On writing: Developing the premise #5

You can check out all my posts on writing through this link.

Are you happy with your concept? Then grow a premise out of it. Premises involve a task to be accomplished and a character that must accomplish it in the midst of conflict.

The following notes, gathered years ago from many books on writing, focus on developing the main character involved in your premise, which will usually be the protagonist.

  • Can you find a character you love implied in the story idea? If not, your story may be toast, and you need to move on to another idea.
  • What character would be the best in the idea? Can you make him the hero?
  • Is there one character whom the audience will choose to be their hero?
  • Identify what the focal character wants to attain or avoid.
  • What character’s serious problem and how does he try to get out of the predicament rides the plot?
  • Can you make your hero active and resourceful?
  • How do you make sure your hero has compelling contradictions?
  • How is he someone who wants to unravel the story? That’s all a hero is: the character who has to solve this problem. You audience wants the entire story to come out, but they can’t do it themselves. Instead, they have to trust your hero to get to the bottom of it for them. If the hero doesn’t care, what is the audience supposed to do?
  • If you are writing about rookies, you need to ask yourself why the audience should trust them to be the heroes instead of their boss. Is there a value to their newness that makes them more interesting heroes?
  • Could you make your hero unhappy with the status quo?
  • Are you sure the character isn’t flat and lacks a fresh edge?
  • Would the protagonist be so strong as to be conceptual in nature (such as Batman, Holden Caulfield, etc.).
  • There is a glimpse at how and why we will find this character or arena interesting (that is, conceptual). If she isn’t all that interesting, then your premise is already suspect.
  • How is the hero compelling? How could he be by nature someone we root for, and like (not necessity, but it can help). How would he be associated with a quest with a specific goal, something that has stakes?
  • The hero’s motivations are critical to making a story work. Why does he want to do what he wants to do? And why will we care?
  • Try to give your hero an ironic backstory, an ironic contrast between their exterior and interior, and a great flaw that’s the ironic flip side of a great strength.
  • How would this story force the character to show his true self?
  • How is this story about a character who changes in a significant way?
  • Can you make the character face his demons, learn important truths, cause readers to ponder deeper issues and themes?
  • In what ways is your kicker tied in with your protagonist’s core need? Greatest fear? Deepest desire? How does his/her goal embody the concept?
  • What does your hero need or want in this story? What is his or her “story journey”?
  • How is the story about overcoming the protagonist’s flaw/misbelief?
  • How do you make sure that you won’t write about your hero’s life, but about your hero’s problem? Don’t open your story with your hero waking up. Your story is not about your hero’s day. It’s about his problem.
  • How do you make sure that your hero affects the events and the events affect the hero?
  • See how this would apply: when the story begins, heroes shouldn’t know what they need to win. That’s the point. they have to go on this journey to figure it out.
  • How is he trying to improve his life, not just return to zero?
  • Does this challenge represent the hero’s greatest hope and/or greatest fear and/or ironic answer to the hero’s question?
  • In the end, is the hero the only one who can solve the problem?
  • How is your character’s overall plot goal a dilemma that will require the entire story to solve?
  • How does he either succeed or fail?
  • How does the premise give something to do to the hero?
  • How is the premise the personalized antidote to his lie/flaw?
  • Is the arc you’ve identified your strongest possible option?
  • Does your story present a unique central relationship? For example, could you take two familiar characters and give them a believable but never-seen-before relationship? Could you take two very different types of characters and force them to rely on each other in an unique way?

On writing: Developing the premise #4

You can check out all my posts on writing through this link.

Are you happy with your concept? Then grow a premise out of it. Premises involve a task to be accomplished and a character that must accomplish it in the midst of conflict.

The following few notes, gathered years ago from many books on writing, focus on determining the designing principle of your story, and how it fits into the enduring myths of humanity.

  • The designing principle of a story is abstract, the deeper process going on in the tale, told in an original way. It’s the synthesizing idea, the “stopping cause” of the story, what internally makes the story a single unit and different from all other stories.
  • Find the designing principle, the one controlling idea, by teasing it out of the one line premise you have before you. Induce the form of the story from the premise: boil down all the events to one sentence, describing how and why a change has ocurred from the state at the beginning of the story to the state at the end. Ex., for The Firm: justice prevails when an everyman victim is more clever than the criminals.
  • The designing principle is often about taking a value that we rely on a day to day, challenging its solidity and then paying it off with its conformation or its vulnerability.
  • Regarding your tale’s mythical influence: Do the protagonists have to leave their home, metaphorically or not, to confront the source of a problem, then bring a solution back home? How is there a journey there and journey back?
  • Does your story involve a journey “into the woods” to find the dark, but life-giving secret within?
  • The overarching structure of most myths: “Home” is threatened, the protagonist suffers from some kind of flaw or problem, the protagonist goes on a journey to find a cure or the key to the problem, exactly halfway through they find a cure or key, on the journey back they’re forced to face up to the consequences of taking it, they face some kind of literal or metaphorical death. They’re reborn as a new person, in full possession of the cure; in the process “home” is saved.
  • Monomyth: “A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.”
  • The story is the journey the main characters go on to sort out the problem presented. On the way they may learn something new about themselves; they’ll certainly be faced with a series of obstacles they have to overcome; there will likely be a moment near the end where all hope seems lost, and this will almost certainly be followed by a last-minute resurrection of hope, a final battle against the odds, and victory snatched from the jaws of defeat.
  • A great story is about a problem, not an ideology. The ideology is subtext. It’s about a person, your hero, who has something to win or lose in squaring off with his problem and his issues. An external antagonist (bad guy) who stands in his way. A journey to take as the battle builds, ebbs and flows, and allows the hero to grow into his heroic role and begin to act in a manner that solves the problem.

For far more on what was gleaned from worldwide myths in an effort to determine what stories endure, I highly recommend Joseph Campbell’s The Hero With a Thousand Faces, as well as the work done by Christopher Vogler to adapt it into practice for modern audiences, mostly in his book The Writer’s Journey.

We’re Fucked, Pt. 123 (Fiction)


When I step off the Benta Berri bus at the entrance of the business park, the sidewalk gets crowded with commuters, from recent graduates, their backpacks emblazoned with the logo of their programming company, to gray-haired technicians holding laptop briefcases. The morning chill nips at my exposed skin. I inhale the fresh, crisp scent of fall air, but passing cars taint it with the acrid bite of exhaust fumes.

Golden haloes light my way as I head towards the bare trees, their branches etching stark patterns against the office buildings, or blending like blackened veins with the darkness of this November morning. If nobody had invented electric lighting, maybe we would still wake up with the sun; in dark and cold autumn mornings, we would spend that much longer in the warmth of our beds and our loved ones’ arms.

Past the restaurant with a curved glass façade, its outdoor café terrace now deserted, I venture through the pathway that weaves between human-erected structures. The scattered, rust-colored leaves that crunch underfoot release the musty scent of decay. Like most mornings, the pervasive stillness reminds me that this zone isn’t meant for living: it’s where people come to die five to six days a week.

I turn the corner of our office building, that resembles a three-story-high shoebox. As I walk along the multicolored row of waste bins, a sight that has become familiar greets me: an assembly of bunny-sized alien slugs crowd the sidewalk in front of the entrance, spilling onto the parking lot. In the beginning they appeared as shadowy blurs; now, their black and dark-blue tints shimmer through the oozy, mucus-coated skin. Protruding feelers sway like anemone atop their undulating bodies, while underneath, six legs move in tandem among drips of tarry slime.

As a car maneuvers into a parking spot, it runs over several alien slugs, but instead of bursting in a splatter of guts, they yield through the tires like ghosts. However, can they interact with our native critters, slurping them up and, after digestion, excreting the leftover shells and bones? How long will it take for these creatures, maybe from an alternate Earth, to synchronize with our dimension and become visible to sane people? Will that happen before the universe teeters past a tipping point, causing space-time to fold upon itself like an accordion? Wait, isn’t the number of alien slugs dwindling?

A bright-blue shape swoops down and snatches one of the slugs, leaving a trail of slimy droplets. The shape, a beast, swerves upwards with wide wings covered in bioluminescent fur. Its four legs end in kukri-like claws.

The beast perches on the edge of the flat roof. Jutting out of its head, silhouetted against the predawn sky, two pointed appendages resemble horns. A pair of round eyes radiate an electric-blue glow as they stare down at me. The beast glides away, disappearing beyond the roof’s edge.

“Well then,” I say, and head inside.

* * *

I step into the climate-controlled air of our office, to take in once again the sight of these white walls, cabinets, and desk, along with that gray carpet; they give the impression that the colors have been sucked out. The fluorescent lights overhead bathe everything in a clinical glare. Like every morning, Jordi has beaten me here: he’s seated with his back straight, fingers tapping away on his keyboard. In this monochrome landscape, I’ll avoid dwelling on his red hair, or anyone’s copper mane.

After I take off my cardigan and hang it on the coat rack, I trudge to my chair and slump down into it with a sigh.

“Good morning,” Jordi says.

Although a glance or a nod would have sufficed, I waste saliva greeting him back. As my computer boots up, I realize that Jordi has turned his freckled, clean-shaven face towards me. He’s wearing a crisp white shirt with a point collar and the sleeves rolled up. Either his garment is made of wrinkle-resistant fabric, or he irons them meticulously. I picture the inside of this kid’s wardrobe: a row of identical shirts and pants.

“You seem refreshed,” he says.

“You mean I look less disheveled than usual?”

“If you want to put it that way. Did you have a fun weekend?”

I’m tempted to reply, “why do you care?”, but after years of controlling myself around human beings, I’ll put on the mask of politeness to conceal my depravity.

“You know, I’ve had a lovely weekend. We visited Mount Igueldo.”

“Oh, the amusement park. I haven’t gone since I was a kid. Sounds like a great date.”

Jordi remains unaware that I abducted a girl from the Ice Age, so he must be picturing a couple of grown women taking a stroll on the elevated grounds of an amusement park, holding hands and eating cotton candy. It does sound like a great date.

“I used to waste my weekends recovering from the exhaustion of the previous week, and preparing myself for the next wave of stress to crash upon me.”

“That’s a bleak way to live, but you’ve clearly changed since you started dating Jacqueline.”

I have, haven’t I? My perception of reality has shifted: no longer am I alone in a barren void ruled by an insatiable worm, but instead, I’m tethered to two other beings who possess a universe within them. That’s why I wake up, brush my teeth, shower, put on clean clothes, eat breakfast, and come to this hellhole before dawn without regret.

“I miss listening to her stories,” Jordi continues. “During lunch break, I mean.”

A twinge of jealousy flickers through me.

“I bet. She’s mine, though.”

Jordi chuckles.

“Of course. She isn’t sick, right? She must be rethinking a few things.”

Crap. If this kid has figured it out, our boss must be aching to stir trouble.

“I’d say she’s come to realize that she’s meant for something more than this job.”

Jordi shrugs, and raises a corner of his mouth in a boyish smile. His allure, devoid of the hard edges and muscle bulk of a macho, may inspire contempt in men, but has the charm and kindness of a cinnamon roll.

“This is it, then. Please pass on my regards, and take care of her. I’m sure you’re aware that she’s more sensitive than she appears.”

I’m about to give our insolent intern an earful about mommy’s private qualities; this kid doesn’t know Jacqueline’s warmth, the weight of her breasts when she squeezes me tight, or the tickle of her pubic hairs against my face as I bury my tongue in her depths. However, I spot a headline on Jordi’s screen, belonging to the front page of the Diario Vasco: “Two More Vanish Amidst Growing Concern.” A cold ripple of unease trickles down my spine. I recall Jacqueline’s somber tone as she informed me of these disappearances during a car ride. Left to my own devices, I would have remained oblivious: I shun the news to protect my sanity, and I didn’t socialize with anybody outside of work. On the day of my first date with Jacqueline, didn’t I pass by a demonstration and a counter-demonstration concerning these vanishings? Drenched in a downpour, those protesters’ shouts were muffled by the drumming of rain while I huddled under my umbrella.

I picture a woman in her late twenties, her hair hastily tied back in a ponytail. She’s burdened with shopping bags that display the Carrefour logo. As she strides across a parking lot, she steps through an invisible portal to another realm. Her foot meets the crunch of ancient ice, or the slime of those alien slugs’ dimension, or the cracked clay of an endless desert. Maybe she has emerged in a world of ash and cinders, where the earth has been scorched black by a blast wave and the skeletons of buildings jut out like rotten teeth. Panic would seize this woman, clouding any realization that walking backwards could return her home. How many have fallen prey to these space-time traps while I fuck around without finding the reality-collapsing machine?

Jordi follows my gaze, then turns his head back to me.

“Leire, you’ve gone pale. Do these disappearances worry you that much?”

When I open my mouth to speak, my lower lip twitches. I force out the words through the knot in my throat.

“Maybe… I’m responsible.”

Jordi snaps his head back. His freckled features have twisted into bemused disbelief. As he straightens his spine, he pushes his glasses up the bridge of his nose.

“What makes you say that, Leire? How can you be responsible?”

An accusation rings in my ears, echoing and swelling into a scream. I may be a kidnapper of prehistoric children, but I have never been a killer; yet, I have contributed to the ruin of those souls.

“N-nevermind. Forget it.”

“Ah, you must be worried about it happening to you, right? What this headline, and many others, neglect to mention is these people were criminals. Later in the article, it reluctantly informs that the first of these men was a serial rapist who had been released, while the other was a drug trafficker. The way the media talks about them, you’d think they’re describing model citizens, even though most of them weren’t citizens to begin with. If only the media cared so much about the well-being of their victims!”

“S-so there’s like… a pattern?”

“Sounds like it. I don’t know, maybe they deserved to vanish. You’re a decent person, senpai.”

“Am I?”

“Of course! You’re just trying to get by in these tough times. Now, you’re even learning how to receive love.”

“Oh, I’m receiving lots of love every night. Some mornings too.”

“That’s great to hear. Leire, these disappearances aren’t your fault, not even in a metaphorical sense. But I shouldn’t be surprised that you thought so: you’ve always seemed like someone who carries the world on their shoulders.”

“Funny that, Jacqueline told me something similar.”

Jordi offers me a sympathetic smile.

“Well, there you go.”

I lower my head. Maybe this burden will sink me, and I’ll make a dramatic exit out of a fifth-floor window while Arachne clacks her chitinous claws with glee, her body lounging on a cosmic pile of bones.

“I guess it’s a lot to think about,” Jordi adds cautiously. “Let’s keep our minds on the here and now, though. We need to get through these tasks.”

My computer is waiting for me to type in the password, so I take the opportunity to disengage from this conversation. The keys clack in the awkward silence as I fill in the password box. Program icons pop up on the taskbar, and the desktop clutters up with files and folders over the wallpaper du jour: a tropical beach at sunset, complete with two palm trees that cast elongated shadows on the sand. Windows ten is mocking me, I can hear it: “You could have spent the day in such a paradise, smearing coconut oil on Jacqueline’s fleshy mounds, but instead you’re trapped here, doomed to waste eight more hours of your limited life obeying your boss’ whims.”

As if summoned, Ramsés barges in. The muscle fibers at the back of my neck tighten. Although I want to ignore his presence, I’d rather avoid another complaint about “lack of respect,” so I glance toward our boss. Same middle-aged man with combed-back, thinning hair and touches of gray at the temples, as well as a trimmed moustache. He reeks of cigarette smoke.

Why does he insist on tucking his shirts over that paunch? Does he want me to imagine it squashing against my lower back as he pounds me from behind?

“Morning everyone,” Ramsés booms.

Jordi greets him back confidently; I mumble. Our boss ensconces himself in his office, separated from ours by a wall of frosted glass.

I load up Visual Studio Code. Its dark-themed editor window shows rows and rows of code, color-coded and structured with consistent indentation, for a shopping cart’s Python backend.

Today I will raid the coffee machine until I start vibrating. Another mundane morning of programming website widgets, wasting precious hours that will never be regained, and risking permanent brain damage from a caffeine overdose. Ah, Jacqueline, why are you so far away? I want to hear your velvety voice whispering in my ear, your laughter rippling like a summer brook. But I don’t have time to fantasize about my French shapeshifting girlfriend, that plump ass of hers, the toned thighs that she loves to wrap around my head, those pillowy breasts that she thrusts in my face as she rides me.

No, I must focus on my job, despite the shitshow that lurks outside. Hasn’t it always been like that, though? I was born into a world teetering on the edge of obliteration; that bunnyman bastard only fast-tracked the debacle.



Author’s note: today’s song is “Ain’t No Rest for the Wicked” by Cage the Elephant.

I keep a playlist with all the songs I’ve mentioned throughout the novel so far. A total of two hundred and five videos. Check them out.

I had to find three new voices to produce this chapter’s audio version. Check it out.

Review: Gereksiz, by Minoru Furuya

Four stars. The title apparently means “unnecessary” in Turkish.

This is Furuya’s latest series, finished six years ago, after his fan-favorite (at least for this fan of his) Saltiness. As usual, the story follows a man in the fringes of society, the owner of a small shop that specializes on baumkuchen, a type of pastry I wasn’t aware of but that looks delicious. As a teen, the man was urged to quit high school and become an apprentice of his father’s. Now his father is dead, and he has found himself as a nearly forty-year-old dude who knows little else other than baumkuchen, and whom nobody would love. His sole acquaintance is his twenty-three-year-old employee, an intimidating young woman who regularly pesters him with random topics such as the birth of the universe. She also finds him weak and generally pathetic.

One day, our protagonist begs his employee to eat out with him, and she reluctantly agrees because it’s his birthday. He has realized that he leads an empty life, but he opens up about the fact that he has fallen in love. The employee fears that she’s the target. However, that’s not the case: every evening, when he’s returning from work, he sees the same shapely young woman standing behind a tree at a local park, and she’s alluring enough that he can’t stop fantasizing about her, even though he has never seen her face.

The protagonist’s employee is intrigued. She urges him to head to that park and introduce himself to the woman. As he points the stranger out to his employee, though, an issue arises: he’s the only person who can see her.

That’s as much as you need to know about this shortish series, which only gets increasingly bizarre from there. Although it’s a minor work by a now fifty-one-year-old author who has probably said most of what he needed to say, it delves into powerful topics such as the need of certain people to lose themselves in delusions, because if they faced their reality objectively, they’d go insane.

I enjoyed this tale a lot, and found its last stretch quite touching. However, I would have ended it a page or two earlier.

I have reviewed most other works of this author, such as Boku to IsshoWanitokagegisuHimizu, and Ciguatera. Unfortunately, I have only found the translation for a single more work of his, and it’s the oldest, made in the early 90s. Furuya hasn’t produced any original work in six years, although he seems to have involved himself in adaptations of his series such as a live-action version of Ciguatera, which I’m sure is lackluster because live-action stuff rarely works.

Reread: Saltiness, by Minoru Furuya

I’ve read through this series a third time since I reviewed it in this post. I’ve checked out most of Furuya’s stuff, such as Boku to Issho, Wanitokagegisu, Himizu, and Ciguatera, among which Ciguatera may be objectively his best, but Saltiness speaks to me to an extent that has made it my second favorite manga series after Asano’s Oyasumi Punpun.

Saltiness is the story of, for me, a clearly autistic dude who lives in one of those isolated Japanese towns with his younger sister, who is a teacher. We don’t know it yet, but they went through hell growing up: their mother abandoned them, and our generally deranged protagonist had to steal and loot in order to provide for his helpless little sister. As a result, even about twenty years later, he’s terrified of anything bad happening to her, and her happiness is his one goal in life, to the extent that once she manages to set up her life in a way that doesn’t require him anymore, he plans to arrange an accident in the woods to die and let her continue without needing to worry about him.

When the story starts, our oblivious protagonist is busy training to remain stoic in the face of all the outrageous nonsense in the universe. He pictures bizarre phantoms in his imagination, that pester him with philosophical questions and test his mental fortitude.

One of those days, his grandfather, the relative that took them in years ago, makes the protagonist aware of something horrible: as long as his little sister has to worry about his autistic ass, she won’t get married, won’t have a family of her own, and will end up miserable. Our protagonist understands that if he’s to achieve his goal of making his sister happy, he should become a financially independent adult. Thus, even though he doesn’t even know the name of his town, he hitch-hikes to Tokyo in order to achieve this goal.

What follows is a deranged, outrageous tale filled with fascinating characters, most of whom exist in the fringes of society: a garrulous gambler with little self-control, a student who’s forced to steal panties to support his family back in the sticks, a senile old man that believes he alone knows the secret that will topple the US, a clown who punishes cheaters by shitting on their cars, a forty-year-old mentalist who lives with his mother and hasn’t talked to other humans since he was eighteen, an arrogant prick who will only speak nonsense to those he deems more intelligent than him, a successful but suicidal novelist on a spiral of declining mental health, etc.

Throughout this journey, the protagonist will shift his perspective on how to confront the mysterious monster called life, to figure out what, ultimately, constitutes happiness for him. I was very pleased with the ending.

Furuya’s works share the same elements: men on the fringes of society try to improve their lives despite having few resources, and facing somewhat episodic, at times horrifying stuff that they’ll nevertheless have to endure through. I’m talking about kidnappings, torture, and rape in the extremes, mingled with mundane stuff like trying to figure out if your family members will be out of the place when you bring your girlfriend over. Curiously, after some of the most outrageous, potentially life-derailing stuff, the characters involved keep going, having grown a little bit after the experience but otherwise unaffected.

All of his protagonists, if I remember correctly, deal with intrusive thoughts and bizarre daydreams. Along with the way his characters talk and his outside-the-box narrative choices, I’d say that Furuya’s brain must be quite similar to mine, which naturally ended up making him my favorite overall. I’m instinctively drawn towards writing similar stories.

I see myself rereading this series plenty of times throughout my life. I’m already rereading his Ciguatera, a fantastic work on its own right. It’s a shame that Minoru Furuya remains a stranger even for many seasoned manga readers.

On writing: Developing the premise #3

You can check out all my posts on writing through this link.

Are you happy with your concept? Then grow a premise out of it. Premises involve a task to be accomplished and a character that must accomplish it in the midst of conflict.

The following notes, gathered years ago from many books on writing, focus on developing the stakes associated with your premise. The dictionary defines “stakes” as “a sum of money or something else of value gambled on the outcome of a risky game or venture.” It also defines “stakes” as “a territorial division of a Latter-day Saints (Mormon) Church under the jurisdiction of a president.” In summary: someone in your story should stand to win and/or lose big during the course of the tale.

  • What is at stake for the hero relative to attaining or not attaining the goal, which can be stated as survival, the attainment of something, the avoidance of something, the discovery of something, and so on?
  • The reader should know, early on, what the consequences of success or failure will be. If you’re still only vaguely defining the stakes of your story as “happiness” or “peace,” congratulations, you’ve just found the probable weakness in your story.
  • Could your story be about the hero trying to change something?
  • Could it be about him or her trying to improve anything at all?
  • Could it be about him or her seeking to save someone?
  • How do the weight of the stakes motivate the reader to root for your hero with empathy?
  • How do they manipulate the reader into emotional engagement, one that would cause us to take action too?
  • How would the stakes touch us emotionally and intellectually?
  • How could the stakes be vividly and viscerally established?
  • How much can change if the protagonist succeeds or fails? Try to make it bigger, playing for something bigger than the main character. The bigger the win, and the deeper the cut of a loss, the better, because dramatic tension is fueled by stakes.
  • What would the stakes be for the opposition should they fail?

We’re Fucked, Pt. 122: AI-generated audiochapter

Until that one day when the end comes. This audiochapter covers chapter 122 of my ongoing novel We’re Fucked.

Cast

  • Leire: Thieves’ Guild operative that offers job down at the Ragged Flagon in Riften
  • Jacqueline: redheaded mage mommy from Maribor
  • Nairu: some kid that sells newspapers in the post-apocalypse

I produced audiochapters for the entire three previous sequences, and I intend to continue until the novel ends or I erupt in a fountain of Ice Age megafauna. A total of five hours, thirty-three minutes, and twenty-seven seconds. Check them out.

We’re Fucked, Pt. 122 (Fiction)


Before I enter the kitchen, the bitter scent of freshly brewed coffee wafts into my nose, mixed with the aroma of browning batter sizzling in a frying pan. Jacqueline, clad in her burgundy silk robe with wide and flowy sleeves, stands at the stove, cooking a batch of pancakes. The high-gloss cabinetry under the counter reflects her pair of toned legs, that end in pink slippers. Seated at the table, past the fruit bowl centerpiece that adds a splash of organic color, Nairu has hidden her face in a dinosaur picture book, ignoring the glass of milk set in front of her.

Jacqueline welcomes me with one of her disarming smiles.

“There you are, darling.” She slides a spatula beneath the frying pancake and skillfully flips it onto the pile on a plate. After withdrawing the spatula, she points it in the direction of the coffee maker at the end of the counter. “Your morning boost awaits.”

As I start to move, Nairu lets out an anxious cry universally understood as, “Wait, let me do it.” She puts down her book, hops off the chair, and hurries to grab the coffee mug from the dip tray. When she turns, her grinning face, framed by messy chestnut hair, greets me. Her amber eyes hold a depth of stories untold, the memory of a world that only she remembers. She’s wearing pajamas striped in mustard yellow and cream, patterned with cartoon pigs, bears, and whales amid five-pointed stars.

“That’s a smile of pride,” Jacqueline says. “Just by watching me, she figured out that she had to pick a fresh capsule from the dispenser, put it in, wait for the machine’s ready light, then push the button to brew. Isn’t it amazing? I might be biased, thinking of our lovely girl as a genius, but you may have come upon a prodigy of her time.”

I could comment that humans have been anatomically modern for hundreds of thousands of years, capable of formulating the same thoughts and learning the same skills. And I’m no different: I follow Jacqueline’s instructions, hardly understanding what magic transmogrifies those capsules into the dark, bitter, caffeinated nectar that I can’t live without. Yet, even if Nairu had handed me a pebble instead of this coffee mug that warms my palms, I’d be moved too, longing to wrap our girl in a tight hug until I risked smothering her.

“Thank you, Nairu,” I say in a choked voice, “for wanting to improve my day.”

“Alright, pancakes done,” Jacqueline announces. “Sit down, mes chéries.”

When mommy lifts the towering plate, Nairu’s eyes widen, and she scurries back to her seat. I turn toward mine across from our Paleolithic child, but I’m drawn to the sight of the stainless-steel refrigerator, whose door displays a collection of drawings attached with magnets. The pictures, rendered in crayon, depict bears, mammoths, ground sloths, a triceratops, pines, pastries, a stop sign, a bus, the Mount Igueldo tower, Jacqueline and me holding hands. At the rate we’re accruing drawings, we will need to rent a storage unit.

As I lower myself into the chair, my sore body complains. I don’t know how my hip remains intact with the poundings I receive. The culprit, Jacqueline, has set down the stack of golden-brown pancakes, their edges darker and crisp. I lift the mug to my lips and take a gulp. A lazy fire spreads in my stomach, chasing away the chill of the early morning, the creep of age. Coffee and freshly-cooked pancakes: a classic breakfast that every human from the Paleolithic through history can enjoy.

Jacqueline spears the top two pancakes with a fork and slides them onto Nairu’s plate. Mommy picks up the syrup and chocolate bottles.

“What do you want to top the pancakes with, mon bébé?” She holds up the plastic bottles, exaggerating her gestures to bridge the language gap. “Syrup, or chocolate?”

A giggle bubbles up from Nairu’s throat before she jabs her finger at the latter bottle.

“Chocolate!”

I serve myself a couple of pancakes, then reach for the syrup bottle while Jacqueline keeps busy browning Nairu’s treat further. As I pour the viscous amber, it settles in glossy, deflating puddles on top of the first golden disk, and trickles down the sides to pool on the plate.

I slice through the pancake, the fork gliding effortlessly, and scoop up a fluffy, syrup-drenched piece. I take a bite. My mouth floods with the caramel-like flavor of syrup, blended with those of vanilla and nutmeg.

Outside, bird chirping announces the imminent birth of a new day, that for those avian fiends will be comprised of confusion, mating rituals, and a frantic search for food to feed themselves and their helpless hatchlings. In our kitchen, I hear the clatter of cutlery on plates, vocalizations like “mm-hmmm,” and gentle glugs. At times a dog’s bark, or the rumble of a car’s engine, filters through the balcony door to remind me that we aren’t alone.

Dollops of chocolate have landed on Nairu’s pajama shirt in blots and streaks. Her lips, chin, and nose are smeared with the sticky substance, while her cheeks bulge as if she has stuffed herself after starving for days. Suddenly, her eyes clamp shut, and violent convulsions seize her small frame. Out of her mouth shoots a rainbow-hued gush that splatters onto the table, the stack of pancakes, the fruit bowl, my own breakfast. Solid forms, the size of action figures, have surged with the flood and bounced off the table, the plates, the fruits, or the spongy pancakes: woolly mammoths, mastodons, stag-moose, ground sloths, giant beavers, saber-toothed cats, short-face bears. Some of the miniature beasts lie injured or dead; others stagger to their feet, waddle around in a daze, or shake their shaggy, sodden pelts, flinging rainbow-colored droplets everywhere.

Hunched over, I prop my elbows on either side of my plate, and rub my temples in circles to dispel the vision. My heartbeat has accelerated, my stomach churns ominously. Jacqueline, seated along the long side of the table, reaches over to enfold my right hand in her own.

“Are you alright, mon amour?”

I straighten up and lower my hands. My gaze falls upon an ivory nightgown framed by the V-neck of her burgundy robe, and adorned with lace trimmings in a floral pattern. The silky fabric, that must glide over her skin like a lover’s fingers, clings to mommy’s tantalizing cleavage.

“I had one of my moments,” I say, “but I feel fine already.”

Nairu, engrossed in her dinosaur picture book, pushes a piece of pancake into her mouth. Her striped pajamas remain unspoiled.

Jacqueline caresses the neckline of my cardigan, tracing the stitching.

“I must say, you’re looking quite chic today.”

“Yeah? Says someone who could wear a potato sack and still enchant. Anyway, I can’t rely on hoodies forever. I would have preferred to wear a T-shirt emblazoned with the words, ‘Let’s kill our boss,’ but alas, I haven’t dared to order such a customized garment.”

Jacqueline knits her eyebrows in worry.

“Let’s focus on staying out of trouble, shall we? You’ve been carrying more tension lately when it comes to work. Is… our boss putting extra pressure on you?”

I take a deep breath as I run my fingers through my hair. I’m no closer to figuring out what machine I’m supposed to destroy before it rips the universe apart, but I won’t ruin the sanctity of this family by bringing the apocalypse into our dynamics: I must shoulder the responsibility alone.

“No, I’d say he’s burdening me with the usual amount of pointless programming tasks.”

“But you can offload some of them on Jordi, can’t you? How are you two getting along these days?”

I get a flash of that intern of ours, with his ever-neat red hair and glasses, always dressed in a self-imposed uniform of crisp white shirts and tailored black trousers. His youthful, freckled skin, along with that habit of referring to me as his senior, makes me feel as if I should start collecting a pension and oiling my knees, or whatever the hell old people do. But I’d rather not spend my spare time dwelling on Jordi any more than I would on the office furniture.

“Now that I’m getting acquainted with that ravishing Irish form of yours, the epitome of redheads, every other redhead should have spontaneously combusted in shame.”

Although Jacqueline laughs, my body stiffens and my eyes widen in panic as I glance at Nairu, who’s unaware of Jacqueline’s shapeshifting. Our antediluvian wonder is taking a long draught of milk. When she puts the glass down, she licks away her milk mustache while her gaze darts back and forth between her mommies.

Jacqueline props her chin on the heel of her palm.

“One of these days we’ll need to be careful with our words around Nairu, but I’m afraid that day is a long way off.” She straightens up and lets out a squeak of delight. “You’re so cute, mon petit ange!”

Jacqueline scoots over to cup Nairu’s face and smooch her, prompting a fit of giggling from the girl.

In this morning of pancakes and mammals surging from a mouth, a comet-like flare is forming within me.

“Anyway, Jordi is decent enough. I’d prefer if he didn’t exist, but I think that of most people. It’s always been a struggle to care about anything, to feel connected to anyone, even myself. These days, though, whenever I’m chained to my computer at work, I find myself thinking about you and Nairu, hoping you’re enjoying yourselves. That makes the world keep spinning even when it’s crumbling apart.”

Jacqueline’s smile fades into a thoughtful expression. She scoots toward me and reaches for my hand, but my cellphone vibrates in the pocket of my trousers and starts playing Chopin’s Nocturne, the second alarm of the morning. Time to make it through another day in this harsh, unforgiving universe without going insane.

Once I silence the alarm, I gulp down the remainder of my coffee, then put the mug in the dishwasher. Nairu calls out “Eide,” the name she baptized me with, drawing attention to her picture book. A double-page illustration depicts a herd of diplodocus, their long necks swaying as they cross a stream. She pokes and babbles at one of the flesh-and-bone catenaries that end in a head with a slender snout, a narrow jaw, and lateral eyes.

“Yes,” I say. “Can you believe that millions of years ago, some creatures were even more astonishing than your Ice Age marvels? You know, my first memory was of waking up after a surgery. During the hospital stay, my mother bought me a plastic triceratops. It seemed magical. I wonder what happened to it…”

Nairu’s cheeks dimple in a pure smile. Her amber eyes are alive with a spirit that never dims.

I ruffle her chestnut locks tenderly.

“Goodbye, ma fille.”

Nairu waves back at me as Jacqueline, her hands on my shoulders, steers me toward the front door.

From now on, until that one day when the end comes, how many times will our family sit around a table to share a meal? Once Nairu masters the language, how will she take to learning board games? The three of us, in competitive or cooperative formats, will run a zoo, colonize Mars, evolve our ancient civilizations, build our post-apocalyptic nations, fight against eldritch horrors. As cyberpunk runners, blazing through corporate servers while evading countermeasures, we’ll finally defeat Shadowcluster.

“I never heard of that memory before,” Jacqueline says warmly.

“Well,” I push through my constricted throat, my voice a raspy whisper, “I don’t like to remember things.”

I open the front door. Jacqueline cups my face and wraps my mouth in a chocolatey, syrupy kiss. When she pulls back, her cobalt-blues shine through the ivory-white blur of her features.

“Remember that, Leire. We’ll be here when you come back.”

The door closes with a thud behind me. Alone in the gloom of the landing, I start descending the stairs, but my legs feel unsteady enough that I grab hold of the cold handrail. My heavy footfalls echo in the stairwell, mingling with a muffled conversation coming from some apartment.

As I turn a corner, a liquid drips on my right hand. I stop and glance up; no ceiling leaks, none that I can see in the dim light. Warm streams are coursing down my cheeks. One trickles over the curve of my upper lip and slides into my mouth. It tastes salty.

I’m neither depressed nor miserable. So why am I weeping?



Author’s note: today’s songs are “A.M. 180” by Grandaddy, “Good Ol’ Boredom” by Built to Spill, and “はるなつあきふゆ” (“Spring Summer Autumn Winter”) by Ichiko Aoba.

I keep a playlist with all the songs I’ve mentioned throughout the novel so far. A total of two hundred and four videos. Check them out.

Are you too lazy to read, and would prefer to listen to this chapter instead? Then check out the audiochapter.

Review: Jingo, by Terry Pratchett

Four stars.

This is the fourth novel in the City Watch series of books, after Guards! Guards!Men at Arms, and Feet of Clay. What started as a nearly extinct force of guards led by a drunkard, has become a well-recognized band that features members of most of the fantasy races present in the city of Ankh-Morpork, including dwarves, trolls, werewolves, zombies, golems, gargoyles, and overzealous proselytizers.

This time, an Atlantis-like island has surfaced between the city state of Ankh-Morpork and the neighboring country of Klatch, the fantasy equivalent of a Middle-Eastern muslim country. Both nations have claimed this ancient, somewhat Cthulhu-esque landscape for themselves, and if neither gives in, an armed conflict could break out.

A long time ago, Ankh-Morpork established itself as the dominating force in the area, mainly thanks to the efforts of a Caesar-like figure, but these days, the city’s power is mostly illusory, based around debt and selling weapons to every side of the nearby conflicts. When foreign embassadors from this pseudo-Middle-Eastern country visit the city, the Watch gets dragged into it to secure the peace. Unfortunately, someone is trying to whack the foreign prince in an echo of how JFK got killed, involving a conspiracy. Is that someone trying to force a war to break out, or are the Klatchians dragging their internal politics into the city? Tensions are flaring up: some Klatchians who have been living in the city for decades, some even born there, become targets, and if the Watch look like they’re trying to side with the Klatchians, they could be painted as traitors.

In the process of investigating who JFK-ed the foreign bigwig, one of our beloved watch-people gets kidnapped, so our heroes decide that a trip to desertic lands is in order, even if the odds aren’t in their favor.

A peculiar tale in what has otherwise been a confined series, now heavily featuring a Leonardo da Vinci lookalike, a submarine, crossdressing, and some other unlikely stuff.

I liked seeing more of Lord Vetinari, perhaps the most cunning and capable ruler in any story I’ve read, and I enjoyed the interactions between characters that otherwise wouldn’t have engaged each other. There’s quite a bit of social commentary on empires that believe themselves high and mighty although they’ve long lost their might, on the position of women in repressive societies, on how humans gravitate towards picking sides and demonizing the opposition, etc. Pratchett also injects that self-defeating Western thing of depicting the westerner proxies as ignorant dullards and the exotic foreigners as sophisticated and clever despite their backward societies, which tasted stale for me.

It took me quite a while to get through this one, because I’ve been in the mood to either read manga or play video games in my spare time, but the fourth entry in this series may be the best overall, even though the Watch were, for the most part, dragged along for the ride.

We’re Fucked, Pt. 121: AI-generated audiochapter

Can’t enjoy your morning coffee in peace. This audiochapter covers chapter 121 of my ongoing novel We’re Fucked.

Cast

  • Leire: a blonde thief from good ol’ days of non-corporate Bethesda
  • Irish Jacqueline: a youthful, slightly unhinged gal from something called Genshin Impact
  • OG Jacqueline: redheaded mage, friend-with-benefits of a monster hunter

I produced audiochapters for the entire three previous sequences, and I intend to continue until the novel ends or I prefer to stay in bed all day instead, letting gravity do its work. A total of five hours, twenty minutes, and fifteen seconds. Check them out.