caked sludge-man, and never could I scrub off the grime.”


Author’s note: I originally wrote this novella in Spanish about ten years ago. It’s contained in the collection titled Los reinos de brea.

Today’s song is “First Breath After Coma” by Explosions in the Sky.

Isolating, self-sustaining, all-consuming.