The Drowned City, Pt. 10 (Fiction)

A barrage of light assaulted my eyes. I blinked like a newborn. The center of my vision filled with humming fluorescent lamps. I tilted my head. Behind a desk sat a man in his fifties, mustached and jowled, clad in a police uniform.

I lay sprawled on a metal bench, the armrest bruising into my cheekbone as a makeshift pillow. A scratchy blanket covered my nakedness.

The policeman stood, circled the desk, and bent over me. His lips carved syllables, words shattering against my face. He waited for speech, but my brain had severed its wires to my vocal cords. I clawed back the names of objects and sounds, slow as a toddler fitting blocks into holes.

The officer arched his brows, then teetered on his tiptoes.

“Were you born half-brained?” He cocked his head right. “Sure no one cracked his skull?”

“No visible injury,” said another voice. “Maybe an old trauma.”

“Or he’s a psych ward runner.”

I pushed aside the hair veiling one eye. My hand trembled. A young cop, chin wounded by two razor nicks, materialized at my left and offered a T-shirt and trousers—faded donations moth-rotted in storage. I clutched them like alien artifacts.

The young cop snapped his fingers before my glazed eyes.

“Know where you are?”

I unfolded the shirt. Its chest logo had frayed into orange shreds.

“Motomiyacho Police Station,” the junior said.

The mustached cop rolled his eyes. “He read the badges.”

“Hitachi. Ibaraki Prefecture. Understand?”

I studied his pupils, hairline, nose, uniform collar, the metallic badge. My eye muscles buckled and dropped my gaze.

They led me to a bathroom. Locked inside, I dressed at the pace my stiffened joints allowed. My ligaments ached as if stretched gumlike on a rack. I avoided the gaunt stranger in the mirror.

Five minutes later, the police officers marched me to the station doors. Midmorning light slanted through dust-streaked windows.

“Got somewhere to go?” said the mustached cop.

“I’ll figure it out.”

He shook his head, and snorted.

“So you can talk.”

As he walked off, the junior cop appraised me with resignation. From his wallet, he slipped a 5000-yen note into my shirt pocket.

“Take care.”

* * *

For months, I swallowed hypnotics to smother the reasoning part of my brain. Sounds and voices slowed down, and the links between events frayed. On nights when the pill case emptied, I writhed in sweat-soaked sheets for hours. Chiseled memories—the forest clearing, the lagoon, the illuminated ocean, the woman—besieged me. Her sentences swarmed around my ears like gnats. The ghost of her mottled pink-and-white skin grazed mine, and those parts of my body stung like a rash. I choked.

After hours of rolling on the mattress, in the tar-pit of my mind floated—like the afterimage of the sun—the woman’s face, frozen in the expression I had provoked by betraying her. Even as I stretched out my arms, she floated far away.

She was talking to me.

Why didn’t you follow me to the city?

I had wanted to.

Then why am I alone down here?

Because I am weak. I am nobody. I was born to endure the decades of my life as the hollow shell of what a person ought to be, and those I encounter, I infect with gray. You chose the wrong man. I never found the strength to obtain what I needed.

I sat up in bed and panted as if I’d fallen from a rooftop.

In the mornings, the echo lingered. That flute-like voice, the intermittent current of a brook, sounded in the distance. The flow carried words I had to fish out, and I longed to roam the streets until I recognized each syllable. In my apartment, on the street, in the workshop, the moment when I would hear the woman speaking from afar hovered on the verge of arrival. Whenever I strained my ears and scanned the surroundings for the crevice through which the voice poured, the current would cease, though in my mind the fading echo reverberated.

On the morning of the first anniversary of the day I met the woman, feverish surges overwhelmed me. My body screamed that a cancer was multiplying inside. Dizzy to the point of nausea, I knelt over the toilet bowl.

On the second anniversary, I anticipated the surges and stuffed myself with anxiolytics. They blocked my capacity to care about anything. I drifted in a void.

At the dawn of the third anniversary, clinging to the edge of my bed, I sensed the woman’s presence like a silhouette on the horizon. She called to me. While I dressed for work, chills raced down my spine. I planned to ignore them until they subsided, so I could plunge into the tar sea in which I dove every day. But I called the workshop and reported that I had awoken with a fever—something I had eaten.

Sitting in a train seat, I stared at my trembling knees. Every glance at the landscape sliding past the window tempted one of the plates of my mind to slip over another, and from the ensuing crack burst forth creatures belonging to savannas—creatures that would race through tall grass and scramble up trees. That forced to live in the world allotted to me, would perish. Yet I looked on.

The landscape evoked an absence. Some symphony that had once played without pause was now missing. Reality had lost its fundamental piece, and trembled like pillars on the verge of cracking and collapsing. The world—the obese beast that they upheld—gobbled and gobbled.

The image of toads perched atop the pillars at the entrance of a villa flickered. In the folds of the statues, grime had accumulated, and the paint had begun to flake off. Was I merely imagining those imperfections, or would I have discerned them years ago had I known how to truly look?

When I stepped off at Hitachi station, I followed the path while battling chills and dizziness. Dust-stained buildings unfolded before me, where decades of rain had darkened cascading streaks. Everywhere I looked, the colors had lost their vibrancy, merging into shades of gray. A man in his sixties, standing at the corner of a dwelling, surveyed the landscape as if he had lost his bearings. Passersby drifted like puppets and spoke as if following a script. Their organic masks confronted the vistas while in their minds they navigated through a gleaming technicolor scenery.

I arrived at the street where, on the opposite sidewalk, the passage to the woods would open. I straightened up on the familiar patch of pavement. To my right, three red-and-white vending machines were embedded in a concrete recess.

I lifted my head toward the opposite sidewalk and blinked until my vision cleared. Both buildings that had guarded the passage now appeared conjoined—the electronics store, with its facade of wooden planks, nestled against the rusted shed of the beige house. Not a single fissure betrayed that they had been built separately.

Three warehouse boys surged past me from both front and rear. Out of the corner of my eye, I noticed one casting a look of bewilderment my way, then extending his gaze toward the wooden plank on which I was fixed, unblinking.

I inched up to the facade until the tips of my sneakers brushed against the walnut-hued wood, which reeked of mold, and I could discern its grain and cracks. I closed my eyes. In the dim half-light of my mind, the passageway unfurled into a grassy path winding its way among the pines, flanked by ferns and a sea of clovers. I held my breath. I listened to the chirping of birds, the breeze rustling through the branches, and the fruits crashing against the leaf litter. In the background, in the chasm between sound and silence, her voice emerged.

I shuddered and my vision blurred. I dragged my legs to the electronics store. I pushed the door, triggering a digital chime. Inside, the air smelled of metallic casings and plastic cables. I hobbled between shelves, amid outlets, lamps, bulbs, and electronic devices whose purpose was a mystery to me. I trod on linoleum grimy with footprints, yet with every step, my feet expected to flatten grass. I beheld smoked glass and cardboard boxes where I should have seen wine-red tree trunks and a serpentine path.

The scent of pine invaded my nostrils, and the earth warped under the weight of the lagoon. Beyond the backdrop of this electronics store, beyond this rotting gray world, somewhere lay that ocean of crystalline water illuminated by a different sun. The abyss of that ocean, beneath tons upon tons of water, harbored another architecture, other creatures.

She had never told me her name. Didn’t need to. Her face and blotched-white skin had plastered the walls of my mind. Instead of blood, her voice flowed through my veins. She had offered me the only chance, and I had ruined it.

The shopkeeper approached as if a vagabond had wandered into his shop. The years had contorted the man into a wrinkled, gaunt parody. His back was hunched, his hair had turned gray.

He scrutinized me from head to toe.

“May I help you?”

Before I could even craft a response, the nucleus in the depths of my being, kilometers beneath the navigating consciousness, revealed to me that no bridge could ever convey the images and sounds trapped within me, that no effort would succeed in making others understand what truly mattered.

I had nothing to say. Not to him, not to anyone.

THE END


Author’s note: I wrote this novella in Spanish about ten years ago. It’s contained in the collection titled Los reinos de brea.

Today’s song is “Since K Got Over Me” by The Clientele.

With this, three of my six novellas written and self-published ten years ago have been translated. The two others so far are Smile and Trash in a Ditch. You can check them out here.

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