Trash in a Ditch, Pt. 14 (Fiction)

I followed the supervisor into her refrigerated office. She gestured at a chair for me to sit. When she hunched over and opened her laptop—wedged between the beige CRT monitor and keyboard—the fan turned toward me and blew on my face like the breath of an ice elemental. If this room belonged to someone else, instead of the woman who ordered me what to do and before whom I had to swallow half of my words, I would have gone upstairs during every break to cool off.

The supervisor settled into her executive chair and began typing on her laptop.

“Everything all right with Héctor, with those misunderstandings?”

That oily bastard had complained to the supervisor when I, instead of remaining silent, replied to one of his attacks. After I threatened him with a screwdriver, he would have more readily gone up to deliver an ultimatum to our boss. Did this woman pretend to be oblivious because she was going to fire me?

I avoided fidgeting in the chair.

“As usual. It’ll remain the same, but I’ll ignore him as much as I can.”

The supervisor, her back straight, was so absorbed in studying my dead eye and my bruised cheekbone that her lips had tightened.

I raised a hand to cover the right side of my face.

“Tomorrow I’ll come with sunglasses. I think I have a pair left. Or I’ll improvise a patch.”

“It must hurt.”

“When I get home, I’m going to press an ice pack against it. I’ve taken more punches.”

I chuckled awkwardly to ease the tension, even as I massaged my fingers and knuckles. The ruin of my eye dared her to call it beautiful, like a corpse grinning at a preacher’s empty platitudes.

“See, Alan, I wanted you to come up here for a specific matter. As you know, we need a coordinator. I’ve always looked to promote experienced operators, people who know how we work and who understand the peculiarities and problems of his co-workers.”

“You offering me the position?”

“Are you interested?”

I was left dumbfounded. Me, as coordinator? I felt like a confused dog expected to fetch a ball when its owner has only pretended to throw it.

The supervisor scooted closer to the desk, propped herself on her elbows, and rested her chin on her fists.

“The pay goes up a bit and you’ll have more responsibility. Besides, you’ll be able to boss around several dozen people.”

When I heard the word “responsibility,” I gripped the armrests. I wanted to swat that word from my mind as if it were a buzzing fly. She might as well have sought my consent so I could be strangled to near unconsciousness every workday, only to be strangled again.

“Have I given any sign that I’m good with people?” I said, on the verge of sounding outraged.

“You’re a smart guy. Just throw yourself into it, and before long it’ll come naturally.”

I restrained myself from clenching my jaw, careful not to let my gaze harden.

“To how many have you offered it, if I may ask?”

“You’re the first.”

“Will you offer it to others?”

“No.”

I looked around as if someone had written the answer on the walls. I turned my palms upward toward the ceiling.

“Why would you consider me?”

“You work with a lower error rate than most. The others slow down production by chatting about the weekend game or gossiping. You’re serious and consistent.”

“I’m serious because I don’t give a fuck about work. I come for the paycheck.”

The supervisor raised an eyebrow and tilted her face as if she were about to reprimand me. She twirled a pen between her fingers.

“You must be a strong person, having participated in horrible scenes—which I’d rather not even imagine—that still haunt you. You show self-knowledge and self-control that are lacking in personnel who rarely think twice before dozing off on the line. That makes you a good candidate. Only one person has shown interest in the position. Someone you know.”

“Héctor.”

“He tried bribing me with Starbucks. He’d love that responsibility… or the power. And I doubt he’d use it wisely. Positions of power are earned by those who understand the difficulties and the weight of those responsibilities.”

My breathing had thickened, and the nausea I’d kept at bay throughout the day was rising again like bubbles surfacing in a swamp. The supervisor wanted to drag me down into a basement and chain me up. I had assumed I worked in the workshop, on this dehumanizing assembly line, just to kill time until a better alternative occurred to me, but the woman was offering to condemn me to die within these walls like an insect in a jar.

“Find someone else.”

“You’re being wasted on that line.”

“I’m wasted anywhere. I don’t want that job.”

Her smile collapsed like a weight held up by worn-out arms. She shifted in her chair, swaying from side to side as the corners of her mouth tightened. She likely believed that her job was to persuade me, and that as long as she kept trying, she’d come up with a way. Was she running this workshop as if starring in a movie? Playing the role of coach for a ragtag team of misfits who, under her leadership, would win the championship.

Among the lines, we were organized into dozens of operators, most with problems worse than mine: deformities, accidents, mental delays. I was a disfigured man who had always been disgusted by life. And this woman had even arranged a birthday party for me. She kept watching over me from her high perch. Sometimes when I hurried down the hallway toward the bathroom, she would materialize to study me.

“What’s with all this attention?” I asked. “This fixation on me… do you do that with everyone?”

The supervisor tapped on the desk with a pen. She sighed.

“A few years ago, there was an operator here who came in drunk. He’d beat his hangovers by drinking even more. And you could see it on his face: the flushed cheeks; the bruised and swollen bags under his eyes; the ashen, sagging skin. I found out that something had happened to his family. If he needed to get drunk, fine. I understood. I tried to help him, to make his stay easier, and I forgave his mistakes as he drank and drank, but I discovered that the atypical number of defective parts our clients complained about was because this man deliberately assembled them wrong. I called him into my office, tried to coax a reason out of him before deciding, and he just laughed… heartily.”

She fell silent as if expecting me to react. I rubbed the left side of my face with my palm.

“Should I laugh too?” I asked wearily.

“Alan, those who suffer yet strive to do things well deserve support. Help. You keep fixing Héctor’s parts. Your co-worker Christopher told me.”

“And Caroline? Who helps her?”

The woman took a deep breath, then lowered her voice.

“Caroline is beyond my reach. Beyond anyone’s.”

“I’m not some project meant to make you feel better. The fact that you try to help me only chains me down.”

She looked at me as if I’d just confessed that I hated desserts, and now she considered me some other species. I was startled by the shrill sound of the horn that marked the end of the shift. Beyond the window, the assembly lines were darkening one by one. I got up instinctively, but the supervisor pointed to the chair.

“A few minutes, please.”

“The horn has sounded.”

The woman leaned on the edge of the desk as if to stand, inadvertently nudging her pen to the floor. She scarcely looked away before fixing her gaze on me, as if keeping me in her office depended on maintaining eye contact.

“You understand you’re in trouble. You came to us, to a sheltered job, because you couldn’t keep all the others. Because maybe here you’d fit in.”

I shook my head, then turned away from her. This woman would force me to rip my guts out through my mouth for her entertainment. I should open the door and leave.

Next to the door hung a dreamcatcher. A woolen thread had been wound around a hoop much like on a spool, and in the gap, someone had interwoven a figure meant to resemble a flower. To me, it resembled a spiderweb. From the hoop hung three feathers dyed in cerulean blue and indigo. Had the woman just bought it, or had I simply never noticed it? I only came up to the office because I was forced, and I focused on scrutinizing every word and facial expression of the supervisor to anticipate problems.

I turned back to the desk. In the corner of a side wall, bordering the window that offered a view of the beams holding up the roof, the woman had mounted a cork board. Among the notes and a calendar were photographs in which the supervisor posed alongside blurry faces who would never know this workshop. A triangular red-and-white pennant from the University of Texas at Austin stood out. On the back of the laptop, a sticker featuring the triangle and the embedded eye of the Illuminati reminded me of a security camera. The supervisor reinforced her smile by baring both rows of white teeth—not to convey courtesy or placate me, but to assure me that even though my presence unsettled her, she was growing impervious to my darkness.

I parted my lips with a click, and my voice came out as if I’d started smoking at the age of ten.

“I came to this workshop to break with the past, perhaps with the implicit hope that this time, against all my experience, it would be different. But I was blind, because nothing has changed. Wherever I go, I run into people and the rotten systems they build. Everything is barren.”

The supervisor dragged her palm down her forearm, head bowed. Her bangs had been severed in a razor-sharp line, a harsh horizontal slash that clashed with the curtained strands framing her jaw. It looked less like a style than a wound. An abrupt amputation. It twisted my stomach, mirroring the disgust I’d seen in strangers when their eyes snagged on my dead one: a violation of symmetry, a thing cut violently out of place.

“I went through such a phase, you know, in adolescence,” she said. “Spiked bracelets, gray or black t-shirts and skirts, heavy eyeshadow like camouflage paint. And when Cobain put a shotgun barrel in his mouth, I thought the world had died with him. But those are just phases. Anguish doesn’t abound in the world as much as the adolescent mind makes it out to be.” She hesitated and avoided my gaze. “Although they didn’t send me off with a rifle to a part of the world where death is trivialized, nor did they force me to kill. That must affect the mind in ways I’ll never understand.”

I took a deep breath to calm my pulse. Just like many other civilians living within the borders that armed men guarded, this woman regarded me as a poor idiot manipulated by a cruel, inhuman system to be sacrificed. But if we all deserted, these civilians, who considered violence a cancer to be excised, would face with blank eyes the horrors that would pounce on them, like someone standing on a beach while a tsunami approaches.

“Stop resorting to my wartime experience as if that were a simple explanation for you. I went to war, so that’s why I’m a miserable bastard, right? But I enlisted to die for a decent cause, only to find out it was indecent, and I survived. I was born with the ability to recognize the decay as if a corpse were decomposing right under my nose.”

The supervisor’s neck trembled, and she pretended to wipe away a booger. She spoke in a conciliatory tone one might use with a bear.

“We only live once, putting aside what you might think about reincarnation. One chooses to be happy or miserable. Why would I choose the latter?”

“Is that what you do? You choose to be happy?”

“I could force myself to worry about money that’s never enough, or about quarrels with subordinates, but what would it matter? With the little time we have—and it will be gone before we know it—we must strive to be happy and kind to others. Present a smile to everyone you cross paths with. It truly helps, you know? Frowns and scowls are contagious. Before long, we’d end up with a negative work environment.”

I wandered over to one of the shelves, crammed with accounting books. In the gaps there were miniature plush toys and a few sculptures. I picked up a hand-painted ceramic gondola, flipped it over, and returned it to its place.

I massaged the knots in my neck. Why should I bother arguing with this woman? No combination of words I could muster would make her understand. The supervisor would need to think through my brain. And her smile churned my stomach. How could someone put on a happy face at every problem? She reminded me of the citizens of communist states, who’d never dare to be the first one to stop clapping at their leader. Facing the darkness terrified her. Although she pretended otherwise, she wanted to detach herself. She saw me as a stain that persisted even after countless washings. It tormented her that someone like me existed in her surroundings, but she couldn’t yet justify her revulsion as enough to fire me. The supervisor would only accept those who lied to themselves, who pretended to be happy, who exiled from their minds any reality that unsettled them.

She was a child. A child intent on forcing others to live her fantasy.

I approached the desk and lifted the frame of the photograph that had its back to the visitors. The supervisor uttered a syllable and raised an arm as if to snatch the frame from me, but then she closed her mouth and let that arm rest on her lap. In the photograph, on the left was the woman herself—her hair tied at the nape and wearing a tank top—and on the right was her older sister, the owner of the SUV parked every afternoon outside the workshop. In the center, looming above the women, a man of about fifty wore a hiking hat and had a camera hanging from a strap. He encircled both women with his tanned arms. The three of them had been genetically endowed with smiles that spread along their gums, smiles they would never be ashamed to show.

After I put the frame back, I lowered my gaze to the supervisor, who waited unable to guess what I would say.

“You’re going to die.”

The woman recoiled. She had paled, and her pupils shrunk. Maybe she had dreaded previously that I, with my inner turmoil and avoidance of people, would become one of those freaks who stormed into their workplaces with a machine gun, and now I stood before her as if draped in a black robe and wielding a scythe.

“Excuse me?” she asked in a weak voice.

“You’re going to die, your sister is going to die, and your father—or whoever the man in that photo is—will die. Everyone you know and everyone you’ll never know will die. Anyone you have loved or love or are going to love will die, either that person or you first. In case you plan to perpetuate yourself by having your descendants remember you fondly: every one of those descendants will die. Soon no one will know you existed. If you plan to leave behind any monument to your existence that endures over time, someday this society, or this whole civilization, will collapse, and your work will be lost or burned. If you’re lucky and against all odds our species survives for thousands of years longer, in billions of years the sun will explode. The explosion will fry whatever life remains on Earth. All that ever-changing geography we believe to be immortal will eventually be swallowed up. And if humanity stops killing each other and manages to spread cancerlike among the stars, in the end the universe will cease to exist. The space between atoms will expand until no matter retains its form. In the remaining vast, icy blackness, perhaps some remnant will suggest that the stars once shone, like whatever lasts of a rocket months after it exploded and its smoke cleared. Can you even picture so far ahead? Look around. Do you really think this calm will last? The black tide will catch us. You’ll fear stepping out into the street. Fanatics will blow themselves up amidst crowds, trucks will plow into families enjoying the holidays, and the moronic masses will cry out, How could this happen when we used to smile so much, when we were so kind and supportive and went out of our way for the common good? We must not have sacrificed enough! How could we have known? But knowledge won’t save you: everything ends in pain. You smile because the chemistry of your brain is satisfied by the routine of work and how you distract yourself in your spare time. A stroke of luck for you. In my case, before I geared up to head out of the country to my death, my brain had barely cooperated, and nowadays it even alerts me to bursts of pain in the spots of my face and skull from where shrapnel was extracted. Stop demanding that I be like you. Living in delusion is a vice.”

The supervisor, leaning on the desk and hunched over, slid a trembling hand across her sweat-beaded forehead. She pressed one temple and raised her gaze toward me while a smile tugged at one corner of her mouth as if to emphasize some sarcasm. Then she controlled her voice.

“You’re the one who hides from everyone and every opportunity. You flee from reality.”

She turned in her armchair, offering me her profile, and the fan stirred tufts of hair across her face. She adjusted the neckline of her blouse as if embarrassed.

“Are you satisfied with this life,” I asked, “with being in charge of an insignificant workshop and loads of halfwits?”

She glared at me. Her eyes had glazed over, her cheeks flushed. Her lips trembled like a warrior lifting a heavy shield.

“A bit harsh, don’t you think?”

Her tone revealed that she detested me for having forced her into feeling that way. I waited as she took a deep breath. I would avoid impaling the heart of a person on her knees.

“Tomorrow we’ll talk calmly,” she said. “Think about what you’d prefer to do, and perhaps you’ll discover that you want the promotion.”

I had expected her to fire me. I paced while running a hand over my mouth and chin, until I stopped in front of the shelf with its miniature plush toys and travel mementos. The following day I was supposed to deliver my decision, but I wouldn’t come. I knew it as if a grate had given way under my feet. How could I return and endure another day here? My mind had already begun classifying the moments in this workshop as memories that would both shame and haunt me in the early hours while I tossed and turned in bed. Another segment of my life blurred into scenes I would rather forget. For me, the people associated here would continue working within these walls for the rest of their lives, as permanent as initials carved into the trunk of a tree.

I took in one last image of the supervisor—her, slumped in the armchair with her mouth frozen in a smile of incredulity, waiting for me to speak.

“I’m not coming tomorrow,” I said. “Not tomorrow, nor the day after. Never again.”

The supervisor let out a huff and shook her head, then hardened her voice as if to silence a toddler throwing a tantrum.

“Don’t talk nonsense.”

“Why would that be nonsense?”

“You only have this support.”

“So what?”

She gestured, the contours of her eyes crinkling.

“What will you live on? I know how you get along with people. Even those without your difficulties struggle to get a job in this economy. You’ll end up in the streets, where you could easily get robbed or killed.”

I picked up the ceramic gondola. Some anonymous hand had taken the trouble to paint every detail with a fine brush only for it to end up on a shelf in this office. The supervisor pointed at the gondola as if about to rise, circle the desk, and snatch it from me.

“Don’t break it,” she admonished me. “It’s a keepsake. I care about it.”

I placed the gondola back on the shelf, exactly at the angle the supervisor had set. I walked to the door, but before grasping the handle, I turned back. I took a deep breath as an itch burned in my chest.

“Belonging to the human race makes me feel as if I needed to wipe a layer of filth from my skin. Yet, I’m forced to deal with humans every day. I let them envelop me in their stench, the very stench that emanates from the body I’ve been forced to inhabit.” I spread my arms as if embracing everything around me. “We should never have built these realities, nor allowed ourselves to be locked into these mental traps whose walls narrow day by day, suffocating us. Every system has fallen, and will fall one after another no matter how many times they change disguises. Their collapses will crush thousands, millions of people. I hate to see, hear, feel, or acknowledge any of these things. Don’t you understand what I’m saying? We should have lived in communities of just a couple of hundred people whose faces we recognized, where we’d never have to fear at night that a stranger would break into our home. We built this world. Are we any better off in our minds, where it counts? And I must get involved? I want to do nothing, be nothing. Anything I commit to will fail and add to the pile of decay. I come to the workshop to waste the hours in vain, disconnected from everything to minimize collateral damage. And it doesn’t matter. Someday, soon, I will disappear, and no one will care. For many, that’ll be an improvement. One less bastard on the road. One less hideous face ruining their day, or evoking pity. So if I die of hunger or some bastard kills me, he’ll be correcting the worst mistake of my life: that I ever existed.”

The supervisor buried her face in her palms. Her back rose and fell with deep breaths. When I turned the door handle, she dragged the armchair backward.

“Listen, my mind has gone cloudy. Give yourself a break and tomorrow we’ll talk. You’ll see things more clearly then.”

“No one’s going to tell me what to do.”

I flung the door open, but before leaving I strode over to the dreamcatcher, yanked it from its nail—tearing a strand of wicker—and threw it into the trash. I left slamming the door behind me, then ran down the stairs and along the corridor until I emerged into the hot, piss-yellow light of the yard.


Author’s note: this novella was originally self-published in Spanish about ten years ago. It’s contained in the collection titled Los dominios del emperador búho.

At times I still feel like I’m trapped in that refrigerated office, arguing with the supervisor.

Trash in a Ditch, Pt. 13 (Fiction)

Minutes passed as I fixed my gaze on the machine parts. The universe had shrunk to the view of these objects that entered from the left out of one darkness and departed to the right into another. If I were to lift my head, I would confirm that I was surrounded by human beings—owners of those reeks of tobacco and sweat, of the heavy breathing, the throat-clearings, and the machine-gun drumming of a drum kit leaking from a pair of headphones. I felt suffocated watching them interact, forced to acknowledge their existence, though if they were struck down in an instant, I would simply take a deep breath and relax.

Someone called for a break to pee. Absent-mindedly, I tilted my head and noticed the flash of a purple work coat. Behind me, footsteps passed; another person of the myriad who tainted most spots where I fixed my gaze.

I shuddered. A feverish burning overwhelmed me. I wished I could free myself from having to see any of these people. I wished I had never known their faces and voices. I needed to cleanse myself of the presence of other human beings, a deep scrubbing with brushes, as if in a decontamination chamber.

Over the years, too many years, memories had piled up until one day they would drip from my nostrils in clumps. And why had I exposed myself to such experiences? To end up manipulating these machine parts. Artificial organs to fill some machine. The dignity of any human being deserved a better job than one for which, someday, a robot would be employed. And in exchange for what? I clung to my hovel, a place for which I would say yes to everything and mold myself to my coworkers at the risk of being fired. In what other position would they employ me? I knew how to shoot guns, but they’d require two eyes, and I’d never pass the psychiatric exam again.

If the life of any human being fell below the minimum standard of dignity, what benefit was there in living? And why did I persist, knowing myself useless and resigned to merely anticipating how my skin and flesh would sag, how my body would deteriorate until the brain or the heart finally failed? Why would I wake tomorrow for another round of this? Or of anything, because if they fired me from the workshop, I’d end up in some factory copy. I’d work in another hole, churning out absurd tasks, and in exchange pay the rent for a box with water and electricity, a box I’d forever fear losing. Yet people signed up for this farce at birth, from their very first cry. They struggled to find their niche on this rock that hurtled about a star amid an expanse of icy darkness. Night, night wherever one looked, pierced by pinpricks of light, most dead, perhaps all. What a joke it was, to exist in this universe. A lice infestation on a rock ball cleaving the void. What use was it that we could feel and understand, love and dream? We existed because of a cosmic error, a corrupted block of memory in the universe’s RAM. And so much pain, every day. Pain that piled up and piled up and piled up, never to cease.

A stream of voice crashed against my face and jolted me awake like an alarm. Héctor. The stool opposite on the table creaked as it released his weight.

“I’m stopping the line to piss. That is, as long as no whiner wants to cause trouble. No complaints? Good.”

As his footsteps receded through the workshop, they stood out amid the whir of the conveyor belts like phosphorescent footprints in the darkness.

My face had turned as cold as a corpse’s. When my right fist gripped the handle of the screwdriver, the fibers in the tendons and muscles involved creaked like a taut cable on the verge of snapping. I spun on the stool, offering Christopher my left side, and slid the screwdriver into the right pocket of my trousers. I rose while murmuring some excuse.

I marched down the corridor. My temples pounded, and my vision tinted crimson. I pushed open the bathroom door.

There, the operator with Down syndrome was peeing, leaning against one of the suspended toilets. He was humming. From the closed cubicle came the muffled, machine-gun drumming of a drum kit, and that sound barely masked the noise of a turd plunging into water.

I placed a hand on the operator’s shoulder. When he looked at me, I gestured for him to zip up, then pointed to the door. A firm pat on his shoulder sealed the message. While he continued humming, the man shook off the last droplets, zipped up, and left the bathroom. I closed the door until it clicked shut.

Héctor cleared his throat.

I drew the screwdriver from my pocket and gripped it. I took two strides to the cubicle door, and with an upward thrust, I ran the tip of the screwdriver along the gap, levering the latch. I yanked the door open.

Héctor grumbled in a mixture of a grunt and a surprised exclamation. Covering his crotch with both hands, he tugged sharply at the headphone cable, which promptly tangled around his neck. His thighs, pale in contrast to his face, were covered in black hair, sporting a several-day-old beard. A sight to be ashamed of, as if discovered while playing with dolls.

I brandished the tip of the screwdriver a few inches from his brow, between eyes whose pupils had shrunk, and I spoke in a harsh voice that had never before left my mouth.

“You know how I amused myself during the war? I used to sacrifice dogs even hairier and uglier than you. If you mention me again, you’ll be swallowing your own shit.”

I staggered into the corridor. As boiling, bubbling tar flowed through my innards, my flesh threatened to crack under tectonic movements. If I opened my mouth, from it would burst a scream that would rip through my vocal cords—a torrent of clamor capable of disintegrating the world.

I wanted to kill Héctor. A couple of justifications would suffice, but justified or not, I would kill him simply because I wanted to, because that bastard insisted on bothering me, and I had a right to be left in peace.

I coordinated my legs to obey me on the way back to the workshop. As soon as I entered, the dozens of workers lined up would be alerted as if a werewolf had burst in. They would recognize me as unstable and dangerous, and they would fear the moment I unleashed myself. They’d forbid me from roaming nearby or remaining free.

I retraced my steps until I passed the closed bathroom door. My temples pounded. I delved down the corridor as my hand slid along the wall, and I encountered a fire exit I hadn’t known existed. I pushed the heavy door. As I passed through, it closed like the hatch of a submarine.

I emerged into the dump that served as the backyard. I circled a container, placing it between the building and myself, and when I sat against the rough metal, the shadow of a stack of boxes fell over my sneakers and the lower half of my trousers. A hot gust stirred my shirt and brushed my broken cheekbone. I removed my gloves to rub my face with my damp hands, then stowed the gloves in the pockets of my work coat. I dug into the dry earth and patted it down. When I turned my palm, clumps of dirt clung to its wrinkles.

I lay discarded, as insignificant as any of this junk. What would it matter if I died? What would be lost? One less face in that workshop I longed to forget. To avoid awkward questions, the supervisor would claim I’d quit, that I’d landed a job in another city. Inertia kept me alive, assuring me that I’d invest more effort in disappearing than in tolerating known pains, but if I ended up underground or as a dried-out corpse in the desert, nothing of value would have been lost. Nobody cared for me, and with good reason, for I was a broken piece, incapable of performing as expected; the defective article of a factory, destined to be discarded in some container because no sane person would want it.

Even so, over the years I had come to understand one vital truth: every person must discover for themselves what matters and what they truly want. One must peel away the harsh layers imposed by those who know you—the principles instilled in you, the roles assigned to you—otherwise, the mind is reduced to a goldfish swimming in its bowl, doomed to die within glass walls. I guarded that knowledge like a letter entrusted to me, though there was no recipient willing to read it.

A shadow fell over me like a blanket. To my left, two tanned legs rose adorned in the sunlight with pink, diagonal scars, and two wounds sealed with band-aids. A translucent fuzz cloaked the skin like the down on a peach. Amid cascades of unkempt hair, her wide eyes seemed intent on masking curiosity as a dog might. Caroline sat to my right. Sliding her back along the rusted container, she shed flakes of peeling paint until her disheveled hair came to rest against my cheek. She smelled of fur.

I froze and held my breath. Caroline, as if draping a garland, crossed her right arm in front of my neck, slid that hand under the collar of my shirt, and let her fingertips rest on my skin. That touch conveyed a message with a clarity no string of words could ever achieve: I, too, belong to another land I will never visit. I, too, suffer day after day, moment after moment. People either dismiss such suffering, ignore it, or convince themselves it doesn’t matter. They push it away from their minds to avoid having it sour their day. But I know it. For all that it may be worth in this moment, here in the middle of a desert, I know it too.

Caroline pressed herself against me, the edges of the objects bulging from her pocket at my side, and her warmth flowed into me through her fingertips as if I’d plugged in a power cord. A pulsating surge of pain reverberated through me. Acidic capillaries tangled in my bones like climbing plants.

How could a person contain such pain without exploding, without their very cells dissolving? And yet someone like Caroline existed: a creature who wandered the worlds her mind conjured, lost forever. My heart tore apart like rotten fruit. How could this woman possibly keep living? How did she face the world day after day without collapsing, without weeping at every conscious moment?

I would have swept her into my car and driven her to some remote forest, to the mountains, where I’d buy a secluded two-story mansion surrounded by acres upon acres of pasture and fields. Caroline would care for the horses that raced across an enclosed meadow. She’d stroll through the grass as her instincts dictated, and then never wake again.

How could someone incapable of saving himself save her?

Her fingertips slipped away from me, and before my eyes, a few stray, arched hairs drifted upward. Caroline circled the container and walked off. Her footsteps floated on the breeze, accompanied by the sound of some rolling wrapper. The hinges of the fire exit creaked as it swung open, and two seconds later the door closed like a mouth after a yawn.

The tingling subsided, and my body hair relaxed. I would rise and return to my post, enduring the remaining minutes until the horn blared.

I entered the workshop through the fire exit, and had taken only a few steps when I lifted my gaze. The supervisor and Caroline were blocking the corridor, standing by the staircase to the supervisor’s office. Caroline, her back partly turned toward me, nodded as if speaking silently, though any sounds she might have made would have been drowned out by the clamor of the production lines. The supervisor caressed her arm, smiled with genuine warmth, and nodded as if she understood anything.

I stopped. Should I wait until they cleared the way?

Both women turned their faces toward me. I tensed and swallowed hard. Caroline drifted back toward the workshop. I hurried on with my head bowed, and as I passed the supervisor I offered a greeting, but she stepped forward and grabbed my wrist.

“Come here a moment. I need to talk with you.”

She climbed half the steps and then turned like a mother duck ensuring her chick followed. Behind her eyes floated some knowledge she needed me to confront.

I cooled down, feeling damp and sticky. I ascended the stairs at the pace set by the swirling, psychedelic fabric of her attire, like a condemned man trudging to the gallows.


Author’s note: this novella was originally self-published in Spanish about ten years ago. It’s contained in a collection titled Los dominios del emperador búho.

Not only I had forgotten about writing this part of the story, but I had forgotten ever having felt such despair. A good reflection of my worst times during my twenties, which were generally terrible. Although things haven’t improved that much apart from my ability to amass money, and health-wise they have even worsened, at least I take each hit far more stoically now. I’ve become a proper man, you could say.

Suddenly I like to think that my new novel The Scrap Colossus is about this protagonist and Caroline meeting again in another life. It isn’t, though, but it feels nice. In truth, Caroline is more similar to my basement girl than I understood back when I wrote this novella.

The Deep Dive couple created an intriguing podcast about this part of my story:

Trash in a Ditch, Pt. 12 (Fiction)

The machine parts slid from one worker to another. I caught a sidelong glimpse of how Héctor cast a look in my direction. What was he scheming? Although post lunch break, that man often threatened to nod off out of boredom, today he had donned a pair of earmuffs like those worn by laborers wielding pneumatic hammers, and he bobbed his head to the rhythm of a drum kit’s machine-gun fire. Seated to my right, Christopher, almost as if tending to an epileptic, sent glances my way that I carefully avoided.

I focused on fitting the parts together and connecting the wires, yet Caroline’s voice ricocheted from ear to ear, conveying a coded message that I needed to decipher. As one machine part drifted away on the conveyor belt, I found myself twisting on my stool, scanning the mass of workers for that woman’s unkempt mane. I’d never bothered to find out which line she worked on, or whether the workshop had adopted her as a mascot instead. Perhaps now Caroline was gripping the supervisor by the wrist and guiding her, much like a loyal dog leading its master, toward the black hole of my trunk.

I fixed my gaze on the pieces that stalled before my hands, but in the foggy wasteland of my mind, Caroline’s presence shone like a lighthouse. The secret I should have guarded, private as my own conscience, had been split apart. That woman knew I’d killed a child, and where I hid the evidence. She had become the most important person, even though I would never understand her. She could ruin my life at her whim. And why would she save me—the strange, repulsive man who stashed a child’s corpse in his trunk?

It was only a matter of time before someone else found out. Caroline would eventually expose the secret, or I would overlook some crucial detail, and the police would be called. That domino piece stood upright with dozens more waiting in line to fall. And there I was, still in this workshop, this sweat factory, assembling piece after piece. Some droplets gathered on my face, while others slid down my back, my sides, and my chest, as a hot, stale vapor seeped through the gaps in my shirt. My skin was melting.

How had I ever believed I had the right to show up in this workshop? I’d crashed a meeting of high society. These broken people around me enjoyed their lives, even though they bore injuries and deformities that would have convinced me to shoot myself. They wanted to improve society through the hours of labor they sacrificed. They cherished meeting other broken souls, but I longed to lose them from sight. What else could one expect from a murderer parading his trophy?

While I drove screws into casings and wrestled with wires, while I blinked and squinted to define every contour, I anticipated that the parts between my fingertips would vanish. Their molecules would admit that all effort to maintain a shape was wasted, for sooner or later they’d end up in some dump.

As if wandering through the gallery of a cave in a dream, I found myself trailing my crew out to the patio. Break time had arrived. Guided by Christopher’s back, I ended up in the shade beneath a building’s eave. With numb fingers, I fumbled for the button of my lab coat pocket to extract my pack of cigarettes. I lit one up. By the third drag I confirmed that, whether by ritual or nicotine, smoking still soothed my nerves.

John—or Joseph—was eyeing Christopher’s socks as if scrutinizing a strip of toilet paper dangling from someone’s trousers. Christopher lifted his foot and wiggled it.

“What?”

“Pull them down. No one wears them like that.”

Christopher crouched and bunched his socks up against his shoes. As he straightened his long frame, he laughed cordially.

Héctor’s hands were expertly rolling strands of tobacco into paper—a dexterity he sorely lacked on the line. Gusts of hot air pushed against the gate, eliciting metallic creaks. My aching cheek—throbbing irritably like eczema—along with my dead eye, stifled any conversation the crew might have attempted to conjure in that silence.

A buzzing skimmed along the edge of my left ear as if trying to slip inside to my eardrum. I flinched and shook my free hand near that ear. The insect’s tiny black dot flitted in bursts like an intermittent radar signal, until it vanished from my sight. I crushed the cigarette butt against the dry ground, only for the mosquito’s buzz to return.

My breathing grew heavy. These bugs had survived for millions of years even though their sole purpose was to annoy everyone else. I tensed like a drawn rubber band and tracked the dancing black dot. On instinct, I slapped at my neck, and when I pulled my palms apart, I found the mosquito’s thorax and abdomen shattered, its legs broken as if pressed between two sheets of glass. I flicked it away with a sharp smack. After shaking my head, I rummaged through my pack for another cigarette.

“Your mask’s cracked,” Héctor said.

His cigarette smoldered between the stubby index and middle fingers. He faced me with the intensity of someone who believed his horse would surge ahead and win the race.

“The fuck are you talking about?” I retorted.

“Your killer face.”

I clenched my teeth—worsening the pain in my cheek—held the cigarette’s filter between my lips, and drew the lighter’s flame close.

“You see what you want to see.”

“Every time you look at us, you must start imagining hajjis. One day you’ll show up in the workshop with a semi-automatic.”

I inhaled deeply to fill my lungs with smoke, to dissuade myself from launching a counterattack. My mind was like an acne-infested face, every thought scraping against inflamed skin. Controlling myself felt like tugging on the leash of a pitbull with a chronic ear infection, all while a legion of idiots insisted I let it have its head petted.

“What have you gotten yourself into,” Héctor demanded, “that you come back for the afternoon shift with a black eye? Are you trafficking? Are you going to say some stranger beat you up just because?”

I flicked the ash from my cigarette as my toes contracted, the tips bulging. Everyone could see I was boiling with rage. Did this bastard want to die? Was he egging me on so I’d throw a couple of punches, thus giving him a pretext for self-defense? But I would need to stop my fingers and teeth from tearing his face apart like an enraged chimpanzee.

Adrenaline surged through me. I bowed my head and ordered myself to calm down. In the past I could have kept quiet and conceded the point just to be left alone; back then, I’d locked away my reactions like in a windowless house. Now, however, my anxiety and irritation lay bare. Héctor would see in those symptoms a red circle on the chest of some video game boss: a target to shoot until the boss dropped dead.

I dropped the lit cigarette at my feet, crushed it with my heel, and scrubbed it against the ground. When my gaze met Héctor’s, his eyebrows tensed.

“If I displease you,” I said, raising my voice now that I cared for every word to be heard, “then look the other way. Don’t bother me with nonsense.”

Before he could answer, I rounded the corner and slipped back into the workshop. I sat on my stool at the line and lowered my head. As I rolled the corrugated handle of my screwdriver along the conveyor belt, I strained my ear like a cat, waiting for the approaching footsteps.

From behind, Christopher’s heavy steps neared, soon joined by another’s. The stool about ten feet to my right creaked. I waited for someone to activate the line, for the conveyor belt to start moving beneath my hands, when suddenly the megaphone burst to life with a screech of static.

“Alan Kivi, please report to the supervisor’s office.”

The hair on the back of my neck stood up. As I stumbled off my stool, I had to rein myself in from running away. I tiptoed over to peer at the equipment, then shifted aside to reveal the faces of the workers that had remained hidden by the purple backs of those seated in front. Along one of the lines near the changing rooms, I recognized Caroline. Even from the far end of the workshop, I could discern that in her unkempt mane, some strands seemed to arch as if electrified, and her wide, vacant eyes watched her hands as they connected cables.

“Héctor must have gotten lost along the way,” Christopher remarked.

I turned around. The stool opposite mine was empty.

I headed down the corridor while dabbing the cold sweat from my face. A flash of heat blurred my vision. I climbed the stepped metal platform leading to the supervisor’s office, opened the door, and stood beneath the lintel.

Héctor had seated himself with his back to the door, in front of the woman’s desk. Judging by how his hair gleamed under the lamp, he must have soaked it in olive oil to style it.

The supervisor lifted herself from the armchair and leaned against the desk with both hands. After inspecting the ruin of my eye and the battered state of my cheek, she turned to Héctor while pointing at me.

“I do not forgive you for what you did.”

Héctor shifted in his chair and let out an interjection before freezing, torn between disputing the accusation and swearing his innocence.

I closed the door behind me. The air conditioner and a rotating fan chilled the office, making it resemble a refrigerator. I longed to collapse into the empty chair and let the film of sweat on my skin dry.

“Someone else hit me,” I murmured.

The supervisor sank back into her chair. I sat down as, at the edge of my vision, Héctor seethed like a boiling pot of rage.

“Who did that to you?” she asked.

I drew a deep breath and rubbed my face with my hand, careful not to disturb the wound on my cheek.

“It happened outside the workshop. It doesn’t matter.”

“What do you mean ‘it doesn’t matter’? Have you called the police?”

“I suppose you asked me to come up here for something else.”

The supervisor sighed and sized us up with a look that threatened to pin us against the wall.

“Héctor has complained about you. I want your side of the story. He says you spoke to him disrespectfully.”

Héctor concentrated on his right hand, squeezing the armrest as if he were aboard a spaceship about to take off.

The stench, both from Héctor and me, was overwhelming: rancid sweat steeped in anger and resentment, mixed with a sewer-like fetidity woven into the very stitches of my clothes. The reek of a cesspool filled the atmosphere of incense and women’s perfume, as if one of us had stepped in dog shit.

That sewer odor would be the smell of a rotting corpse. I shuddered. Did the others smell it, too? It had clung to me when I opened the trunk and Caroline tore away the transparent plastic. Would I now have to suspect that everyone recognized that corpse stench, a mark on me as indelible as the odor of my armpits?

“Alan,” the supervisor said.

I parted my lips, but before I could speak, Héctor grunted and shoved me verbally.

“Disrespecting me today has been the last straw. I have the right to feel good here, to work in peace, and this individual is preventing that.” He raised his gruff voice as he pointed at me with his thumb. “He refuses to behave like a human being. He avoids others; when you speak to him, he just stays silent. Move him to another workstation, or fire him.”

I stretched along the backrest and pressed my fingertips against my knees. I fixed my gaze on the supervisor’s eyes to prevent the anger Héctor’s look stirred in me from showing on my face.

The woman tapped the desk with a pen.

“Do you think you’re helping create a pleasant work environment by attacking Alan?”

Héctor flared his nostrils like a bull, and shifted restlessly.

“He started it.”

“Y’all are just too different. Maybe you lack any common ground. But you come here to work, and whatever annoys you about the other, you must ignore it.”

Héctor pursed his lips. Among the tufts of his black beard, small red capillaries emerged. He had frozen as if the slightest movement might make his head pop off and from the gaping void shoot out a column of effervescent rage, as if from a shaken bottle of Coca‑Cola.

The supervisor smiled at me, inviting me to speak.

“What do you think?”

When I tilted my head, my eyes fell on the back of a photograph’s frame on the desk. It probably displayed one of those orders that people like her would hang on a wall: “Smile. Give thanks. Be positive.” Or perhaps a close-up of herself, flashing her white smile like the model in some advertisement.

One misstep, and I would have let slip the words I desperately wanted to say. Even if this woman might excuse a serial killer, she’d still consider me a lost cause, and tomorrow I’d have no income to cover the rent.

“I’m good at ignoring things. I plan to come to the workshop, process my parts, and then go home. If I’m left in peace, I won’t cause any trouble.”

The supervisor rested an elbow on her folder and scratched an eyebrow.

“You know where you work. A stable job is a rare opportunity for people with your peculiarities. The outside world makes your life difficult enough without you fighting amongst yourselves. Focus on common behaviors and shared opinions, or simply ignore each other. I’m sure you can manage that.”

Héctor hurried out of the office first. As if we were competing in a race to the finish line, he bolted down the stairs as fast as his legs, neglected by exercise since high school, would allow.

I maneuvered between the tables with a weary gait. My arms and legs felt heavy, and my stomach churned with the discomfort I’d woken up with that morning. I climbed onto my stool at the work line. Christopher, his tone hinting at a question, addressed me, but all I could hear was the thunder of blood in my ears.

I waited, head bowed, for someone to activate the conveyor belt. I clung to the hope that the repetitive act of assembling or repairing a part would numb my mind, freeing me from intrusive thoughts. But Héctor was looking for a way to attack me. He was the type who thrived on conflict, while I craved hours of uninterrupted solitude. Héctor had cast me as nothing more than a punching bag, a target he could beat without consequence. My isolation made me a target. Although I’d once swallowed his barbs and hostility because he otherwise ignored me, now he would push me until they expelled me from the workshop, just as any organism expels a foreign object lodged in its flesh. I had to push him first.

Less than a year ago, when I first discovered this workshop, I assumed I’d belong among the broken and rejected. But even in such a place, or any gathering of broken people, they would end up treating me as a creature utterly inferior. They would eventually learn that I was camouflaging my true self, that I passed as whole, even though I knew I was a volatile explosive, ready to obliterate this workshop and the surrounding buildings with the slightest jolt.


Author’s note: this novella was originally self-published in Spanish about ten years ago. It’s contained in the collection titled Los dominios del emperador búho.

The Scrap Colossus, Pt. 5 (Fiction)

What answer could I offer to Elena’s confession, that she harbored a malignancy in her blood from before she was potty-trained? Born with a curse, an unnamed darkness. Her experience isolated her from the untainted masses who befriended each other, dated, married. They lived in the sunlight. She could only hope to be understood by those who had begun to fathom the lonely truth: that they shared their brains with an autonomous alien no reins could hold. That one day, finding them feeble, the presence may claw its way through those spongy convolutions and jab a pen into some stranger’s eye for the sheer terror of it. Did she open up about her rot in hopes that I’d hold her pale, fine-boned hand and swear she’d be all right?

“By attending that course, you were trying to reach toward the light, weren’t you, Elena? Why else would someone that wary of the world put herself in the position of having to present her work to strangers whose minds would clash with yours? It was like throwing a shark in a fish tank. If you don’t mind me asking, and if you do mind answer me anyway because I want to know… why did you attend that class in the first place?”

Elena let her head fall back. The afternoon sun had emerged from the clouds and its warm glow bathed her face, making her eyelids droop, turning the depths of her pale-blue irises a crystalline hue. The breeze stirred her almond-blonde hair.

“Fuck if I know what I was thinking. Why did I attend that course indeed… Maybe I thought it would help me. Maybe I thought…” Her voice trailed off. Her eyes darted around anxiously. When she spoke again, it sounded like her throat had tightened and her words were being forced through a narrow gap. “Maybe I thought I’d find someone who experiences the world the way I do. Someone who doesn’t flinch away when you show them the ugly parts. But instead I got exactly what I should have expected: a roomful of wannabes more concerned with calling themselves writers than actually writing anything worthwhile. Who organized writer-themed dinners when they should’ve been down in the trenches, digging up words. So yeah, maybe I was reaching toward the light, as you poetically put it. But all I found was more proof that people like me don’t belong anywhere near normal society. Some stories need to stay in the darkness where they belong.”

Elena fixed her gaze on the school grounds across the river. On that building’s brick facade, swatches of faded paint—sun-bleached cyan, rust-red, and the ghostly remains of yellow and green—clung beneath the windows like dried blood. In my dreams, those walls loomed titanic, like a fortress of some long-dead civilization whose language was never deciphered. I had been condemned to waste half of my childhood in those repurposed ruins, while clueless adults drilled into my brain a curriculum I’d already begun to forget before the bell rang. Both Elena and I lived close enough to watch the light bleed from those fossilized bricks. We should have moved on by now.

I turned my head back to Elena, and I steadied her weary gaze as though I were holding up a feverish relative.

“You’re tough, Elena, and can survive on your own. Still, having been ousted from a creative writing course must have hurt like a motherfucker. But you did find one person drawn to your stories.”

Elena stared down at her hands, those fingers tracing the edges of the notebook. Her skin appeared even whiter against the charcoal-gray of the hoodie. The slump in her shoulders, the way her eyes avoided mine, betrayed a bone-deep exhaustion. She chuckled acidly.

“I can’t survive on my own… I can barely get out of bed in the morning without feeling like I’m dragging a corpse. Ah, somehow I can’t be bothered to put on a front for you. Jon, I don’t know what kind of connection you’re hoping to get from me. I don’t do small talk. I’m not on social media. I’m not a person you befriend, or who fits into other people’s lives. I’m not even a writer… I write the way someone sinking in a sand pit would scramble up the collapsing slope. To avoid being buried alive.”

“Darkness has its own society. So I propose the following: let’s get together from time to time. I’m interested in your writing, Elena, and in what you have to say about things. Let me be your connection to humanity.”

A flock of birds flew overhead. Their shadows swept over us, a momentary eclipse. Elena’s fingers tapped the cover of her notebook restlessly as her eyes searched mine for a hint of deception.

“Is that so? You want to read more of my stories, huh?”

“I do.”

“Fine. Here’s a story for you: once upon a time, there was a girl who wanted to be a writer. She dreamed of crafting tales that would move the world. But everytime she dared to share her words with others, she was met with indifference, scorn, or outright hostility. She poured herself into her writing, only to have it thrown back in her face. Eventually, the girl grew tired of being hurt. She realized that no matter how hard she tried, no one would understand. After all, no other creature like her existed in the whole wide world. So she decided to stop trying altogether. She burned all her notebooks, deleted all her files, and vowed never to write again.”

“That’s a sad story. It doesn’t have to end that way.”

Elena narrowed her shoulders, concealed her eyes behind her palm, and drew a deep, steadying breath.

“So you want to, what,” she started with a tremor in her voice, “meet up for coffee and critique sessions like we’re normal people who can just… connect?”

“Yeah, relate to each other like two human beings, or whatever we are, during the tragically short time we’re allowed to experience this universe. We could consider it an experiment. If it doesn’t work out, no big deal. At least it’ll serve as writing material, right?”

“Jon, my writing isn’t some entertainment package you can subscribe to. It’s not even art, really. It’s more like a disease that spreads through words across every page until there’s nothing but raw nerves and exposed bone. And now you want to meet up regularly to witness the carnage firsthand.”

“You’re making it sound better and better.”

The bells of Juncal Church tolled, and Elena turned her head toward their peals. Her pale-blue eyes first unfocused, then snapped toward me. It felt as if a relentless investigator had suddenly singled me out amidst a crowd.

“I’ve never met anyone so insistent on sticking around, even though I’m the last thing anyone should want to be stuck with.” She narrowed her eyes. “I’ll drag you down with me. Do you understand that?”

“Bring it on. Come hauling all the darkness you can carry.”

Elena shifted uneasily on the bench, her almond-blonde hair shimmering in the afternoon sun. As she tugged at her frayed sleeve cuff, her face tightened with anxiety, like she had to leap over a deep gap.

“Tearing myself apart on paper is the only way I know how to exist anymore, and the only reason I’m still alive. I’m not being hyperbolic or self-pitying. It’s a fact. If anything ruins it for me, I’m done.”

“I’ll be mindful.”

Elena bit her lower lip and stared up at me. She resembled a traveler lost in the wilderness, who’d stumbled upon a stranger and didn’t know whether to trust them. The tension in her shoulders eased. She reached beside her to pick up the carton of orange juice. She raised it to her lips and gulped, her throat bobbing. When she finished, she lowered the carton and wiped her mouth with the back of her hand. A pale strand of her hair was stuck to the corner of her lip.

“Fine. I’m willing to give it a try. I’ll probably regret it, but… fuck it. I don’t know what else to do with my life. On my terms, though. I’ll text you when I’m in the mood to see you, and then… no bullshit. None of that social lubrication crap. I’m a fucking moth, not a butterfly. If you want to connect with me, you’ll have to do it on my wavelength. We’ll meet up when we have something to show each other, or to talk about something that’s not trivial. I’m not promising any friendship or even basic human decency. I’m not capable of that anymore. And remember, Jon… you’re the one who knocked on the door of a haunted house.”

“Clear as day.”

“If you turn out to be another asshole, or you betray me, I’ll fucking rip out your throat, okay?”

“Understood. Let’s exchange phone numbers.” When I shoved my hand into the right pocket of my jacket, plastic packaging crinkled under my fingers. I probed the tiny, solid shapes within. “Oh, I forgot about these. Catch.”

I pulled out the bag of M&Ms and tossed it onto Elena’s lap. She stared down at the cadmium-yellow packaging, then lifted it like a mouse by its tail.

“Candy? Really? Like I’m some child you can placate with sugar…”

“You’ve just consumed like a hundred grams of sugar with that orange juice. Keep the M&Ms and eat them whenever. Consider it a bribe. Or a symbolic offering.”

“Is this how you win over the girls you stalk? Pebbles and chocolate?”

“Only the ones who write like they’re trying to break a curse.”

Elena’s pale eyes flicked toward mine, the hint of a smirk playing on her lips. She shrugged.

“Whatever. Give me your number.”

She tucked the bag of M&Ms into her hoodie’s pocket, then reached into her joggers to take out a battered phone. She flipped it open, revealing a screen cracked along the edges. As I recited the digits of my phone number, Elena’s thumb tapped them in.

“I’ll send you a text,” she said. “Don’t spam me with memes and cat videos. I hate that shit. And no small talk. If you want to meet up, just ask.”

“I’ll be more direct than a rifle shot.”

“You’re going to regret this. When it comes to connections, I’m a nuclear reactor.”

Her thumb jabbed her phone’s keypad, and in response, my own device chimed and buzzed. My heart beat faster, as if I’d been handed the key that unlocked a secret passage to the underworld.

“I won’t regret it. In any case, I might send you links to songs I genuinely enjoy. You often understand people better through their tastes than by talking to them. Send me your own stuff if you feel like it. I’d love to find out what kind of music you’re into.”

She snapped her phone shut with a sharp clack, then stuffed it back into her pocket.

“The more I reveal to you, the more likely you are to realize what a colossal mistake you’re making by being in my life. But regarding music tastes, let me guess: you’re into that introspective indie-folk crap where some guy with a beard whines about his feelings over an acoustic guitar.”

I guffawed, throwing my head back, as if releasing built-up pressure. When my laughter subsided, Elena’s eyes, pale blue moons, had widened, and her lips parted. She stared at me as though I’d spoken an alien tongue.

“I’m a guy with a beard, and play the guitar. I’ve been known to head into the woods and offer the birds and the squirrels renditions of songs by Explosions in the Sky, Godspeed You! Black Emperor, The Velvet Underground…”

Elena’s eyebrows lifted.

“Post-rock? I wouldn’t have guessed that.”

“And yes, folksy stuff like Waxahatchee and Neutral Milk Hotel.”

“Well, don’t expect me to start sharing my favorite artist’s unreleased demos with you just because you bought me candy and defended me against that phony cunt.”

“Who is this mysterious artist?”

“None of your damn business. That said, I don’t close myself off from new music, as long as you don’t send me background noise for coffee shops. In turn, you may find yourself listening to songs that’ll make you want to jump off a bridge.”

“I could use the exercise. Anyway, I’ll let you return to your notebook. I hope to interact with you soon, at least through songs. Let’s make the darkness a little lighter. Take care, Elena.”

I started walking away from the bench toward the estuary, aware of the stare poking my back. Glancing over my shoulder, I caught sunlight weaving gold through her blonde hair, and the breeze rippling her hoodie. Her pale blues glinted with something fierce and untamed.

“Sure, make the darkness lighter,” she said wearily. “That’s how it works, right? Just strum a bridge across the void.”


Author’s note: today’s songs are “The Mute” by Radical Face, and “Giving up the Gun” by Vampire Weekend.

Motocross Legend, Love of My Life, Pt. 20 (Poetry)

You can read this novella from the beginning through this link.


On the afternoon of your death anniversary,
Hand in hand with my daughter,
My other hand holding a bouquet of red roses,
We arrived at the spot on the wooded lane
Where a grooved-bark, mature oak
Watched over your memorial stone,
Nestled in moss, twigs, and clover.
Mottled, watery sunlight bathed the stone
As if illuminating a sacred site.

The limestone or sandstone looked rough,
And had weathered over all these years.
Beneath the relief of a motocross rider,
A marble plaque bore the inscription,
“Izar Lizarraga Oyarbide (1981-1999).
She lived fast and died young,
But her light will shine forever.”
My childhood sweetheart,
My restless wildfire.

I crouched in front of the stone
To deposit the bouquet at its base.
I pulled out a pack of wet wipes
And wiped away the dust and grime.
I scrubbed off a white splatter of bird droppings.

The murmur of families filtered through the trees.
A flock of sheep baahed from the nearby hill.
In the stone’s relief, your helmeted figure
Clutched the bike’s handlebars,
Head tilted forward in intense focus.
Every time I laid my eyes on this figure,
My breath caught, my throat clenched,
And I struggled to loosen the knot
Twisted inside my chest.

“How long ago was nineteen ninety-nine?”
My daughter’s innocent voice asked.
After a pause, I said, “A long time ago.”
“Was she a friend of yours?”
“Yes, the best one.”

My daughter shifted her weight from foot to foot
As her attention drifted further down the lane.
I held her little hand tightly in mine,
And we stepped onto the sun-dappled sidewalk.
A familiar warmth built up behind my eyes:
Tears burning their way out.
The vision of a bumblebee weaving its waltz
Across clumps of yellow and white wildflowers
Became a watercolor blur.

Grief had ambushed me once again:
A monstrous hand reaching out of the deep
To grab me by the chest and drag me down.
I know it will remain my constant companion
For the rest of my days.

That week, I pondered why
I had brought my daughter to visit you.
I was terrified that, after my death,
Nobody who came across your name
Or gazed upon the memorial stone
Would understand what had been lost,
What you still mean to me.
I needed my child to be haunted by you,
To carry your spirit in her heart,
But I feared no amount of talk
Could transmit the depths of pain and love.
So, the memories of you would disappear,
Forgotten even by the spiders
That had built their webs within me.

One day, maybe not long from now,
After the kids we dragged into this world
Have freed themselves from their miserable parents
And claimed a home of their own,
I will lie in my deathbed alone,
Connected to beeping machines.
By then, you will feel like a sunken ship
Deep at the bottom of the sea.
Suddenly, I will breathe in a pungent odor of rust,
And from the center of my consciousness,
A sinkhole will open, a growing black hole.
As the edges of my self crumble and collapse,
Into that darkness, I will reach for your hand.

I doubt the value of words:
Pictures and music capture emotions better.
Yet, this old boy can only play with words,
And I’ve engaged in the game of pretending
That they can bridge the chasms between us.

For decades, a barbed pain has grown its tendrils
From the core of my heart throughout my body,
Creeping into every tissue and organ,
Embedding hooks deep in my bones,
As the pain reached the farthest ends of me.
My wish: that the right combination of words
Could sever a scion of this piercing truth
And graft it onto someone else’s heart.

So thank you, stranger,
For reading thousands of words
Of the only tale I care to tell,
My elegy for Izar Lizarraga,
Motocross legend,
Love of my life,
Who blazed through this world,
And burned away.

* * *

The night of April 27, 1999,
You parked in front of the candy shop.
Drenched under the torrential barrage,
We clambered off and removed our helmets.
The taste of rain mingled with your saliva
While the Aprilia’s idling engine rattled
Like a hiker hopping from foot to foot,
Eager to move on.

We wished each other good night.
Thunder growled as you straddled
Your gleaming yellow-and-white bike.
You pulled on your helmet,
Gripped the handlebars,
And lifted the side stand with a kick,
When I shouted, burning my throat,
“Wait!”

Startled, you straightened up,
One foot planted on the sidewalk,
And turned the reflective visor toward me.
I ran to you and hugged you,
Pressing my cheek against the cold helmet.
“You don’t intend to return home, do you?
Who would be so stupid to believe
That you’d go back to your father so soon?
I can’t let you leave, Izar;
If I do, I’ll regret it for the rest of my life.
Stay with me tonight.”

I held your gloved hand
As you stumbled off the Aprilia.
You lifted the visor of your helmet,
Revealing large chocolate eyes
That reflected a shimmer of amber light.
Your brows were furrowed in concern.
From one nostril hung a bead of watery mucus.
“I’d much rather do that,” you said,
“But your mother forbade me from coming back.”
“I’ve taken enough shit from her.
She can suck it up.”
You shook with silent laughter.

I opened the front door to the sight of my parents.
My mother scowled, deepening the lines of her face.
Beside the woman, two steps back, stood my father,
A bald, stooped, hesitant non-entity.

Upon noticing Izar, my mother’s eyes widened.
She opened her mouth to scold me,
But I cut her off.
“Look at what her father has done.”
I brushed away the damp strands of caramel hair
Clinging to the cheek that sported a bruise,
The mottled imprint of your father’s hand.
“Izar can’t go home tonight. It’s not safe.
She’ll stay with me, no matter what you say.”

A glance at the bruise loosened my mother’s brow.
You bowed your head.
“Sorry for bothering you.
I didn’t intend to cause trouble.”
My mother narrowed her eyes.
“You rode here through this downpour?
Girl, you don’t have any common sense!”
“Sorry.”
She tsked, then threw her hands up.
“You pair of idiots. Go take a warm shower.
No, take off your jackets and shoes first.
You’re going to leave puddles all over the house.
My goodness, look at how soaked you are!
Do you want to catch pneumonia?”

As you and I padded hand in hand to the bathroom,
My mother turned to my father, seeking support,
But he shrugged and said,
“Let them be. They’re in love.”

Locked inside the bathroom,
We peeled each other’s soaked clothes,
Then chucked them on the ceramic tiles,
Where they lay like beached jellyfish.

When you untied your ponytail,
The cascading hair stuck to your shoulders.
You rubbed your pruney fingertips.
“We might get sick for real,” you said,
Then sniffled some leaking mucus back in.

I embraced you firmly,
Pressing your stiff nipples against my chest.
You shuddered once, then continued to tremble.
I whispered in your ear,
“My love, in case you have any doubts,
I’ll run away with you.”
You sighed, your breath warm on my neck,
And slid your hands down my back.
“Thank you.”

As we melted into each other,
I caressed the contours of your skin,
The myriad details unique to you
That before you were born,
Hadn’t existed in the universe,
And after you died, never would again.

Yes, Izar, I would accompany you,
Riding pillion, clinging to your waist,
Through the rush of wind and rain,
To witness the sights you longed to see,
To experience what it meant to live.
We would create a shared language,
Speak words that others would find insane,
And build our own space far away.
Nobody could compete with you,
The sole real person in the world.
As long as you were with me,
I was home.

THE END


Author’s note: the last song is “Just Like Heaven” by The Cure.

Motocross Legend, Love of My Life, Pt. 19 (Poetry)

You can read this novella from the beginning through this link.


The eve of your death anniversary
Resurrected the old nightmare once more:
I was riding pillion, clinging to your waist,
While your Aprilia Red Rose growled
As it devoured the highway under its tires.
The rainfall hammering upon car roofs,
Drumming on our helmets,
Splashing against our drenched clothes,
Overwhelmed the steady roar of the engines.
The wind drove icy raindrops into my face.

The beam of your bike’s headlamp
Sliced through the rain sheets,
Lighting the rear wheels of the truck in front,
That spat up trails of rainwater.
In the oncoming lane, twin beams appeared
And quickly expanded toward us,
Cutting luminous swaths across the blackness.
On my right, traffic signs, trees, buildings,
They all blurred into smudges,
And the sparse streetlamps revealed themselves
Like floating, shimmering haloes.

Lights glinted off the gleaming, mirrorlike tarmac
In ripples of red and blue-tinged white.
Above, lightning leaped from cloud to cloud,
Followed by grumbling thunderclaps.

In my embrace, your body trembled;
You were crying, or at least on the verge,
And you channeled that anguish
Igniting your steel beast’s roar
With a wrench of the throttle.
My heart thrummed with dread.
The acceleration pressed against my bones,
Tightening my chest and freezing my breath.
Along with the golden tracers of streetlamps,
Oncoming vehicles whooshed past us.

Lighting the way ahead, we were falling headlong,
Whipping through the darkness like an arrow.
Teary-eyed from the sting of rain,
I raised my voice over the rushing wind,
Over the rumbling engines.
I shouted, I yelled, I gripped your sides tighter,
Imploring you to slow down.
As if you couldn’t hear me, as if I wasn’t there,
You revved the throttle further,
Making the speedometer needle climb sharply.
Your bike’s chassis shuddered under the strain.
The raindrops felt like dozens of fingers
Poking my numb face to wake me up,
But you kept racing through the storm,
Maybe wishing to outrun yourself,
Outrun all the voices telling you to stop.

As we approached a curve, your Aprilia wobbled,
Its front wheel skidded on the rain-slick tarmac,
And the bike lurched sideways,
Flinging us off.

The color spectrum gleaming through the downpour
From headlights, tail lights, streetlamps, and lightning
Spun into a blur of light and dark
While my body flailed, limbs striking out,
Scraping against the road as I slid
With rainwater gushing over me.
The friction ripped through my clothing,
Seared my skin, and tore the flesh off my bones.
Screams lodged in my throat.

Your Aprilia Red Rose was flipping end-over-end,
Scattering pieces of its decimated bodywork.
My frantic gaze glimpsed flashes,
Illuminated by the headlights of passing cars,
Of your body cartwheeling uncontrollably.

A murky shape, the guardrail,
Rushed out of the rain-haze toward us
Like a reef thrusting from a savage ocean.
You smashed against the metal barrier,
Which launched you into the darkness.
I clenched my eyes shut, bracing for impact,
And awaited the final, wet crunch.
When I slammed into that guardrail,
A loud snap reverberated through my spine
In a starburst of pain.

The impact had squeezed my lungs,
Knocking the air out.
As I gasped, mouth agape,
A thunderous crash against the guardrail
Sent a shockwave through the cold steel,
Making me, slumped against it, shudder violently.
Fragments of the bike ricocheted off the barrier
And stung my arms and face like shrapnel.
The metallic clang lingered as a discordant ringing.

Your Aprilia lay on its side close by,
Gleaming darkly in muddy rainwater,
Its windscreen shattered,
Frame bent, chassis mangled,
Front wheel still spinning.
A rearview mirror dangled from its stem,
And reflected the electric clouds.
Fuel leaked out of the dented tank.
The headlamp’s white beam,
Shining through the cracks in the lens,
Faltered, flickered, then faded away.

The ozone scent of the storm mingled
With the chemical smell of gasoline,
The burnt stench of grinding metal,
And the bitterness on my tongue.
A tingling white noise had spread
To the farthest reaches of my body,
And in the places that hadn’t gone numb,
My shredded flesh screamed
In a fiery, knifelike pain.

Instead of writhing in the gutter
Like a crushed insect,
I would return to your side,
But when I tried to stand,
My limp legs refused to move.
I grabbed the cold, wet guardrail,
Then heaved myself over it.
I hit the grassy, upward slope chest-first,
And mud splattered on my face.

I crawled onward, clawing at the grass and soil,
Coating my hands with squelchy mud.
The relentless pounding of heavy rain
Along with the deep rumble of distant thunder
Isolated me in a cocoon of noise.
Every creep up the slope ripped me open with hurt.
In jagged gasps, I breathed razors.
Where are you, Izar? Where are you?

The blades of grass glistened
With a fresh spray of blood.
Silvery light from turning headlights
Swam in waves over a body splayed face up
Like a doll tossed in a tantrum.
Your drenched, ripped red jacket gleamed.
Gashes oozed through the torn jeans.
The crushed helmet still clung to your head.

Beside you, I pushed myself up onto my knees,
And lifted the cracked visor of your helmet.
Raindrops splattered in concentric circles
On the blood pooling within the face aperture.

I attempted to take your helmet off,
But your neck strained, its muscles taut,
As if your head might snap off.
You couldn’t breathe.
“Stay with me, Izar. Don’t leave me, please.”
When I scooped blood out of the hole,
My fingers didn’t graze your face.
I sank my hand up to my wrist, to the elbow,
But I couldn’t reach you.

I woke up with a start, drenched in sweat,
Gasping for breath, clutching at my throat.

My fingers are calloused
From decades of clawing
At the dark soil of this world
To drag myself back to you.


Author’s note: the song for today is “I Lost You” by The Walkmen.

The next part will conclude this story.

Motocross Legend, Love of My Life, Pt. 18 (Poetry)

You can read this novella from the beginning through this link.


I used to know every contour of your face,
The exact timbre of your voice,
The way your body pressed against mine,
Your taste, the salty scent of your sweat.
But your traces are flaking off my brain;
In the seams and margins of my memories,
Bugs and patches have appeared,
Corroding the integrity of a past
That I’m editing, shaping with bias,
As I revisit it time and time again.
Your gaze, your smile, your laughter,
They all fade away into oblivion
With each ticking second.

Izar, I beg you, stay with me.
Let’s leave this suffocating city
On a motocross odyssey spanning Europe:
Hundreds of kilometers of highways,
Speeding through the countryside
Past petrol stations, fields, and farmhouses.
We’ll make love on the shores of the sea,
Then sleep under a blanket of stars.
Let’s rent bikes and ride along the Seine.
Let’s explore the winding streets of Venice,
Swim in the turquoise waters of the Caribbean,
Surf the waves of Hawaii or Costa Rica,
Climb the ancient terraces of Machu Picchu.
For the rest of my days, I will care for you,
Your unstable mind, your fits of rage.

Forgive me these postcard destinations;
You dreamed in exact places: Ponts, Jerez,
A rundown cottage in Sierra Nevada.
I dream in the smudged colors
Of a map left out in the rain.

Growing up, I feared venturing far
From my neighborhood, from my parents.
I dreaded exposing myself to risky experiences.
In my mind, I saw my mother’s stern face,
Ready to scold and ground me
For daring to struggle against the vines
She had wrapped tight around me.
Roam the breadth of Spain? Travel the world?
Such adventures felt as distant as the stars.
I was convinced that even as an adult,
I wouldn’t organize something so troublesome.

But that year, I stood in the blazing Roman heat
With my teenage son beside me
And my daughter’s small hand grasped in mine,
Gazing up at the façade of the Pantheon,
Its towering Corinthian columns glowing faintly,
Burned by the merciless July sun;
Its triangular pediment pockmarked, scarred,
By twenty centuries of plunder and weather.
I longed to appreciate its grandeur in solitude,
But a throng of tourists choked the square.
A listless guy stood dressed like a centurion,
His helmet adorned with a plume of dyed horsehair.
The muscle cuirass concealed the flab
Of a modern man suited to a desk job.

The Pantheon didn’t belong in this post-apocalypse,
Among the disoriented survivors of the 21st century,
Who lacked the knowledge to recreate
The sunlit glory of their once eternal past,
And who had lost the will to rediscover it.

Well, what did you think about the sights, Izar?
We never had the chance to escape together,
But I carried your memory to Rome.
I hope you enjoyed the trip.

In my little corner of the world, whenever I could,
I escaped to the freedom of an isolated bench
Along the wooded lane containing your memorial stone.
There, beneath the sunlight filtering through branches,
Hunched over a notebook, I poured my memories of us,
Capturing in words every detail I could remember.
I discovered that writing tricked the brain
Into gilding moments and affixing them to its cells,
Regardless of their authenticity.

Drawing, writing, they couldn’t save me;
They just helped me endure this lonesome life
For yet another day.
But maybe the right words could save
What remained of you.

In my heart, a secret garden bloomed.
Pollen sparkled on iridescent flowers,
Their petals fanning out like peacock feathers.
In this floral realm where time stood still
And death could never enter,
You, enshrined within a poem or story
That wouldn’t fade, rot, nor be reduced to ashes,
Could live eternally.


Author’s note: the songs for today are “This Is the One” by The Stone Roses, and “Sit Down” by James.

Motocross Legend, Love of My Life, Pt. 17 (Poetry)

You can read this novella from the beginning through this link.


Do you remember, Izar,
That one time in the basketball court
Of our old primary school?
Your hair looked like honey.
Pale wisps floated about your face.
You glanced up at the sky and said,
“The sun’s right above. Look!”
While shielding your eyes with one hand,
With the other, you gestured toward the hoop,
And the round, golden sun,
Glowing with midday heat,
Swished through the net.
You grinned triumphantly at the perfect shot,
The work of a godly markswoman.

In my memories, in my dreams,
Our teenage selves, wild and free,
Dressed in the sun of summer,
Roamed iridescent streets together
Under a sky layered like an oil painting.

One day, after a shower,
I wiped the fog off the mirror
To reveal a man’s naked body
Glimmering through the vapor.
The once lean-muscled figure,
Sculpted laboriously in the gym,
Had softened under the looser skin
To a layer of resigned flesh
That gravity insisted on dragging downward.
With both hands, I grasped my gut,
Stretching it as if to rip it open
And let the aging machinery spill out.

I locked a tortured gaze with the mirror,
With that cold-eyed stranger
Whose wrinkles carved on his face
Deepened each passing year.
His hair and stubble were flecked with gray.
The flaws I scarcely noticed during the day
Beamed back as if lit by headlights.
Every trace of my youth had eroded away;
I had transformed into a middle-aged man
That you, forever eighteen,
Would hardly recognize.

A rapping on the front door shattered the static haze.
When I opened the door, I faced an apparition.
Your chocolate eyes glowed with affection,
Your smile showed off your crooked teeth.
Rainwater slid down your sleek red jacket,
That framed the Evangelion T-shirt underneath.

You had finally returned from the beyond
To replace my dust with your stardust.
I hugged you tight, lifting you off the floor,
And you wrapped your legs around me
While giggling like a girl in love.
“How long has it been?” you asked.
“Far too long.”
“Will you come with me?”

In the corner of the street gleamed
Your beloved Aprilia Red Rose,
Its fuel tank painted yellow-and-white.
High-rise chrome handlebars,
A padded leather seat with visible studs.
Exposed engine components turned the Aprilia
Into a rugged and warworn mechanical beast,
Ready to race through the landscape
With its raw wounds laid to the wind.

As I rode pillion on your bike,
Its throaty rumbling vibrated through the seat.
I rested a hand on the thigh of your jeans,
And felt the firmness of the flesh beneath.

You swerved onto Navarra Avenue toward the highway.
The road ahead lay empty, an invitation to speed.
We passed by an endless procession of ghosts,
Whose whispers blended with the engine’s rumbling.

The low, crimson sun raced toward the horizon,
Stretching wavering, unnatural shadows.
My heart pounded, my breath came in gasps.
Dread clawed at my mind: we might never arrive.
Even as you speeded,
The destination receded farther and farther.
“We’re never going to get there, are we?”
“Where is there?”
“Wherever it is we’re going.”
Your whipping hair framed the profile of your face,
And your lips curled into a sad smile.

Back when you told me you were quitting school
To pursue the goal of becoming a motocross racer,
Should I have convinced you to continue your studies
And to use your spare time to train,
Even at the cost of seeing you less?
That one time in your parents’ apartment,
When your father stomped out of your bedroom
While threatening to go beyond words,
If I, instead of just comforting you,
Had confronted your old man,
Even at the risk of ending up bruised and bloody,
Maybe I would have intimidated him enough
That he wouldn’t have marked you
With a red handprint on your cheek.
If I had instilled in you the fear
That you might ruin both our lives
By crashing during one of your reckless stunts,
Maybe you wouldn’t have died so young.

I see you back on April 27, 1999,
When you scratched flakes of paint
Off that basketball pole.
The wind tugged at your ponytail,
And shiny raindrops dripped
From the soaked tips of your hair.
You turned your youthful face to me
And revealed your plan to leave.
For a moment, I panicked;
Would you untether yourself from me?
But you asked me to run away with you,
To drift through Spain on your bike
Like pirates on the open sea.

I said I would follow you anywhere, didn’t I?
When I replay that night in my mind,
Sometimes I see myself answering you,
And other times, I assumed you knew the answer.
Had I answered enthusiastically,
Promising that nothing and no one could stop me
From accompanying you to the ends of the world,
Would you have chosen to speed through the rain?
Did I let you die thinking I had abandoned you?


Author’s note: the song for today is “The Wait” by Built to Spill.

Lyrics of the album Odes to My Triceratops, Vol. 2

You can download the album Odes to My Triceratops, Vol. 2 through this link. Below are the lyrics for all the songs it contains.

Plan for a Renegade

First things first, I wanna talk to you about
Things like war, motherhood, and fatherhood.
Anyway, there’s only a verse about my friend.
See, Lorenzo has a mission that his parents planned:
Gotta shoot a renegade deinonychus (he’s a chupacabra).
Hell’s Gate-a-ray, his parents are sending him down to hell.

“Okay, this is going to sound too crazy.
Hell’s Gate-a-ray, ole-yeter. (gibberish)”
Lorenzo asks, “What was that, Gramps?”

“Shut up, you son-of-a-gun. Next, I’m tellin’ you the truth,
We’re gonna build a missile out of your heart, ’cause, um,
You, uh, you ain’t, uh, been an angel, but, you know,
You’ll repent and, uh, uh, don’t let the devil tempt you, boy.
An old fart like me, I know.”

The Griffin Hum

Ladies and gents, whoever’s listening,
Please allow me to introduce William Griffin,
Writer, singer, guitarist, human jerk.
Why don’tcha say something, Griffin?

What? Say what?
Hum, hum, hum, hum,
Hum, hum, hum.
Whatcha hum,
Whatcha hum,
Huuh?

If I had to summarize William Griffin
In one meaningful deed, it would be…
Hold on, I think the chorus is coming.
Let me tell you about it later.

Oh, song’s over. Nevermind!

Strings and Gunpowder

Grab your guitar!
Grab your gun!
Grab your life
And have fun!

Wake up at night and sing a song
Under your friend’s bedroom window.
Hey, Lorenzo! Lorenzo!
Plan to sleep all night long?
(“Shut up, asshole!”)

Yeah! It’s good to be back!
It’s good to be back!
La-la-la-lee
La-la-la-way,
Yay-eh!

Put your fingers on the strings,
Put a bullet in the chamber.
Boom boom boom!
Bang bang bang!
Hit ’em right in the heart!

Prehistoric Punk

Lorenzo is one ugly son-of-a-bitch.
His eyeballs are poison green.
With those claws, scales, and horns,
He’s like the truest form of punk.


Lorenzo the triceratops
Carries a tiny soul inside his skull.
That goddamn freak walks around
Like he could topple city blocks.


He’s got the guts of a machine gun,
And a portal to hell inside his throat.

Sing something, Lorenzo!

Rawr, rawr, ra-rawr!
Grr, grr, gr-grawr!
Rooo, rooo, ra-ra-roo!
Rawr, RAWR, RAAAAWR!

Crap

This crap is mine, and I am proud.
I’m gonna keep on singing, singing, singing.
I’m gonna keep on singing my crappy song,
And nobody can stop me.

It’s my own little song
That I’ve made myself,
And I’ll sing it any day
If I’m not getting beat up.

I’m gonna keep on singing, singing, singing.
I’m gonna keep on singing my crappy song.
I will sing forever and ever and ever,
Or until the day I die.

Cruisin’ While Horny

My friend Lorenzo is a triceratops
With a portal to hell inside his throat.
He would drive around for hours on end,
Trying to find some chicks.
Where did you get that car?
I don’t even have one.

What the hell are you doing, Lorenzo?
What the hell are you doing, Lorenzo?

Every day he’s doing this.
Dude, I’m worried about him.
This whole thing is getting out of hand.
When I told Lorenzo I was scared for him,
He shrugged his shoulders and said, “My bad.”

Lorenzo 2.0

Lorenzo the triceratops from space,
Born and raised in a cave.
His parents named him “the Obliterator,”
For that’s what he does best,
But they called him “Lorenzo” for short.

He’s not your average triceratops:
He doesn’t eat plants.
He eats the souls of the dead.

Lorenzo: update version 2.0.
New features include:
More soul-eating capacity.
Greater evil force.
Dark matter bazooka.
Enhanced chupacabras.
Fixes include:
Fixed flaming diarrhea bug.

Dating’s not his strong suit, though.
When Lorenzo dated that allosaurus,
He lost his mind and had to leave.
A relationship doomed from the start.

Lorenzo’s not afraid of anything.
When he heard the allosaurus was after him,
He said, “Bring that bitch over here!
I’ll smash her skull with a crowbar!”

Father God

My mom’s the sweetest flower,
But she married a prick.
Mom and stepdad drink together.
The whiskey flows through their veins
While they sing old songs
About suffering and death.

Father God
Looks down upon us.
His teeth are knives.
His heart is cold.
He kicks the poor,
And breaks the sick.
His feet stink,
So does his dick.

Fuck that big asshole up in the sky
Who wants us to love our father,
My dead dad’s replacement,
Who’s so generous with his fists.

Are you proud of what you’ve done?

William Gets Heart-Attacked

I’ve been vomiting blood for three hours.
I got heart-attacked! (Oh shit!)
Lorenzo bit his tongue to draw blood
So I would drink it, replacing mine.

It’s not every day that a triceratops saves a person.
I’d bleed to death without a tongue-blood transfusion.

I’m in a hospital bed.
Lorenzo is in the next bed over,
With a tube going down his throat.
He’s recovering from the shame
Of saving my life.

But it was all a dream (yeah, that makes more sense).
It was all a dream (that’s why it made no sense).

Damn it, I should have known!
Everything was bruise-blue,
And upside down.

Anyway, thank you, thanks for saving me in a dream, Lorenzo!
“No problem.”

What a fucked-up way to start the day…

Cancer and Virgins

Our souls are connected
To our bones and our flesh,
But to me Claire could only exist
On the surface.

Lorenzo is half metal
And half stone.
He’s like a newly launched gunship.
On the inside we’re alike:
Cancer and virgins.

But because he is a killer,
Lorenzo is a strange boy.

My sister has an iron fist,
And keeps screaming in envy.
We’re more the same than we are different.

I hate to touch a hand that’s metallic,
She hates to kiss a mouth that’s metal.
But deep down we’re the same:
We are born to murder.

The Hair on Her Arms

Claire, I love the way you cry,
And the tears that fill your eyes.

Every time you get close to me, I feel warm.
I dream about the hair on your arms.

You two are my best friends:
Lorenzo and Claire,
A triceratops and a blind girl.
My inspiration for most songs I write.

In these mountains, everything is cold.
What was left behind has turned to dust.
I find myself walking around town in the dark,
Just to know that I’m alive.

To Old America

Was there a time when you weren’t here, right by my side?
If there was, does it matter anymore?

Listen up close, boy
I’ve got something to say.

This boy can keep me up to date
And help me fix what’s wrong.
I’ll take him to old America.
He’ll show me the way.

This boy can keep me up to date.
His face speaks of new understanding,
And it’s my spirit that he surrounds.
I think I could live in his love.

C’mon, boy.
Right this way?

Supernova Snack

If I got hungry in the forest, Claire,
Would ya give me some of your blood?
If I fell in the river and got drenched,
Would ya lick me dry?

You’ve got an ass that could put out the flames
Of a raging forest fire.
(By which I mean your ass is very nice.)

Claire, you’re a fucking snack!
Everything you say makes me hard.
What should I do, girl?
Should I stick my nose in your arm, or what?

The only thing better than dying in battle
Is to get blown up by a meteor,
Or eaten by a carnosaur,
Then get fucked by you.

Claire, if you’re hungry,
Eat my eyes.
If you’re cold,
Light my bones on fire.

The stars will go out,
The planets break apart,
But for now, I’ll be feasting
On my supernova snack.

Marmalade Sun

A bird is building a nest in my mind.
Butterflies flutter around in my mouth.
There’s something living in my nose.

(You know those bioluminescent creatures that live in the black depths?
That’s what I have swimming in my guts.)

You and I, my ginger beam,
We were born from dinosaur blood
And that marmalade sun.

My head is round and rounder.
I don’t eat, I live on laughter.
No matter what, we’re going to die,
So we might as well enjoy the ride.

Friends We Never Knew

Are yours also cold on the inside?
Hmm-hmm.
Slimy, too.

It’s a miracle we’ve survived this far.
Millions of years ago,
We were myriad little cells,
Not even half-conscious of our lives.

Now here we are, talking about life and death,
Eating hot dogs we got out of a truck.
“Anton’s Hot Dogs” painted on the side.

We’ve survived it all:
Super volcanoes, ice ages.
But many others have not,
Friends we never knew.

What do I know?
At the end of the day,
I’m just a dumb teenager
With two friends to sing for,
And one to fuck.

Eyes Closed

I’ll never forget the first time we met,
‘Cause something in your eyes
Made me want to try to touch your soul.
It’s such a shame how your eyes are always closed.

There’s a place that’s hidden deep inside your soul,
And if you knew the way to find it,
We could be lost in love forever.

When we find that, then we’ll find what’s within,
And everything that we’re searching for
Will come true like the stars in the sky
And the places on the ground.

And everything that we’re searching for
Will come true.

Lorenzo, No

Lorenzo, no.
I could tell you so many things,
But you’re never gonna hear them.

So go back to your cave
And think on life,
And you’ll find it’s so much better
Than what you think.

Go away, please.

Philosophy of the Beast

Don’t turn Lorenzo into a nihilist jerk
With all this depression shit.
Stop giving him philosophy books.
That’s not his calling.


He just wants to go on dates with chicks,
Eat their clits, and maybe dance a bit.


Lorenzo’s the kind of dinosaur
You can’t tie down.
Feed him, and he’ll bite your hand.
Give him a reason, and he’ll crush it.


Ohhhh-waaaahh-oh-waaahh-oh-waaaaaaa
Aaa-wa-waaah-aa-a-ahh-aaa
Ahh-ahh-a-wa-a-wah-waaaaa-wah
Aaa-oh-waaa-aa-aaa-waaa-aaa


That meat-grinder was born out of boredom,
And forced itself to evolve.
You won’t understand him,
‘Cause the ways of humans are insane!


No, that’s a bit unfair.
We’re all little monsters
Stuck on this rock hurtling through space,
Just trying to survive.

Monster With a Hellmouth

My friend doesn’t just have a hellmouth:
He also has a monster head
Made of chromium steel.

Whenever Lorenzo sings a song,
He sounds terrifying and murderous.
His hellmouth gushes dark smoke
While all sorts of horrors pour out.
(This does happen a lot.)
He’s a monster with a hellmouth;
I don’t know what to tell you.

Lorenzo ain’t afraid of ghosts or leprechauns.
If you run into him in a dark forest,
He’ll impale you on his horns,
And make a wish with your bones.

He’s also very well endowed:
It looks like a bazooka.
His seed comes out of his mouth
While his bazooka throbs.
(I’m not sure what nature intended
With that reproductive system.)

When I close my eyes, I still see it.

Hold in There, Lorenzo

Tumble through the cracks of this shithole town.
A boy and his fucking dinosaur.
You wear your horns like crowns
While I just wear my skin.

I see myself in you tonight, Lorenzo.
You’re out in the sun’s fucking bright light.
Drinking time (fuck yeah!).
You’re headed for the bottom.

You’re out there eating your dick.
You’re full of shit,
All fucked-up inside.
Your gonads hold the world in place.
You know we’re all going to die.

Triceratops dick.
Triceratops cock.
Triceratops dick.
Triceratops cock.
Fucking horned beast.
Helldick.

Don’t Wanna Be the One

Just look at how you’ve changed.
You don’t even look like yourself any more.
Clothes are hanging on you,
Your hair is a mess.
It looks like something’s wrong with you.

I don’t wanna be the one
To tell you the truth,
But I think that I should be the one
To tell you the truth.

I don’t like the way you’re acting.
Oh Lord, please help me.
So it’s true what they say.

I love you (I do), and I know you care for me.
Just tell me (tell me, bro) why you always treat me bad.
I can’t stand you any more,
And I really don’t think that it’s fair.

I don’t wanna be the one
To tell you the truth,
But I think that I should be the one
To tell you the truth.

Lorenzo.
Lorenzo.
My triceratops.
An ode,
A million of ’em,
To my triceratops.

The Same as It Is Now

Don’t shut the portal to hell.
Hey.
Don’t close the portal to hell.

Hey
Hey, you.
Did you listen?

Don’t be afraid of what I tell you,
Or you’ll end up down that well.
It will be dark and it will be cold,
And it will be you.

No! It’ll be the same as it is now,
Except with a lot of kids singing songs
About things that go boom.

Into Hell and Out Again

You, my friend, will disappear into hell,
So throw away your cigarettes,
Your scarlet lady and your tin box,
‘Cause you have a better life ahead.

It’s just the world we live in:
There’s no one to lead us.
The highway’s packed with assholes,
All of them worse than the last.

Forget the girls who betrayed you,
Every lie that brought you pain.
We should sit back and laugh,
For this life will go away.

You, my friend, will have to cross this stream,
Wading in the water with your arms wide open,
Feeling for each stone with your toes.

Throw away your scarlet lady,
And your cigarettes too.
This fucking world’s a garbage dump,
But not your heart, for that is home.

Afraid of His Dick

Dude, dude,
Try not fuck with him, ’cause he’s a goddamned
Mammoth triceratops
With a portal to hell inside his throat,
And a dick like a spear.

He won’t let you go, and he will follow you
All the way to the end of your life,
But in the meantime he won’t let you die,
‘Cause he knows a lot of stuff about science.

He wears a shell with a god inside.
I swear, he won’t let me die.
He wants to kiss my vagina,
But he hates the taste of petroleum.

When he bites me,
He comes off as murderous,
But I can never alert the authorities,
‘Cause I can’t read nor write,
And that’s just embarrassing.

Dude, can I tell you something?
If I were to kill him,
You could write about the slaughter,
And then we could kiss,
And drink some wine
And eat some tacos
And watch a movie.

We Can Fly

Claire is an angel. You’re the devil.
I’m the dude in-between.
We can fly like eagles,
We can sing like canaries,
But the blowing wind
Will never take us anywhere.

At least we’ve got our little hideaway
Where nobody’s gonna find us,
And we can let loose, do whatever we want.
You get high and go into these freaky rants,
Claire gives us those scary stories,
And I write songs about being dumb.

(Don’t tell me that ain’t the life.)

I had always liked coming here for reasons:
The smell of gasoline.
To be near things that are rusty and dying.
You can see the mountains in the distance.
They remind me of how small I really am.

I don’t wanna leave this town,
I’m too scared to even try.
Let’s stay here together
Until the end of time.

Cretaceous Razor

Somewhere at the end of the black and blue,
A yellow rose falls from the sky.
Lorenzo’s throat is stuffed with joy and hope.
His heart is a lighthouse in the dark.

A hell of a way to live and love,
The difference between life and death,
To know the feeling of a dino’s claws.
He’ll shred you to the size of a cactus.

Some may find the signs of wisdom.
Lorenzo can’t understand anything from them,
But his warm and kind stories
May make you love life more than death.

A Cretaceous razor cuts the sun.
He’ll make your hat more than seven feet tall.
The curve of his horns turns me on.
He’s an angel in the blackest of hells.

Girl With a Limp

Lorenzo’s a dinosaur with a triceratops brain.
If you know his liver, then you know his scrotum.
If you don’t know his liver, then you know his scrotum.
Those balls are hard to miss.

If you asked him where he got his good looks,
He’d say, “A vat of acid.”
If you asked him how to get his abs,
He’d say, “Stick a saw blade in your guts.”
If you asked him where he lives,
He’d say, “Under your bed.”
If you asked him how to find true love,
He’d say, “Open the gates of hell!”

If you asked Lorenzo where he was going,
He’d look at you like you had three heads.
If you told him where he was going,
He’d call you a liar.

Lorenzo would get drunk and fuck my girl.
He kicked her while having sex.

She’s a charming sixteen
Going on twenty-four.
Her eyes are milk,
And she walks with a limp.

No Entiendo

His name’s Lorenzo. I think it sounds like a brand.
I was just a kid when I first heard the wailing
That howls out from the depths of his throat.

Ay, ay, ay, ay, ay.
Ay, ay, ay, ay, ay.
Ay, ay, ay, ay, ay.

No entiendo!
Hey, no entiendo.
Yo no entiendo.

Lorenzo takes me by the arm.
“Se llama amor, pero no lo entenderías.”
He runs toward our school with a bomb
That blows up the town and my home.

Necesito una sombrilla.
Hoy es luna de sangre!

God Fucked Us and Made a Mixtape

My asshole is soaking wet.
There are bubbles coming out.
It feels as if God’s dick went through,
Hiroshima’d my rectum.
Let me shit the living truth!

Blubblubblub!
Blubblubbluburbursurslubluplbluplu, bruru!
Burursurbur!
Slllluurrrslllruuberba!
Arasaba rururu urusar suba ar su!

Dear God, the creator and destroyer,
Please allow me to introduce myself.
I’m a demon sent from the pits
That are located south of hell.

God, you’ve been fucking with us forever,
Making mixtapes and sharing them online.
Why are you still recording?
Do you want attention, or are you insane?

God’s up there rolling joints and listening to metal.
Once, an angel tried to take God’s headphones off.
I found that angel in pieces behind a seven-eleven.
Those poor wings will never fly again.

Oh, God! The things you’ve done to us!
You said, “My children, this is what I want you to do:
Blow your load on top of the highest mountain.”
We did, and the mountain was covered in cum.

Oh, oh, oh, oh, God fucked us,
And made a mixtape!
He said, “This is for you, children,
In case your forget how great I am.”

You can say that God fucked us and made a mixtape,
‘Cause he fucked us and made a mixtape,
Which is actually a huge collection of mixtapes,
All with the same cover and title,
Sitting on the floor of a van.

God will kill us all one day,
But first he’ll put us through hell.
Now that he’s set me on fire,
I will burn the world away.

Love Thy Tyrannosaurus

Tyrannosaurus Rex,
Tyrant lizard king.
He runs with his brothers and sisters
Through the thick jungle brush.
He was born under the shadow
Of a thousand lightning bolts.

Love thy tyrannosaurus,
But keep thy distance:
He will kill thee,
And eat thy guts.

He’s just a vicious dude
In a giant reptile suit,
And we’re one and the same.

Here it comes.

When the Fence is Gone

The actual lady, Claire,
Is in love with the beast.
She’s trapped in his throat,
Bound by a curse.

We’re the sheep that go out to pasture,
The livestock in a fenced field.
You’re the shepherd of a foolish flock,
Feeding on our blood and souls.

I wish I could pretend
That you never existed,
But now I will pretend
That I care for you.
The day will come
When the fence is gone,
And you will be the one
Left all alone.

Beast of the old ways.

Hell Is This Way

Oh Lorenzo, what can I say?
I never liked you when we were kids.
You have a face that’s a million years old.

The portal to hell has swung open.

I am Triceratops, and my wife is Spartacus.
Handsome or ugly, what does it matter?
My wife gives her life away for Triceratops.

Hell is this way.
Hell is this way.
Hell is this way, triceratops.

A world far below this one,
Where darkness never ends.

Your blood’s the best of wines.

Bitter Bites

And after all the lies he told,
The rocks he threw at me,
That dino got what he deserved.

I saw tears in his eyes.

He will never betray me again,
That bloody demon.

To satisfy a weird urge,
I cut up some of his flesh,
And ate it.
How sick is that.

The Devil Inside My Throat

I met this girl who wouldn’t give a fuck.
One day she led me to her bedroom.
Today I couldn’t look her in the eyes,
Even though she’s only ever seen black.

Her scent is a morning in early fall,
And her voice soft and pleasant,
Like a mother who wouldn’t abandon you,
Or a father who would never hurt you.

It’s all gone.

The devil lives inside my throat.
I hear his chortling every night.
Sometimes he burns my clothes.
He also pees on my bed.

Name’s Lorenzo. I’m a triceratops.
I have a portal inside my throat.
When I open it, smoke comes out
From the bowels of hell.

I see the darkness within me.
I’ve always known it was there.

Release of album Odes to My Triceratops, Vol. 2

Back in 2021, during a blessed period of unemployment, I wrote the strange tale of amateur songwriter William Griffin, his love interest slash next-door neighbor Claire Javernick, and their pal Lorenzo, who is inexplicably a sentient triceratops. They spent their growing years in a nowhere-town that William can’t imagine ever leaving. Through this project of producing the songs contained in that story by exploiting the revolutionary AI service Udio, I had to rewrite plenty of songs or even ditch them altogether, but I felt that at the core was a poignant tale of a passionate if misguided young man too raw for this broken world.

In this volume of the four that will contain his story, the trio have left behind their tween years, and are now full-blown hormonal teenagers. Expect rage, rebellion, sexual urges, weird cravings, and a twist toward the end that will constitute the turning point of William’s story.

A 34-song, two hours-long wild ride of an album, one of my favorite creations. I know some of you have downloaded individual songs belonging to this album before (it appears in the stats), but I urge you to download the whole thing anyway, because I’ve tinkered with the sound levels, and fixed minor other stuff.

Link to download the album

I wouldn’t have been able to produce these songs if it weren’t for the magnificent AI service Udio.

Songs contained in Odes to My Triceratops, Vol. 2:

  1. Plan for a Renegade
  2. The Griffin Hum
  3. Strings and Gunpowder
  4. Prehistoric Punk
  5. Crap
  6. Cruisin’ While Horny
  7. Lorenzo 2.0
  8. Father God
  9. William Gets Heart-Attacked
  10. Cancer and Virgins
  11. The Hair on Her Arms
  12. To Old America
  13. Supernova Snack
  14. Marmalade Sun
  15. Friends We Never Knew
  16. Eyes Closed
  17. Lorenzo, No
  18. Philosophy of the Beast
  19. Monster With a Hellmouth
  20. Hold in There, Lorenzo
  21. Don’t Wanna Be the One
  22. The Same as It Is Now
  23. Into Hell and Out Again
  24. Afraid of His Dick
  25. We Can Fly
  26. Cretaceous Razor
  27. Girl With a Limp
  28. No Entiendo
  29. God Fucked Us and Made a Mixtape
  30. Love Thy Tyrannosaurus
  31. When the Fence Is Gone
  32. Hell Is This Way
  33. Bitter Bites
  34. The Devil Inside My Throat

Here you can listen to some of the songs contained in this album, in case you think that AI-generated songs must sound like garbage.

“Prehistoric Punk”

“The Hair on Her Arms”

“We Can Fly”