The rural streets of Mudbrook-on-the-Bend are mostly deserted at this hour—folks either at work or gathered at the Municipal Aid Registry, I’d been told. The air sits pleasantly warm on my fur, though the sun beats bright enough to make me squint. Small town. Tightly packed houses along a blue-green canal. Aging timber frames, steep tiled roofs. The kind of place where someone like me probably looks like she wandered out of a fairy tale.

There. An older man standing near the main path, pipe smoke curling up from weathered hands. I clock him immediately: tradesman’s apron, genuine smile-lines, the relaxed posture of someone who belongs exactly where he’s standing. No performance.

“Oh. Morning, ma’am.” His voice carries that easy rural cadence. “Nice weather we’re having, ain’t it? Never seen you around these parts. I hope that our quaint little town won’t disappoint a member of the cat folk too much.”

That slight wonder in his tone—he’s probably never met one of us before. My whiskers twitch. Part of me immediately starts calculating angles. He knows everyone here. All the local gossip, who’s hiring, what’s dangerous. I could purr, play up the cute factor, harvest whatever stories he’s got tucked away in that weathered brain. Easy material. But gods, I just got here and I’m already doing it. Already cataloging vulnerabilities, mapping the performance.

I close the distance between us, letting myself catch the full scent of him: leather oils, curing agents, pipe tobacco.

“Morning to you too, meow.” I let my whiskers twitch with genuine amusement. “And don’t worry—I’ve played worse venues than ‘quaint.'” Something about his unpretentious energy makes it easy to drop the armor, just a fraction. “There’s something charming about a place that still smells like honest work instead of… performance. You’re a tanner, yeah? I can smell the curing agents from here.”

He takes a couple of steps back without thinking—not fear, just automatic adjustment to proximity. Most people either lean in with curiosity about the exotic cat-girl, or retreat because they’re threatened. This is different. Unconscious. Natural boundary-setting. The smile on his face stays honest.

“I’m a simple tanner, alright, miss.” He gestures down at his hands. “Probably could tell too by the stains in my skin that never quite go away. Name’s Bertram. Seems like I’ve spent a lifetime crafting saddles, belts, boots and the likes with these two hands of mine. A good life, not complaining.”

He takes a long drag of his pipe, exhales slowly. His gaze shifts to my back, my hips.

“As for you, my goodness… That instrument case slung across your back and those… peculiar weapons at your hip. You must have had quite the adventures. Well, if you’re looking for work or to perform, look no further than our humble gathering spot, the Municipal Aid Registry. Posted a request myself for reciprocal services.”

Reciprocal services. The phrase catches in my mind like a claw on silk. What does that even mean in a place like this? Barter system? Trade work? Could be dangerous, could be hauling leather, could be absolutely anything. But he’s local, established, comfortable. If I’m going to find real work here—the kind that strips away performance and leaves only survival—I need someone who knows where the bodies are buried. Metaphorically. Or literally, mrow, depending on what kind of town this actually is beneath the quaint surface.

I need to test this again. Feel out his boundaries properly.

“Reciprocal services, mmh?” I let my curiosity show in the forward tilt of my whiskers. “That sounds intriguing. What kind of work are we talking about? Something dangerous, or just the usual hauling and heavy lifting?” I step closer, closing the distance he created. “I’m always interested in… collaborative arrangements. Especially with someone who knows the area.”

His wide, simple smile doesn’t change, but I catch a small frown creasing his brow as he registers how close I’ve gotten.

“Oh, my request? Just the usual thing, keep it posted there at the Municipal Aid Registry’s bulletin board when I can spare the fee. You see, my Anna…” Something softens in his voice. “Ah, what a dear she was. My great love. Thirty years we had together until the winter fevers took her. I’m grateful for that time, but I’m not looking to replace her. I appreciate my quiet too much these days, and I’m not getting any younger.”

He takes another drag of his pipe, perfectly comfortable.

“So, the posting. I request a handjob, and offer one in return. Fair exchange, no romantic complications. You see, a good handjob is like good craftsmanship. You need to understand what you’re working with, adjust to feedback, take pride in the result.”

Oh gods. He’s… he’s talking about actual handjobs. Not hauling work or tanning work or some tradesman metaphor I misunderstood. Reciprocal handjobs. Posted at the Municipal Aid Registry like it’s… carpentry services.

Mrow… this is… I mean, I’ve played a lot of towns, seen a lot of arrangements, but posting for mutual masturbation services at the town bulletin board with the same casual energy as requesting roof repair? The complete lack of shame in his delivery—”a good handjob is like good craftsmanship”—he genuinely believes that. He’s explaining his sexual barter system the way he’d explain leather-working techniques.

I keep my expression neutral, let my whiskers stay still. Don’t react. Don’t give away whatever the hell I’m feeling right now, because I’m genuinely not sure. Surprise? Amusement? Professional curiosity about small-town sexual economics? This is material, definitely material, but I need a second to process.

Bertram takes my silence in stride, another casual drag of his pipe as he looks into my eyes with that same untroubled calm.

“Hmmm… Maybe this is a human matter. Don’t know if cat folk engage in handjobs. I’ve lived in Mudbrook all my life. People know me, knew my Anna. They know my work is good and I’m honest in my dealings.”

He gestures with his pipe-hand toward the street.

“That said, a traveling bard like yourself will maybe want to check out the other work. Us locals can get fed easily on our produce, so we can do with reciprocal handjobs, but you have to… carry provisions and such for the trip, right? Anyway.” He points at a building that looks like a converted grain barn, larger than the surrounding structures. “There’s Mudbrook’s Municipal Aid Registry. Copperplate’s in charge. Good fellow. Been here before any of us showed up. Just be patient with him, he operates at… his speed.”

He’s genuinely waiting for my response. And the thing is… mrow… I’m not actually offended or shocked. I’ve done stranger things for worse reasons. But this is information. This tells me something about Mudbrook that I didn’t expect—there’s a whole sexual economy here that operates with the same casual pragmatism as trading eggs for flour. That’s information I file away.

“Are you alright, miss? Cat-folk’s faces aren’t that easy to read, not for a Mudbrook leatherworker anyway.” He tilts his head slightly. “You have quite the peculiar eyes, I must say. One ice-blue, the other amber. Is that something that happens to your kind?”

He’s asking about my heterochromia because my face isn’t giving him the information he wants. Fair enough. Cat faces are harder to read for humans.

I let my tail swish slowly, thoughtfully.

“I’m fine, don’t worry. Just thinking, mrow.” My whiskers relax a fraction, showing him I’m not offended or disturbed. “And yeah, the eyes—heterochromia’s not super common among cat folk, but it happens. My mother had it too, though hers were both shades of green. Mine decided to be dramatic about it. As for your arrangement—refreshingly pragmatic, but I need provisions more than handjobs at the moment, mrow.” My whiskers twitch. “Does everyone in Mudbrook operate on this kind of system, or just certain folks?”

Bertram steps back to let a young man pass, planks of wood balanced on his shoulder. The kid nods at the older leatherworker without breaking stride. Bertram nods back, takes another drag of his pipe, taps the ashes out against his boot.

“System… can be called that, I guess. Folk used to offer deals over ale, but then they’d forget the finer points and there’d be fights.” He grimaces. “Good old Copperplate fixes all that. The man… or whatever it is… keeps records like it’s his religion. Keeps us grounded and sane.” His voice softens. “Ever since my Anna died, I’ve gotten plenty of answers thanks to those proper proceedings. Mudbrook-on-the-Bend is a simple town. Fair dealings. Well-crafted tools and materials. Straightforward, honest people. That’s how we like it.”

I should move. The Registry’s where the real work is—dangerous contracts that pay in coin, not sexual services. Combat work. That’s what I came here for.

“I appreciate the explanation. Thanks for the local orientation, Bertram. If I survive whatever job I pick up, maybe I’ll come back and you can tell me more about Anna over a drink. She sounds like she was worth those thirty years.”

The converted grain warehouse sits open-sided toward a patch of grass and trees, timber construction weathered but solid. The bulletin board dominates one wall—crowded chaos of notices, some full sheets, others torn scraps, layered and pinned unevenly like sedimentary history. A service counter suggests this used to be a loading bay. Mixed crowd of locals scattered around tables with tankards. Civic business conducted in warehouse setting. The air smells of old wood, spilled ale, and something else—ink and parchment, sharply chemical.

That’s coming from the tortoise-person behind the counter. Copperplate. Has to be. Short and stocky, ancient-looking, dark-olive scaled limbs extending from a bronze domed shell. Cream plastron visible at the chest. Charcoal-gray hooked beak, amber round eyes behind reading spectacles. He’s wearing formal sleeve cuffs and a fitted waistcoat that somehow dignify the whole turtle-in-a-warehouse aesthetic. The smell of ink and old parchment emanates from him like a profession made manifest.

He’s currently handing a posted notice to a woman who… mrow. She’s built like violence made flesh. Muscular, heavily scarred, the kind of body that tells stories about surviving things that should have killed her. She takes the notice from Copperplate’s clawed hand with careful precision, stares at it for a moment. Her expression goes distant. Then she turns and heads for the streets without a word.

The board’s chaos hits me immediately—a cluster of stained parchment and competing desperation layered over each other like archaeological evidence of small-town needs. An alibi notice at eye level, hastily scrawled with crossed-out attempts: WANTED: Someone to tell my wife I’ve been working late (I’ve actually been at the pub). 2 copper. Convincing liars only. A man rewrote this multiple times before posting. Performance stacked on performance. I move on.

Behind me, someone enters—pipe tobacco, leather oils, curing agents. Bertram. He heads to the tables where locals are gathered with their tankards.

I let my attention drift back to the board. Let me check the birthday musician notice next, see if there’s actual danger on offer or if Mudbrook only provides low-stakes human misery.

“Good morning, Mr. Copperplate.” Bertram’s voice carries from the counter, that same easy rural cadence. “Hope you haven’t been getting any trouble other than the usual. By chance, do you know if anyone has taken interest in my request? I’ve been building up some pressure lately, with this saddle commission for the merchant’s daughter and all.”

The birthday musician notice sits just below the alibi request. I scan the text:

MUSICIAN NEEDED: Play at my daughter’s birthday. She’s 7. You will be required to perform “The Happy Donkey Song” seventeen times minimum. 3 copper, earplugs not provided.

Behind me, the tortoise-person’s voice emerges—slow, deliberate, each word separated by noticeable pauses like he’s processing language at a different speed than mammals.

“One moment… Bertram. I must… complete… the current… notation… before responding… to your inquiry.”

Bertram’s voice carries easily.

“Take all the time you need, old friend. Have you noticed, by the way, our newcomer? A cat folk, no less, in our little Mudbrook. Must be a musician unless she’s carrying loot in that instrument case of hers.”

I’m hyper-aware of the weight of attention from the tables—multiple sets of eyes tracking the exotic cat-woman. I’m the circus that wandered into town.

Seventeen times. Minimum. The words sit on the notice like a threat. I read it again, making sure I’m not hallucinating from road exhaustion. A seven-year-old who’s learned to weaponize repetition. Old enough to understand cause and effect, young enough to have zero mercy. And the parent who posted this knows exactly what they’re asking for. They wrote “minimum.” They know their child. They’re desperate enough to pay a stranger three copper to endure what they can’t face themselves.

“Oh, if Anna, poor Anna would have been here today.” Bertram’s voice softens with memory. “She often talked about seeing some exotic folks. Couldn’t go anywhere, of course, on account of her weaving… And all my leather work. And I don’t think she ever heard music played live, did she? Hmm, maybe that one time a young merchant came by with a flute… Or was it drums?”

I hear him drink, the hollow sound of a tankard being emptied.

My attention drifts back to the notice. Seventeen repetitions would strip away every bit of performance, every shred of artifice. By repetition twelve I’d be completely raw—just muscle memory and survival instinct, the song reduced to pure acoustic reflex. That’s the kind of clarity I chase, just… from a different angle than combat. Not violence-clarity, but repetition-clarity. Mrow… but three copper. That’s insulting compensation for that level of psychological endurance.

“Mr. Copperplate, do you still remember what I asked?” His voice carries confusion now. “Wait, what did I ask again? Was it something about Anna? I swear all the leather dyes are seeping into my brain. I come across a fellow Mudbrooker along the street and they greet me nice and I can’t tell if a handjob was involved.”

The weight of attention presses against my fur like humidity. I don’t need to turn around to know exactly what’s happening at those tables—the locals, mainly men from the scent signatures, chatting with that animated energy that comes from having something exotic to admire. I catch fragments of conversation, none of it subtle:

“—never seen a tail that fluffy—”

“—the way she moves, gods—”

“—bet she’s got claws under that—”

I’m the entertainment of the week. Maybe the month. Provincial setting, limited exposure to non-humans, and here I am in my road-worn leathers with weapons at my hip and an instrument case across my back.

I keep my focus on the bulletin board, let them stare. My tail does its own thing—slow, thoughtful movements that have nothing to do with their entertainment and everything to do with processing what I’m reading. The birthday musician notice still sits there with its seventeen-repetition threat. The alibi service with its suburban deception. Neither offering real danger. Neither stripping me down to anything honest. But there are other notices layered across this board like archaeological strata.

A water-stained notice near the bottom, tear-marked: URGENT: Recover my dignity from the bottom of the well. Also maybe a bucket. Dignity preferred but bucket acceptable. I blink. Move on.

“Hey…” Bertram’s voice cuts across the converted grain barn. “Damn, I don’t know your name. Cat folk. With those weapons at your waist, the chickens request may be more up your alley. Or my request about reciprocal services. That’s been up for a good while. I always respond in kind, on a leatherworker’s honor.”

Mrow. He’s being helpful. The scratch of Copperplate’s quill continues behind me. Future historians will read about Bertram publicly recommending his reciprocal handjob services to the exotic cat-folk stranger, rendered in perfect archival notation.

Bertram’s voice carries again, this time directed at Copperplate:

“I guess there’s much to record with a newcomer in town, ain’t there? My goodness, you’re going to run out of ink this morning.”

Movement catches my peripheral vision. Bertram’s stepping away from the counter, boots scuffing across the warehouse floor. He circles around a couple of tables—the ones with the men who’ve been cataloging my existence like I’m the most interesting thing to happen to Mudbrook since the last time someone fell into a well—and heads for the bulletin board. Not toward me exactly, but toward his own posting. The reciprocal services one.

He stops with his hands on his hips, looking up at his notice. I’m standing close enough that I catch his muttered words.

“Hmmm…” He’s reading his own posting, lips moving slightly. “‘Hygiene acceptable, all digits functional’… Could have worded that better, maybe. It’s just these damn dyes, the stains are so hard to get out.”

He examines his nails, holding his hands up to catch the warehouse light.

“And these dark crescents, don’t even know how I could begin to scrub them out unless I cut my nails.”

I’m stalling. The chickens notice is still there. Bertram’s reciprocal services posting sits higher up where he can review his own nail-hygiene marketing. I should just pick one and move on. Let me see what passes for possessed poultry in Mudbrook-on-the-Bend.

HELP WANTED: My chickens are possessed by the vengeful spirit of my dead mother-in-law. Or they’re just mean chickens. Either way, I need them gone. 1 silver, or take the chickens.

One silver or take the chickens. That’s… actually decent pay for livestock removal, possessed or otherwise.

“That’s more up the alley of a proper adventurer like you, miss cat,” Bertram says. “I know the guy, he makes most of the local pottery, and also has quite a collection of chickens. Demonic hen, I’ve heard him repeat. Veritably devilish.”

The scratching finally stops. Copperplate lifts his claw, ink still wet, and fixes his amber eyes on Bertram through his spectacles.

“Bertram. To answer… your original inquiry… no one has… registered interest… in your reciprocal… services posting. The record shows… no approaches.”

Bertram looks back at Copperplate across the converted grain barn, his expression cycling through confusion—like he’s forgotten they were even having a conversation—then recognition, then something brighter for just a moment. Finally, it sours into disappointment.

“Oh, damn it. Nobody?” His voice carries genuine hurt beneath the frustration. “It seems that after the novelty wears off, Mudbrookers don’t want to be repeat customers. Fair transactions and mutual benefit aren’t what they used to be, are they? Maybe it’s the tannery staining, and that smell of newly-worked leather.”

I watch as Copperplate’s claw hovers over the ledger for a long moment. Then it descends, scratching across parchment with religious devotion.

I let my attention drift back to the bulletin board. The chickens notice sits there with its straightforward desperation. Could be genuine combat danger. Could be difficult livestock removal with homicidal poultry.

“Demonic mother-in-law spirit sounds more promising than seventeen performances of ‘The Happy Donkey Song,’ mrow.”

“I don’t think you’re getting any more juice out of the request, miss cat. What you see is what you got.” Bertram pauses. “If you’re gearing up to take that chicken contract, we could find our local veteran. She’s one tough broad, that one. Scarred from head to toe it seems. Always carrying around that longsword of hers. I reckon you two together could handle chicken demons.”

The woman I saw earlier. The one who took a notice from Copperplate with that focused intensity, then left without a word. Heavily scarred, built like violence made flesh. That tracks with “local veteran” perfectly.

Partnering up. I came here to strip away performance, to find that crystalline clarity that only comes when survival is the only option. Adding another person complicates that. Means witnessing. Means someone else’s assessment of how I handle danger, what that reveals about me.

Stop procrastinating. Take the fucking notice. Commit to something instead of endlessly circling like my tail’s chasing itself. If the chickens turn out to be genuinely possessed or magically corrupted, I get the violence-induced composition clarity I’m chasing. If they’re just mean livestock, well—at least I’ll have moved forward instead of standing here being entertainment for gawking locals.

“You’re right, Bertram. I’m overthinking this, mrow.” My claws grip the edge of the parchment. “Let me just take the chicken notice and we can figure out if we’re dealing with actual demons or just aggressive poultry.”

The notice pulls free from its pin with satisfying resistance. I hold the parchment, feeling the weight of commitment settle across my shoulders like the instrument case.

Bertram’s already moving, boots scuffing across the warehouse floor as he follows me toward the counter. His voice carries that encouraging energy people get when they’ve successfully convinced someone to stop overthinking.

“Good, good. If I see Threadscar around, I should tell her you’re gunning to take care of our local chicken problem once and for all. Two fierce women in a poultry battlefield sounds better than one.”

I close the distance to the counter. The tortoise-person’s amber eyes track my approach through those reading spectacles, though his claw never stops moving across the ledger. Up close, the scent of ink and old parchment emanates from him much stronger.

“Mr. Copperplate, I’d like to register this contract.” I set the notice on the counter between us. “The chickens. Need the address and any additional details you have on file about the situation.”

The scratching stops. Copperplate’s clawed hand lifts the chickens notice with a glacial deliberation that suggests he’s moving through a denser medium than air. He holds it at reading distance behind those silver spectacles.

“I will now… review the documentation. This ensures… archival accuracy.” His claw descends to the ledger. “Before proceeding… I require the contractor’s… full name… for the permanent record.”

Oh. Right. I haven’t actually introduced myself. Just walked in, grabbed a notice, and demanded registration like I assumed bureaucratic telepathy was part of the service. Mrow.

“Vespera Nightwhisper.”

Copperplate’s amber eyes lift to meet mine through those spectacles.

“The record… will reflect… your registration.”

His claw descends. More scratching. This is going to take a while.

Behind me, I catch movement—Bertram heading toward the converted grain barn’s exit. His voice carries over his shoulder.

“Alright, I’ll look for Threadscar. That old warrior is always up for some action, and gods know we don’t get much of it here. Of any kind, these days.”

His boots scuff across the threshold and he’s gone, pipe-tobacco scent fading as he hits the streets of Mudbrook-on-the-Bend.

Bertram will find that veteran, which means I’m committed to whatever violence or embarrassment this job offers. Can’t back out now without looking like a coward who fled from poultry.

Finally, Copperplate’s claw lifts from the ledger. His amber eyes fix on me.

“I have verified… the notice contents. This contract was filed… by Aldous the potter. His workshop… is located at… twelve Kiln Lane… eastern district… near the old millrace.” He pauses. “The supplementary… documentation… indicates seventeen chickens… on the property. The specific… problematic hen… is described as ‘the large speckled one… with the malevolent stare.'”

His eyes blink—a full five seconds, like his eyelids operate on their own timeline.

“Payment is one silver… upon resolution… or you may claim… the chickens… as compensation. Both options… are legally binding. Do you… accept these terms?”

“I accept the terms, mrow.” My tail swishes once. “Twelve Kiln Lane. I’ll handle the demonic poultry situation.”

THE END

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I generated the following video about this story. Some genuinely hilarious images.