
Five stars.
I’m always on the lookout for new manga to read, but I had only come across this award-winning series twice, the latest one when ChatGPT mentioned it. I wish I had read it sooner, because this long series (about 240 chapters) has become one of my favorites.
The story follows an assassin who works for a nameless organization called Fable by the criminal underworld of Japan. This assassin, considered the best of the best, is, as stated by his colleague slash little sister, a savant, a genius at killing, but a kid at everything else. He grew up fending for himself in the woods for days if not weeks at a time, eating all kinds of nasty shit, and stabbing bears in the eye. Apart from the psychological effects that such an upbringing would have on people (which is explored in the story), the guy is also socially blind and has little concern, as well as understanding, for social norms. Pretty sure he’s supposed to be autistic, because the other hardened assassins consider him a weirdo.
After an introductory hit on a bunch of goons, the guy’s boss tells both of his disciples that they have to lay low for a while: they’re ordered to leave town and spend a year living under the wing of the local Yakuza family. They are prohibited from killing anybody in the meantime, under the threat of getting whacked themselves.

The second disciple is a young woman who lost her parents at an early age and then was trained as an agent by this shady organization. She keeps herself drunk most of the time, partly to stave off boredom, mainly to drown the traumas that, along with her training, have rendered her unable to have normal relationships with people. The author could have played her entirely for laughs, or as a fool, but she’s tough and dependable, often the single person in charge of making sure that the dangerous people around her don’t jump at each other’s throats.

When the couple of assassins start living at the Yakuza safehouse, we see what passes for normal behavior for our mentally peculiar protagonist: he sleeps in the bathtub, he walks around (and greets guests) buck naked, he eats fish whole, and is endlessly amused by a third-rate comedian named Jackal. Because the protagonist comes across as an unimpressive dweeb, the hardened Yakuza people he gets to meet want to test his mettle, or resent that he’s occupying the safehouse rent-free for a year. Various dangerous individuals end up trying to ruin his existence for one reason or another, and he’s forced to deal with them without relying on the main ability that made him a legend.
He also pushes himself to hold down a normal job for near minimum wage, as a delivery driver and illustrator, which puts him in regular contact with normal people, exposing them to the dangers that follow him around.
The author blended together drama, comedy, action, and slice-of-life, with endearing, intelligently-written characters that hang out like buddies one moment only to then shoot each other in the face. For example, the grounded grittiness of a nerve-wracked underworld goon who has to avoid getting killed because he has outlived his usefulness, contrasted with a bored drunkard getting a young player so shit-faced that he injures and shits himself in public.



I can’t properly explain the vibe of this series, the then-and-there-ness of its narrative, but you can tell that this was a labor of love for the author, and that he lived vicariously through it. Even secondary goons that would have been cardboard cutouts in other stories get character arcs or at least the sense that they are the protagonist of their own story.
I only have two complaints, the first one quite significant: the first few chapters of the story felt off. I didn’t quite understand the vibe that the author was setting up, perhaps because at that point I assumed that the protagonist wasn’t intended to come off as an autistic weirdo. That led me to abandon the series the first time I came across it. My second complaint is that some of the fights were supposed to happen so fast (particularly those between members of the same organization of assassins) that they were depicted as blurs, which made them conspicuous in a medium that has depicted most of the memorable fight scenes in fiction.
This series was turned into a live-action film that is probably shit because the Japanese can rarely adapt their mangas into live-action movies properly (I suspect that it has to do with how the staff members and actors get chosen, because they have no issues creating amazing anime). Anyway, here’s the trailer:
If you enjoy manga and love character-driven stories, please read this series. It’s amazing.